Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery

Synopsis

In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots.

Copyright:

2014

Book Details

Book Quality:

Publisher Quality

ISBN-13:

9780252096112

Related ISBNs:

9780252038259, 9780252079832

Publisher:

University of Illinois Press

Date of Addition:

10/05/16

Copyrighted By:

University of Illinois Press

Adult content:

No

Language:

English

Has Image Descriptions:

No

Categories:

History, Entertainment, Nonfiction, Art and Architecture, Social Studies

Submitted By:

Bookshare Staff

Usage Restrictions:

This is a copyrighted book.