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Staging Disgust: Rape, Shame, and Performance in Shakespeare and Middleton (Elements in Shakespeare Performance)
by null Jennifer PanekThis Element turns to the stage to ask a simple question about gender and affect: what causes the shame of the early modern rape victim? Beneath honour codes and problematic assumptions about consent, the answer lies in affect, disgust. It explores both the textual "performance" of affect, how literary language works to evoke emotions and the ways disgust can work in theatrical performance. Here Shakespeare's poem The Rape of Lucrece is the classic paradigm of sexual pollution and shame, where disgust's irrational logic of contamination leaves the raped wife in a permanent state of uncleanness that spreads from body to soul. Staging Disgust offers alternatives to this depressing trajectory: Middleton's Women Beware Women and Shakespeare's Titus Andronicus perform disgust with a difference, deploying the audience's revulsion to challenge the assumption that a raped woman should “naturally” feel intolerable shame.
Playwriting Playgoers in Shakespeare's Theater
by Matteo A. PangalloAmong the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience.Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking.Plays by playgoers such as the rogue East India Company clerk Walter Mountfort or the highwayman John Clavell invite us into the creative imaginations of spectators, revealing what certain audience members wanted to see and how they thought actors might stage it. By reading Shakespeare's theater through these playgoers' works, Matteo Pangallo contributes a new category of evidence to our understanding of the relationships between the early modern stage, its plays, and its audiences. More broadly, he shows how the rise of England's first commercialized culture industry also gave rise to the first generation of participatory consumers and their attempts to engage with mainstream culture by writing early modern "fan fiction."
7 Stories
by Morris PanychIn this fast-paced, sophisticated and hilarious play, a man contemplating suicide on a seventh-storey building ledge confronts the stories of the people who live inside the building. These "seven stories" lead to a charming and surprising ending.Cast of 2 women and 3 men.
Gordon
by Morris PanychUpon graduation from an educational institution that provides free room and board and is dedicated to freshman tutorials in applied criminology conducted by its post-graduate students, Gordon aims to build an innovative business with his former cellmate Carl. Then there's the question of pregnant, sullen Deirdre. By accident or design, this dysfunctional trio confronts "the end of the line."
In Absentia
by Morris PanychFour seasons after her husband Tom's disappearance, Colette remains emotionally paralyzed, isolated in a country cottage. She waits in anguish, not knowing whether he is dead or alive, but clinging to hope. <P><P>A young stranger in a jean jacket waves to her from the frozen lake - a sign? She emerges to give him her husband's parka - strangely, the boy has a likeness to Tom.What is the stranger's connection to her geologist husband, kidnapped more than a year before by leftist guerrillas in Colombia? How does this slyly seductive young stranger happen to show up at her home in rural Ontario, thousands of miles away? He seems to know more about Colette than he should, and as he slowly insinuates himself into her life, Colette's attentive sister, Evelyn, and her helpful neighbor Bill become increasingly alarmed.Part mystery, part moving story of vanished love, In Absentia explores the notion of disappearance, articulated in very personal terms. Through the tough, time-shifting action of the play, Colette reflects on her marriage and past love, offering rich associative memories while also uncovering the hidden and inaccessible - that which is made to disappear from view.Guilt and grief, infidelity and infertility, loss and longing are the deeper subjects Panych explores here. At the same time, the play examines the desire to make connections in life - thoughts to deeds, intentions to outcomes - in scenes often enlivened by the playwright's trademark humor.Cast of 3 men and 2 women.
Sextet
by Morris Panych"The best script Morris Panych has ever written."?Toronto StarA blizzard strands six musicians in their motel with only their instruments, each other, and their secrets to keep them warm. Where will everyone sleep when everyone is sleeping with everyone else? Morris Panych is internationally recognized as one of North America's master playwrights.
The Shoplifters
by Morris PanychIn this riotously funny new comedy from Morris Panych, we meet Alma, a seasoned career shoplifter who prefers the five-finger discount over some lousy seniors' day deal. But it's not just an empty wallet that leads Alma to a life of petty crime - it's also her strong convictions about social justice and economic inequality.Along for the ride is Phyllis, Alma's frazzled accomplice who lacks her mentor's cool demeanour and snappy comebacks. It's Alma who does the talking when the pair is apprehended at the grocery store by Dom, an overzealous rookie security guard. Guided by the strictness of his born-again Christian belief, Dom is ready to handcuff the culprits and call the police, but his affable senior partner, Otto, intervenes with a more sympathetic view of the crime: "It's just a couple a steaks." As Alma, Phyllis, Dom, and Otto share their wildly different takes on the situation, complex views on morality and ethics begin to emerge.With its cast of oddball characters, Panych's comedy offers biting observations about society's haves and have-nots and how much they might actually have in common.Cast of 2 women and 2 men.
The Trespassers
by Morris PanychLowell is no average teenager-and his grandfather, Hardy, is no conventional role model. Hardy may once have owned the abandoned orchard at the heart of town where they spend time trespassing and discussing ethics as if it were nothing more than a game. When inspector Milton shows up to investigate a murder, Lowell's truths are put to the ultimate test.
Vigil
by Morris PanychA man returns after thirty years to sit with a relative on her deathbed. Kemp's problem is: she's not dying fast enough. Through Kemp's own errors and inattentiveness, the visit that he thinks will take a day or two stretches into a year. A play of mistaken identity, twisted circumstance, and surprising turns, this is one Vigil worth keeping.
No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater
by Angela C. Pao"No Safe Spaces opens up a conversation beyond narrow polemics . . . Although cross-racial casting has been the topic of heated discussion, little sustained scholarship addresses both the historical precedents and theoretical dimensions. Pao illustrates the tensions and contradictions inherent not only in stage representations, but also in the performance of race in everyday life. A wonderful book whose potential readership goes well beyond theater and performance scholars. " ---Josephine Lee, University of Minnesota "Non-traditional casting, increasingly practiced in American theater, is both deeply connected to our country's racial self-image(s) and woefully under-theorized. Pao takes on the practice in its entirety to disentangle the various strands of this vitally important issue. " ---Karen Shimakawa, New York University. No Safe Spaces looks at one of the most radical and enduring changes introduced during the Civil Rights era---multiracial and cross-racial casting practices in American theater. The move to cast Latino/a, African American, and Asian American actors in classic stage works by and about white Europeans and Americans is viewed as both social and political gesture and artistic innovation. Nontraditionally cast productions are shown to have participated in the national dialogue about race relations and ethnic identity and served as a source of renewed creativity for the staging of the canonical repertory. Multiracial casting is explored first through its history, then through its artistic, political, and pragmatic dimensions. Next, the book focuses on case studies from the dominant genres of contemporary American theater: classical tragedy and comedy, modern domestic drama, anti-realist drama, and the Broadway musical, using a broad array of archival source materials to enhance and illuminate its arguments. Angela C. Pao is Associate Professor of Comparative Literature at Indiana University. A volume in the series Theater: Theory/Text/Performance
Political Cyberformance: The Etheatre Project
by Christina PapagiannouliWritten from a practice-based perspective, this book focuses on the political character of 'cyberformance': the genre of digital performance that uses the Internet as a performance space. The Etheatre Project comprises a series of experimental cyberformances aiming to reconsider the characteristics of theatre in the Internet age.
Wildfire & The Shoe: Two Plays
by David PaquetWith spark and spunk, these two dark yet absurdly charming comedies offer a kaleidoscopic perspective of those who are destined to go down a lonely path and those who choose to share the weight of others’ journeys. In Wildfire, three odd triplets, two misfits, and one misunderstood woman are all burning with solitude and desire. Through an exploration of heredity and fate, these seemingly ordinary characters choose to struggle against their isolation in extraordinary yet relatable ways. In The Shoe, a weary mother, her perplexing son, their shy dentist, and his cocktail-sipping receptionist find themselves drawn together to face problems too daunting to deal with alone. From meltdowns to moments of tenderness, each of them are called on to find reserves of strength and empathy they never knew they had.
Amor Bandido
by Cristiano ParafioritiEsta es una obra de fantasía. Los personajes, las organizaciones y las circunstancias son el resultado de la imaginación del autor o, si existen, se utilizan con fines narrativos. Por lo demás, cualquier referencia a eventos reales y personas reales deben considerarse mera casualidad. O casi coincidencia.
Amour et brigands
by Cristiano ParafioritiAu début du printemps 2017, Cristiano Parafioriti, le Sicilien de quarante ans, avec la résidence en Lombardie depuis déjà vingt ans pour les raisons professionnelles, atterrit sur son île pour une brève période de repos auprès de sa famille d’origine, à Galati Mamertino, un petit bourg sur les monts de Nébrodes dans la province de Messine. Il est marié, père d’un fils, et avec une fabuleuse passion littéraire ; ayant déjà publié deux recueils de récits se référant à sa terre natale. Dans l’après-midi de son arrivée, il rencontre Calogero Bau, surnommé ‘’Bau’’, employé dans les archives municipales du village, qui l’invite à jeter un coup d’œil sur un étrange document, transcription ancienne de l’État civil, sauvegardée dans son bureau. Intrigué par ces paroles, Cristiano accepte, et, le lendemain, après un bon café matinal, se rend aux archives. Après la première recherche infructueuse, lors d’une autre inspection de l’après-midi, il tombe par chance sur une découverte inespérée. À l’intérieur de cet immeuble délabré, il a découvert, en fait, dissimulé à l’intérieur d’un autre livre ecclésiastique du huitième siècle, le journal du brigand sicilien (Giovanni Darco), rédigé à cheval sur 1864 et 1865. La curiosité d’en savoir davantage sur son auteur et ses aventures inouïes, émergées à la lumière du jour, plongera Cristiano dans une semaine frénétique d’un authentique pathos émotionnel. Ces pages secrètes ne sont pas, en fait, une simple chronique des histoires de lutte entre une bande de rebelles et de nouveaux patrons, mais témoignent dans leur essence, avec la conviction et la vivacité, du merveilleux amour clandestin entre le brigand Giovanni Darco et la femme aristocrate Eufemia Celesti, épouse délaissée de Gepi Montes, aristocrate prétentieux de Nicosia et le rival le plus redoutable du brigand. Les histoires teintées de sang et d’amour s’en
Invictus
by Cristiano ParafioritiLa épica historia de Ture Di Nardo, conocido como "Pileri", un joven campesino siciliano arrancado de su familia y su mujer por la llamada a las armas durante la Segunda Guerra Mundial. Alistado en los Alpini y formando parte de la División Julia, siguió el amargo destino del ARMIR en lo que sería la mayor derrota militar italiana del siglo XX. Como un nuevo Ulisse, el joven Ture Pileri tendrá que enfrentarse a terribles pruebas en el largo viaje de vuelta a casa. Con esta apasionante novela histórica, Cristiano Parafioriti saca a la luz una historia real que ha permanecido en el corazón de su protagonista durante setenta años. La fuerza de un hombre, impulsado por el amor, capaz de resistir y reaccionar ante la derrota de todo un ejército.
Take d Milk, Nah?
by Jivesh ParasramJiv is “Canadian.” And “Indian.” And “Hindu.” And “West Indian.” “Trinidadian,” too. Or maybe he’s just colonized. He’s not the “white boy” he was teased as within his immigrant household. Especially since his Nova Scotian neighbours seemed to think he was Black. Except for the Black people—they were pretty sure he wasn’t. He’s not an Arab, and allegedly not a Muslim—at least that’s what he started claiming after 9/11. Whatever he is, the public education system was able to offer him the chance to learn about his culture from a coffee table book on “Eastern Mythology.” And then he had a religious epiphany while delivering a calf in Trinidad. By now, Jiv’s collected a lot of observations about trying to find your place in your world. In this funny, fresh, and skeptical take on the identity play, Jivesh Parasram blends personal storytelling and ritual to offer the Hin-dos and Hin-don’ts within the intersections of all of his highly hyphenated cultures. This story asks the gut-punching questions: What divides us? Who is served by the constructs of cultural identity? And what are we willing to accept in the desire to belong? Then again—it doesn’t really matter, because we are all Jiv.
Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger (Anglo-Italian Renaissance Studies)
by Cristina ParavanoMassinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger offers the first book-length account of the pervasive influence of Italian culture on the canon of Philip Massinger, one of the most successful playwrights of the post-Shakespearean period. This volume explores the relationships between Massinger and Italian literary, dramatic and intellectual culture in the larger context of Anglo-Italian cultural exchanges. The book investigates the influence of Italian culture, considering Massinger’s engagement and appropriation of Italian texts, dramatic and political theories and ideas related to the country and his use of Italy as a setting. Massinger’s Italy offers a fresh and unexpected perspective on the development of Anglo-Italian discourse on the early modern English stage, showing to what extent Massinger contributed to the myth of Italy and to the circulation of Italian culture and shedding light on the complex system of Anglo-Italian interconnections within the corpus of Massinger’s plays as well as with the works of Shakespeare and his contemporaries.
Adapting Endings from Book to Screen: Last Pages, Last Shots (Routledge Research in Cultural and Media Studies)
by Armelle Parey Shannon Wells-LassagneThis book offers a new perspective on adaptation of books to the screen; by focusing on endings, new light is shed on this key facet of film and television studies. The authors look at a broad range of case studies from different genres, eras, countries and formats to analyse literary and cinematic traditions, technical considerations and ideological issues involved in film and television adaptions. The investigation covers both the ideological implications of changes made in adapting the final pages to the screen, as well as the aesthetic stance taken in modifying (or on the contrary, maintaining) the ending of the source text. By including writings on both film and television adaptations, this book examines the array of possibilities for the closure of an adapted narrative, focusing both on the specificities of film and different television forms (miniseries and ongoing television narratives) and at the same time suggesting the commonalities of these audiovisual forms in their closing moments. Adapting Endings from Book to Screen will be of interest to all scholars working in media studies, film and television studies, and adaptation studies.
Young People, Learning and Storytelling (Palgrave Studies in Alternative Education)
by Emma ParfittThis book explores the lives of young people through the lens of storytelling. Using extensive qualitative and empirical data from young people’s conversations following storytelling performances in secondary schools in the UK, the author considers the benefits of stories and storytelling for learning and the subsequent emotional, behavioural and social connections to story and other genres of narrative. Storytelling has both global and transnational relevance in education, as it allows individuals to compare their experiences to others: young people learn through discussion that their opinions matter, that they are both similar to and different from their peers. This in turn can facilitate the development of critical thinking skills as well as encouraging social learning, co-operation and cohesion. Drawing upon folklore and literary studies as well as sociology, philosophy, youth studies and theatre, this volume explores how storytelling can shape the lives of young people through storytelling projects. This reflective and creative volume will appeal to students and scholars of storytelling, youth studies and folklore.
Stella Adler on Ibsen, Strindberg, and Chekhov
by Barry Paris Stella AdlerIn her long-awaited book, the legendary acting teacher Stella Adler gives us her extraordinary insights into the work of Henrik Ibsen ("The creation of the modern theater took a genius like Ibsen. . .Miller and Odets, Inge and O'Neill, Williams and Shaw, swallowed the whole of him"), August Strindberg ("He understood and predicted the forces that would break in our lives"), and Anton Chekhov ("Chekhov doesn't want a play, he wants what happens in life. In life, people don't usually kill each other. They talk").Through the plays of these masters, Adler discusses the arts of playwriting and script interpretation ("There are two aspects of the theater. One belongs to the author and the other to the actor. The actor thinks it all belongs to the author. . .The curtain goes up and all he knows are the lines. . .It is not enough. . .Script interpretation is your profession").She looks into aspects of society and class, and into our cultural past, as well as the evolution of the modern spirit ("The actor learns from Ibsen what is modern in the modern theater. There are no villains, no heroes. Ibsen understands, more than anything, there is more than one truth").Stella Adler--daughter of Jacob Adler, who was universally acknowledged to be the greatest actor of the Yiddish theater, and herself a disciple of Stanislavsky--examines the role of the actor and brings to life the plays from which all modern theater derives: Ibsen's Hedda Gabler, The Master Builder, An Enemy of the People, and A Doll's House; Strindberg's Miss Julie and The Father; Chekhov's The Seagull, Uncle Vanya, The Cherry Orchard, and Three Sisters ("Masha is the sister who is the mystery. You cannot reach her. You cannot reach the artist. There is no logical way. Keep her in a special pocket of feelings that are complex and different"). Adler discusses the ideas behind these plays and explores the world of the playwrights and the history--both familial and cultural--that informed their work. She illumines not only the dramatic essence of each play but its subtext as well, continually asking questions that deepen one's understanding of the work and of the human spirit. Adler's book, brilliantly edited by Barry Paris, puts her famous lectures into print for the first time.From the Hardcover edition.
Peerless
by Jiehae ParkAsian-American Twins M and L have given up everything to get into The College. So when D, a one-sixteenth Native American classmate, gets "their" spot instead, they figure they've got only one option: kill him. A darkly comedic take on Shakespeare's Macbeth about the very ambitious and cut-throat world of high school during college admissions.
Acting Shakespeare is Outrageous!: Playing the Bard for Beginners
by Herb ParkerPerforming the work of William Shakespeare can be daunting to new actors. Author Herb Parker posits that his work is played easier if actors think of the plays as happening out of outrageous situations, and remember just how non-realistic and presentational Shakespeare's plays were meant to be performed. The plays are driven by language and the spoken word, and the themes and plots are absolutely out of the ordinary and fantastic - the very definition of outrageous. With exercises, improvisations, and coaching points, Acting Shakespeare is Outrageous! helps actors use the words Shakespeare wrote as a tool to perform him, and to create exciting and moving performances.
A Monologue is an Outrageous Situation!: How to Survive the 60-Second Audition
by Herb ParkerA Monologue is an Outrageous Situation! How to Survive the 60-Second Audition explains how to successfully tackle the "cattle call" acting audition with a sixty-second monologue. Through Q&As, tips, director’s notes, and a glossary full of outrageous actions meant to inspire the actor into truly connecting with the piece, this book shows actors where and how to find a monologue, edit it, and give the best audition possible.
Amorous Ambassador
by Michael ParkerFarce / 4m, 4f / Interior When Harry Douglas, the new American Ambassador to Great Britain, tells his family he is going to Scotland to play golf, his wife and daughter announce weekend plans of their own. Their newly hired butler, Perkins, watches stoically as each leaves and secretly returns for a romantic rendezvous in the empty house. Harry's secretary and Captain South of Marine Corps Embassy Security then arrive in the wake of a bomb threat and the embassy is sealed off, with hilarious results. Even the imperturbable Perkins is drawn into the shenanigans .
Hotbed Hotel
by Michael ParkerComedy / 4m, 5f / Unit Set / Terri and Brian Cody are trying to sell their one star (and often one guest) hotel in the Florida Keys. A prospective buyer is about to arrive from New York. They decide to have the staff masquerade as paying guests to convince the him that the establishment is busy and prosperous. Unfortunately, the staff consists of a bibulous maintenance man and a curvaceous but somewhat vacant young maid. Add the eccentric retired British Army Major who resides at the hotel, a wealthy Arab Sheik (who looks suspiciously like the Major), a nymphomaniac dubbed The Barracuda during her annual stays, the prospective buyer's girlfriend and, unexpectedly, his wife, and you have a laugh a minute merry go round that leaves audiences screaming with delight.