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Videoclub: Las películas que cambiaron nuestra vida
by Jaume RipollUNA HISTORIA DE PELÍCULA DE LA MANO DEL COFUNDADOR DE FILMIN Esta es la historia de un niño con sobrepeso y acné que se despertaba de madrugada para ver películas. Esta también es la historia del padre de ese niño, propietario de videoclubs, coleccionista de VHS y el hombre que pensaba que la mejor educación para su hijo era el cine. Esta es la historia de cómo el cine puede cambiar nuestras vidas y hacerlas mejores.Jaume Ripoll, cofundador de Filmin -una de las plataformas de cine más prestigiosas de los últimos tiempos- nos relata en este libro su historia de amor incondicional con el séptimo arte. De su mano, volveremos a los videoclubs de barrio en un recorrido nostálgico y fascinante lleno de anécdotas y recomendaciones que nos harán (re)descubrir y recuperar las obras imprescindibles que marcaron varias generaciones. «He hecho un viaje de espectador a distribuidor, del placer al trabajo, y ahora escribo este libro con la esperanza de que restaure parte de la ilusión perdida y permita al lector descubrir y recuperar obras que posiblemente han significado tanto en su vida como lo han hecho en la mía. Al fin y al cabo, el cine es una experiencia solitaria que se disfruta en compañía». La crítica ha dicho:«Jaume Ripoll nos ofrece una panorámica certera de los últimos 30 años de cine en este país; del siglo XX al XXI, entre rebobinados, recs y pausas. Un libro que es autobiografía, novela de aprendizaje y manual de supervivencia. Lleno de gracia e inteligencia, respira amor por el cine en cada página».Jonás Trueba «Una emocionante celebración del cine».El Periódico«Un libro rebosante de nostalgia, anécdotas, confesiones, reflexiones sobre el devenir de una industria cinematográfica… un canto de amor al cine».David Gallardo, Infolibre «Un conmovedor homenaje al cine».Vogue «Unas deliciosas memorias».Oskar Belategui, El Correo«Muy interesante».El País «Una delicia que se acaba demasiado pronto».Saltos de Eje
Violence and Resistance, Art and Politics in Colombia
by Stephen Zepke Nicolás Alvarado CastilloThis book explores the historical and contemporary connections between art and politics in Colombia. These relations are unique because of the ways in which they are saturated by violence, as the country has passed through conquest, struggles for Independence, fighting between political factions, civil war, paramilitaries, narco-traffickers and state violence. This seemingly unending stream of violence gives art in Colombia one of its main themes. The lavishly illustrated essays, written by Colombian authors, examine Colombian visual arts, music, theatre, literature, cinema, indigenous arts, popular culture, militant publications and recent protest movements, analysing them with tools drawn from contemporary philosophy and theory. Approaches include decolonisation theory, cosmopolitics, anthropology after the ontological turn, Colombian philosophy, feminism, and French theory. The essays all offer powerful understandings of how art has not only been complicit in perpetuating political violence in Colombia, but also how it has been a vital form of analysis and resistance.
Vision, Technology, and Subjectivity in Mexican Cyberpunk Literature (Studies in Global Science Fiction)
by Stephen C. TobinVision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce – all published during and influenced by the country’s neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country’s field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects—or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these “specular fictions” represent an exceptional tendency within literary expression—especially within the cyberpunk genre—that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology.
Visions of Invasion: Alien Affects, Cinema, and Citizenship in Settler Colonies (Race, Rhetoric, and Media Series)
by Michael LechugaVisions of Invasion: Alien Affects, Cinema, and Citizenship in Settler Colonies explores how the US government mobilizes media and surveillance technologies to operate a highly networked, multidimensional system for controlling migrants. Author Michael Lechuga focuses on three arenas where a citizenship control assemblage manufactures alienhood: Hollywood extraterrestrial invasion film, federal antimigration and border security legislation, and various immigration enforcement protocols implemented along the Mexico–United States border. Building on rhetorical studies, settler colonial studies, and media studies, Visions of Invasion offers a glimpse at how the processes of alien-making contribute to an ongoing settler colonial project in the US. Lechuga demonstrates that popular films—The War of the Worlds, Predator, Men in Black, and more—participate in the production of migrants as subjective terrorists, felons, and other noncitizen personae vilified in public discourse. Beyond just tracing how alien invasion narratives circulate in popular media, Lechuga describes how the logics motivating early US colonists materialize in both the US’s citizenship control policy and in some of the country’s most popular texts. Beneath each of the film franchises and antimigrant political expressions described in Visions of Invasion lies an anxious colonial logic in which the settler way of life is seemingly threated by false narratives of imminent invasion from abroad. The volume offers a deep dive into how the rhetorical figure of the alien has been manufactured as a political subjectivity, one that plays out the anxieties, guilts, and fears of colonialism in today’s science fiction landscape.
Visual and Performing Arts Collaborations in Higher Education: Transdisciplinary Practices (The Arts in Higher Education)
by Julia Listengarten Keri WatsonThis book examines the role of the visual and performing arts in higher education and argues for the importance of socially engaged transdisciplinary practices, not just to the college curriculum but also to building an informed and engaged citizenry. The first chapter defines and offers an outline for conducting transdisciplinary research. Chapters two through five present examples of transdisciplinary projects facilitated in Central Florida between 2017 and 2022. Topics and methodological frameworks include ecocriticism and climate change, migration, poverty, and displacement, ageing and disability, and systemic racism and mass incarceration. Each chapter includes descriptions of the projects and outlines how they integrated the essential learning outcomes articulated by the American Association of Colleges and Universities in the Liberal Education and America’s Promise report. A concluding chapter offers reflections on the value of transdisciplinary collaborative work and poses questions for further discussions on the role of the arts in higher education. The book is designed for graduate and undergraduate students, faculty, and non-academics interested in engaging in transdisciplinary projects to address complex societal issues.
The Visual Life of Romantic Theater, 1780-1830
by Diane Piccitto Terry F. RobinsonThe Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
Visual Methods for Social Justice in Education
by Laura AzzaritoThis book makes a case for the usefulness of visual research methods for advancing a social justice agenda in education. The author aims to provide education researchers with a wide range of qualitative visual research tools to invoke different stories, voices, embodiments, and experiences of individuals from marginalized communities; to advance emancipatory research projects; to embrace interdisciplinary knowledge-building; and to counter-narrate Western forms of knowledge, cultures, and values for the reimagining of education for social change. It draws attention to the importance of visual methods in today’s neoliberal landscape of education to speak back to mainstream research and practices, especially when research participants lack words to describe, express, and represent what it means to be impacted by oppression and marginalization.
Visualising Safety, an Exploration: Drawings, Pictures, Images, Videos and Movies (SpringerBriefs in Applied Sciences and Technology)
by Jean-Christophe Le Coze Teemu ReimanThis open access book explores the role visual tools and graphical models play in safety management. It explains the importance of visualising safety, for teaching concepts, communicating ideas to peers, and raising awareness of potential threats through posters. Visualising Safety, an Exploration introduces graphical models which have been influential in promoting ideas of safety, and impacting the organisational design of safety mechanisms, including the Heinreich ‘safety pyramid’ and Reason’s ‘Swiss Cheese’. It analyses these models, as well as other forms of visualization, presenting viewpoints from academics and practitioners in the fields of safety science, history, ethnography and interface design.This brief will be of interest to anyone working in the field of safety management and design, including researchers, managers and students.
Visualizing Loss in Latin America: Biopolitics, Waste, and the Urban Environment (Literatures, Cultures, and the Environment)
by Gisela HeffesVisualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggest that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
The Voice Coach's Toolkit (The Focal Press Toolkit Series)
by Pamela PratherThe Voice Coach's Toolkit identifies the primary professional vocal coaching opportunities and the avenues by which a student or early career coach can navigate the vocation. For purposes of this book, the Voice Coach is defined as someone who coaches the spoken voice in three precise areas: the teaching artist, the professional film/TV/theatre coach, and the professional voice-user coach. These three coaching worlds are broadly defined and each area includes in-depth interviews and practical advice from top coaches along with the author’s personal expertise. The book can be read in sections or as a whole, making it as useful for early career coaches as it is for those looking to expand their vocal coaching career or vocal pedagogy students who need a broad survey of all three areas.
Voyages of Discovery: The Cinema of Frederick Wiseman (Nonfictions)
by Barry Keith GrantFrederick Wiseman is America’s foremost chronicler of public institutions. His films have focused on city, state, and local governments; hospitals; asylums; creative organizations and museums; schools; libraries; and more. In recent years, Wiseman’s work has reached a new level of popularity, with films such as In Jackson Heights (2015), Monrovia, Indiana (2018), and City Hall (2020) all earning widespread acclaim.Voyages of Discovery is the definitive account of Wiseman’s career, offering a comprehensive analysis of the work of the leading documentary filmmaker in the United States. In this updated edition, Barry Keith Grant adds new material exploring the documentarian’s works since the 1990s, discussing every film in Wiseman’s remarkable sixty-year career. He examines the core concerns running across Wiseman’s work from the early films, which focus on documenting institutional failure, through an expanding interest in cultural institutions and ideology, to a blossoming embrace of democracy in later films. He pays particular attention to Wiseman’s strategies for involving and implicating the spectator in the institutional processes the films document. Grant also places Wiseman within the history of the documentary and other traditions of American art and considers the relationship between documentary film and authorship. Voyages of Discovery is an important book for anyone interested in Wiseman’s work or how documentary film can reveal the fabric of our shared civic life.
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking (New Directions in National Cinemas)
by Laura Di BiancoWandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit.Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.
Wannabe: Reckonings with the Pop Culture That Shapes Me
by Aisha Harris“Aisha Harris is one of our smartest, most entertaining modern cultural critics. The nine pieces offer insight on Stevie Wonder, the Spice Girls, Pen15, and New Girl—among many other pop artifacts, of course—which might as well be parlance for, ‘Read me immediately.’” —ELLEAisha Harris has made a name for herself as someone you can turn to for a razor-sharp take on whatever show or movie everyone is talking about. Now, she turns her talents inward, mining the benchmarks of her nineties childhood and beyond to analyze the tropes that are shaping all of us, and our ability to shape them right back.In the opening essay, an interaction with Chance the Rapper prompts an investigation into the origin myth of her name. Elsewhere, Aisha traces the evolution of the “Black Friend” trope from its Twainian origins through to the heyday of the Spice Girls, teen comedies like Clueless, and sitcoms of the New Girl variety. And she examines the overlap of taste and identity in this era, rejecting the patriarchal ethos that you are what you like. Whatever the subject, sitting down with her book feels like hanging out with your smart, hilarious, pop culture–obsessed friend—and it’s a delight.
Warner Bros.: 100 Years of Storytelling
by Mark VieiraIn this official centennial history of the greatest studio in Hollywood, unforgettable stars, untold stories, and rare images from the Warner Bros. vault bring a century of entertainment to vivid life.The history of Warner Bros. is not just the tale of a legendary film studio and its stars, but of classic Hollywood itself, as well as a portrait of America in the last century. It&’s a family story of Polish-Jewish immigrants—the brothers Warner—who took advantage of new opportunities in the burgeoning film industry at a time when four mavericks could invent ways of operating, of warding off government regulation, and of keeping audiences coming back for more during some of the nation's darkest days. Innovation was key to their early success. Four years after its founding, the studio revolutionized moviemaking by introducing sound in The Jazz Singer (1927). Stars and stories gave Warner Bros. its distinct identity as the studio where tough guys like Humphrey Bogart and strong women like Bette Davis kept people on the edge of their seats. Over the years, these acclaimed actors and countless others made magic on WB&’s soundstages and were responsible for such diverse classics as Casablanca, A Streetcar Named Desire, A Star Is Born, Bonnie & Clyde, Malcolm X, Caddyshack, Purple Rain, and hundreds more. It&’s the studio that put noir in film with The Maltese Falcon and other classics of the genre, where the iconic Looney Tunes were unleashed on animation, and the studio that took an unpopular stance at the start of World War II by producing anti-Nazi films. Counter-culture hits like A Clockwork Orange and The Exorcist carried the studio through the 1970s and '80s. Franchise phenomena like Harry Potter, the DC universe, and more continue to shape a cinematic vision and longevity that is unparalleled in the annals of film history. These stories and more are chronicled in this comprehensive and stunning volume. Copyright © 2023 Warner Bros. Entertainment Inc.
The Way They Were: How Epic Battles and Bruised Egos Brought a Classic Hollywood Love Story to the Screen
by Robert HoflerCoinciding with its 50th anniversary, this intriguing and impeccably researched book is the first ever exploration of the movie that has earned an annual spot in the AFI&’s Top 10 movie romances and a place in the hearts of millions of moviegoers, revealing the full story behind the controversies, challenges, rivalries and romance surrounding The Way We Were. It&’s one of the greatest movie romances of all time. Fifty years on, the chemistry between Barbra Streisand as Jewish working-class firebrand Katie Morosky and Robert Redford as all-American golden boy Hubbell Gardiner remains potent. Yet the friction and controversy surrounding The Way We Were were so enormous, the movie was nearly never made at all. Impeccably researched and eye-opening, The Way They Were reveals the full story behind the challenges, rivalries and real-life romance surrounding the movie. Even the iconic casting was fraught. Screenwriter Arthur Laurents wrote the role of Katie with Streisand in mind, but finding Hubbell was another matter. Redford was reluctant to play what he perceived as the &“Ken doll&” to Streisand&’s lead, and demanded his role be beefed up, with ten writers—among them Francis Ford Coppola—called in to rework the script. The first preview was disastrous. Several scenes were cut, angering Streisand and Laurents, yet the edits worked. The new version was a resounding success, and its appeal endures, earning it a regular spot in the AFI&’s annual Top 10 movie romances. The Way They Were also explores the deep, surprising love story that inspired the screenplay—the relationship between Laurents, a Jewish Brooklyn-born college leftist, and his longtime partner, Tom Hatcher. Drawing on a vast trove of Laurents&’s unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and has defined romance ever since. Robert Hofler is the lead theater critic for TheWrap, and in 2020, he received the award for Best Theater Reviews from the Los Angeles Press Club. Previously, he has been an editor at several magazines and newspapers, including Life and Variety. He lives in New York City.
Weird Medieval Guys: How to Live, Laugh, Love (and Die) in Dark Times
by Olivia Swarthout'FASCINATING' Guardian | 'WE LOVE THIS BOOK' Blackwells | 'THE BEST GIFT BOOK THERE IS' IndependentA GUIDE TO LIVING IN DARK TIMES, FROM PEOPLE WHO REALLY DIDBursting with wisdom and artwork from the Middle Ages, this handy guide will give you time-tested solutions for all of life's biggest problems. Whether it's choosing an appropriate dog name like Garlik or Filthe, becoming an irresistible suitor even though you can't joust, surviving encounters with rabbits and dragons, or coming to terms with your inevitable demise, this book is full of illuminating advice that is sure to brighten up the darkest of times.Full of quizzes, how-to-guides, diagrams, and flow charts that take you from birth to your gruesome death, this is the ultimate laugh-out-loud read for history buffs.
Welcome to the O.C.: The Oral History
by Josh Schwartz Stephanie Savage Alan Sepinwall“A fascinating peek behind the making of a megahit, and a delightful bit of nostalgia for those of us who remember life before streaming TV.” —Town & CountryWelcome to the O.C., b*tch: it’s the definitive oral history of beloved TV show The O.C., from the show’s creators, featuring interviews with the cast and crew, providing a behind-the-scenes look into how the show was made, the ups and downs over its four seasons, and its legacy today. On August 5th, 2003, Ryan Atwood found himself a long way from his home in Chino—he was in The O.C., an exclusive suburb full of beautiful girls, wealthy bullies, corrupt real-estate tycoons, and a new family helmed by his public defender, Sandy Cohen. Ryan soon warms up to his nerdy, indie band-loving new best friend Seth, and quickly falls for Marissa, the stunning girl next door who has secrets of her own. Completing the group is Summer, Seth’s dream girl and Marissa’s loyal—and fearless—best friend. Together, the friends fall in and out of love, support each other amidst family strife, and capture the hearts of audiences across the country.Just in time for the show’s twentieth anniversary, The O.C.’s creator Josh Schwartz and executive producer Stephanie Savage are ready to dive into how the show was made, the ups and downs over its four seasons, and its legacy today. With Rolling Stone’s chief TV critic and bestselling author Alan Sepinwall conducting interviews with the key cast members, writers, and producers who were there when it all happened, Welcome to the O.C. will offer the definitive inside look at the beloved show—a nostalgic delight for audiences who watched when it aired, and a rich companion to viewers currently discovering the show while it streams on HBO Max and Hulu.The O.C. paved the way for a new generation of iconic teen soaps, launched the careers of young stars, and even gave us the gift of Chrismukkah. Now, it’s time to go back where we started from and experience it all over again. Includes exclusive interviews with: Ben McKenzie * Mischa Barton * Adam Brody * Rachel Bilson * Peter Gallagher * Kelly Rowan * Melinda Clarke * Tate Donovan * Chris Carmack * Autumn Reeser * Willa Holland * Samaire Armstrong * Alan Dale * Colin Hanks * Amanda Righetti * Navi Rawat * Shannon Lucio * Michael Cassidy * McG * Imogen Heap * Alex Greenwald * Ben Gibbard * Paul Scheer * Doug Liman * and many more!
The Western: From Silents to Cinerama
by George N Fenin William K. EversonGround-breaking and essential history of the genre, highlighted by superb research, penetrating insights, and sharp, entertaining prose. Smartly designed, with scads of rare b&w photos laid out in a dynamic and witty design.-Print ed.“For many years the Western film has been strangely and unfairly neglected. Although many articles and essays have appeared in general and specialized periodicals all over the world, substantially organic books dealing exclusively with the Western are very rare indeed. And of all this material, the majority has been disguised publicity, or at best essays which refused to take the Western seriously, the work of writers who knew little or nothing of Westerns, writers who glibly referred to the cliché of the hero always kissing his horse instead of the girl, leaving it at that….We felt, therefore, that there was not only room, but a need, for a detailed history of the Western, a book which would represent not only a useful study of the industrial and aesthetic growth of a popular movie genre, but a critical analysis of it, as well. For the most part, we have adopted a strictly chronological approach, but, in the parlance of the film, it has sometimes been necessary to use “flash-forwards and cutbacks” and even a form of montage, in order to follow a thesis through to its logical conclusion.”-Introduction.
The Western and Political Thought: A Fistful of Politics
by Damien K. PicarielloThe Western and Political Thought: A Fistful of Politics offers a variety of engaging and entertaining answers to the question: What do Westerns have to do with politics? This collection features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between Westerns (prose fiction, films, television series, and more) and politics.
"What Do You Mean, Murder?" Clue and the Making of a Cult Classic: Clue And The Making Of A Cult Classic
by John HatchWhen the film Clue came out in 1985, audiences were baffled. A movie based on a board game, with three different endings, and you had to pick which one to go see? Bad reviews compounded the problem, and instead of choosing one ending, most people stayed away entirely. Clue, outgrossed at the box office by films that had been released months earlier, quickly faded away. When it unceremoniously premiered on Showtime a year after its theatrical debut, there was no sign it was destined for anything other than obscurity, another flop bound to be forgotten.Instead, Gen Xers and millennials, raised on pop culture and cable TV in an era long before the streaming wars, discovered this zany farce about a group of six strangers locked in a remote house with a killer. The movie appealed to kids. The creepy mansion and eerie music contrasted with slapstick gags and double entendres, deflating the tension. Today, almost forty years later, Clue is the epitome of a cult classic, with midnight screenings, script readings for charity, cosplaying fans, and a stage play.“ What Do You Mean, Murder?” dives deep into the making of Clue and walks fans through the movie they know and love. From producer Debra Hill' s original idea of Detective Parker bumbling around a mansion to Carrie Fisher' s casting as Miss Scarlet, from Madeline Kahn' s iconic “ flames” ad-lib to the legendary deleted fourth ending, it' s all here. With asides on fandom, Gen X nostalgia, and at how movies were made in the 1980s, the book offers plenty to chew on for die-hard buffs and casual fans alike.
What Film Is Good For: On the Values of Spectatorship
by Julian Hanich and Martin P. RossouwFor well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical—and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.
What is a Playhouse?: England at Play, 1520–1620
by Callan DaviesThis book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses. It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling, music, drinking, and animal baiting; they recover the crucial influence of female playhouse owners and managers; and they recognise rich provincial performance cultures as well as the burgeoning of London’s theatre industry. This book will have wide appeal with readers across Shakespeare, early modern performance studies, theatre history, and social history.
What Is the Story of Captain Picard? (What Is the Story Of?)
by David Stabler Who HQYour favorite characters are now part of the Who HQ library! Climb aboard the starship USS Enterprise and learn how Jean-Luc Picard became one of the most beloved Starfleet members in the Star Trek universe.Star Trek stands as one of the most popular science-fiction series of all time, and Captain Picard is one of its fan-favorite characters thanks to his inspiring quotes and brilliant leadership. As the captain of the starship USS Enterprise, Picard has taken viewers with him on adventures through space for decades. Now, young fans can learn even more about the famous character, including details about his obsessions with Earl Grey tea and Shakespeare.From appearances in live-action and animated television shows, a series of films, comics, video games, and more, Jean-Luc Picard is an established icon in the Star Trek universe and a beloved character across pop-culture channels.Author David Stabler takes readers aboard Starfleet starships as Picard adventures through space, defeats great evils, and inspires hope in us all to believe that "things are only impossible until they're not."
What Is the Story of Jurassic World? (What Is the Story Of?)
by Jim Gigliotti Who HQPrepare to be thrilled by an imaginary world where dinosaurs have been brought back to life and roam alongside humans in this Who HQ book all about Jurassic World!Discover the action-packed history of Jurassic World and how dinosaur fans of all ages came to love the series' movies, books, TV shows, and even theme park rides. From the 1990 Michael Crichton novel to the movies still releasing today, young readers will love stepping into this world where dinosaurs rule. The Jurassic World franchise has thrilled fans for decades by building a world where science and adventure meet, raising the question: Could dinosaurs and humans ever really live together?
What Is the Story of Nancy Drew? (What Is the Story Of?)
by Dana M. Rau Who HQUncover the mystery of Nancy Drew and how the beloved teenage detective came to be in this new addition to the What Is the Story Of? series which follows the same format as the #1 New York Times Best-Selling Who Was? series.When the very modern character of Nancy Drew first appeared in 1930, no one had a clue that she would remain a star for the next century! To this day, Nancy is still the main character in new TV shows, movies, and books. What makes her so interesting to so many generations of readers? Nancy can do it all! She's a daring teenage girl who solves mysteries, expertly drives her famous blue car, cooks like a gourmet chef, swims like a pro, and more! Since her first appearance, the prodigy detective has inspired young readers to believe that they can do it all, too.