Voicing the Cinema: Film Music and the Integrated Soundtrack

By: James Buhler and Hannah Lewis

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Synopsis: Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack. The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism. Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell

Book Quality:: Publisher Quality
ISBN-13:: 9780252051869
Related ISBNs:: 9780252043000, 9780252084867
Publisher:: University of Illinois Press
Date of Addition:: 03/16/20
Copyrighted By:: University of Illinois Press
Adult content:: No
Language:: English
Has Image Descriptions:: No
Categories:: History, Entertainment, Nonfiction, Art and Architecture, Music
Submitted By:: Bookshare Staff
Usage Restrictions:: This is a copyrighted book.
Edited by:: James Buhler
Edited by:: Hannah Lewis