Joni Mitchell's Court and Spark (33 1/3 Ser. #40) (33 1/3 Ser. #40)

By: Sean Nelson

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Synopsis: It’s a sucker bet to try and argue that Blue, or For 2 the Roses, or The Hissing of Summer Lawns are better or worse albums than Court and Spark, or than one another. In a certain way, they all feel like one sustained burst of musical endeavor from an artist who had only just begun to understand what she was capable of—and before she had decided to leave that strength behind in search of new powers. Still, Court and Spark is such a clear turning point, not just in terms of its popularity, but in terms of its approach. It represents a perfect example of an artist reaching out to a wide audience without pandering to it, in what feels, more than three decades on, like an honest attempt to say as much as possible to as many people as possible.