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The Death of Character: Perspectives on Theater after Modernism (Drama and Performance Studies)

by Elinor Fuchs

"Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the 'avant-garde.'" —Essays in Theatre". . . an insightful set of theoretical 'takes' on how to think about theatre before and theatre after modernism." —Theatre Journal"In short, for those who never experienced a 'postmodern swoon,' Elinor Fuchs is an excellent informant." —Performing Arts Journal". . . a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." —Modern Drama"A work of bold theoretical ambition and exceptional critical intelligence. . . . Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." —Una Chaudhuri, New York University"What makes this book exceptional is Fuchs' acute rehearsal of the stranger unnerving events of the last generation that have—in the cross-reflections of theory—determined our thinking about theater. She seems to have seen and absorbed them all." —Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee"Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." —Joseph Roach, Tulane University" . . . Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." —Alice Rayner, Stanford University"Arguably the most accessible yet learned road map to what remains for many impenetrable territoryan obligatory addition to all academic libraries serving upper-division undertgraduates and above." —Choice"A systematic, comprehensive and historically-minded assessment of what, precisely, 'post-modern theatre' is, anyway." —American TheatreIn this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.

Shakespeare and: The Merry Wives of Windsor (ISSN)

by Elizabeth Schafer

Seismic shifts in the theatrical meanings of The Merry Wives of Windsor have taken place across the centuries as Shakespeare’s frequently performed play has relocated to Windsor across the world, journeying along the production/adaptation/appropriation continuum.This (eco-)performance history of Shakespeare’s The Merry Wives of Windsor not only offers the first in-depth analysis of the play in production, with a particular focus on the representation of merry women, but also utilises the comedy’s forest-aware dramaturgy to explore Mistress Page’s concept of being ‘frugal in my mirth’ in relation to sustainable theatre practices. Herne’s Oak – the fictitious tree in Windsor Forest where everyone meets in the final scene of the play – is utilised to enable a maverick but ecologically based reframing of the productions of Merry Wives analysed here.This study engages with gender, physical comedy, and cultural relocations of Windsor across the world to offer new insight into Merry Wives and its theatricality.

Essential Self-Defense: A Play

by Adam Rapp

The next work for the stage from the Pulitzer finalist Adam Rapp, Essential Self-Defense.In Essential Self-Defense, disgruntled misfit Yul Carroll takes a job as an attack dummy in a women's self-defense class and finds himself mysteriously drawn to Sadie, the repressed bookworm mercilessly honing her skills on him. Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles

by María Elena de las Carreras and Jan-Christopher Horak

In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences. In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here.This is a joint publication of FIAF and UCLA Film & Television Archive.

Hollywood vs. America: The Explosive Bestseller that Shows How—and Why—the Entertainment Industry has Broken Faith with Its Audience

by Michael Medved

Why does our popular culture seem so consistently hostile to the values that most Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism? In this explosive book, one of the nation's best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbate every serious social problem we face, from teenage pregnancies to violence in the streets. Michael Medved powerfully argues that the entertainment business follows its own dark obsessions, rather than giving the public what it wants: In fact, the audience for feature films and network television has demonstrated its profound disillusionment in recent years, with disastrous consequences for many entertainment companies. Meanwhile, overwhelming numbers of our fellow citizens complain about the wretched quality of our popular culture--describing the offerings of the mass media as the worst ever. Medved asserts that Hollywood ignores--and assaults--the values of ordinary American families, pursuing a self-destructive and alienated ideological agenda that is harmful to the nation at large and to the industry's own interests. In hard-hitting chapters on "The Attack on Religion," "The Addiction to Violence," "Promoting Promiscuity," "The Infatuation with Foul Language," "Kids Know Best," "Motivations for Madness," and other subjects, Medved outlines the underlying themes that turn up again and again in our popular culture. He also offers conclusive evidence of the frightening real-world impact of these messages on our society and our children. Finally, Medved shows where and how Hollywood took a disastrous wrong turn toward its current crisis, and he outlines promising efforts both in and outside the industry to restore a measure of sanity and restraint to our media of mass entertainment.Sure to elicit strong response, whether it takes the form of cheers of support or howls of enraged dissent, Hollywood vs. America confronts head-on one of the most significant issues of our times.

Leading Lady: A Memoir of a Most Unusual Boy

by Charles Busch

A poignant, deliciously anecdotal account of a talented artist's Oz-like journey in the worlds of Off-Broadway, Broadway, and HollywoodThe Tony Award-nominated writer of The Tale of the Allergist&’s Wife and the long-running hit Off-Broadway play Vampire Lesbians of Sodom, and a Sundance Festival award winner, Charles Busch has created a unique place in the entertainment world as a playwright, LGBT icon, drag actor, director, and cabaret performer, with his extraordinary gift for both connecting with and channeling the leading ladies of show business. In wonderfully readable chapters, by turns comic and moving, Charles writes how ever since his mother's death when he was seven, he has sought out surrogate mothers in his life. In his teens, Charles moved to Park Avenue in Manhattan to live with his Auntie Mame-like Aunt Lil, who encouraged and nourished Charles&’ talents and dreams, and eventually he discovered his gifts for writing plays and performing as a male actress.Busch also shares his colorful and sometimes outlandish interactions with film and theatrical luminaries including the hilarious comedian Joan Rivers (who became a mother figure to Charles after Aunt Lil&’s death), Angela Lansbury (who attended her first Passover seder with Charles), Rosie O&’Donnell, Claudette Colbert, Valerie Harper, Kim Novak, and many others. Full of both humor and heart and featuring rare photos, Leading Lady is for readers of entertainment books as well as anyone who enjoys real-life stories of artists who break the mold, ditch the boundaries, and find their own unique way to sparkle.

The Irish Repertory Theatre: Celebrating Thirty-Five Years Off-Broadway (New Directions in Irish and Irish American Literature)

by Maria Szasz

The Irish Repertory Theatre: Celebrating Thirty-Five Years Off-Broadway is the first book-length history of the multi-award winning Off-Broadway Irish Repertory Theatre Company, from its beginning in 1988 to its thirty-fifth season in 2023. The book considers how the Irish Rep’s plays and musicals reflect the Irish diaspora, the relationship between Ireland and America, and what it means to be Irish and Irish American, both historically, and in the twenty-first century, including how the Irish Rep is showcasing more diverse voices and experiences, from women, the LGBTQIA+ community, and Irish and Irish American people of color.

Working with Children in Contemporary Performance: Ethics, Agency and Affect

by Sarah Austin

This book outlines how an innovative ‘rights-based’ model of contemporary performance practice can be used when working with children and young people.This model, framed by the United Nations Convention on the Rights of the Child (1989), challenges the idea of children as vulnerable and in need of protection, argues for the recognition of the child’s voice, and champions the creativity of children in performance. Sarah Austin draws on rich research and practitioner experience to analyse Youth Arts pedagogies, inclusive theatre practice, models of participation, the symbolic potential of the child in performance, and the work of contemporary theatre practitioners making work with children for adult audiences. The combined practical and written research reflected in this book offers a new, nuanced understanding of children as cultural agents, raising the prospect of a creative process that foregrounds deeper considerations of the strengths and capacities of children.This book would primarily appeal to scholars of theatre and performance studies, specifically those working in the field of applied theatre and theatre for children and young people. Additionally, the practice-based elements of the book are likely to appeal to theatre professionals working in youth arts or theatre for young audiences or associated fields.

Clete (Dave Robicheaux)

by James Lee Burke

In the latest Robicheaux novel, Clete Purcel - veteran, private investigator, and former New Orleans cop - takes centre stage for the first time. ****Clete Purcel - private investigator, ex-member of the New Orleans Police Department, and war veteran with a hard shell and just a few soft spots - is Dave Robicheaux's longtime friend and partner in detective work. But he has a troubled past.When Clete leaves his car at the local car wash, only to return to find it ransacked by a group of thugs tied to the drug trade from Mexican cartels to Louisiana, it feels personal - his grandniece died of a fentanyl overdose, and his fists curl when he thinks of the dealers who sold it.Just as Clete starts to trail the culprits, Clara Bow hires Clete as a detective to investigate her scheming, slippery ex-husband, and a string of brutal deaths all link back to a heavily tattooed man who seems to lurk around every corner. Clete is experiencing shockingly lifelike hallucinations and questioning Clara's ulterior motives when he and Dave start to hear rumors of a dangerous substance with potentially catastrophic effects. The thugs who destroyed his car might have been pawns in a scheme far darker than they could've imagined.Gripping, violent, yet interlaced with Clete's humor and consistent drive to protect those he loves, Clete brings a fresh perspective to a truly iconic series. ****PRAISE FOR JAMES LEE BURKE, THE AWARD-WINNING KING OF SOUTHERN NOIR: 'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed' Michael Connelly 'A gorgeous prose stylist' Stephen King 'No argument: James Lee Burke is among the finest of all contemporary American novelists' Daily Mail'The greatest crime writer currently at work' Spectator'The reigning champ of nostalgia noir' New York Times'Masterly' Sunday Telegraph

Giving Voice: The Power of Theatre for Positive Change (ISSN)

by Carol J. Maples

This book is a practical guide for using the power of theatre to address issues of oppression in areas such as race, ethnicity, LGBTQ+, gender, and sexual harassment.Giving Voice charts a roadmap for the process of establishing a troupe, including auditioning members, utilizing authentic source material, directing rehearsals, guiding mindful growth among troupe members, and facilitating an inclusive forum environment. Rooted in Augusto Boal’s Theatre of the Opressed and using the nationally recognized Missouri State University’s Giving Voice troupe as a model, this book provides guidance for customizing the program’s principles to meet the needs of your school, community, organization, or business. Giving Voice forums bring professional development to a new level. Applications include diversity and cultural awareness training in educational settings for students, staff, faculty, and administrators, as well as those in non-profit and for-profit organizations.This book provides a powerful and proven approach to creating a truly inclusive climate. It is a guidebook for accessible use in the secondary and university setting in theatre and performance studies. It has also been shown to be effective for businesses and other organizations.

The Theban Plays: Antigone - Oedipus The King - Oedipus At Colonus (hardcover)

by Sophocles

King Oedipus/Oedipus at Colonus/AntigoneThree towering works of Greek tragedy depicting the inexorable downfall of a doomed royal dynastyThe legends surrounding the house of Thebes inspired Sophocles to create this powerful trilogy about humanity's struggle against fate. King Oedipus is the devastating portrayal of a ruler who brings pestilence to Thebes for crimes he does not realize he has committed and then inflicts a brutal punishment upon himself. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident of his own authority.Translated with an Introduction by E. F. WATLING

Dancing with Georges Perec: Embodying Oulipo (ISSN)

by Leslie Satin

This book explores the relationship of the life and work of the remarkable Parisian-Jewish writer Georges Perec (1936–1983) to dance."Dancing" addresses art-making parallels and their personal and sociocultural contexts, including Perec’s childhood loss of his parents in the Holocaust and its repercussions in the significance of the body, everydayness, space, and attention permeating his work. This book, emerging from the author Leslie Satin’s perspective as a dancer and scholar, links Perec’s concerns with those of dance and demonstrates that Perec’s work has implications for dance and how we think about it. Moreover, it is framed as a performative autobiographical enactment of the author's relationship to Perec, periodically linking their written, danced, and imagined lives.This exploration will be of great interest to dancers, dance scholars, and dance students interested in contemporary experimental dance and contemporary dance.

Sophia Robot: Post Human Being (ISSN)

by Thomas Riccio

This book considers David Hanson’s robots as a performative expression of our cultural moment, serving as a paradigm for the evolution of humanoid social robots.Mechanical beings have occupied the human imagination since antiquity. Now, they inhabit the pop-cultural imagination, embodying the apotheosis of humanity’s technological aspirations and dread. Sophia, Hanson’s most advanced robot, anticipates the future as she articulates the mythic pattern, narrative, anxieties, and hopes as old as humanity. Gendered as an attractive female with a face inspired by Queen Nefertiti and Audrey Hepburn, Sophia is a cipher, avatar, and turning point that brings humanity and technology a step closer to the emergence of a post-human species. The author is a transdisciplinary artist/scholar/educator working internationally in experimental performance, indigenous performance (ritual, shamanism), and social robotics. Hanson’s robots and Sophia are examined as performance media and events, as characters evolving as post-human narratives of technological beings. The emergent, complex, and collaborative relationships social robots have with technology, AI, performance, anthropology, mythology, psychology, sociology, popular culture, social media, politics, and economics are considered.

Dramaturgy to Make Visible: The Legacies of New Dramaturgy for Politics and Performance in Our Times (ISSN)

by Peter Eckersall

This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.This exploration defines dramaturgy as a perceptibly transforming agency in the construction, presentation and reception of contemporary performance; and it shows how contemporary performance has an intrinsic dramaturgical aspect whose proliferation of dramaturgical practices has led to a far-reaching reinvention of what contemporary theatre is. In doing so, this book deals with a careful selection of performance practices, including theatrical adaptations, new media dramaturgy, contemporary dance, installation-performance, postdramatic theatre, visionary works by auteurs, and revivals of well-known stage shows.This study will be of great interest to students and scholars in theater studies, performance studies, cultural studies, curating, and dance scholarship.

The Tempest (Short, Sharp Shakespeare Stories #28)

by Anna Claybourne

Be not afeard; the isle is full of noises...A powerful storm, a dramatic shipwreck, an enchanted island, a sorcerer's daughter and a handsome prince... Listen on, through magic and mystery, to discover the spell-binding story at the heart of The Tempest, one of Shakespeare's best-loved plays.As well as the story, this audiobook contains information about the background to The Tempest, its major themes, language, and Shakespeare's life during the time he was writing the play. Magic, and its meaning in 16th century England, are also examined, to give some context in which the play was written.The Short, Sharp Shakespeare series consists of six books that retell Shakespeare's most famous plays in modern English. Fun sound effects and atmospheric music accompany each narration, making them a great introduction to "the Bard" for children.(P) 2023 Hodder & Stoughton Limited

Macbeth (Short, Sharp Shakespeare Stories #25)

by Anna Claybourne

Is this a dagger which I see before me...?A power-hungry general, his crazed wife, three interfering witches and some terrifying ghosts... Listen on, through murder and mayhem, to discover the gripping story of Macbeth, one of Shakespeare's most famous tragedies.As well as the story, this audiobook contains information about the background to Macbeth, its major themes, language, and Shakespeare's life during the time he was writing the play. Witches and witchcraft in 16th century England are also examined, to give the context in which the play was written. The Short, Sharp Shakespeare series consists of six books that retell Shakespeare's most famous plays in modern English. Fun sound effects and atmospheric music accompany each narration, making them a great introduction to "the Bard" for children.(P) 2023 Hodder & Stoughton Limited

Hamlet (Short, Sharp Shakespeare Stories #30)

by Anna Claybourne

To be or not to be? That is the question...A murdered king, his haunted son, a wicked stepfather and a doomed romance... Listen on, through madness and mystery, to discover the calamitous tale at the heart of Hamlet, one of Shakespeare's most famous tragedies.As well as the story, this audiobook contains information about the background to Hamlet, its major themes, language, and Shakespeare's life during the time he was writing the play. Madness, and how it was treated in 16th century England, is also examined, to give some context in which the play was written.The Short, Sharp Shakespeare series consists of six books that retell Shakespeare's most famous plays in modern English. Fun sound effects and atmospheric music accompany each narration, making them a great introduction to "the Bard" for children .(P) 2023 Hodder & Stoughton Limited

Much Ado About Nothing (Short, Sharp Shakespeare Stories #29)

by Anna Claybourne

As merry as the day is long.Mistaken identities, jealous relatives, lovers' quarrels and a happy ending... Discover the entertaining story at the heart of Much Ado About Nothing, one of Shakespeare's best-loved comedies.As well as the story, this audiobook contains information about the background to Much Ado About Nothing, its major themes, language, and Shakespeare's life during the time he was writing the play. Gossip, and its role in society in 16th century England, is also examined, to give some context in which the play was written.The Short, Sharp Shakespeare series consists of six books that retell Shakespeare's most famous plays in modern English. Fun sound effects and atmospheric music accompany each narration, making them a great introduction to "the Bard" for children.(P) 2023 Hodder & Stoughton Limited

Romeo and Juliet (Short, Sharp Shakespeare Stories #27)

by Anna Claybourne

O Romeo, Romeo! Wherefore art thou Romeo?Two families at war, and a pair of young, star-crossed lovers caught in the crossfire... Listen on, through romance and heartbreak, to discover the tragic story at the heart of Romeo and Juliet, one of Shakespeare's most famous plays.As well as the story, this audiobook contains information about the background to Romeo and Juliet, its major themes, language, and Shakespeare's life during the time he was writing the play. Poisons, and their application in 16th century England, are also examined, to give the context in which the play was written.The Short, Sharp Shakespeare series consists of six books that retell Shakespeare's most famous plays in modern English. Fun sound effects and atmospheric music accompany each narration, making them a great introduction to "the Bard" for children.(P) 2023 Hodder & Stoughton Limited

The Stranger: A gripping thriller from the #1 bestselling creator of hit Netflix show Fool Me Once (Myron Bolitar Ser. #11)

by Harlan Coben

NOW A MAJOR NETFLIX SERIES. WE ALL HAVE SECRETS...'I wanted to finish it so fast so I could learn the truth about what really happened' ⭐⭐⭐⭐⭐'Right from page one this is a real pageturner' ⭐⭐⭐⭐⭐Adam Price has a lot to lose: a beautiful family, a big house, a good job - a perfect life.But then he meets a stranger in a bar and learns a shocking secret about his wife.With the mirage of perfection shattered, Adam finds himself caught up in something far darker than his wife's deception.And if he doesn't make the right moves, the conspiracy he's stumbled into will not only ruin lives - it will end them.

Unearthing Shakespeare: Embodied Performance and the Globe

by Valerie Clayman Pye

What can the Globe Theatre tell us about performing Shakespeare?Unearthing Shakespeare is the first book to consider what the Globe, today’s replica of Shakespeare’s theatre, can contribute to a practical understanding of Shakespeare’s plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels.From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

F*ck The Army!: How Soldiers and Civilians Staged the GI Movement to End the Vietnam War (Performance and American Cultures #7)

by Lindsay Goss

Reveals the theatrical dimensions of civilian support for the revolutionary GI Movement of the 1960s-70sPerformance played a role both crucial and complicated in the antiwar activism of the 1960s and 1970s. As soldiers and civilian actors, activists, and celebrities worked together to end the Vietnam War, their theatrical acts of solidarity and resistance connected liberation struggles across the lines of race, gender, enlisted status, and nationality.F*ck The Army! offers the first, fully narrated history of the FTA, an antiwar variety show featuring Jane Fonda that played to tens of thousands of active-duty troops over the course of nine months in 1971. From its very conception, the civilian-led show was directed towards the project of making visible the growing antiwar movement organized by GIs, inspired by but also acting as a rebuttal to the increasingly out-of-touch USO tours presented by Bob Hope. Through an analysis of the FTA’s tactical performances of solidarity and resistance, Lindsay Goss brings into view the theatrical dimensions of the GI movement itself, revealing it as representative of the revolutionary and theatrical politics and tactics of the period. The volume highlights how, due to the movement’s subsequent historical erasure, a renewed anti-theatricality emerged from the 1960s and became a potent feature of contemporary political discourse.The author’s deft methodological and analytic strategies, in tandem with her elegantly accessible style demonstrate how seemingly little-known performance practices can activate consequential understandings of what we thought we knew about the recent past. At the same time, she encourages essential conversations about pressing contemporary issues that demand our attention. At its core, F*ck The Army! reveals the fundamentally theatrical character of radical activism when it seeks to challenge the status quo.

Faust: (Part Two) (Thrift Editions Ser.)

by Johann Wolfgang Goethe

The second part of Goethe's masterpiece opens with Faust struggling to recover from the death of his beloved Gretchen. The quick-witted demon Mephistopheles soon persuades him to look beyond his sorrow and enter the world of politics and power, but the great scholar is still eager for new sensations, and asks Mephistopheles to reveal Helen of Troy to him in a vision. Overwhelmed by her beauty, Faust demands she be brought back from the underworld - but even this fails to bring him contentment, and his appetite for knowledge remains unsated. Completed a few months before Goethe's death, this rich and allusive work weaves together a wealth of diverse philosophical ideas and influences, reworking the medieval myth of Dr Faustus and speculating upon the search for truth in the Age of Enlightenment.

Extraño Florista

by Justice Gray

Un florista que quiere ser famoso es muy firme en ganar un prestigioso premio en una convención de floristas, así que está devanándose el cerebro intentando llegar con algo original. Él pensó en varias flores que podrían ser, pero luego pensó que muchos pensarán igual. Entonces una noche él tiene un sueño --él necesitaría tener la pintura de una flor, o flores-- que cobrarían vida. Cuando se despierta primero piensa que es absurdo, pero luego piensa que es posible. Él recordó la vez que estaba en el bosque lluvioso, cerca del gran arrecife de corales en Australia, cuando caminó por un puente, y notó como las plantas casi agarran sus manos mientras crecían rápidamente. Pensó que podía hacerlo, pero con una flor en vez de una planta, pero necesitaría alguna forma para que creciera, entonces pensó en la idea de pintar una flor para que llegara a la vida. Él invitó a un conocido artista a su casa para pintar una orquídea que cobrara vida, el artista pensó que él estaba loco y terminó siendo prisionero en su casa. El artista fue creativo con varias ideas, pero se dio cuenta que no podía, pero que quizás otro artista sí. Había un artista que hacía excelentes pinturas en cristales, incluyendo flores, invitó a la persona a ir a su lujosa casa. La persona aceptó la invitación. Mientras tanto Enrique quería que pintara una orquídea que cobrara vida, el artista pensó que estaba loco y quería escapar. Los dos artistas fueron encerrados en una habitación pensando que era imposible salir de ahí. Los dos intentaron escapar, pero después de un tiempo se tomaron un descanso. Un día, los artistas se despertaron por un ruido en la cocina. Se veía que Enrique había llegado y fue a la cocina a hacer un sandwich. Enrique estaba cantando junto a la radio, que parecía sonar más fuerte, los dos artistas despertaron, ambos planearon escapar, pero el primer artista dejó atrás al segundo para valerse por sí mi

YOUR LIFE

by Nicola Lippolis

Maria and Sam have been together since university. They love each other sincerely, they have a happy life, also professionally. They reach the point where they want a child. Their serenity will, however, be shattered by someone they cannot even imagine and who has decided to pull the strings of their fate, someone who wants above all to disrupt Sam's life. This man is a psychotic boss of the Miami underworld who will try to carry out his macabre criminal plan to make Sam lose the most precious things he has: Maria, his job and his freedom.

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