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The Creative Writer's Craft: Lessons in Poetry, Fiction, and Drama
by Mcgraw-Hill Staff Richard BaileyThe Creative Writer's Craft is organized by genre into three sections - Poetry, Fiction, and Drama. It offers students the opportunity to explore and develop crafting skills for writing various types of poems, short stories, and one act plays. The lessons and writing activities encourage students to develop a writer's attitude, embracing the writing process rather than the final result.
Theatre and Music in Manila and the Asia Pacific, 1869-1946: Sounding Modernities (Transnational Theatre Histories)
by MeLê YamomoThis book examines the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948. During this period, tolerant political regimes resulted in the globalization of capitalist relations and the improvement of transcontinental travel and worldwide communication. This allowed modern modes of theatre and music consumption to instigate the uniformization of cultural products and processes, while simultaneously fragmenting societies into distinct identities, institutions, and nascent nation-states.Taking the performing bodies of migrant musicians as the locus of sound, this book argues that the global movement of acoustic modernities was replicated and diversified through its multiple subjectivities within empire, nation, and individual agencies. It traces the arrival of European travelling music and theatre companies in Asia which re-casted listening into an act of modern cultural consumption, and follows the migration of Manila musicians as they engaged in the modernization project of the neighboring Asian cities.
Ludic Ubuntu Ethics: Decolonizing Justice (Routledge Studies in Penal Abolition and Transformative Justice)
by Mechthild NagelLudic Ubuntu Ethics develops a positive peace vision, taking a bold look at African and Indigenous justice practices and proposes new relational justice models. ‘Ubuntu’ signifies shared humanity, presenting us a sociocentric perspective of life that is immensely helpful in rethinking the relation of offender and victim. In this book, Nagel introduces a new theoretical liberation model—ludic Ubuntu ethics—to showcase five different justice conceptions through a psychosocial lens, allowing for a contrasting analysis of negative Ubuntu (eg., through shaming and separation) towards positive Ubuntu (eg., mediation, healing circles, and practices that no longer rely on punishment). Providing a novel perspective on penal abolitionism, the volume draws on precolonial (pre-carceral) Indigenous justice perspectives and Black feminism, using discourse analysis and a constructivist approach to justice theory. Nagel also introduces readers to a post secular turn by taking seriously the spiritual dimensions of healing from harm and highlighting the community’s response. Spanning disciplinary boundaries and aimed at readers seeking to understand how to move beyond reintegrative shaming and restorative justice theories, the volume will engage scholars of criminology, philosophy and law, and more specifically penal abolitionism, social ethics, peace studies, African studies, critical legal studies, and human rights. It will also be of great interest to practitioners and activists in restorative justice, mediation, social work, and performance studies.
Innovations of Modern Korean Theatre in the 20th Century (ISSN)
by Meewon LeeLee provides a comprehensive insight into important topics within modern Korean theatre and conducts an in-depth evaluation of the major discourses that shaped Korean theatre during the 20th century.The book adopts a topical approach to explore modern Korean theatre through a more focused lens. Examining key subjects such as Korean Playwrights. Korean adaptations of Shakespeare, the National Theatre, feminist theatre, and the intercultural potential of a Far Eastern theatrical bloc, it provides a rigorous understanding of the evolution of Korean theatre during the 20th century and explores the moments of rupture and innovation within the chronological history of theatre.The book is a vital resource of interest to scholars and students interested in East Asian culture and theatre, specifically Korean culture.
Modernization of Korean Theatre in the 20th Century (ISSN)
by Meewon LeeLee provides a comprehensive guide that traces the transformation of Korean theatre from traditional to modern theatre and examines the impact of the introduction of Western plays to Korean society.Important changes in Korean theatre are discussed chronologically from the beginning of the modernization: Sinpa Theatre, Singeuk Theatre, Theatre of Ideology, The Little Theatre Movement, Madanggeuk, experiments for modernizing traditional Korean theatrical arts, and transitions to postmodern theatre. These changes happened rapidly and coupled with Eurocentric globalization. By the end of the century, the reinterpretations of Western drama like Shakespeare's plays had reached a point where they received attention from the Western world. Today, Korean theatre keeps pace with the world theatre and strives to contribute as a member of it.This book is a vital resource for scholars and students pursuing Korean studies and East Asian theatres with an authentic Korean perspective from a Korean scholar who has lived and researched in Korea.
Blood: A Scientific Romance
by Meg BraemTwin sisters Poubelle and Angelique are bonded in both biology and shared tragedy after a car accident leaves them orphaned along a prairie highway in a pool of blood. But the young twins are brought home with Dr. Glass after their remarkable recovery, and quickly find themselves the subject of endless experiments. In a quest to study Poubelle and Angelique's undeniable bond, Dr. Glass's questionable practices are soon scrutinized by a young doctor who might be the twins' only hope for a normal life. Blood: A Scientific Romance probes the questions: Do relationships take on new meaning when they begin to shape not only our experiences, but our biology? And do we, in fact, complete one another?
Stage Fright (Allie Finkle's Rules For Girls #4)
by Meg CabotThe fourth grade puts on a play written by Mrs. Hunter! Allie is sure she will walk away with the most coveted role that of the princess, naturally -- but one of her friends gets the part! What Allie doesn't realize is that the part she does get -- that of the evil queen -- is actually the starring role. But Allie isn't content with just starring in the play. She goes full-on method and borrows some false eyelashes to wear for the play, which causes a great deal of excited controversy. Allie learns it's not the size of the part, it's the size of the heart that matters.
How to Eat a Cupcake: A Novel
by Meg Donohue“An irresistible blend of sweet and tart, this book is truly a treat to be savored.”—Beth Kendrick, author of The Bake Off and Second Time Around“A sparkling, witty story about an unlikely, yet redemptive, friendship….Grab one of these for your best friend and read it together—preferably with a plate of Meyer Lemon cupcakes nearby.”—Katie Crouch, bestselling author of Girls in Trucks and Men and DogsAuthor Meg Donohue has cooked up an absolutely scrumptious debut novel, How to Eat a Cupcake, that explores what happens when two childhood friends, Annie and Julia, reconnect as adults and decide to open a cupcakery. But success in their new baking business venture will depend upon their overcoming old betrayals, first loves, and an unexpected and quite dangerous threat. Donohue’s How to Eat a Cupcake is contemporary women’s fiction at its smartest, sweetest, and most satisfying, joining the ranks of The Recipe Club, The School for Essential Ingredients, and Joanne Harris’s classic Chocolat by proving once again that fiction and food make an unbeatable combination.
Dream Sequences in Shakespeare: A Psychoanalytic Perspective
by Meg Harris WilliamsThis book takes a new approach to Shakespeare’s plays, exploring them as dream-thought in the modern psychoanalytic sense of unconscious thinking. Through his commitment to poetic language, Shakespeare offers images and dramatic sequences that illustrate fundamental developmental conflicts, the solutions for which are not preconceived but evolve through the process of dramatisation. In this volume, Meg Harris Williams explores the fundamental distinction between the surface meanings of plot or argument and the deep grammar of dreamlife, applied not only to those plays known as ‘dream-plays’ but also to critical sequences throughout Shakespeare’s oeuvre. Through a post-Kleinian model based on the thinking of Bion, Meltzer, and Money-Kyrle, this book sheds new light on both Shakespeare’s own relation to the play and on the identificatory processes of the playwright, reader, or audience. Dream Sequences in Shakespeare is important reading for psychoanalysts, playwrights, and students.
Bertolt Brecht (Routledge Performance Practitioners)
by Meg MumfordBertolt Brecht’s methods of collective experimentation, and his unique framing of the theatrical event as a forum for change, placed him among the most important contributors to the theory and practice of theatre. His work continues to have a significant impact on performance practitioners, critics and teachers alike. Now revised and reissued, this book combines: an overview of the key periods in Brecht’s life and work a clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung an account of his groundbreaking 1954 production of The Caucasian Chalk Circle an in-depth analysis of his practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are an invaluable resource for students and scholars.
The Terrible Legend of Kuluch and Olwen
by Meg ThacherPrince Kuluch has been cursed by his evil stepmother! Now he is in love with the daughter of a giant. Follow Kuluch as he completes the list of tasks from the giant with the help of knights, King Arthur, and even ants! Will he be able to marry the love of his life?
The Materials of Early Theatre: Shifting Paradigms in Early English Drama Studies (Variorum Collected Studies)
by Meg TwycrossCollected Studies CS 1068 The essays selected for this volume are chosen to reflect the important and intersecting ways in which over the last forty years Meg Twycross has shifted paradigms for people reading early English religious drama. The focus of Meg Twycross’s research has been on performance in its many aspects, and this volume chooses four of the most important strands of her work - the York plays; new ways of understanding acting and performance in late medieval theatre, particularly in Britain and across Europe; why scenes are staged in the ways they are, verbally and by extrapolation visually, by close reading of texts against the background of medieval theology; and the attention paid to wider contexts of medieval theatre - concentrating especially on essays that are not easily available today. These thematic strands are reflective of Meg Twycross’s major contribution to the field. They also represent those areas from her wider work which will have most utility and value for those, whether students or senior specialists in areas beyond early drama, who are looking for ways into understanding English medieval plays. The crucial work that has been done here has opened new perspectives on late medieval theatre, and will allow new generations to begin their study and research from further along the road.
Squawk
by Megan Gail ColesAnnie Runningbird doesn’t have time for the games boys want her to play. She’s aging out of foster care on her next birthday. The system has decided she is an adult, so Annie must make adult decisions. Where will she live? How will she make money? Demanding grown-up choices preoccupy the young girl’s mind as she navigates relationships with boys and men in her company. Does she like Isaac, a cute yet naive boy she met at the mall food court? Can she trust Louis, her older and increasingly overbearing foster care worker? Who can Annie depend on in her ever-shifting world? This intel is important. Because Annie needs to win the very real game she’s playing. She must save herself to save the day.
The Escape Room: 'One of my favourite books of the year' LEE CHILD
by Megan GoldinWelcome to the escape room. Your goal is simple. Get out alive.In the lucrative world of Wall Street finance, Vincent, Jules, Sylvie and Sam are the ultimate high-flyers. Ruthlessly ambitious, they make billion-dollar deals and live lives of outrageous luxury. Getting rich is all that matters, and they'll do anything to get ahead.When the four of them become trapped in an elevator escape room, things start to go horribly wrong. They have to put aside their fierce office rivalries and work together to solve the clues that will release them. But in the confines of the elevator the dark secrets of their team are laid bare. They are made to answer for profiting from a workplace where deception, intimidation and sexual harassment thrive.Tempers fray and the escape room's clues turn more and more ominous, leaving the four of them dangling on the precipice of disaster. If they want to survive, they'll have to solve one more final puzzle: which one of them is a killer?Praise for The Escape Room:"High wire tension from the first moment to the last. Four ruthless people locked in a deadly game where victory means survival. Gripping and unforgettable!" Harlan Coben"Fantastic. One of my favourite books of the year." Lee Child"Amazing...a thriller set in an elevator [that explores] the vast territory of people's worst natures. A nightmarish look inside ourselves. Simply riveting." Louise Penny"A sharp, slick, utterly engrossing thriller. This knockout debut hooked me from the first page and didn't let go." Cristina Alger, USA Today bestselling author of The Banker's Wife
The Rule of Three (The Sisters Club)
by Megan McdonaldThe play's the thing when sibling rivalry takes center stage in a funny, spot-on, all-new Sisters Club story by the inimitable creator of Judy Moody. Alex has always been the Actor-with-a-capital-A in the Reel family, and middle-sister Stevie has always been content behind the scenes. But when the school play turns out to be a musical, Stevie (the natural-born singer of the family), decides that she may just be tired of being the Sensible One. Maybe, for once, she'd like to be the one in the spotlight! Alex isn't so keen on vying for the same role as her younger sister, however, and soon the dueling divas -- with little sister Joey egging them on -- are engaged in a fierce competition to find out who's got what it takes to play the Princess. Has Stevie broken the rules by going for what she wants -- or will it be Alex who hands down the biggest betrayal of all?
Girl
by Megan Mostyn-BrownA play about what it means to be a "girl" in this day and age. The girls in this play show great strength, revealing their vulnerabilities in language that is honest and extremely compelling. Split into three sections, the characters speak entirely in monologues (with some overlap), providing great material for auditions and monologue work.
Lizards...
by Megan Mostyn-BrownDrama / 3m. 3f. / A near-drowning accident sends Phoebe into a tailspin as she turns away from her marriage and toward her rescuer. Science teacher Victor loses his job and meets an unusual girl all in one day. While Ronnie is deciding whether to tell her newly single roommate Sebastian how she really feels. Through a masterful web of intertwined storylines and relationships, LIZARDS ... tells the tale of six twentysomethings adapting to stress - and on the brink of change.
Contemporary Mormon Pageantry: Seeking After the Dead
by Megan S JonesIn Contemporary Mormon Pageantry, theater scholar Megan Sanborn Jones looks at Mormon pageants, outdoor theatrical productions that celebrate church theology, reenact church history, and bring to life stories from the Book of Mormon. She examines four annual pageants in the United States-the Hill Cumorah Pageant in upstate New York, the Manti Pageant in Utah, the Nauvoo Pageant in Illinois, and the Mesa Easter Pageant in Arizona. The nature and extravagance of the pageants vary by location, with some live orchestras, dancing, and hundreds of costumed performers, mostly local church members. Based on deep historical research and enhanced by the author's interviews with pageant producers and cast members as well as the author's own experiences as a participant-observer, the book reveals the strategies by which these pageants resurrect the Mormon past on stage. Jones analyzes the place of the productions within the American theatrical landscape and draws connections between the Latter-day Saints theology of the redemption of the dead and Mormon pageantry in the three related sites of sacred space, participation, and spectatorship. Using a combination of religious and performance theory, Jones demonstrates that Mormon pageantry is a rich and complex site of engagement between theater, theology, and praxis that explores the saving power of performance.
Tragic Resistance: Feminist Agency in Performance (Routledge Advances in Theatre & Performance Studies)
by Megan SheaTragic Resistance analyzes playwrights, directors, and performers who shatter gender norms to gain agency within the patriarchal institutions restricting them.The artists in this book work against the tragic narratives that would otherwise constrict them: the tragedy of Antigone unmade by Judith Malina, the history of "The Venus Hottentot" pulled into the present in Suzan-Lori Parks's Venus, the narrative of the rape "victim" eschewed in Emma Sulkowicz's performances, the story of brides jilted by the homophobic state government in the case of Annie Sprinkle and Beth Stephens, the tragedy of Anna Nicole as told by Margaret Cho, and the reclamation of the female body from traditional hip hop by Nicki Minaj. All these performers and performances subvert traditional notions of gendered roles that people should or could hold.This book examines the nature of these performances to interrogate how theatrical and performative resistance works and why performance might be a vehicle for altering patriarchal structures that withhold agency from women and trans/genderqueer+ people.
Experimental Dance and the Somatics of Language: Thinking in Micromovement (New World Choreographies)
by Megan V. NicelyThis book is about dance’s relationship to language. It investigates how dance bodies work with the micromovements elicited by language’s affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practice—the zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is felt, both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium.
Performing Resilience for Systemic Pain (Routledge Advances in Theatre & Performance Studies)
by Meghan Moe BeitiksHow might performance serve as a means for facing ubiquitous trauma and pain, in humans and ecologies? While reflecting on her multidisciplinary work Systems of Pain/Networks of Resilience, artist Meghan Moe Beitiks considers bodies of knowledge in Trauma Theory, Intersectional Feminist Philosophy, Ecology, Disability Studies, New Materialism, Object-Oriented Ontology, Gender Studies, Artistic Research, Psychology, Performance Studies, Social Justice, Performance Philosophy, Performance Art, and a series of first-person interviews in an attempt to answer that question. Beitiks brings us through the first-person process of making the work and the real-life, embodied encounters with the theories explored within it as an expansion of the work itself. Facing down difficult issues like trauma, discrimination, and the vulnerability of the body, Beitiks looks to commonalities across species and disciplines as means of developing resilience and cultivating communities. Rather than paint a picture of glorious potential utopias, Beitiks takes a hard look at herself as an embodiment of the values explored in the work, and stays with the difficult, sucky, troubling, work to be done. Performing Resilience for Systemic Pain is a vulnerable book about the quiet presence and hard looking needed to shift systems away from their oppressive, destructive realities.
In Other Los Angeleses: Multicentric Performance Art
by Meiling ChengThis is a study of contemporary Los Angeles through the lens of performance art, an intermedia visual art that incorporates theatrical elements in presentation. The book proposes to examine the significant roles that performance art has played in shaping, transforming, and delineating the multicultural ecology of Los Angeles.
Shrunken Heads
by Meir Z. RibalowComedy / 3m, 4f / Interior / Dr. Bob Hyde, a successful psychiatrist, just wants to have a quiet, peaceful weekend at his country estate, where he can commune with nature and relax in his Jacuzzi, far away from his patients. No such luck. In burst an assortment of crazed or just plain eccentric characters, from his neurotic to end all neurotics patient Dorothy Putney, to his daughter Caroline who is dropping out of her seventh college to go and live in a tent in Colorado and who has stopped by for moral support and money, to Caroline's mother and Hyde's ex wife Jennifer, a master of facetious wise cracks and particularly adept at draining Dr. Bob of alimony money. When Dorothy's husband Norman, who thinks his wife is having an affair with Hyde, shows up with a gun, this wildly paced farce really hits its stride, and things build and build to an hilarious climax.
Sundance
by Meir Z. RibalowComedy / 5 m. / Simple int. / Takes place in a sort of metaphysical wild west saloon. The characters include Hickock, Jesse, the Kid and the inevitable Barkeep. Hickock kills to uphold the law. Jesse kills for pleasure. The Kid kills to bring down The Establishment. What if, wonders the Barkeep, they met up with the Ultimate Killer-- who kills for no reason, who kills simply because that's what he does? Enter Sundance. He does not kill to uphold the law, for pleasure, or to make a political statement, or because he had a deprived childhood. He kills for no reason at all. And he proceeds to kill everyone, exiting at the end with his sixguns blazing! / "Witty, strong, precise, unusually well written."-- Guardian. / This co winner of the 1981 Annual NYC Metropolitan Short Play Festival has been a success in 6 countries!
Broadway North: The Dream of a Canadian Musical Theatre
by Mel AtkeyDid you know that the idea behind the Radio City Music Hall Rockettes was first tried out in Toronto? That Canada produced the world’s longest-running annual revue? Few people realize the Canadian influences that are at the heart of American and British culture. Author Mel Atkey’s research for Broadway North included interviews with Norman and Elaine Campbell and Don Harron, creators of Anne of Green Gables-The Musical; Mavor Moore, founder of the Charlottetown Festival and of Spring Thaw; John Gray, author of Billy Bishop Goes to War; Ray Jessel and Marian Grudeff, Spring Thaw writers who had success on Broadway with Baker Street; Dolores Claman, composer of the Hockey Night In Canada theme, who also wrote the musicals Mr. Scrooge and Timber!!; and Galt MacDermot, the composer of Hair who started out writing songs for the McGill University revue My Fur Lady. Included is the phenomenal success of The Drowsy Chaperone. Atkey also draws on his own experience as a writer and composer of musicals, and tells the story of why a show that should have starred James Doohan (Star Trek’s Scotty) didn’t happen. Composer, lyricist and author, Mel Atkey is currently based in the U.K. Proud of his Canadian cultural roots, he has long been fascinated with the notion of a distinctive Canadian musical theatre.