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Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song
by Judith TickAn NPR 2023 "Books We Love" Pick • A Kirkus Best Nonfiction Book of 2023 A landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator. Ella Fitzgerald (1917–1996) possessed one of the twentieth century’s most astonishing voices. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school—where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury. Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre. From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form. Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records. A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.
Becomings: Pregnancy, Phenomenology, and Postmodern Dance (ISSN)
by Johanna KirkThis book explores postmodern choreographic engagements of pregnant bodies in the US over the last 70 years.Johanna Kirk discusses how choreographers negotiate identification with the look of their pregnant bodies to maintain a sense of integrity as artists and to control representations of their gender and physical abilities while pregnant. Across chapters, the artists discussed include Anna Halprin, Trisha Brown, Twyla Tharp, Sandy Jamrog, Jane Comfort, Jody Oberfelder, Jawole Willa Jo Zollar, Miguel Gutiérrez, Yanira Castro, Noémie LaFrance, and Meg Foley. By presenting their bodies in performance, these artists demonstrate how their experiences surrounding pregnancy intersect not only with their artform and its history but also with their personal experiences of race, gender, and sexual identification. In these pages, Johanna Kirk argues that choreography offers them tools that are alternative to medicine (or other forms of social representation) for understanding what/how pregnant bodies do and feel and what they can mean for individuals and their communities. The works within these chapters invite readers to see dancing bodies and pregnant bodies in new ways and for their potential to manifest new possibilities.This study will be of great interest to students and scholars exploring dance, theatre and performance, race, and gender.
The Beginner's Bible Craft and Activity Book: 30 Fun Projects Based on Bible Stories (The Beginner's Bible)
by The Beginner's BibleUnleash your creativity and make your favorite Bible stories come to life! Featuring 30 fun and engaging activities, including crafts and recipes, with easy-to-follow instructions, The Beginner&’s Bible Craft and Activity Book turns any time into playtime. Kids will love transforming everyday objects into artful masterpieces, and each craft is inspired by a beloved Bible story right from The Beginner&’s Bible!The Beginner's Bible is a perennial favorite with young children and their parents, impacting 28 million families for over 30 years. Now kids ages 4-8 can interact with their favorite Bible stories and characters like never before!The Beginner&’s Bible Craft and Activity Book:Features 30 fun and unique activities, including crafts and recipesTakes inspiration from favorite Bible stories from the Old and New TestamentsIncludes beautiful and unique crafts made from common household items, with easy-to-follow instructions and a shopping guideIs the perfect quiet time activity for kids 4-8 to do at home, during Sunday school, or wherever inspiration strikesFeatures vibrant, three-dimensional art and full-color photosIs part of The Beginner&’s Bible® brand, the bestselling Bible storybook brand of our time, impacting 28 million families for over 30 years Review The Beginner&’s Bible&’s complete library for dozens of titles available for kids of all ages and reading levels.
Behind the Scenes of Indie Film Marketing: A FilmSnobbery Field Guide
by Nicholas LaRueThis book provides current and incoming filmmakers with a comprehensive overview of how to create business and marketing plans to prepare their movies for distribution. Nicholas LaRue combines experienced insights into aesthetics and creativity with logical data-driven conclusions to provide an analysis of independent film promotion.The book first presents a view of sales and marketing in the independent film industry, as well as exploring the new digital tools available to filmmakers and tried-and-true methods that have served industry professionals well for years in promoting their films. This is then complemented by a wide array of testimonials from veteran filmmakers (Kevin Smith, Brea Grant, Joe Lynch, Roger Corman, and more) as well as interviews from film festival directors, publicists, film critics, and other industry professionals, who provide insights into working within the independent film industry.Given this diversity of perspective, this text will be an integral resource for new indie filmmakers, as well as those wishing to perfect their craft in whatever facet of independent filmmaking promotion they choose to pursue.
Benny Ramírez and the Nearly Departed
by José Pablo IriarteBenny Ramírez can see dead people . . . Well, one dead person, anyway. A hilarious and heartwarming story about a boy who can suddenly see the ghost of his famous musician grandfather!After moving cross-country into his late grandfather&’s Miami mansion, Benny discovers that the ghost of his famous trumpet-playing abuelo, the great Ignacio Ramírez, is still there . . . and isn&’t too thrilled about it. He&’s been barred from the afterlife, and no one can see him except his grandson. But Benny&’s got problems of his own. He&’s enrolled in a performing arts school with his siblings, despite having no obvious talent. Luckily, Abuelo believes they can help each other. Abuelo has until New Year&’s Eve to do some good in the world and thinks that teaching Benny how to play the trumpet and become a school celebrity might be the key to earning his wings. Having no better ideas, Benny finds himself taking Abuelo's advice—to disastrous and hilarious results. Benny and Abuelo will find that there&’s more than one way to be great in this unforgettable, laugh-out-loud tale of family, music, and self-discovery.
Best Story Wins: Storytelling for Business Success (Economist Books)
by Mark EdwardsAn inspiring, practical, and timely new guide on how to harness the power of storytelling in our communications at work. Whether you're standing up in front of a crowd at a conference or chatting with a colleague in an elevator, storytelling is the most effective way to get your point across. It works in ninety-second Superbowl television spots, it works in ten-second social media formats, and it works in that email you have to fire off in five seconds flat. Why? The short answer is that people don't make decisions based on logic. They make decisions based on emotions. To persuade, influence, and inspire, you need to make an emotional connection. And storytelling is the best way of doing that. Journalist-turned-business coach Mark Edwards has developed his own methodology for telling compelling stories at work. Best Story Wins shows how storytelling will make better communicators of us all.
Beyond Pain: The Anthropology of Body Suspensions
by Federica ManfrediThe practice of body suspension — piercing one’s own flesh with metal hooks and hanging from them — and its uniquely sprawling community challenge our cultural understanding of pain. The suspendees experience physical suffering to trigger altered states of consciousness that help them define and create an enhanced version of the self. Through experimental and practice-based methodology, Beyond Pain combines thirteen years of intermittent ethnographical fieldwork during suspension festivals and private events in Italy, Portugal, and Norway, along with online sites such as Facebook groups, to uncover the often silenced and misunderstood voices of the people who undertake this practice.
Black Coffee Lightning David Lynch Returns to Twin Peaks: David Lynch Returns To Twin Peaks
by Greg OlsonGreg Olson, author of David Lynch: Beautiful Dark, the essential book on Lynch' s life and art, has resided in the Twin Peaks region of the Northwest for decades, and David Lynch spent youthful years in the Northwest; both of their fathers were woodsmen. Lynch believes that the world hums with spirituality, and over a thirty-year span Lynch and Mark Frost created forty-eight hours of Twin Peaks TV and film, hypnotic cinematic music immersed in the depths and divine heights of human nature, an artistic song of the forest, America, the world, the cosmos. David Lynch is an international icon of visionary artistic innovation, humanistic thought and philanthropy, and spiritual exploration, and Twin Peaks: The Return is his magnum opus, a mytho-poetic summation of his deepest beliefs and concerns. Author Olson, in his characteristically intimate and personal way, traces the Twin Peaks currents of Lynch' s emotional-visceral storytelling, themes, imagery and sound: the way the artist and viewer share an electrified circuit of mystery and understanding. Olson details Lynch' s kinship with transcendence-seeking artists like William Blake, Walt Whitman, Jean Cocteau, Philip K. Dick and the post-World War II mystical Northwest painters. Small town values, coffee culture, the color pink, the Bible, Vedic literature, Marvel Comics Superheroes, and a Parisian camera crew wanting Olson to guide them throughTwin Peaks territory all make appearances. Olson' s chronicle includes personal interaction with Lynch, his colleagues, and the artist' s inner world of karmic balancing, reincarnation, spiritual evolution, and veneration of women. Twin Peaks centers on the abiding presence of a lost woman, Laura Palmer, the downward, then upward arc of her life, afterlife, and goddess potential. Olson. Lynch and Twin Peaks have been on parallel tracks for decades. Olson' s longtime love, Linda Bowers, died shortly before Twin Peaks: The Return aired, and his lived experience with Lynch' s art speaks to the healing power of artistic engagement.
A Black Girl in the Middle: Essays on (Allegedly) Figuring It All Out
by Shenequa Golding'Growing up in Queens, I didn't know being named Shenequa was considered "ghetto" or uncouth. It was only later in life that I realized I was being judged by a decision I had no control over... I will examine the double-standard Black girls with big names like Shenequa face, and the quick math we have to calculate when trying to de-escalate drama.'In A BLACK GIRL IN THE MIDDLE, a timely, compelling, and blazingly honest essay collection, Shenequa Golding holds up her magnifying glass to both her own experiences and those of young Black women everywhere. With her trademark wit and originality, Shenequa covers identity-searching themes of white supremacy, feminism, misogyny, love, sex and heartbreak. But this isn't just a book about Black women's trauma, it is also a book that embraces and celebrates the things that make Black women different. For readers of SLAY IN YOUR LANE, Candice Brathwaite and Issa Rae.
A Black Girl in the Middle: Essays on (Allegedly) Figuring It All Out
by Shenequa Golding'Growing up in Queens, I didn't know being named Shenequa was considered "ghetto" or uncouth. It was only later in life that I realized I was being judged by a decision I had no control over... I will examine the double-standard Black girls with big names like Shenequa face, and the quick math we have to calculate when trying to de-escalate drama.'In A BLACK GIRL IN THE MIDDLE, a timely, compelling, and blazingly honest essay collection, Shenequa Golding holds up her magnifying glass to both her own experiences and those of young Black women everywhere. With her trademark wit and originality, Shenequa covers identity-searching themes of white supremacy, feminism, misogyny, love, sex and heartbreak. But this isn't just a book about Black women's trauma, it is also a book that embraces and celebrates the things that make Black women different. For readers of SLAY IN YOUR LANE, Candice Brathwaite and Issa Rae.
Black Women Centre Stage: Diasporic Solidarity in Contemporary Black British Theatre (Routledge Advances in Theatre & Performance Studies)
by Paola Prieto LópezThis book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types of violence experienced by Black women, offering alternative modes of relationality. The book engages with a range of contemporary works written by Black women playwrights in the UK, including Mojisola Adebayo, Theresa Ikoko, Diana Nneka Atuona, Gloria Williams, Charlene James, or Yusra Warsama, bringing to the fore a gendered and intersectional approach to the analysis of the texts. This book will be of great interest to students and scholars in contemporary theatre, gender studies and diaspora studies.
Blender All-in-One For Dummies
by Jason van GumsterCreate excellent 3D animations with free, open-source software When you’re looking for help with creating animation with Blender, look no further than the top-selling Blender book on the market. This edition of Blender For Dummies covers every step in the animation process, from basic design all the way to finished product. This book walks you through each project phase, including creating models, adding lighting and environment, animating objects, and building a final shareable file. Written by long-time Blender evangelist Jason van Gumster, this deep reference teaches you the full animation process from idea to final vision. With this fun and easy guide, you’re on your way toward making your animation dreams a reality. Set up Blender and navigate the interface Learn how to build models in virtual space Texture, light, and animate your figures—then render your final product Get help and inspiration from the Blender community If you’re new to Blender or an experienced user in need of a reference, Blender For Dummies is the easy-to-use guide for you.
The Bloodied Nightgown and Other Essays
by Joan AcocellaA collection of the New Yorker critic's finest essays, which examine the books that reveal and record our world.Joan Acocella was “one of our finest cultural critics” (Edward Hirsch), and she had the rare ability to examine literature and unearth the lives contained within it—its authors, its subjects, and the communities from which it springs. In her hands, arts criticism was a celebration and an investigation, and her essays pulse with unadulterated enthusiasm. As Kathryn Harrison wrote in The New York Times Book Review, “Hers is a vision that allows art its mystery but not its pretensions, to which she is acutely sensitive. What better instincts could a critic have?”The Bloodied Nightgown and Other Essays gathers twenty-four essays from the final decade and a half of Acocella’s career, as well as an introduction that frames her simple preoccupations: “life and art.” In agile, inspired prose, she moves from J. R. R. Tolkien’s translation of Beowulf to the life of Richard Pryor, from surveying profanity to untangling the book of Job. Her appetite (and reading list) knew no bounds. This collection is a joy and a revelation, a library in itself, and Acocella is our dream companion among its shelves.Includes 25 black-and-white images
The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic
by Daniel de ViséThe Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists - Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles - made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since it has been acknowledged a classic: inducted into the National Film Registry for its cultural significance, even declared a 'Catholic classic' by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century.The saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colourful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.
The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic
by Daniel de ViséThe Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists - Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles - made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since it has been acknowledged a classic: inducted into the National Film Registry for its cultural significance, even declared a 'Catholic classic' by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century.The saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colourful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.
The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic
by Daniel de ViséThe Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists - Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles - made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since it has been acknowledged a classic: inducted into the National Film Registry for its cultural significance, even declared a 'Catholic classic' by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century.The saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colourful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.
The Body in Jean-Luc Godard's New Wave Films (Routledge Focus on Film Studies)
by Francesca Minnie HardyThis original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave. Through analysis of À bout de souffle, Une femme est une femme, Le Mépris and Alphaville, alongside discussion of some of Godard’s lesser-known French New Wave films, the book explores the interrelation between bodies, books and bathrooms that they facilitate. In so doing, it aims to destabilise the French New Wave’s myth of male exceptionalism and denaturalise the gender dynamic most commonly viewed at its heart, revealing that the women who make up a fundamental part of its fabric are not textually trapped by Godard’s authorial presence. Instead, their corporeality disrupts any purported authorial and national ownership of their bodies. Given the enduring popularity and visibility of the French New Wave, and of Jean-Luc Godard, in universities and journals, The Body in Jean-Luc Godard’s New Wave Films will appeal to scholars in the disciplines of French and film studies, as well as to undergraduate and postgraduate students of these disciplines.
Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution (The History of Media and Communication)
by Eleanor PattersonHow fan passion and technology merged into a new subculture Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries. Eleanor Patterson’s fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media’s formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like Amos ‘n’ Andy. Bootlegging communities devoted to buddy cop TV shows like Starsky and Hutch allowed women to articulate female pleasure and sexuality while Star Trek videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling’s growth into an international sports entertainment industry.
Bosnian Literary Adaptations on Stage and Screen (Adaptation in Theatre and Performance)
by Sanja Garić-KomnenićBosnian Literature on Stage and Screen aims to reconcile theoretical approaches with theatrical and cinematic practices by examining two adaptations based on works by the Bosnian author Meša Selimović. The book is informed by scholarship in film and theatre adaptation theories, and is grounded in a comparative approach that focuses on the interplay of sign systems and codes unique to screen and stage. The book looks closely at two adaptations: a screen adaptation of the novel The Fortress and a stage adaptation of the novel The Island.
The Boys and Me: My Life in the Country Music Supergroup Sawyer Brown
by Mark MillerThe Boys and Me is the behind-the-scenes, untold story of front man and lead singer Mark Miller and his band—country music icons Sawyer Brown!Before The Voice and American Idol, there was Star Search with Ed McMahon. In the first season, an eclectic and charismatic country-rock band called Sawyer Brown appeared on the show, taking America by storm. From ignored underdogs in Nashville to overnight rock stars from LA to New York, they swept the competition and won. Since 1984, &“the boys&” legendary live shows, along with their relentless drive to stay true to themselves, have captivated faithful fans around the world. As front man and lead singer of the band, Mark Miller&’s rise to fame wasn&’t exactly the path he envisioned for himself. After losing his father, Mark was raised by his mom whose solid faith and strong work ethic helped guide and shape him and his brother, Frank. With his sights set on playing pro basketball, Mark never dreamed of becoming an entertainer, especially considering he was terrified to stand on a stage. But God had a different plan. Now, forty years later, Sawyer Brown has eighteen studio albums to their name, multiple No. 1 singles, fifty-plus songs charting on the Billboard Hot Country Songs, and legendary award-winning videos. And they have no plans of stopping any time soon. The band&’s longevity is a testament to their strong songwriting, high-energy performances, and hard work. This is the behind-the-scenes, untold story of Mark Miller and &“the boys&”—country music icons Sawyer Brown!
The Bressonians: French Cinema and the Culture of Authorship
by Codruţa MorariHow should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
Bridge to Bat City
by Ernest ClineFrom #1 New York Times bestselling author Ernest Cline comes a mostly true tall tale about an unexpected friendship between a young girl and a music-loving colony of bats. After losing her mother, thirteen-year-old Opal moves in with her uncle Roscoe on the family farm. There, Opal bonds with Uncle Roscoe over music and befriends a group of orphaned, music-loving bats. But just as the farm is starting to feel like home, the bats&’ cave is destroyed by a big mining company with its sights set on the farmland next. If Opal and the bats can fit in anywhere, it&’s the nearby city of Austin, home to their favorite music and a host of wonderfully eccentric characters. But with people afraid of the bats and determined to get rid of them, it&’ll take a whole lot of courage to prove that this is where the bats—and Opal—belong.
Burning Man: Learning from Heterotopia (Routledge Advances in Theatre & Performance Studies)
by Linda Noveroske-TrittenThis book centres on a philosophical analysis of creative acts in the Burning Man Festival and their roles in wider social change. With particular focus on the Ten Principles of Burning Man, Linda Noveroske posits a re-interpretation of common notions of “self” and “other” as they apply to identity, difference, and the ways that these personal impulses ripple outward from changing individuals into changing societies. Such radical re-imagination of ideology can be most powerful when it occurs in spaces of otherness, of heterotopia. This study casts Burning Man as a heterotopia to not only destabilizes what we think we know about visual art, performance, and creative encounters, but also bring these acts into an attitude of immediacy that facilitates previously unimagined behaviour and opens out artistic drive into the unknown. This book would be of value for scholars and practitioners in Performance Studies, Theatre and Dance, Art History, Psychology, Phenomenology, Architecture and Urban Studies.
Canción del desierto
by Laekan Zea KempUna familia disfruta de la música nocturna del desierto tejano en esta historia de tradición y recuerdo de Laekan Zea Kemp, ganadora de una Mención de Honor Pura Belpré.Todo empieza con un suave golpeteo,cuando el tío Eduardo tamborilea con las manossobre sus polvorientos pantalones. Cuando el rubor del atardecer da paso a la noche en el desierto, emergen coyotes, cigarras y lechuzas, cada uno de ellos llamando a la luna. Observando desde su porche, la familia participa en la canción. Uno por uno, cada familiar ofrece sus tambores, flauta, maracas, cuerdas y voces. Cantan con los insectos, pájaros, serpientes y sapos; y cantan con sus antepasados, una audiencia que brilla entre las estrellas. Con cada rasgueo de instrumentos heredados, los recuerdos se renuevan y los familiares que han fallecido están vivos y cercanos de nuevo. Canción del desierto tararea y suena con toda la música que un porche y el desierto más allá de él pueden contener. El conmovedor texto de Laekan Zea Kemp, ganadora de una Mención de Honor Pura Belpré, baila a través de las encantadoras ilustraciones de Beatriz Gutiérrez Hernández. Los lectores se quedarán con la reconfortante sensación de que cuando la creatividad florece, el pasado nunca está fuera de su alcance y los vínculos importantes nunca se rompen.
Candida Royalle and the Sexual Revolution: A History from Below
by Jane KamenskyAcclaimed historian Jane Kamensky chronicles an indelible twentieth-century American life—and offers an entirely new understanding of the so-called sexual revolution. Whether in front of the camera or behind it, Candice Vadala understood herself as both an artist and an entrepreneur. As Candida Royalle (1950–2015)—underground actress, porn star, producer of adult movies, and staunch feminist—she made a business of pleasure. She helped crystalize the broader hedonistic turn in American life in the second half of the twentieth century: a period when the rules of sex were rewritten; when the white-hot “sex wars” cleaved feminism and realigned American politics; when Big Freud, Big Drugs, and Big Porn all came into looming focus; when the sex industry of the 1970s and ’80s radically upended conventional understandings of law, technology, culture, love, and human desire. The sexual revolution was Royalle’s war—even when other avowed feminists exited the field or became her opponents—and pornography emerged as the arena in which she would wage it. With the founding of her adult film company, Femme Productions, in 1984, Royalle became an owner of the means of pornographic production, infusing her sets with the ideals of labor feminism. On-screen and off-, she was, by turns, exuberant and thoughtful, self-possessed and gleefully shameless. A trailblazer who lived along the cultural fault lines of her generation, she danced at Woodstock, marched for women’s liberation, survived the AIDS crisis, and became a talk show regular, interviewed by Phil Donahue, Dr. Ruth Westheimer, Morton Downey Jr., Jane Pauley, and many others. As a performer, director, producer, and writer, she moved the needle of her industry. But she never transcended the politics of pleasure. With full access to Royalle’s remarkable archive, historian Jane Kamensky has spent years examining the intersection of Royalle’s life with the clashes that have defined her era—and ours. Deeply informed by these never-before-studied materials, Kamensky explodes the conventions of biography, with its assumptions about who makes history and how. Written with cinematic verve, Candida Royalle and the Sexual Revolution evokes Royalle’s times in their broadest contours as Kamensky traces the rise of an improbable heroine who broke the mold and was herself broken in turn.