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Howard Stern Comes Again
by Howard SternRock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president. Over his unrivaled four-decade career in radio, Howard Stern has interviewed thousands of personalities—discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favorites? It’s one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer. This book is a feast of conversation and more, as between the lines Stern offers his definitive autobiography—a magnum opus of confession and personal exploration. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An impressive array of creative visionaries weigh in on what Stern calls “the climb”—the stories of how they struggled and eventually prevailed. As he writes in the introduction, “If you’re having trouble finding motivation in life and you’re looking for that extra kick in the ass, you will find it in these pages.” Interspersed throughout are rare selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election—one of many newly written revelations from the author. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy. As Stern insightfully notes in the introduction: “The interviews collected here represent my best work and show my personal evolution. But they don’t just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century.”
Howard Stern Comes Again
by Howard SternOver his unrivaled four-decade career in radio, Howard Stern has interviewed thousands of personalities—discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favorites? It&’s one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer.Rock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president. This book is a feast of conversation and more, as between the lines Stern offers his definitive autobiography—a magnum opus of confession and personal exploration. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An impressive array of creative visionaries weigh in on what Stern calls &“the climb&”—the stories of how they struggled and eventually prevailed. As he writes in the introduction, &“If you&’re having trouble finding motivation in life and you&’re looking for that extra kick in the ass, you will find it in these pages.&” Interspersed throughout are rare selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election—one of many newly written revelations from the author. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy. As Stern insightfully notes in the introduction: &“The interviews collected here represent my best work and show my personal evolution. But they don&’t just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century.&”
The Hush
by Skye Melki-WegnerChester has taken to the road, traveling from village to village desperately searching for his father, who has disappeared. One night while fiddling to earn a few coins, he accidentally connects to the Song-the music that fuels every aspect of the world, and that it’s illegal for him to interact with. He’s caught and sentenced to death for his crime. Only a licensed Songshaper can bend music to his will.But someone in the crowd-a member of the infamous Nightfall Gang-stages a daring rescue and whisks Chester into the Hush, a shadowy nightmare mirror-world where Music can be deadly and Echoes can kill.Susanna, the Captain of the Nightfall Gang has been watching Chester. She needs him to pull off an elaborate plan that will take down the governing body that keeps her an outlaw and made her the fragment she is. Susanna needs him to exact her revenge, even if he dies doing it. Combining complex stakes, shifting loyalties, nods to fairy tales, and a Western feel, The Hush is a lush and exhilarating fantasy perfect for fans of Catherine Fisher’s Incarceron and Paolo Bacigalupi’s Ship Breaker.
Hysterical!: Women in American Comedy
by Linda MizejewskiSusan Koppelman Award Winner: “A juicy read for those who love the many ways female comics use their art to question the patriarchy.” ?BustAmy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens, smashing the tired stereotype that women aren’t funny. But today’s funny women didn’t come out of nowhere. Fay Tincher’s daredevil stunts, Mae West’s linebacker walk, Lucille Ball’s manic slapstick, Carol Burnett’s athletic pratfalls, Ellen DeGeneres’s tomboy pranks, Whoopi Goldberg’s sly twinkle, and Tina Fey’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women’s bodies and behaviors.Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field’s leading authorities, introducing a new framework for women’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women’s comedy.“An invaluable collection and a great read.” ?Journal of Popular CultureWinner of a Susan Koppelman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017
Hysterical!: Women in American Comedy
by Linda MizejewskiSusan Koppelman Award Winner: &“A juicy read for those who love the many ways female comics use their art to question the patriarchy.&” —Bust Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens, smashing the tired stereotype that women aren&’t funny. But today&’s funny women didn&’t come out of nowhere. Fay Tincher&’s daredevil stunts, Mae West&’s linebacker walk, Lucille Ball&’s manic slapstick, Carol Burnett&’s athletic pratfalls, Ellen DeGeneres&’s tomboy pranks, Whoopi Goldberg&’s sly twinkle, and Tina Fey&’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women&’s bodies and behaviors.Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field&’s leading authorities, introducing a new framework for women&’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women&’s comedy. &“An invaluable collection and a great read.&” ?Journal of Popular CultureWinner of a Susan Koppelman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017
Hysterical Jokes for Minecrafters: Blocks, Boxes, Blasts, and Blow-Outs (Jokes for Minecrafters)
by Brian BooneHysterical Jokes for Minecrafters: Blocks, Boxes, Blasts, and Blow-outs is the third book in the Jokes for Minecrafters series, which includes more than 800 hysterical jokes. These clever puns and silly one-liners poke fun at everything Minecraft, from creepers and ghasts to golems and endermen. These side-splitters will have any Minecrafter rolling over with laughter!Inside you will find hysterical gut-busters such as:Q: How do Creepers listen to music? A: On a boombox. Q: How do you feel if you see a floating mob overhead? A: A-ghast! This joke book for kids ages 5 and up comes complete with silly illustrations to make these jokes even funnier. Whether you’re at home or school, you can have all your friends and family in stitches over these hilarious Minecraft jokes!
I Am Jiffpom
by Emily BallMeet Jiffpom, the adorable celebrity pup all over your Instagram feed! Learn all about this fluffy superstar's favorite hobbies, check out his super-cute selfies, and flip through jiffmojis and fun activities. From 'Jiffpom's Guide to the Perfect Selfie' to finding out 'Which Jiffpom Are You?', this is a book for anyone who just can't get enough of Jiffpom.
I am Jim Henson (Ordinary People Change the World)
by Brad Meltzer<p>We can all be heroes. That’s the inspiring message of this New York Times bestselling picture book biography series from historian and author Brad Meltzer. This volume focuses on Jim Henson, the creator of the Muppets and Sesame Street. <p>This friendly, fun biography series focuses on the traits that made our heroes great--the traits that kids can aspire to in order to live heroically themselves. Jim Henson, for example, was always dreaming up something new, and always expressing his belief in the goodness of people. Henson was a born performer with a terrific sense of humor, and he used those talents to help create two of the most beloved programs in television history: The Muppet Show and Sesame Street. Through his Muppets, Jim showed the world that there’s nothing more beautiful than imagination, especially when it’s accompanied by laughter and kindness.</p>
I-Docs: The Evolving Practices of Interactive Documentary (Nonfictions)
by Judith Aston Mandy Rose Sandra GaudenziThe history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and they are increasingly the subject of academic study. This anthology looks at the creative practices, purposes and ethics that lie behind these emergent forms. Expert contributions, case studies and interviews with major figures in the field address the production processes that lie behind interactive documentary, as well as the political, cultural and geographic contexts in which they are emerging and the media ecology that supports them. Taking a broad view of interactive documentary as any work which engages with 'the real' by employing digital interactive technology, this volume addresses a range of platforms and environments, from web-docs and virtual reality to mobile media and live performance. It thus explores the challenges that face interactive documentary practitioners and scholars, and proposes new ways of producing and engaging with interactive factual content.
I Love Her, That’s Why!: An Autobiography
by George Burns Cynthia Hobart LindsayShe puts salt in the pepper shaker and pepper in the salt shaker because then if she gets mixed up, she’s right. She shortens the electric cords in the house to save electricity. That’s the character Gracie Allen has played for years. And for all that time people have asked George Burns, “How do you stand it? Why do you put up with it?” And for twenty-eight years George has been answering, “I love her, that’s why!”This story of the life George Burns has led, both B.G. and A.G. (before and after Gracie), is genuinely funny and genuinely moving. Nobody knows more jokes than he—he’s used only his best here; nobody knows so well how far down down can be, while very few have been at the top so long. He tells it all, and he tells it well (he admits unblushingly that he has the best collaborator in the business). And he has succeeded in making this love letter to Gracie a letter that will delight anyone lucky enough to read it.
I'll Be Damned: How My Young and Restless Life Led Me to America's #1 Daytime Drama
by Eric BraedenIn this startling candid and poignant memoir, the legendary Emmy Award-winning star of The Young and The Restless, America's #1 soap opera, chronicles his amazing life, from his birth in World War II Germany to his arrival in America to his rise to humanitarian and daytime superstar for the past thirty-five years.For nearly four decades, fans have welcomed the star of television’s number-one daytime show, The Young and the Restless, into their living rooms. While they’ve come to know and love the suave Victor Newman, few truly know the man behind the character, the supremely talented Eric Braeden. I'll Be Damned is his story—a startling and uplifting true tale of war, deprivation, determination, fame, and social commitment that spans from Nazi Germany to modern Hollywood. Braeden’s journey from a hospital basement in Kiel to the soundstages of Los Angeles has taught him more about joy, heartbreak, fear, dignity, loss, love, loneliness, exhilaration, courage, persecution, and profound responsibility to the global community than he could have hoped to learn in several lifetimes. Growing up in the years after Germany’s defeat, Braeden knew very little about the atrocities of his parents’ generation, until he arrived in America as a teenager—a discovery that horrified and transformed him. Trying to redress the wrongs of his homeland, he has dedicated his life to humanitarian work—even forming the German American Culture Society—working for decades to show the world that what we share as humans is far more important than what separates us from one another. Told with openness, candor, humor, heart, and occasional raw vulnerability, I’ll Be Damned reveals a man committed to making the world a better, more loving place. Filled with sixteen pages of photos from his decorated life and career, I’ll Be Damned will be a treasured keepsake for Y&R fans, and is an inspiring testament to the goodness within us all.
I'll Have What She's Having: How Nora Ephron's Three Iconic Films Saved the Romantic Comedy
by Erin CarlsonA backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham.In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered about: What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most importantly: What was Dave Chappelle doing ... in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen.
An Illini Place: Building the University of Illinois Campus
by Incoronata Inserra John Franch Lex TateWhy does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.
I'm a Celebrity... Where's Kiosk Keith?
by Mark Cowley and Bill HopeI'm A Celebrity's Kiosk Keith has escaped the Outback Shack and is somewhere in the jungle. Can you locate him, 10 bushtucker trial stars, and key celebrities, critters and objects? It's not as easy as you may think!This fun, family activity book includes: 17 incredible artworks, one for each season plus a bonus 'behind the scenes' artwork Photos of the show's most iconic moments Potted histories of each series, with season highlights and a list of all the delightfully gruesome bushtucker trials from every yearHosted by iconic duo Ant and Dec, I'm a Celebrity has gone from strength to strength since its first airing in 2002, becoming a hugely anticipated fixture in the nation's TV calendar. In 2016 it had its best year ever and recorded a peak audience of 12.7 million viewers... comfortably ITV's biggest show of the year.With stars, celebs and special objects waiting to be found in 17 stunningly detailed artworks, this is the perfect indulgence for every I'm a Celebrity fan.
I'm Fine...And Other Lies
by Whitney Cummings“Whitney Cummings has written a book about being, well, not fine—and what to do when you find yourself with brutal anxiety and a co-dependency disorder; all in her trademark wit, humor, and honesty. This book, however, is fine as hell.”—Sophia Amoruso, author of #Girlboss“The funniest cry for help you'll read this year.”—BJ NovakWell, well, well. Look at you, ogling my book page....I presume if you’re reading this it means you either need more encouragement to buy it or we used to date and you’re trying to figure out if you should sue me or not. Here are all the stories and mistakes I’ve made that were way too embarrassing to tell on stage in front of an actual audience; but thanks to not-so-modern technology, you can read about them here so I don’t have to risk having your judgmental eye contact crush my self-esteem. This book contains some delicious schadenfreude in which I recall such humiliating debacles as breaking my shoulder while trying to impress a guy, coming very close to spending my life in a Guatemalan prison, and having my lacerated ear sewn back on by a deaf guy after losing it in a torrid love affair. In addition to hoarding mortifying situations that’ll make you feel way better about your choices, I’ve also accumulated a lot of knowledge from therapists, psychotherapists, and psychopaths, which can probably help you avoid making the same mistakes I’ve made. Think of this book as everything you’d want from the Internet all in one place, except without the constant distractions of ads, online shopping, and porn. I’m not sure what else to say to say, except that you should buy it if you want to laugh and learn how to stop being crazy. And if we used to date, see you in court.
I’m Sure I Speak For Many Others…: Unpublished letters to the BBC
by Colin Shindler'Dear Mr. Adam, I am writing on behalf of the Central Watch and Social Problems Committee of the Mothers' Union to ask whether you have a programme in mind on the moral issue of venereal disease.''Sir, Where are the B.B.C's censors? We do not care for the language that was inflicted on us Tuesday night in "The Battle of Britain". Don't retort, 'You need not listen if you don't want to'. We did not know it was coming.''Dear Mr. Frost, Let me start by saying how much I enjoy your programme & that I was among those many who felt almost that they had lost a blowsy old friend when dear & vulgar, but nonetheless thought-provoking and funny TW3 went off the air.'For anyone who regularly feels tempted to put pen to paper, I'm Sure I Speak For Many Others is an alternative history of the BBC, from its triumphant broadcast of the coronation in 1953, to that Tynan moment, the controversial That Was The Week That Was, and the groundbreaking Grange Hill.Stretching across over forty years of programming, these never before seen letters represent the joy, the fury and the wit of the nation.
Imagine: Level 5 - Intermediate Showcase Solos Pop Sheet (Original Sheet Music Edition Ser.)
by John Lennon Jean JullienImagine all the people living life in peace. You may say I'm a dreamer, but I'm not the only one. I hope some day you'll join us, and the world will be as one. Join one little pigeon as she sets out on a journey to spread a message of tolerance around the world. Featuring the lyrics of John Lennon’s iconic song and illustrations by the award-winning artist Jean Jullien, this poignant and timely picture book dares to imagine a world at peace. Imagine will be published in partnership with human rights organization Amnesty International.
Imagined Theatres: Writing for a Theoretical Stage
by Daniel SackImagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre. Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. These many possible worlds circle around questions that include: In what way is writing itself a performance? How do we understand the relationship between real performances that engender imaginary reflections and imaginary conceptions that form the basis for real theatrical productions? Are we not always imagining theatres when we read or even when we sit in the theatre, watching whatever event we imagine we are seeing?
Immediations: The Humanitarian Impulse in Documentary
by Pooja RanganEndangered life is often used to justify humanitarian media intervention, but what if suffering humanity is both the fuel and outcome of such media representations? Pooja Rangan argues that this vicious circle is the result of immediation, a prevailing documentary ethos that seeks to render human suffering urgent and immediate at all costs. Rangan interrogates this ethos in films seeking to “give a voice to the voiceless,” an established method of validating the humanity of marginalized subjects, including children, refugees, autistics, and animals. She focuses on multiple examples of documentary subjects being invited to demonstrate their humanity: photography workshops for the children of sex workers in Calcutta; live eyewitness reporting by Hurricane Katrina survivors; attempts to facilitate speech in nonverbal autistics; and painting lessons for elephants. These subjects are obliged to represent themselves using immediations—tropes that reinforce their status as the “other” and reproduce definitions of the human that exclude non-normative modes of thinking, being, and doing. To counter these effects, Rangan calls for an approach to media that aims not to humanize but to realize the full, radical potential of giving the camera to the other.
Imperial Affects: Sensational Melodrama and the Attractions of American Cinema
by Jonna EagleImperial Affects is the first sustained account of American action-based cinema as melodrama. From the earliest war films through the Hollywood Western and the late-century action cinema, imperialist violence and mobility have been produced as sites of both visceral pleasure and moral virtue. Suffering and omnipotence operate as twinned affects in this context, inviting identification with an American national subject constituted as both victimized and invincible—a powerful and persistent conjunction traced here across a century of cinema.
The Impossible Has Happened: The Life and Work of Gene Roddenberry, Creator of Star Trek
by Lance ParkinA biographer goes in search of Gene Roddenberry, creator of the world’s most successful science fiction franchise.This book reveals how an undistinguished writer of cop shows set out to produce “Hornblower in space” —and ended up with Star Trek, an optimistic, almost utopian view of humanity’s future that has been watched and loved by hundreds of millions of people around the world.Along the way, Lance Parkin examines some of the great myths and turning points in the franchise’s history, and Roddenberry’s particular contribution to them. He looks at the view that the early Star Trek advanced a liberal, egalitarian, and multi-racial agenda; charts the various attempts to resuscitate the show during its wilderness years in the 1970s; explores Roddenberry’s initial early involvement in the movies and spin-off Star Trek: The Next Generation (as well as his later estrangement from both), and sheds light on the colorful personal life, self-mythologizing, and strange beliefs of a man who nonetheless gifted popular culture one if its most enduring narratives.
Impossible Things Before Breakfast: Adventures in the Ordinary
by Rebecca Front'Hilarious' The Times'I was completely captivated' David SedarisPeople are odd. Even the most predictable of us sometimes defy expectations. Add to that the tricks that life plays on us and the world suddenly seems full of impossible things.As an award-winning actor and writer, Rebecca Front has always been fascinated by life's little quirks. Impossible Things Before Breakfast is a collection of true stories about surprising turns of events, bizarre misunderstandings and improbable life lessons. We learn, among other things, how gazing at the stars can help you communicate with teenagers, how a mushroom can undermine an ancient ritual, and why everyone should wear a cape.Combining elegant writing, wry humour and genuine insight, this brilliant collection prises open the lid on ordinary life and feasts on the impossible.
Impossible Things Before Breakfast: Adventures in the Ordinary
by Rebecca FrontPeople are odd. Even the most predictable of us sometimes defy expectations. Add to that the tricks that life plays on us and the world suddenly seems full of impossible things.As an award-winning actor and writer, Rebecca Front has always been fascinated by life's little quirks. Impossible Things Before Breakfast is a collection of true stories about surprising turns of events, bizarre misunderstandings and improbable life lessons. We learn, among other things, how gazing at the stars can help you communicate with teenagers, how a mushroom can undermine an ancient ritual, and why everyone should wear a cape.Combining elegant writing, wry humour and genuine insight, this brilliant collection prises open the lid on ordinary life and feasts on the impossible.Written and Read by Rebecca Front(p) Orion Publishing Group 2018
The Improv: An Oral History of the Comedy Club that Revolutionized Stand-Up
by Budd Friedman Tripp WhetsellFeatured in the New York Times 2017 "Holiday Gift Guide for Hardcover Fans" Get an insider's oral history of the World's most iconic comedy club, featuring exclusive interviews with today's most hilarious stars recalling their time on stage (and off) at the Improv. In 1963, 30-year-old Budd Friedman—who had recently quit his job as a Boston advertising executive and returned to New York to become a theatrical producer—opened a coffee house for Broadway performers called the Improvisation. Later shortened to the Improv, its first seedy West 44th Street location initially attracted the likes of Judy Garland, Liza Minnelli, Albert Finney, and Jason Robards, as well as a couple of then-unknowns named Dustin Hoffman and Bette Midler. While it drew near-capacity crowds almost from day one, it wasn't until comedians began dropping by to try out new material that the Improv truly hit its stride. The club became the first venue to present live stand-up in a continuous format, and in the process reinvented the art form and created the template for all other comedy clubs that followed. From the microphone to the iconic brick wall, the Improv has been the launching pad for practically every major name in American comedy over the last five-plus decades. Now, in The Improv, Friedman, along with a Who's Who of his most famous alumni—including Jay Leno, Jerry Seinfeld, Jimmy Fallon, Larry David, Billy Crystal, Lily Tomlin, Judd Apatow, Al Franken, Paul Reiser, Howie Mandel, Bob Saget, Drew Carey, and many more—tell it like it was in the first-ever oral history of how this game-changing comedy club came to be. The Improv gives readers an exclusive look at what really happened onstage and off-mic at one of America's most venerable institutions.
Improv Nation: How We Made a Great American Art
by Sam Wasson&“Like the best of his subjects, which include Stephen Colbert, Bill Murray and Tina Fey, Wasson has perfect timing.&”—Minneapolis Star-Tribune Finalist for the 2017 George Freedley Memorial Award In this richly reported, scene-driven narrative, Sam Wasson charts the meteoric rise of improv from its unlikely beginnings in McCarthy-era Chicago. We witness the chance meeting between Mike Nichols and Elaine May, hang out at the after-hours bar where Dan Aykroyd hosted friends like John Belushi, Bill Murray, and Gilda Radner, and go behind the scenes of cultural landmarks from The Graduate to The Colbert Report. Along the way, we befriend pioneers such as Harold Ramis, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many others. &“Compelling, absolutely unputdownable…And, in case you&’re wondering, yes, the book is funny. In places, very funny. A remarkable story, magnificently told.&”—Booklist &“One of the most important stories in American popular culture…Wasson may be the first author to explain [improv&’s] entire history…a valuable book.&”—The New York Times Book Review &“Improv Nation masterfully tells a new history of American comedy…It holds the element of surprise—true to the spirit of its subject.&”—Entertainment Weekly