Sonic Bodies: Text, Music, and Silence in Late Medieval England (Sound in History)

Synopsis

What is the body when it performs music? And what, conversely, is music as it reverberates through or pours out of a performing body? Tekla Bude starts from a simple premise—that music requires a body to perform it—to rethink the relationship between music, matter, and the body in the late medieval period.Progressing by way of a series of case studies of texts by Richard Rolle, Walter Hilton, Margery Kempe, Geoffrey Chaucer, William Langland, and others, Bude argues that writers thought of "music" and "the body" not as separate objects or ontologically prior categories, but as mutually dependent and historically determined processes that called each other into being in complex and shifting ways. For Bude, these "sonic bodies" are often unexpected, peculiar, even bizarre, and challenge our understanding of their constitutive parts.Building on recent conversations about embodiment and the voice in literary criticism and music theory, Sonic Bodies makes two major interventions across these fields: first, it broadens the definitional ambits and functions of both "music" and "the body" in the medieval period; and second, it demonstrates how embodiment and musicality are deeply and multiply intertwined in medieval writing. Compelling literary subjects, Bude argues, are literally built out of musical situations.

Copyright:

2022

Book Details

Book Quality:

Publisher Quality

Book Size:

336 Pages

ISBN-13:

9780812298321

Related ISBNs:

9780812253702

Publisher:

University of Pennsylvania Press, Inc.

Date of Addition:

03/22/22

Copyrighted By:

University of Pennsylvania Press

Adult content:

No

Language:

English

Has Image Descriptions:

No

Categories:

History, Nonfiction, Literature and Fiction, Language Arts, Music

Submitted By:

Bookshare Staff

Usage Restrictions:

This is a copyrighted book.