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The Art of the Japanese Garden
by David Young Michiko Young Tan Hong YewWinner of the 2006 American Horticultural Society Book Award! The Art of the Japanese Garden traces the development and blending of gardening traditions, as well as the inclusion of new features as gardening reached new heights of sophistication on Japanese soil. The book features a number of the most notable gardens in Japan, including graveled courtyards, early aristocratic gardens, esoteric and paradise gardens, Zen gardens, warrior gardens, tea gardens and stroll gardens.
Introduction to Japanese Architecture
by David Young Michiko Young Tan Hong YewIntroduction to Japanese Architecture provides an overview of Japanese architecture in its historical and cultural context. It begins with a discussion of prehistoric dwellings and concludes with a description of contemporary trends in areas as diverse as country inns, underground malls, and love hotels. The intervening 12,000 years are analyzed in reference to major changes in architecture caused by Buddhist and indigenous influences, feudalism, and finally the influence of Western culture in the 19th century.
The House Baba Built: An Artist's Childhood in China
by Ed Young Libby KoponenThis book is a nostalgic picture book memoir by Ed Young, one of our most beloved children's illustrators, about his childhood in Shanghai.
Color Scheme: An Irreverent History of Art and Pop Culture in Color Palettes
by Edith YoungChange the way you see color forever in this dazzling collection of color palettes spanning across art history and pop culture, and told in writer and photographer Edith Young's accessible, inviting style.From the shades of pink in the blush of Madame de Pompadour's cheeks to Prince's concert costumes, Color Scheme decodes the often overlooked color concepts that can be found in art history and visual culture. Edith Young's forty color palettes and accompanying essays reveal the systems of color that underpin everything we see, allowing original and at times, even humorous, themes to emerge. Color Scheme is the perfect book for anyone interested in learning more about, or rethinking, how we see the world around us.
The Vintage Fashion Illustration Manual
by Edith YoungOriginally published in 1919 as Student's Manual of Fashion Drawing, this antique volume represents an authentic guide to fashion illustration in the years between the Edwardian era and the Jazz Age. Readers with an interest in vintage fashion will be fascinated by the text and illustrations, which explain everything from drawing the basic human form to stylistic details of collars, shoes, parasols, hats, and other garments and accessories. Author Edith Young, a seasoned professional in art and fashion illustration, presents detailed instructions accompanied by numerous images. Her careful explanations of fundamental principles provide students with the means for practice. Lessons on drawing basic shapes, human forms, and proportions in garments offer timeless advice, and stylistic details supply flourishes specific to the period covered by this manual. A great way to learn how to draw vintage fashion from a genuine voice of the era, this volume is a valuable companion for fashion students, artists, costumers, vintage clothing buyers, and lovers of bygone fashions.
Embodying Black Experience: Stillness, Critical Memory, and the Black Body
by Harvey Young"Young's linkage between critical race theory, historical inquiry, and performance studies is a necessary intersection. Innovative, creative, and provocative. " ---Davarian Baldwin, Paul E. Raether Distinguished Professor of American Studies, Trinity College In 1901, George Ward, a lynching victim, was attacked, murdered, and dismembered by a mob of white men, women, and children. As his lifeless body burned in a fire, enterprising white youth cut off his toes and, later, his fingers and sold them as souvenirs. InEmbodying Black Experience, Harvey Young masterfully blends biography, archival history, performance theory, and phenomenology to relay the experiences of black men and women who, like Ward, were profoundly affected by the spectacular intrusion of racial violence within their lives. Looking back over the past two hundred years---from the exhibition of boxer Tom Molineaux and Saartjie Baartman (the "Hottentot Venus") in 1810 to twenty-first century experiences of racial profiling and incarceration---Young chronicles a set of black experiences, or what he calls, "phenomenal blackness," that developed not only from the experience of abuse but also from a variety of performances of resistance that were devised to respond to the highly predictable and anticipated arrival of racial violence within a person's lifetime. Embodying Black Experiencepinpoints selected artistic and athletic performances---photography, boxing, theater/performance art, and museum display---as portals through which to gain access to the lived experiences of a variety of individuals. The photographs of Joseph Zealy, Richard Roberts, and Walker Evans; the boxing performances of Jack Johnson, Joe Louis, and Muhammad Ali; the plays of Suzan-Lori Parks, Robbie McCauley, and Dael Orlandersmith; and the tragic performances of Bootjack McDaniels and James Cameron offer insight into the lives of black folk across two centuries and the ways that black artists, performers, and athletes challenged the racist (and racializing) assumptions of the societies in which they lived. Blending humanistic and social science perspectives,Embodying Black Experienceexplains the ways in which societal ideas of "the black body," an imagined myth of blackness, get projected across the bodies of actual black folk and, in turn, render them targets of abuse. However, the emphasis on the performances of select artists and athletes also spotlights moments of resistance and, indeed, strength within these most harrowing settings. Harvey Young is Associate Professor of Theatre, Performance Studies, and Radio/Television/Film at Northwestern University. A volume in the series Theater: Theory/Text/Performance
Theatre After Empire
by Harvey YoungEmphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems.Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition.This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism.The Introduction ("Framing Latine Theatre and Performance") of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Falling, Floating, Flickering: Disability and Differential Movement in African Diasporic Performance (Crip #7)
by Hershini Bhana YoungInsists on the importance of embodiment and movement to the creation of Black socialityLinking African diasporic performance, disability studies, and movement studies, Falling, Floating, Flickering approaches disability transnationally by centering Black, African, and diasporic experiences. By eschewing capital’s weighted calculus of which bodies hold value, this book centers alternate morphologies and movement practices that have previously been dismissed as abnormal or unrecognizable. To move beyond binaries of ability, Hershini Bhana Young traverses multiple geohistories and cultural forms stretching from the United States and the Mediterranean to Sierra Leone, Nigeria, and South Africa, as well as independent and experimental film, novels, sculptures, images, dance, performances, and anecdotes. In doing so, she argues for the importance of differential embodiment and movement to the creation and survival of Black sociality, and refutes stereotypic notions of Africa as less progressive than the West in recognizing the rights of disabled people. Ultimately, this book foregrounds the engagement of diasporic Africans, who are still reeling from the violence of colonialism, slavery, poverty, and war, as they gesture toward a liberatory Black sociality by falling, floating, and flickering.
Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora
by Hershini Bhana YoungIn Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.
James Baldwin’s Understanding of God
by Josiah Ulysses Young IIIJames Baldwin's Understanding of God focuses on Baldwin's experiences as a gifted black writer who fought valiantly against racism and wrote openly about homosexual relationships. Baldwin's God is a "mysteriously impersonal" force he calls love, 'something . . . like a fire, like the wind, something which can change you. ' For Baldwin, "To be with God is really to be involved with some enormous, overwhelming desire, and joy, and power which you cannot control, which controls you. " Young covers James Baldwin's life from his mid-teens to his death through accounts and analyses of his essays and novels. Sometimes his "theology" - what he has to say about his "God" - comes straight from his text; other times Young deduces it from his nonfiction prose and the implications of his novels and their protagonists. Young places those works in the context of several historic events that were taking place in the United States at that time.
The Stages of Memory: Reflections on Memorial Art, Loss, and the Spaces Between (Public History In Historical Perspective Ser.)
by James E. YoungFrom around the world, whether for New York City’s 9/11 Memorial, at exhibits devoted to the arts of Holocaust memory, or throughout Norway’s memorial process for the murders at Utøya, James E. Young has been called on to help guide the grief stricken and survivors in how to mark their losses. This poignant, beautifully written collection of essays offers personal and professional considerations of what Young calls the “stages of memory,” acts of commemoration that include spontaneous memorials of flowers and candles as well as permanent structures integrated into sites of tragedy. As he traces an arc of memorial forms that spans continents and decades, Young returns to the questions that preoccupy survivors, architects, artists, and writers: How to articulate a void without filling it in? How to formalize irreparable loss without seeming to repair it? Richly illustrated, the volume is essential reading for those engaged in the processes of public memory and commemoration and for readers concerned about how we remember terrible losses.
The Texture of Memory: Holocaust Memorials and Meaning
by James E. YoungIn Dachau, Auschwitz, Yad Vashem, and thousands of other locations throughout the world, memorials to the Holocaust are erected to commemorate its victims and its significance. This fascinating work by James E. Young examines Holocaust monuments and museums in Europe, Israel, and America, exploring how every nation remembers the Holocaust according to its own traditions, ideals, and experiences, and how these memorials reflect their place in contemporary aesthetic and architectural discourse. The result is a groundbreaking study of Holocaust memory, public art, and their fusion in contemporary life. <p><p>Among the issues Young discusses are: how memorials suppress as much as they commemorate; how museums tell as much about their makers as about events; the differences between memorials conceived by victims and by victimizers; and the political uses and abuses of officially cast memory. Young describes, for example, Germany's "counter monuments," one of which was designed to disappear over time, and the Polish memorials that commemorate the whole of Polish destruction through the figure of its murdered Jewish part. He compares European museums and monuments that focus primarily on the internment and killing process with Israeli memorials that include portrayals of Jewish life before and after the destruction. In his concluding chapters, he finds that American Holocaust memorials are guided no less by distinctly American ideals, such as liberty and pluralism. <p><p>Interweaving graceful prose and arresting photographs, the book is eloquent testimony to the way varied cultures and nations commemorate an era that breeds guilt, shame, pain, and amnesia, but rarely pride. By reinvigorating these memorials with the stories of their origins, Young highlights the ever-changing life of memory over its seemingly frozen face in the landscape.
Get Involved in an Art Club! (Join the Club)
by Jessica Young Sylvie SparkAre you an art enthusiast? If so, an art club might be the right fit for you! Find out what it takes to join an art club or start your own, including information on membership, meetings, and activities. Together, you and your fellow members can participate, create, and most importantly, have fun. Take the plunge, join the club, and get involved!
Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963
by Jingan YoungDespite Soho’s rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within postwar British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.
Tear the Curtain!
by Jonathon Young Kim Collier Kevin KerrIn this psychological thriller set in a fictionalized 1930s Vancouver, Alex Braithwaite, a troubled but passionate theatre critic, believes he has found the legendary Stanley Lee, director of the infamous avant-garde theatre "The Empty Space." Alex becomes convinced that this man's radically subversive ideas are what the artistic community of the city needs to shatter audience complacency. In his pursuit of the truth behind Stanley Lee's mysterious disappearance and his artistic ideas, Alex becomes caught between the warring factions of two prominent mob families - one controlling the city's playhouses, the other its cinemas, but both ensnared by the Empty Space Society. At the dawn of the Talkies, can Alex tear through the artifice of these art forms in time to save the city's art community from ripping itself apart?The play's collaborators found inspiration within the walls of Vancouver's Stanley Theatre, a space that has a dual history as a cinema and vaudeville house. Fittingly, this gritty film-noir production became an exploration of the two kinds of art and how they affect the audience. Tear the Curtain! explores global issues that consider what we want from art: to be shocked and surprised or for order to be restored.Cast of 2 women and 8 men.
Please Don't Grab My P#$$Y: A Rhyming Presidential Guide
by Julia Young Matt Harkins Laura CollinsThrough campy pop culture rhymes and beautiful oil paintings, the narrator of our book guides you though a list of things you CAN grab while offering more poetic ways to refer to a woman’s genitalia than the word “pussy” that Trump so vulgarly used. As the narrator goes on, she lets you know more about her relatives (a reclusive aunt with a lazy eye) and her interests (Justin Bieber’s Instagram) while never losing sight of her mission to make the President as uncomfortable as possible. We think that the President, not to mention men in Hollywood, Wall Street, the news media and beyond, can benefit from reading our book. No matter who you are, or how dumb you are, you’ll be able to understand this book’s simple message: Hands off my pussy!
Historic Irvington (Images of America)
by Julie YoungFounded in 1870, historic Irvington serves as a time capsule to the bygone days of the Victorian and Edwardian eras. The once autonomous community along the Pennsylvania Railroad and U.S. Route 40 has a history as rich and spellbinding as the legendary tales of its namesake, Washington Irving. Featuring plenty of architectural diversity and notable citizens, Irvington served as the original home to Butler University and became known as a cultural, arts, and academic pillar of the Indianapolis landscape. Today Irvington continues to be the gem of Indianapolis's east side with locally owned shops and businesses along with a community that is committed to the past while focusing on the future.
No Man's Land: The Life and Art of Mary Riter Hamilton, 1868-1954
by Kathryn A. Young Sarah M. McKinnonWhat force of will and circumstance drove a woman from a comfortable life painting china tea services to one of hardship and loneliness in the battle zones of France and Belgium following the Great War? For western Canadian artist Mary Riter Hamilton (1868-1954), art was her life’s passion. Her tale is one of tragedy and adventure, from homestead beginnings, to genteel drawing rooms in Winnipeg, Victoria and Vancouver, to Berlin and Parisian art schools, to Vimy and Ypres, and finally to illness and poverty in old age. "No Man’s Land" is the first biographical study of Hamilton, whose work can be found in galleries and art museums throughout Canada. Young and McKinnon’s meticulous research in unpublished private collections brings to light new correspondence between Hamilton and her friends, revealing the importance of female networks to an artist’s well being. Her letters from abroad, in particular, bring a woman’s perspective into the immediate post-war period and give voice to trying conditions. Hamilton’s career is situated within the context of her peers Florence Carlyle, Emily Carr, and Sophie Pemberton with whom she shared a Canadian and European experience.
Pumpkin: The Raccoon Who Thought She Was a Dog
by Laura L. YoungAs a baby, Pumpkin the Raccoon was abandoned by her parents after falling out of a tree and breaking her leg. Taken in by a family with two rescue dogs, Toffee and Oreo, Pumpkin gained a new set of "parents" and a life of luxury in the Bahamas.Pumpkin: The Raccoon Who Thought She Was a Dog is a sweet, unique look at an adorable household pet, captured in gorgeous, never-before-seen photographs in luxurious settings. Pumpkin's message is that friendship and love can be found in the most unlikely of companions. With a lot of personality, and a little bit of mischief, Pumpkin will capture hearts all around the world.
Collaborative Research Design: Working with Business for Meaningful Findings
by Louise Young Per Vagn FreytagThis book articulates and interconnects a range of research methods for the investigation of business management processes. It introduces new directions that both recognise the business community as stakeholders in the research process and seek to include them in that process. The book presents a range of contemporary research methods with particular focus on those that allow insights into business managers' thoughts and behaviours. It includes fresh views on traditional research designs, for example new approaches to using literature reviews, experiments, interviews and observation studies. It also considers cutting-edge research methods, such as the use of vignettes, workshops, improvisation and theatre, as well as computer-based simulation. In addition to discussing new approaches to data capture and data generation, it presents new methods of data analysis by considering various forms of models and modelling, new forms of computer-aided text analysis and innovative approaches to data display. Finally, the book provides a link between the philosophical underpinnings of research and the different research methods presented. This is often neglected but undertaking the knowledge-generating journey that is research includes having a view on reality and marrying this to beliefs about how the reality to be investigated can be best expedited.
Timeless: Recreate the Classic Makeup and Hairstyles from 100 Years of Beauty
by Louise Young Loulia SheppardFrom renowned film, TV, and fashion makeup artist Louise Young-along with leading film industry hairstylist Loulia Sheppard, Timeless is the definitive step-by-step guide to the most iconic looks of a century.Timeless is a beauty bible for the golden ages of style. Step-by-step photography and clear, concise instructions help you to recreate the most memorable makeup and hair looks of the past 100 years, including: The silent-screen "vamp" Jazz-Age bob and smoldering eyes 1930s Hollywood glamour World War II-era red lips and victory rolls The 1950s bombshell Swinging '60s London Look Disco-fever beauty The colorful, eclectic '80s Grunge-era chicThroughout, Timeless provides inspiration and instruction on how to recreate the looks of beauty icons like Louise Brooks, Clara Bow, Ginger Rogers, Myrna Loy, Betty Grable, Rita Hayworth, Ava Gardner, Lauren Bacall, Gene Tierney, Grace Kelly, Lucille Ball, Elizabeth Taylor, Marilyn Monroe, Audrey Hepburn, Jean Shrimpton, Sophia Loren, Farrah Fawcett, Julia Roberts, Brooke Shields, Kate Moss, Drew Barrymore, and many more.Accurate, practical, and beautiful, this is the ultimate guide to the most classic looks of all time-a must-have for makeup artists, hairstylists, classic film fans, and anyone interested in incorporating vintage style into the modern day.
Timeless: A Century of Iconic Looks
by Louise Young Loulia SheppardBy Louise Young and Loulia Sheppard, 2018 Academy Award nominee for her hair and make-up design on Victoria and Abdul.'If you haven't heard of Louise Young and are interested in period makeup, or any makeup in fact, then we highly recommend you check out her latest book.' - PIXIWOOThe definitive step-by-step guide to recreating the most striking make-up and hair styles of the 20th century.Timeless is a beauty bible for the golden ages of style from renowned film, television and make-up artist Louise Young, along with Academy Award-nominated film industry hairstylist Loulia Sheppard.Step-by-step photography and clear, concise instructions help you to recreate make-up and hair looks from the past 100 years of beauty, from the dark, smouldering eyes of the jazz-age flapper to the red lips and victory rolls of the 1940s, right up to the electric colours of the 1980s and beyond.Accurate, practical and beautiful, this is the ultimate guide to the most classic looks of all time.Between them, Louise and Loulia have provided make-up and hair styling for stars such as Scarlett Johansson, Keira Knightley and Selma Hayek, and on films including Victoria and Abdul, Fantastic Beasts and Where to Find Them, Pride and Prejudice, Florence Foster Jenkins, Anna Karenina and The Duchess, among many others.
Chick Flicks: Contemporary Women at the Movies
by Mallory Young Suzanne FerrissFrom An Affair to Remember to Legally Blonde, "chick flicks" have long been both championed and vilified by women and men, scholars and popular audiences. Like other forms of "chick culture," which the editors define as a group of mostly American and British popular culture media forms focused primarily on twenty- to thirtysomething, middle-class—and frequently college-educated—women, chick flicks have been accused of reinscribing traditional attitudes and reactionary roles for women. On the other hand, they have been embraced as pleasurable and potentially liberating entertainments, assisting women in negotiating the challenges of contemporary life. A companion to the successful anthology Chick Lit: The New Woman’s Fiction, this edited volume consists of 11 original essays, prefaced by an introduction situating chick flicks within the larger context of chick culture as well as women’s cinema. The essays consider chick flicks from a variety of angles, touching on issues of film history, female sexuality (heterosexual and homosexual), femininity, female friendship, age, race, ethnicity, class, consumerism, spectatorship, pleasure and gender definition. An afterword by feminist film theorist Karen Hollinger considers the chick flick’s transformation from the woman’s films of the ’40s to the friendship films of the ’80s and those of the "return to the classics" trend of the ’90s, while highlighting the value of the volume’s contributions to contemporary debates and sketching possibilities for further study.
Realism in the Age of Impressionism
by Marnin YoungThe late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
Reality Modeled After Images: Architecture and Aesthetics after the Digital Image
by Michael YoungReality Modeled After Images: Architecture and Aesthetics after the Digital Image explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.