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With Hawks and Angels: Episodes from a Southern Life (Willie Morris Books in Memoir and Biography)

by Joel Lafayette Fletcher III

With Hawks and Angels: Episodes from a Southern Life chronicles the fortunate life of a man born in the Cajun country of Louisiana and his interaction with the three distinct parts of his home state: the swampy, laissez-faire South where he was born, the red clay hills and piney woods of northern Louisiana where his relatives lived, and exotic New Orleans, where he was educated. Author Joel Lafayette Fletcher III examines his childhood on the campus of what is now the University of Louisiana at Lafayette where his father, Joel Lafayette Fletcher Jr., was president for twenty-five years, to his time as a student at Tulane. The book follows Fletcher through his service as a naval officer—when he began to admit to himself, accept, and explore who he really was—to his life in Europe and, eventually, Virginia where he now resides. With Hawks and Angels intimately explores the life of a young man growing up in the racially segregated Deep South while coming to terms with being gay at a time when being out was not socially acceptable. Based on his personal journals and recollections and filled with the unique characters he met along the way, With Hawks and Angels is the culmination of writing that, for Fletcher, was a way of holding onto an important part of his true self that for many years he felt compelled to hide.

Becoming Ezra Jack Keats (Willie Morris Books in Memoir and Biography)

by Virginia McGee Butler

Becoming Ezra Jack Keats offers the first complete biography of acclaimed children’s author and illustrator Ezra Jack Keats (1916–1983) intended for adult readers. Drawing extensively from his unpublished autobiography and letters, Becoming Ezra Jack Keats covers the breadth of Keats’s life, taking readers through his early years as the child of immigrant parents, his introduction to illustration and writing, and the full arc of his remarkable career.Beyond a standard biography, this volume presents a time capsule of the political, social, and economic issues evolving during the span of Keats’s lifetime. It also addresses his trailblazing commitment to representation and diversity, most notably in his work The Snowy Day, which won the Caldecott Medal as the first full-color picture book to feature a Black child as the protagonist. Keats far surpassed his father’s prediction that he would be a starving artist. Instead, as shown in Becoming Ezra Jack Keats, he is now regarded as one of the most influential figures in children’s literature, having published twenty-two books translated into sixteen languages, all featuring the diversity he saw in the children outside the window of his Brooklyn studio.

William Levi Dawson: American Music Educator (American Made Music Series)

by Mark Hugh Malone

William Levi Dawson (1899–1990) overcame adversity and Jim Crow racism to become a nationally recognized composer, choral arranger, conductor, and professor of music. In William Levi Dawson: American Music Educator, Mark Hugh Malone tells the fascinating tale of Dawson’s early life, quest for education, rise to success at the Tuskegee Institute, achievement of national notoriety as a composer, and retirement years spent conducting choirs throughout the US and world.From his days as a student at Tuskegee in the final years of Booker T. Washington’s presidency, Dawson continually pursued education in music, despite racial barriers to college admission. Returning to Tuskegee later in life, he became director of the School of Music. Under his direction, the Tuskegee Choir achieved national recognition by singing at Radio City Music Hall, presenting concerts for Presidents Herbert Hoover and Franklin D. Roosevelt, and performing on nationwide radio and television broadcasts.Dawson’s Negro Folk Symphony, only the second extended musical work to be written by an African American, was premiered by Leopold Stokowski and the Philadelphia Orchestra in both Philadelphia and New York City. Dawson’s arrangements of spirituals, the original folk music of African Americans enslaved in America during the antebellum period, quickly became highly sought-after choral works. This biographical account of Dawson's life is narrated with a generous sprinkling of his personal memories and photographs.

Abbas Kiarostami: Interviews (Conversations with Filmmakers Series)

by Monika Raesch

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry. In Abbas Kiarostami: Interviews, editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.

A Thousand Places Left Behind: One Soldier’s Account of Jungle Warfare in WWII Burma

by Peter K. Lutken Jr.

Born and raised in Mississippi, Peter K. Lutken, Jr. (1920–2014) joined the army in 1941 and was assigned to the Coast Artillery. Originally sent to India to guard airfields, he was reassigned to the British V Force, then the American OSS (Office of Strategic Services and precursor to the CIA) after he volunteered for reconnaissance missions behind Japanese lines. Skills he had learned as a boy in the backwoods and swamps around the Pearl River stood him in good stead, and by the end of the war, he attained the rank of major, commanding an entire battalion of ethnic Kachins and other local people of northern Burma (now called Myanmar). Lutken's stories carry the reader along as he sails on a troop ship to India, then treks into the mountainous jungles of northern Burma to gather intelligence and engage in guerrilla warfare with the Japanese. In his straightforward way, he describes how he learned the language of the Kachins and much about their customs and legends, and how he fought alongside them for the course of the war. Adventures of rafting uncharted rivers, surprise attacks, sabotage, natural hazards and disease, feasts and ceremonies, the plight of refugees, and tragic events of war are all told from the perspective of a young soldier, who finds himself half a world away from home. Based on hundreds of pages of transcripts from tapes recorded late in his life, A Thousand Places Left Behind recounts the untold story not just of one soldier’s experiences, but of the little-known history of American and British forces in Burma during World War II. Supported by original maps based on Lutken’s personal travels as well as photographs from his scrapbook, the book traces Lutken’s journey overseas, his expeditions into the jungle, and his return to Jackson, Mississippi in 1945. Beyond the war, Lutken’s connection with the Kachins culminated in “Project Old Soldier,” a crop exchange program which he and other veterans of OSS Detachment 101 initiated in the 1990s and which lasted until after his death in 2014. The book tells a remarkable story of bravery, friendship, history, and the unbreakable bonds forged in times of war.

Sylvia Plath Day by Day, Volume 1: 1932-1955

by Carl Rollyson

Since Sylvia Plath’s death in 1963, she has become the subject of a constant stream of books, biographies, and articles. She has been hailed as a groundbreaking poet for her starkly beautiful poems in Ariel and as a brilliant forerunner of the feminist coming-of-age novel in her semiautobiographical The Bell Jar. Each new biography has offered insight and sources with which to measure Plath’s life and influence. Sylvia Plath Day by Day, a two-volume series, offers a distillation of this data without the inherent bias of a narrative.Volume 1 commences with Plath’s birth in Boston in 1932, records her response to her elementary and high school years, her entry into Smith College, and her breakdown and suicide attempt, and ends on February 14, 1955, the day she wrote to Ruth Cohen, principal of Newnham College, Cambridge, to accept admission as an “affiliated student at Newnham College to read for the English Tripos.” Sylvia Plath Day by Day is for readers of all kinds with a wide variety of interests in the woman and her work. The entries are suitable for dipping into and can be read in a minute or an hour. Ranging over several sources, including Plath’s diaries, journals, letters, stories, and other prose and poetry—including new material and archived material rarely seen by readers—a fresh kaleidoscopic view of the writer emerges.

Conversations with Jerry W. Ward Jr. (Literary Conversations Series)

by John Zheng

Jerry W. Ward Jr. (b. 1943) has published nonfiction, literary criticism, encyclopedias, anthologies, and poetry. Ward is also a highly respected scholar with a specialty in African American literature and has been recognized internationally as one of the leading experts on Richard Wright. Ward was Lawrence Durgin Professor of Literature at Tougaloo College, served as a member of both the Mississippi Humanities Council and the Mississippi Advisory Committee for the US Commission on Civil Rights, and cofounded the Richard Wright Circle and the Richard Wright Newsletter. He has won numerous awards, and in 2001 he was inducted into the International Literary Hall of Fame for Writers of African Descent. Conversations with Jerry W. Ward Jr. aims to add an indispensable source to American literature and African American studies. It offers an account of Ward's intelligent and thoughtful responses to questions about literature, literary criticism, teaching, writing, civil rights, Black aesthetics, race, and culture. Throughout the fourteen interviews collected in this volume that range from 1995 to 2021, Ward demonstrates his responsibilities as a contemporary scholar, professor, writer, and social critic. His charming personality glimmers through these interviews, which, in a sense, are inner views that allow us to see into his mind, understand his heart, and appreciate his wit.

Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (Ingrid G. Houck Series in Food and Foodways)

by Caroline J. Smith

Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food.Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen.

To Dance, to Live: A Biography of Thalia Mara (Willie Morris Books in Memoir and Biography)

by Carolyn J. Brown

Thalia Mara’s story spans the history of dance in the twentieth century and the rise of the arts in her adopted city of Jackson, Mississippi. As an adolescent Mara (1911–2003) studied with renowned Russian teacher Adolph Bolm, who recommended she go at age sixteen to Paris for further study. During a tour in Europe and South America, she met her partner in dance and life, Arthur Mahoney, and they dazzled the world with their breathtaking performances during the 1930s and '40s. The two were named codirectors of Jacob’s Pillow in 1947, gracing the cover of Life magazine that year. Later they started two schools of dance in New York City, but despite much success, they closed due to lack of funding. That misfortune, however, was Jackson’s boon as it led Mara to the second phase of her career: reviving the Jackson Ballet Company and bringing the USA International Ballet Competition (IBC) to the state.Thalia Mara was recognized at the end of her life not only for the USA IBC’s decision to locate in Jackson, but also for her efforts as a patron of the arts. Her extraordinary fundraising and planning attracted international performers to the city in the 1980s and '90s. To Dance, to Live: A Biography of Thalia Mara gives the first full account of a life devoted to the arts.

Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System

by Milan Hain

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige. Using a wide range of archival materials, the book significantly complements and reshapes our understanding of Selznick’s celebrated career by focusing on heretofore neglected aspects of his creative and business activities. It also sheds light on the US film industry during the Golden Age of Hollywood studios and in the postwar period when the established order began to break down. By structuring the book around Selznick and his role as a starmaker, Hain demonstrates that star production and development in the Hollywood studio system was a highly organized and systematic activity, though the respective strategies and procedures were often hidden from the public eye.

Christian Petzold: Interviews (Conversations with Filmmakers Series)

by Marco Abel, Aylin Bademsoy, and Jaimey Fisher

Christian Petzold (b. 1960) is the best-known filmmaker associated with the “Berlin School” of postunification German cinema. Identifying as an intellectual, Petzold self-consciously approaches his work for both the big and the small screen by weaving critical reflection on the very conditions of contemporary filmmaking into his approach. Archeologically reconstructing genre filmmaking in a national film production context that makes the production of genre cinema virtually impossible, he repeatedly draws on plots from classic films, including Alfred Hitchcock’s, in order to provide his viewers with the distinct pleasures only cinema can instill without, however, allowing his audience the comforts the “cinema of identification” affords them. Including thirty-five interviews, Christian Petzold: Interviews is the first book in any language to document how one of Germany’s best-known director's thinking about his work has evolved over the course of a quarter of a century, spanning his days as a flailing student filmmaker in the early 1990s in postunified Germany to 2020, when his reputation as one of world cinema’s most respected auteurs has been firmly enshrined. The interviews collected here—thirty of which are published in English for the first time—highlight Petzold’s career-long commitment to foregrounding how economic operations affect individual lives. The volume makes for a rich resource for readers interested in Petzold’s work or contemporary German cinema but also those looking for theoretically challenging and sophisticated commentary offered by one of global art cinema’s leading figures.

Conversations with Jimmy Carter (Literary Conversations Series)

by Tom Head

When Jimmy Carter (b. 1924) lost the presidency in 1980, it would have been reasonable to think his public life was coming to an end. The moderate, evangelical, blue-jeans-wearing peanut farmer made an unlikely governor of Georgia, and an even less likely winner of the vicious 1976 Democratic presidential primary. Coming into an era of American politics where evangelical and rural voters became increasingly identified with the Reagan revolution, and the Democratic Party’s identity became increasingly secular and urban, he did not fit neatly into the political categories of the emerging decade. But it was not politics that would define President Carter in the end: it would be his humble Christian faith and his enduring commitment to the poor, to peace, and to human rights.In Conversations with Jimmy Carter, ten interviews, drawn from Carter’s five decades as a national public figure and author, capture the complexities and contradictions that have defined him—and that have helped to both reflect and shape the highest aspirations of the American experiment.

Jack Kent: The Wit, Whimsy, and Wisdom of a Comic Storyteller

by Paul V. Allen

Jack Kent (1920–1985) had two distinct and successful careers: newspaper cartoonist and author of children’s books. For each of these he drew upon different aspects of his personality and life experiences. From 1950 to 1965 he wrote and drew King Aroo, a nationally syndicated comic strip beloved by fans for its combination of absurdity, fantasy, wordplay, and wit. The strip’s DNA was comprised of things Kent loved—fairytales, nursery rhymes, vaudeville, Krazy Kat, foreign languages, and puns. In 1968, he published his first children’s book, Just Only John, and began a career in kids’ books that would result in over sixty published works, among them such classics as The Fat Cat and There’s No Such Thing as a Dragon. Kent’s stories for children were funny but often arose from the dark parts of his life—an itinerant childhood, an unfinished education, two harrowing tours of duty in World War II, and a persistent lack of confidence—and tackled such themes as rejection, isolation, self-doubt, and the desire for transformation.Jack Kent: The Wit, Whimsy, and Wisdom of a Comic Storyteller illuminates how Kent’s life experiences informed his art and his storytelling in both King Aroo and his children’s books. Paul V. Allen draws from archival research, brand-new interviews, and in-depth examinations of Kent’s work. Also included are many King Aroo comic strips that have never been reprinted in book form.

Path to Grace: Reimagining the Civil Rights Movement (Margaret Walker Alexander Series in African American Studies)

by Ethel Morgan Smith

Winner of the 2023 Eudora Welty PrizeThe civil rights movement is often defined narrowly, relegated to the 1950s and 1960s and populated by such colossal figures as Martin Luther King Jr. and Rosa Parks. Many forget that the movement was bigger than the figures on the frontline and that it grew from intellectual and historical efforts that continue today. In Path to Grace: Reimagining the Civil Rights Movement, Ethel Morgan Smith shines light on unsung heroes of the civil rights movement, the ordinary citizens working behind the scenes to make an impact in their communities.Through eleven original interviews with teachers, parents hosting fundraisers for civil right workers, volunteers helping with voter registration, and more, Smith highlights the contributions these figures made to the civil rights movement. Some of these brave warriors worked at the elbows of icons while others were clearing new paths, all passing through history without wide recognition. Path to Grace introduces readers to new witnesses and largely neglected voices. Also included are interviews with such esteemed but less studied figures as writer Gloria Naylor, poet Nikki Giovanni, fashion designer Ann Lowe, and educator Constance Curry. This work of social change situates these narratives in both the past and present. Indeed, many of Smith’s subjects, such as Emma Bruce, John Canty, Andrea Lee, Ann Lowe, and Blanche Virginia Franklin Moore, can trace their ancestry back to enslavement, which provides a direct chain of narrators and firmly plants the roots of the civil rights movement in the country’s foundation. Through historical contextualization and an analysis of contemporary sociopolitical events, Path to Grace celebrates the contributions of some of the nameless individuals, generation after generation, who worked to make the United States better for all its citizens.

The Ballad of Karla Faye Tucker

by Mark Beaver

On a June night in 1983, twenty-three-year-old Karla Faye Tucker and her boyfriend, fueled by a sinister cocktail of illicit drugs, broke into a Houston apartment. “We were very wired,” Tucker later testified, “and we was looking for something to do.” Though they later claimed they entered the premises with no murderous intent, they ended up slaughtering two people—one a sworn enemy, the other an utter stranger. The weapon: a pickax they found in the apartment. Fourteen years later, in early 1998, Tucker was facing lethal injection. But after her religious conversion in prison, Texas would be executing a different woman than the one who’d committed the murders. Her change was so dramatic that the most powerful and influential voices in American televangelism—Pat Robertson and Jerry Falwell among them—were urging viewers to contact Texas's governor, George W. Bush, and plead for clemency. One follower was author Mark Beaver’s father, a devout Southern Baptist deacon who asked Beaver to put his fledgling literary ambitions to work by composing a letter on his behalf to Governor Bush.Through a merger of true crime, social history, and memoir, The Ballad of Karla Faye Tucker illustrates how a seemingly distant news story triggers a national reckoning and exposes a growing divide in America’s evangelical community. It’s a tale of how one woman defies all conventions of death row inmates, and her saga serves as an unlikely but fascinating prism for exploring American culture and the limits of forgiveness and transformation. It’s also a deeply personal reflection on how a father’s request leads his son to struggle with who he was raised to be and who he imagines becoming.

The Poacher's Nightmare: Stories of an Undercover Game Warden

by Kennie Prince

Raccoons are not the only bandits wearing masks in the wilderness. Growing up, author Kennie Prince spent most of his time in the woods and creeks near his home in Rankin County, Mississippi. A highly skilled outdoorsman, Prince began his career with the Mississippi Department of Wildlife Conservation in 1983 and dedicated his life to protecting Mississippi’s fish and wildlife resources in dangerous undercover work. The Poacher’s Nightmare: Stories of an Undercover Game Warden contains dozens of hair-raising accounts of covert wildlife operations, often spanning years, requiring ingenious planning, complicated secrecy, and deft coordination.Prince infiltrated bloody-minded, wary criminal groups, winning their trust. When his traps were fully set, he involved other state and federal law enforcement officials to bring an abrupt halt to abominable thefts of vast fish and wildlife resources from the public trust. Smart, creative, knowledgeable, tenacious, disciplined, passionate, and a natural-born actor, Prince bore a unique skillset that made him an ideal fit for this perilous undertaking. This memoir details how Prince gained the confidence of tightly knit circles of loyal, leery poachers and put an end to their destructive evil.

Elvis and Gladys (Southern Icons Series)

by Elaine Dundy

Who on the planet doesn't know that Elvis Presley gave electrifying performances and enthralled millions? Who doesn't know that he was the King of Rock 'n' Roll? But who knows that the King himself lived in the thrall of one dominant person? This was Gladys Smith Presley, his protective, indulgent, beloved mother. Elvis and Gladys, one of the best researched and most acclaimed books on Elvis's early life, reconstructs the extraordinary role Gladys played in her son's formative years. Uncovering facts not seen by other biographers, Elvis and Gladys reconstructs for the first time the history of the mother and son's devoted relationship and reveals new information about Elvis—his Cherokee ancestry, his boyhood obsession with comic books, and his early compulsion to rescue his family from poverty. Coming to life in the compelling narrative is the poignant story of a unique boy and the maternal tie that bound him. It is at once an intimate psychological portrait of a tragic relationship and a mesmerizing tale of the early years of an international idol. “For once, a legend is presented to us by the mind and heart of a literate, careful biographer who cares,” wrote Liz Smith in the New York Daily News when Elvis and Gladys was originally published in 1985. This is the book, Smith says, “for any Elvis lover who wants to know more about what made Presley the man he was and the mama's boy he became.” The Boston Globe called this thoughtful, informative biography of one of popular music's most enduring stars “nothing less than the best Elvis book yet.”

Love Letter from Pig: My Brother's Story of Freedom Summer

by Julie Kabat

In the summer of 1964, the FBI found the smoldering remains of the station wagon that James Chaney, Michael Schwerner, and Andrew Goodman had been driving before their disappearance. Shortly after this awful discovery, Julie Kabat’s beloved brother Luke arrived as a volunteer for the Mississippi Summer Project. Teaching biology to Freedom School students in Meridian, Luke became one of more than seven hundred student volunteers who joined experienced Black civil rights workers and clergy to challenge white supremacy in the nation’s most segregated state. During his time in Mississippi, Luke helped plan the community memorial service for Chaney, attended the Democratic National Convention in support of the Mississippi Freedom Democratic Party, and even spent time in jail for “contributing to the delinquency of minors.” This arrest followed his decision to take students out for ice cream. Through his activism, Luke grappled with many issues that continue to haunt and divide us today: racialized oppression, threats of violence, and segregation whether explicit in law or implicit through custom. Sadly, Luke died just two years after Freedom Summer, leaving behind copious letters, diaries, and essays, as well as a lasting impact on his younger sister, nicknamed “Pig.” Drawing on a wealth of primary resources, especially her brother’s letters and diaries, Kabat delves deep into her family history to understand Luke’s motivations for joining the movement and documents his experiences as an activist. In addition to Luke’s personal narrative, Kabat includes conversations with surviving Freedom School volunteers and students who declare the life-long legacy of Freedom Summer. A sister’s tribute to her brother, Love Letter from Pig: My Brother’s Story of Freedom Summer addresses ongoing issues of civil rights and racial inequality facing the nation today.

Finding Myself Lost in Louisiana

by Keagan LeJeune

In Finding Myself Lost in Louisiana, author Keagan LeJeune brilliantly weaves the unusual folklore, landscape, and history of Louisiana along with his own family lineage that begins in 1760 to trace the trajectory of people’s lives in the Bayou State. His account confronts the challenging environmental record evident in Louisiana’s landscapes. LeJeune also celebrates and memorializes traditions of some underrepresented communities in Louisiana, communities that are vanishing or have vanished—communities including the author’s own.Each section in the memoir is a journey to a fascinating place, but it’s also a search for LeJeune’s own sense of belonging. The book is an adventure and a pilgrimage across Louisiana to explore its future and to reckon with feelings of loss and anxiety accompanying climate disasters. LeJeune travels to Louisiana’s geographic center to learn what waits there. He chases the ghosts of Hot Wells, a shuttered healing resort, and he kneels at the tomb of folk saint Charlene Richard. With every adventure, every memory, he ends up much closer to home.

Deep Inside the Blues: Photographs and Interviews (American Made Music Series)

by Margo Cooper

Deep Inside the Blues collects thirty-four of Margo Cooper’s interviews with blues artists and is illustrated with over 160 of her photographs, many published here for the first time. For thirty years, Cooper has been documenting the lives of blues musicians, their families and homes, neighborhoods, festivals, and gigs. Her photographic work combines iconic late-career images of many legendary figures including Bo Diddley, Honeyboy Edwards, B. B. King, Pinetop Perkins, and Hubert Sumlin with youthful shots of Cedric Burnside, Shemekia Copeland, and Sharde Thomas, themselves now in their thirties and forties. During this time, the Burnside and Turner families and other Mississippi artists such as T-Model Ford, James “Super Chikan” Johnson, and L. C. Ulmer entered the national and international spotlight, ensuring the powerful connection between authentic Delta, Hill Country, and Piney Woods blues musicians and their audience continues. In 1993, Cooper began photographing in the clubs around New England, then in Chicago, and before long in Mississippi and Helena, Arkansas. On her very first trips to Mississippi in 1997 and 1998, Cooper had the good fortune to photograph Sam Carr, Frank Frost, Bobby Rush, and Otha Turner, among others. “The blues come out of the field,” Ulmer told Cooper. Seeing those fields, as well as the old juke joints, country churches, and people’s homes, inspired her. She began recording interviews with the musicians, sometimes over a period of years, listening and asking questions as their narratives unfolded. Many of the key blues players of the period have already passed, making their stories and Cooper’s photographs of them all the more poignant and valuable.

Ferocious Ambition: Joan Crawford’s March to Stardom

by Robert Dance

Robert Dance’s new evaluation of Joan Crawford looks at her entire career and—while not ignoring her early years and tempestuous personal life—focuses squarely on her achievements as an actress, and as a woman who mastered the studio system with a rare combination of grit, determination, beauty, and talent.Crawford’s remarkable forty-five-year motion picture career is one of the industry’s longest. Signing her first contract in 1925, she was crowned an MGM star four years later and by the mid-1930s was the most popular actress in America. In the early 1940s, Crawford’s risky decision to move to Warner Bros. was rewarded with an Oscar for Mildred Pierce. This triumph launched a series of film noir classics. In her fourth decade she teamed with rival Bette Davis in Whatever Happened to Baby Jane?, proving that Crawford, whose career had begun by defining big-screen glamour, had matured into a superb dramatic actress. Her last film was released in 1970, and two years later she made a final television appearance, forty-seven years after walking through the MGM gate for the first time. Crawford made a successful transition into business during her later years, notably in her long association with Pepsi-Cola as a board member and the brand’s leading ambassador. Overlooked in previous biographies has been Crawford’s fierce resolve in creating and then maintaining her star persona. She let neither her age nor the passing of time block her unrivaled ambition, and she continually reimagined herself, noting once that, for the right part, she would play Wally Beery’s grandmother. But she was always the consummate star, and at the time of her death in 1977, she was a motion picture legend and a twentieth-century icon.

Conversations with Karl Ove Knausgaard (Literary Conversations Series)

by Bob Blaisdell

Norwegian author Karl Ove Knausgaard (b. 1968) made a literary mark on his home country in 1998, when his debut novel won the prestigious Norwegian Critics Prize for Literature. His fame continued to grow with the publication of his six-volume autobiographical series Min Kamp, or My Struggle. Translated into English in 2012, the critically acclaimed and controversial series garnered global attention, as did its author. Conversations with Karl Ove Knausgaard is a collection of twenty-two interviews, each conducted during the ten-year span in which Knausgaard’s literary prowess gained worldwide recognition.Knausgaard is both a daring writer and a daring interviewee. He grounds his observations in the ordinary aspects of the world around him, which, he insists, is the same world in front of most of his readers. He regards his appearances in newspapers, magazines, and literary festivals as “a performance,” where he plays himself. While that role may differ from his inner life, it is consistent with the role he plays in his autobiographical novels. Fans of Knausgaard will easily recognize this public persona, an embodiment of the protagonist, husband, and father featured in My Struggle and in the Seasons quartet.Knausgaard discusses his work, aspects of his personal life, and his writing routines and practices in marvelous detail. He comments on literary and artistic world classics and on international contemporary authors. A bilingual speaker, he is accustomed to appearing before the press and in front of audiences in his roles as a famous author and as the publisher and cofounder of the publishing house Pelikanen (Pelican). Remarkable for his candor and directness, Knausgaard delivers the same variety and number of surprises in these interviews as he does in his most thrilling books.

The Steps We Take: A Memoir of Southern Reckoning (Willie Morris Books in Memoir and Biography)

by Ellen Ann Fentress

Ellen Ann Fentress is a veteran writer for the New York Times, the Washington Post, and The Atlantic. She’s also a seasoned southern woman, specifically a white Mississippi one. “Women do a lot for free, no matter the era, no matter the location,” she observes in The Steps We Take: A Memoir of Southern Reckoning. As a good southern woman, Fentress felt a calling to help others. As a teenager, she volunteered as a March of Dimes quarter collector and sang hymns at a soup-and-salvation homeless shelter. Later, she married, reared two daughters, renovated a 1941 Colonial home, practiced her French, and served as the bookkeeper for her husband’s business. She followed the scripts she was handed by society. But there were the convenient lies and silences that she and most southern—make that American—white women have settled on in the name of convention and, to be honest, inertia. For Fentress, her dodges both behind her front door and beyond became impossible to miss. Eventually, along with claiming a personal second act at midlife, she realized the most urgent community work she could do was to spur truth-telling about the history she knew well and participated in. She was one of the nearly one million students in the South enrolled in all-white “segregation academies,” a sweeping movement away from public education that continues to warp the Deep South today. To document and engage with this history, she founded the Admissions Project: Racism and the Possible in Southern Schools, which has been featured in the Washington Post, Slate, Forbes and other publications. The Steps We Take tells how one woman reckons with both a region’s history and her own past. Through a lens ranging from intimate to the widely human, through moments painful and darkly comic, Fentress casts a penetrating light on what it means to be a white southern woman today.

M. Night Shyamalan: Interviews (Conversations with Filmmakers Series)

by Adrian Gmelch

As a visionary and distinctive filmmaker, M. Night Shyamalan (b. 1970) has consistently garnered mixed reception of his work by critics and audiences alike. After the release of The Sixth Sense, one of the most successful films from the turn of the millennium, Shyamalan promptly received two Academy Award nominations for Best Director and Best Original Screenplay. Since then, lauded films such as Unbreakable (2000), Signs (2002), and Split (2016) have alternated with less successful and highly criticized works, such as Lady in the Water (2006), The Last Airbender (2010), and After Earth (2013). Yet despite his polarizing aesthetics and uneven career, for two decades Shyamalan has upheld his cinematic style and remained an influential force in international film. With interviews spanning from 1993 through 2022, M. Night Shyamalan: Interviews is the first survey of conversations with the filmmaker to cover the broad spectrum of his life and career. This collection includes interviews with renowned American film journalists such as Jeff Giles, Carrie Rickey, and Stephen Pizzello, and reflects the intense international interest in Shyamalan’s work by including newly translated conversations from French and German sources. Through its thorough and careful curation, this volume is bound to shake up readers’ perceptions of M. Night Shyamalan.

Outliving the White Lie: A Southerner's Historical, Genealogical, and Personal Journey

by James Wiggins

Part history, part memoir, Outliving the White Lie: A Southerner’s Historical, Genealogical, and Personal Journey charts conflicting narratives of American and southern identity through a blend of public, family, and deeply personal history. Author James Wiggins, who was raised in rural Mississippi, pairs thorough historical research with his own lived experiences. Outliving the White Lie looks squarely at the many untruths regarding the history and legacy of race that have proliferated among white Americans, from the misrepresentations of Black Confederates to the myth of a “postracial” America.Though the US was ostensibly established to achieve freedom and shrug off an oppressive English monarchy, this mythology of the United States’ founding belies a glaring paradox—that this is a country whose foundation depends entirely on coercion and enslavement. How, then, could generations of decent people, people who valued individual liberty and personal autonomy, coexist within and alongside such a paradox? Historians suggest an answer: that these apparently dissonant points of view were reconciled in antebellum America by white citizens learning “to live with slavery by learning to live a lie.” The operative lie throughout American history and the lie underpinning the institution of slavery, they argue, has always been the fallacy of race—deliberately propagated tenets asserting skin color as the preeminent marker of identity and value. Wiggins takes accepted delusions to task in this moving reconciliation of southern living.

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