- Table View
- List View
Healing Traumatized Children: Navigating Recovery For Children Who Experience Tragedy
by Faye L. Hall Jeff L. Merkert John A. BieverBecause millions of children experience early trauma and attachment disruptions, whether through death, physical or sexual abuse, domestic, community, or school violence, terrorism or other tragic losses, parents and professionals need not just vague theories but a proactive plan for healing relationship avoidant children. Healing Traumatized Children authors Hall, Merkert and Biever have successfully merged mental health, trauma, and attachment, parenting and in-home treatment strategies into a single comprehensive resource for parents and professionals. The authors emphasize the importance of an in-home plan (where the healing must begin), outline how to effectively assemble a support network, provide the keys to the establishment of a therapeutic home environment, discuss psycho-education that identifies the six distinct Trauma Disrupted Competencies and provide multiple types of healing interventions. Healing Traumatized Children confirms that without effective in-home intervention, many of these children will become involved in juvenile and adult justice systems and continue the intergenerational transmission of maladaptive relationships, abuse, and neglect. It is important to remember that these children will eventually become tomorrow’s parents.
Hedda Gabler: Large Print (First Avenue Classics ™)
by Henrik IbsenHedda Gabler is bored with everything, even her new marriage. Resigning herself to a life of domesticity, she becomes nervous when her husband, George Tesman, tells her they are tight on money. George hasn't become the success Hedda thought he would. When George's academic rival, Eilert Lövborg, enters the picture, Hedda begins manipulating the lives of others, leading to multiple tragedies. First published in 1890 in Norway and performed in 1891 in Germany, this play by Norwegian dramatist Henrik Ibsen explores the consequences that can arise from a desire for freedom and power. This is an unabridged version of the translation by Edmund Gosse and William Archer.
Henry IV, Part II: Second Part (Dover Thrift Editions)
by William Shakespeare"Uneasy lies the head that wears a crown," laments the sleepless king of Henry IV, Part II. Despite having quelled a rebel army along the Welsh border in Part I, Henry IV faces further insurrections elsewhere in England. His woes are compounded by disturbing reminders of his own mortality as well as the wayward behavior of Prince Hal. The heir to the throne acquitted himself admirably in the battles against the Welsh rebels, but has returned to his old haunts in Eastcheap, where he carouses nightly at the Boar's Head Tavern with the notorious reprobate, Sir John Falstaff.Renowned Shakespeare critic G. B. Harrison pronounced Falstaff "the supreme comic character in all drama . . . who redeems his vices by his incomparable wit and his skill at escaping from every tight corner." The fat knight's humorous quips and antics are balanced by the play's thought-provoking reflections on ambition, guilt, leadership, and responsibility. Rich in sparkling wordplay and historical drama, this tale sets the stage for Henry V.
Henry VI, Part I: Webster's Spanish Thesaurus Edition (Dover Thrift Editions)
by William ShakespeareWith the untimely death of England's great soldier-king, Henry V, the crown passes to his young and inexperienced son. While the nobles quarrel among themselves and compete for influence over the new monarch, the French seize the opportunity to reclaim their former territories from English possession. The success of the French armies rests upon an unlikely leader: the peasant girl Joan La Pucelle, known to history as Joan of Arc.The first of three plays based on the life of the England's 15th-century monarch, this historical drama chronicles the conflict between the York and Lancaster factions that led to the War of the Roses. Each part of the trilogy is self-contained and can be appreciated without knowledge of the others. Vivid characterization, dark comedy, and powerful language combine for a memorable portrait of a country devastated by civil war.
Henry VI, Part II: Webster's Chinese Simplified Thesaurus Edition (Dover Thrift Editions)
by William ShakespearePreferring a life of spiritual contemplation, Henry VI leaves politics to his nobles. The resulting power struggle pits the Houses of York and Lancaster against one another for control of the crown. Against a backdrop of violent rebellion, the play explores the relationship between law and justice and the extent of a ruler's authority.The second of three plays based on the life of England's fifteenth-century monarch, this historical drama chronicles the conflicts behind the War of the Roses. Each part of the trilogy is self-contained and can be appreciated without knowledge of the others. Vivid characterization, dark comedy, and powerful language combine for a memorable portrait of a country devastated by civil war.
Henry VIII: The Famous History Of The Life Of King Henry The Eighth, A Tragedy (Dover Thrift Editions)
by William ShakespeareThe portrait of a monarchy in crisis, this historical drama concerns the famous king's efforts to secure a divorce from his dignified and popular queen in order to marry an enchanting courtesan and produce a male heir. The play ranks among Shakespeare's most sumptuous and spectacular works, offering a splendid pageant of masques and royal ceremony. Occasional lapses in historical accuracy are compensated for by keen psychological and political insights, vivid characterizations, and evocative language.Possibly the last of Shakespeare's dramas, Henry VIII was almost certainly co-written with John Fletcher. It is a play of farewells - to the world, to life, to power - in which major historical characters make memorable exits, including Cardinal Wolsey's rueful observation: "Had I but served my God with half the zeal/I served my king, he would not in mine age/Have left me naked to mine enemies." Nevertheless, the play ends in triumph and hopeful expectations with the prophecy of the coming Elizabethan age.
Hir: A Play
by Taylor MacDischarged from the Marines under suspicious circumstances, Isaac comes home from the wars, only to find the life he remembers upended. Isaac’s father, who once ruled the family with an iron fist, has had a debilitating stroke; his younger sister, Maxine, is now his brother, Max; and their mother, Paige, is committed to revolution at any cost. Determined to be free of any responsibility toward her formerly abusive husband—or the home he created—Paige fervently believes she can lead the way to a "new world order." Hir, Taylor Mac’s subversive comedy, leaves many of our so-called normative and progressive ideas about gender, families, the middle class—and cleaning—in hilarious and ultimately tragic disarray.
Historic Jacksonville Theatre Palaces, Drive-ins and Movie Houses (Landmarks)
by Dorothy K. FletcherJacksonville's theatre and performance history is rich with flair and drama. The theatres, drive-ins and movie houses that brought entertainment to its citizens have their own exciting stories. Some have passed into memory. The Dixie Theatre, originally part of Dixieland Park, began to fade in 1909. The Palace Theatre, home to vaudeville acts, was torn down in the '50s. The Alhambra has been everyone's favorite dinner theatre since 1967's debut of Come Blow Your Horn. Local author Dorothy K. Fletcher revives the history of Jacksonville's theatres. Lights, camera, action!
Historical Affects and the Early Modern Theater (Routledge Advances in Theatre & Performance Studies)
by Ronda Arab Michelle Dowd Adam ZuckerThis collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.
History, Memory, Performance
by Kathryn Prince David Dean Yana MeerzonHistory, Memory, Performance is an interdisciplinary collection of essays exploring performances of the past in a wide range of trans-national and historical contexts. At its core are contributions from theatre scholars and public historians discussing how historical meaning is shaped through performance.
House of Games
by Chris JohnstonAn immensely valuable resource book for drama leaders, House of Games is a how-to book for building up drama troupes and keeping them creative. House of Games is sure to take its place alongside the most established drama method texts.
I'm Gonna Pray for You So Hard: A Play
by Halley Feiffer“Feiffer’s is a unique, refreshing voice to which attention should be paid.” —TheaterMania Ella is a precocious and fiercely competitive actress whose aims in life are making her famous playwright father proud—and becoming famous herself. In the aftermath of a boozy, drug-fueled evening when Ella’s father is particularly hurtful, she flings herself into the arms of a young director with whom she begins to collaborate on a one-woman show . . . about her father. Halley Feiffer’s dark, probing, and much-anticipated new play is a fierce, funny, and gloves-off take on the eternal struggles of parents and children to find common ground.
I, Animal
by Daniel Macivor"Man in Scrubs" follows the story of a queer black nurse who is getting awfully tired of being put in a box. He's queer, not gay, and he'll tell you the difference. He's always been an outcast, and constantly finds himself at the bottom of any and every hierarchy. With his patience waning, he confronts what it means to be an outsider, and, more importantly, what it means to take charge of one's own identity. "Boy in Hoodie" is the story of the "Dead Cat Kid," as he’s known by his classmates. He's fascinated by death—curious about it in a philosophical sense—but he's not morbid, and he didn't kill a cat. But which is more important, the truth or perception? "Woman in Prada" centres on an attractive, middle-aged woman who enjoys the finer things in life. And now that she's no longer a suburban housewife, she's finally free to explore her own desires. But what if they are leading her to be with a much younger man? Can she choose to put social optics to the side and do what makes her happy for once?
I, the Blue Angel
by Lázaro Droznes Pablo BarrantesLife and Songs of Marlene Dietrich Marlene Dietrich was one of Hollywood's topmost stars and one of the greatest myths in cinema. She was born in Germany but later on, after being discovered by Josef von Sternberg, she migrated to the US to eventually become a citizen. She was the seduction icon, the fatal woman with the eternal femininity. Her intense militancy against Nazism and her participation, as a soldier in the Second World War revealed an extraordinary aspect of her life and personality. In this play, Marlene tells anecdotes, and speaks about intimate experiences of her legendary life interweaved with the famous songs that illustrated it. What is the mystery that Marlene hides and then reveals?
IMAGINE: Vita, opere e canzoni di John Ono Lennon
by Lázaro Droznes Maria Elena VaiasusoMusicista, cantante, compositore, fondatore dei Beatles e Cavaliere dell'Ordine Britannico, John Lennon è una delle icone più importanti della musica e della cultura del XX secolo. Il suo rifiuto dei valori prestabiliti e la sua capacità di innovazione, tanto a livello personale quanto artistico, sono fonte di ispirazione per qualsiasi generazione alla ricerca di un modello di vita che rompa gli schemi imposti e che aspiri alla creazione di un futuro migliore. In quest'opera Lennon ci confida storie e vicende personali, arricchendo il racconto con alcune delle sue canzoni, eloquenti almeno quanto gli stessi aneddoti.
Ibsen’s Houses
by Mark B. SandbergHenrik Ibsen's plays came at a pivotal moment in late nineteenth-century European modernity. They engaged his public through a strategic use of metaphors of house and home, which resonated with experiences of displacement, philosophical homelessness, and exile. The most famous of these metaphors - embodied by the titles of his plays A Doll's House, Pillars of Society, and The Master Builder - have entered into mainstream Western thought in ways that mask the full force of the reversals Ibsen performed on notions of architectural space. Analyzing literary and performance-related reception materials from Ibsen's lifetime, Mark B. Sandberg concentrates on the interior dramas of the playwright's prose-play cycle, drawing also on his selected poems. Sandberg's close readings of texts and cultural commentary present the immediate context of the plays, provide new perspectives on them for international readers, and reveal how Ibsen became a master of the modern uncanny.
Ideal
by Ayn RandIdeal is the story of beautiful but tormented actress Kay Gonda. Accused of murder, she is on the run and turns for help to six fans who have written letters to her, each telling her that she represents their ideal--a respectable family man, a far-left activist, a cynical artist, an evangelist, a playboy, and a lost soul.<P><P> Each reacts to her plight in his own way, their reactions a glimpse into their secret selves and their true values. In the end their responses to her pleas give Kay the answers she has been seeking.Ideal was written in 1934 as a novel, but Ayn Rand thought the theme of the piece would be better realized as a play and put the novel aside.
Identity and Theatre Translation in Hong Kong
by Shelby Kar-yan ChanIn this book, Shelby Chan examines the relationship between theatre translation and identity construction against the sociocultural background that has led to the popularity of translated theatre in Hong Kong. A statistical analysis of the development of translated theatre is presented, establishing a correlation between its popularity and major socio-political trends. When the idea of home, often assumed to be the basis for identity, becomes blurred for historical, political and sociocultural reasons, people may come to feel "homeless" and compelled to look for alternative means to develop the Self. In theatre translation, Hongkongers have found a source of inspiration to nurture their identity and expand their "home" territory. By exploring the translation strategies of various theatre practitioners in Hong Kong, the book also analyses a number of foreign plays and their stage renditions. The focus is not only on the textual and discursive transfers but also on the different ways in which the people of Hong Kong perceive their identity in the performances.
Inclusive Arts Practice and Research: A Critical Manifesto
by Alice Fox Hannah MacphersonInclusive Arts Practice and Research interrogates an exciting and newly emergent field: the creative collaborations between learning-disabled and non-learning-disabled artists which are increasingly taking place in performance and the visual arts. In Inclusive Arts Practice Alice Fox and Hannah Macpherson interview artists, curators and key practitioners in the UK and US. The authors introduce and articulate this new practice, and situate it in relation to associated approaches. Fox and Macpherson candidly describe the tensions and difficulties involved too, and explore how the work sits within contemporary art and critical theory. The book inhabits the philosophy of Inclusive Arts practice: with Jo Offer, Alice Fox and Kelvin Burke making up the design team behind the striking look of the book. The book also includes essays and illustrated statements, and has over 100 full-colour images. Inclusive Arts Practice represents a landmark publication in an emerging field of creative practice across all the arts. It presents a radical call for collaboration on equal terms and will be an invaluable resource for anyone studying, researching or already working within this dynamic new territory.
Indifference to Difference: On Queer Universalism
by Madhavi MenonIndifference to Difference organizes around Alain Badiou&’s suggestion that, in the face of increasing claims of identitarian specificity, one might consider the politics and practice of being indifferent to difference. Such a politics would be based on the superabundance of desire and its inability to settle into identity. Madhavi Menon shows that if we turn to another kind of universalism—not one that insists we are all different but one that recognizes we are all similar in our powerlessness to contain desire—then difference no longer becomes the focus of our identity.Instead, we enter the worlds of desire. Following up on ideas of sameness and difference that have animated queer theory, Menon argues that what is most queer about indifference is not that it gives us queerness as an identity but that it is able to change queerness into a resistance of ontology. Firmly committed to the detours of desire, queer universalism evades identity.This polemical book demonstrates that queerness is the condition within which we labor. Our desires are not ours to be owned; they are indifferent to our differences.
Innovation in Five Acts
by Caridad SvichEditor Caridad Svich has gathered forty-three essays from admired theater professionals that comprise a volume of inspiring and innovative techniques for creating theater. Inside are words of wisdom and advice from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders--each sharing the creative challenges and triumphs of developing original works for today's stages, wherever they might be.Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theater, a 2012 Edgerton Foundation New Play Award for her play GUAPA, and the 2011 American Theatre Critics Association Primus Prize for her play The House of the Spirits, based on the Isabel Allende novel.
Inside/Outside
by Naomi Wallace Nathalie Handal Ismail KhalidiDue to the enormous--and ever-growing--interest in Palestinian plays around the world, Inside/Outside brings together six dynamic Palestinian playwrights from both Occupied Palestine and the Diaspora, making it the very first collection of its kind. These plays take on Palestinian history and culture with irreverence, humor, and, above all, an electrifying creativity. This anthology will be a vital contribution to world theater, introducing six political, social, and culturally relevant plays by Palestinian authors living inside the country, and those of descent living outside: Handala adapted by Abdelfattah Abusrour; 603 by Imad Farajin; Keffiyeh/Made in China by Dalia Taha; Plan D by Hannah Khalil; Tennis in Nablus by Ismail Khalidi; and Territories by Betty Shamieh.Naomi Wallace's award-winning plays, which include One Flea Spare and The Fever Chart, are produced in the United States and around the world. Wallace is a recipient of an Obie Award, the MacArthur Fellowship, and the inaugural Windham Campbell prize for drama in 2013.Ismail Khalidi is a playwright and poet. His plays include Tennis in Nablus, Truth Serum Blues, and Sabra Falling.
Intimacy and Other Plays
by Thomas Bradshaw"Bradshaw has proved in play after play that he has a confident vision of the theater that is his own. The politically incorrect plots jump merrily from one outrage to another, never pausing to explain motivation or linger on subtext. His dramas ask: What would happen if every dark urge, lingering resentment and unedited ugly insult that popped into your head came spilling out of your mouth? . . . No playwright applies as ruthlessly Hitchcock's definition of drama as 'life with the boring parts taken out.'"-The New York TimesInterracial couple Jerry and Pat borrow tools from their recently widowed, white evangelical neighbor James, and they even share the same Latino contractor, the mysterious Fred. Everything's suburban bliss until James, after discovering his neighbors' daughter Janet is a budding porn star, shuns the family. But what James doesn't know is that his aspiring-filmmaker son Matthew has other ideas...An outrageous and revealing comedy about race, sex, and familiarity, Intimacy, the newest work by playwright Thomas Bradshaw, premiered Off-Broadway with The New Group in winter 2014. This collection from the fiercely provocative and funny playwright also includes Dawn, Fulfillment, Southern Promises, Job, Strom Thurmond Is Not a Racist, Lecture on the Blues and Purity.Thomas Bradshaw's other plays include The Bereaved, declared a New York Times Critic's Pick and one of the Best Plays of 2009 by Time Out New York; Mary; and Burning. He was hailed as the Best Provocative Playwright of 2007 by the Village Voice.
Irish Theatre in Transition
by Donald E. MorseThe Irish Theatre in Transition explores the ever-changing Irish Theatre from its inception to its vibrant modern-day reality. This book shows some of the myriad forms of transition and how Irish theatre reflects the changing conditions of a changing society and nation.
Is Shakespeare any Good?: And Other Questions on How to Evaluate Literature
by Richard BradfordIs Shakespeare any Good? reveals why certain literary works and authors are treated as superior to others, and questions the literary establishment’s criteria for creating an imperium of “great” writers. Enables readers to articulate and formulate their own arguments about the quality of literature – including works that convention forbids us to dislike Dismantles the claims of academic criticism – particularly Theory – to tell us anything useful about why we like or appreciate literature Challenges and shatters many longstanding beliefs about literature and its evaluation Poses serious questions about the value of literature, and studying literature, and presents these in a lively and entertainingly provocative manner