Browse Results

Showing 2,726 through 2,750 of 19,779 results

Court TV: You Be The Judge

by Patrick J. Sauer

Readers examine the evidence in 100 real court cases, act as judge, and render a verdict. After sufficient debate, alone or with friends, the official outcome is revealed with a turn of the page. Readers can judge the essence of the case and provide their own interpretations of how law and order should have been handed down and, because the cases are real, see if their decisions match those of the American justice system.

Creative Careers in Hollywood

by Laurie Scheer

Readers will discover real-life, yet upbeat portraits of the "shredder" jobs of the industry, such as assistant or d-girl, and how they can lead to the "keeper" jobs of actor, agent, or studio executive. Each career overview features a clever analysis of the classic film characters who memorably played these jobs on screen; an insightful rewards-risks assessment of the job; and a brief look at such essential job qualities as durability, length of stay, "food chain value" and desirability factor. Part how-to guide, part historical document, and part social commentary, this book will delight career seekers, Hollywood insiders, and film aficionados alike!

The Critical Eye: An Introduction to Looking at Movies (3rd revised edition)

by Margo Kasdan Christine Saxton Susan Tavernetti

An excellent summary and profound analysis of the techniques and interpretation of movies.

Crying at the Movies: A Film Memoir

by Madelon Sprengnether

"For years, I cried, not over my own losses, but at the movies. When bad things happened to me in real life, I didn't react. I seemed cool or indifferent. Yet in the dark and relative safety of the movie theater, I would weep over fictional tragedies, over someone else's tragedy."At age nine, Madelon Sprengnether watched her father drown in the Mississippi River. Her mother swallowed the family's grief whole and no one spoke of the tragedy thereafter. Only years later did Sprengnether react, and in a most unlikely place: in the theater watching the film Pather Panchali, by Satyajit Ray.In the fascinating memoir Crying at the Movies, Sprengnether looks at the sublime connections between happenings in the present, troubling events from the past, and the imagined world of movies. By examining the films she had intense emotional reactions to throughout her adult life--House of Cards, Solaris, Fearless, The Cement Garden, Shadowlands, and Blue--Sprengnether finds a way to work through her own losses, mistakes, and pain.

A Dance Of Sisters

by Tracey Porter

I want to stretch to the moon, Delia thought. Far, far away. Twelve-year-old Delia Ferri doesn't remember her mother or her family the way it used to be. All she knows is that her sister, Pearl, and her father are fighting more and more. Pearl is withdrawn and angry and obsessed with witchcraft. Delia vows not to give her father anything else to worry about. The only time Delia feels important and alive is when she is dancing for Madame Elanova, a world-famous ballet instructor who calls Delia "destined." Delia relishes the hard work required to be a ballet dancer, but she doesn't see the toll it is taking on her life. As competition for Madame's approval takes over, Delia's weight drastically drops, her schoolwork suffers, and she pulls away from her friends and family. Only then does she begin to understand how fiercely her sister had to fight to find her own truth. A Dance of Sisters is an intimate portrait of the rigorous world of ballet, and a story of two girls searching for connection. Tracey Porter's beautiful novel explores the many dances of life, and the bond between sisters that sometimes only experience can reveal.

The Day I Turned Uncool

by Dan Zevin

Sooner or later, each of us must face the day we develop a disturbing new interest in lawn care; the day we order sauvignon blanc instead of Rolling Rock; the day we refuse to see any concert where we cannot sit down. Sooner or later, each of us must face the day we turn uncool. Dan Zevin, who “was never exactly Fonz-like to begin with,” is having a hilariously hard time moving from his twenties to his thirties, and he confesses everything in these comic not-coming-of-age tales. As he shamefully employs his first cleaning lady, becomes abnormally attached to his dog, and commits flagrant acts of home improvement, Dan’s headed for an early midlife crisis—and a better-late-than-never revelation: Growing up is really nothing to be reluctant about. In fact, it’s very cool.

Deep in a dream: La larga noche de Chet Baker

by James Gavin

La gran biografía de Chet Baker, el legendario trompetista y cantante de jazz. Desde 1950, cuando un atractivo joven de Oklahoma apareció en la Costa Oeste como nuevo príncipe del cool jazz, hasta su violenta muerte en Amsterdam relacionada con las drogas, la vida de Chet Baker lo convirtió en un mito. En esta biografía, que incluye cientos de entrevistas y fuentes inéditas, James Gavin hace un recorrido por la vida del trompetista. La historia de Chet Baker es desmenuzada desde su atormentada y traumática infancia: Gavin explora el nacimiento de esa melancólica forma de tocar la trompeta, su voz frágil, y el aura que lo llevó a la fama. Sexy, angelical, rebelde y querido, Chet Baker se convirtió en el James Dean del jazz. Su misteriosa figura volvió locos a mujeres y hombres. Sin embargo, su verdadero amor, además de la música, fue la droga. La crítica ha dicho...«Arrebatadora y fascinante. Trae de regreso la persona de Baker entre los vivos. El corazón de este libro late muchísimo más fuerte que la inmensa mayoría de las biografías de músicos.»The Boston Globe «Una biografía extraordinaria y monumental.»La Stampa «Una formidable muestra de arte biográfico. No hay una sola página en este libro que no sea adictiva, que no esté viva, que no le exija al lector una reacción, ya sea de horror o admiración.»Greil Marcus, Salon «Un retrato casi insoportablemente realista. James Gavin nos ha puesto al personaje tan cerca como la vida misma.»David Hajdu, New York Times Book Review «Una biografía divulgativa imprescindible.»Tony Gieske, Hollywood Reporter «El retrato más redondo y lúcido del trompetista que ha sido escrito jamás. Esta es la biografía definitiva de Baker.»Christopher Porter, JazzTimes «Completísima, una biografía de lectura compulsiva.»Jack Batten, Toronto Star «Un relato espeluznante. Debería atraer a toda persona interesada en una historia perfectamente narrada.»Greg Delaney, Independent «Una comedia negra repleta de desenfreno, escrita con un ritmo y visión a los que ni siquiera el purista del jazz más esencialista le encontraría un defecto.»Kenneth Wright, Sunday Herald «Un libro nacido del amor artístico y la honestidad intelectual, escrito con la fluidez y el dramatismo de una novela.»Paolo Russo, La Repubblica «Una brillante y oscura biografía de la leyenda blanca del jazz. Baker es un misterio al que James Gavin se asomó atento a las contradicciones.»Diego Fischerman, Página/12

Disintegrating the Musical: Black Performance and American Musical Film

by Arthur Knight

This study tracks and analyzes the history of musical representations of African Americans in american film's classic sound era.

Do You Mr Jones?: Bob Dylan with the Poets and Professors

by Neil Corcoran

In 2016, Bob Dylan received the Nobel Prize in Literature ‘for having created new poetic expressions within the great American song tradition’. This collection of essays by leading poets and critics – with a new foreword by Will Self – examines Dylan’s poetic genius, as well as his astounding cultural influence over the decades.‘From Orpheus to Faiz, song and poetry have been closely linked. Dylan is the brilliant inheritor of the bardic tradition’ Salman Rushdie‘The most significant Western popular artist in any form or medium of the past sixty years’ Will Self‘For fifty and some years he has bent, coaxed, teased and persuaded words into lyric and narrative shapes that are at once extraordinary and inevitable’ Andrew Motion‘His haunting music and lyrics have always seemed, in the deepest sense, literary’ Joyce Carol Oates‘There is something inevitable about Bob Dylan… A storyteller pulling out all the stops – metaphor, allegory, repetition, precise detail… His virtue is in his style, his attitude, his disposition to the world’ Simon Armitage

Dolly: The Biography

by Alanna Nash

This comprehensive look at the life of country music superstar Dolly Parton covers her poor but loving upbringing through her recent induction into the Country Music Association Hall of Fame. Based on extensive interviews with a host of Nashville's biggest stars such as BARBARA MANDRELL, MARTY ROBBINS, and EDDIE RABBITT, as well as with the Parton family and Dolly herself, this intimate biography charts the legendary singer's life from the backwoods of Tennessee to the footlights of the Grand Ole Opry and beyond. This updated edition looks at the country singer's endeavors from the 1980s through today, a period in which Parton opened her own theme park, Dollywood; flirted with pop music; and returned to her rural mountain roots with the release of three critically acclaimed bluegrass albums--Hungry Again in 1997, The Grass Is Blue in 1999, and Little Sparrow in 2001. Nash also takes readers into the studio for the release of Dolly's most recent record, the much-lauded Halos & Horns.

A Dream

by Felicja Kruszewska

The translation of Felicja Kruszewska's A Dream introduces a major play by a twentieth-century female playwright to the English-speaking world. On March 7, 1927 A Dream - a large-scale expressionistic drama by an unknown poet - burst on the Polish theatrical scene in a dazzling debut production by the young actor Edmund Wiercinski, who would become one of the outstanding directors of his time. The play's hallucinatory visions of the rise of fascism and the heroine's longing for a providential savior on a white horse spoke directly to Polish audiences about their deepest anxieties. During the next two years A Dream received three additional stagings and became the subject of lively debate and controversy. The play, which has been successfully revived in 1974, is an outstanding example of European expressionism. The volume also contains An Excursion to the Museum, by the contemporary Polish poet, playwright, and short-story writer Tadeusz Rozewicz. A disturbing account of an utterly mundane visit to Auschwitz, the tale is a brilliant example of the playwright's technique of poetic collage.

Driving Visions

by David Laderman

"This is a superbly conceived, thoughtfully organized, and well-written study of a subject--the 'road movie'--that has lacked anything close to a coherent, book-length overview. . . . It will make an ideal course text and should also have a wide appeal to non-academic readers. "-- Scott Simmon, author of The Films of D. W. Griffith and King Vidor, AmericanFrom the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.

The Emergence of Cinematic Time: Modernity, Contingency, the Archive

by Mary Ann Doane

Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity.

En América

by Susan Sontag

Maryna Zalezowska, la más célebre de las actrices polacas, decide partir hacia América junto con su marido, su hijo, un joven escritor que la idolatra y varios amigos más, impulsados por la idea de construir una comunidad utópica. Pero allí descubrirán que la felicidad americana se construye de un modo distinto al esperado. Susan Sontag ha escrito esta atrevida novela por medio de unos personajes tan singulares -un conde, un escritor enamorado, una actriz famosa- como sus propios destinos. A través de sus ojos y de sus pasiones el lector se embarca en un intenso viaje desde el corazón de Europa hasta la tierra casi virgen de California. «La prosa de Sontag es ágil, lúdica... Como siempre, aparecen ideas estimulantes en cada rincón.» THE NEW YORK TIMES BOOK REVIEW "Una novela valiente y hermosa." THE WASHINGTON POST

Encounters with Tadeusz Kantor (Routledge Harwood Polish And East European Theatre Archive Ser.)

by Krzysztof Miklaszewski

An invaluable collection of documents and discussions of the work of one of the most significant theatre practitioners of the last fifty years.This unique set of reminiscences, written by one of the actors who worked closely with Kantor over a long period of time, ranges from the anecdotal to the theoretical. Kantor's work offers some of the most disconcerting allegories of Modernism and a quintessential expression of the unconscious during a bitter period of human history. Kantor's stern but affectionate guardianship of his troupe of travelling players comes off Miklaszewski's pages with warmth, humanity and humour.

Enfant Terrible!: Jerry Lewis in American Film

by Murray Pomerance

The one thing everybody knows about Jerry Lewis is that he is beloved by the French, those incomprehensible hedonistic strangers across the sea. The French understand him, while in the U.S. he is at best a riddle, not one of us. Lewis is someone we take profound pleasure in excluding, if not ridiculing. Enfant Terrible! Jerry Lewis in American Film is the first comprehensive collection devoted to one of the most controversial and accomplished figures in twentieth-century American cinema. A veteran of virtually every form of show business, Lewis's performances onscreen and the motion pictures he has directed reveal significant filmmaking talents, and show him to be what he has called himself, a "total filmmaker." Yet his work has been frequently derided by American critics. This book challenges that easy reading by taking a more careful look at Lewis's considerable body of work onscreen in 16 diverse and penetrating essays. Turning to such films asThe Nutty Professor, The Ladies Man, The King of Comedy, The Delicate Delinquent, Living It Up, The Errand Boy, The Disorderly Orderly, Arizona Dream, and The Geisha Boy, the contributors address topics ranging from Lewis's on- and offscreen performances, the representations of disability in his films, and the European obsession with Lewis, to his relationship with Dean Martin and Lewis's masculinity. Far from an out of control hysteric, Enfant Terrible! instead reveals Jerry Lewis to be a meticulous master of performance with a keen sense of American culture and the contemporary world. Contributors include: Mikita Brottman, Scott Bukatman, David Desser, Leslie A. Fiedler, Craig Fischer, Lucy Fischer, Krin Gabbard, Barry Keith Grant, Andrew Horton, Susan Hunt, Frank Krutnik, Marcia Landy, Peter Lehman, Shawn Levy, Dana Polan, Murray Pomerance, and J. P. Telotte.

Essays on Music

by Theodor W. Adorno Richard D. Leppert Susan H. Gillespie

This unique volume includes twenty-seven essays on music by Theodor W. Adorno, nearly half of which are translated into English for the first time, together with an expansive introduction, commentary, and notes by musicologist Richard Leppert.

The F Word: How to Survive Your Family

by Louis Anderson Carl Kurlander

Take it from a man whose family background includes brawls, visits from "aliens," star-billing on FBI wanted posters, and, oh yes, an altercation with the Swedish Mafia -- families can be brutal! But because we all have one, Louie Anderson has written this honest, funny, and brilliant survival manual for anyone who's ever choked on... THE F WORD Long before he became one of America's favorite comedians, Louie Anderson was one of eleven children in a Minnesota family headed by an alcoholic father who was all for having kids but clueless about supporting them. It was the kind of childhood you have to learn to laugh at to survive, yet it yielded rich dividends: a host of hilarious and heartbreaking stories, as well as 49 Family Survival Tips stamped with true wisdom.

Faith in Time: The Life of Jimmy Scott

by David Ritz

Born in Cleveland in 1925, "Little" Jimmy Scott lost his mother at age thirteen, the same year he was diagnosed with Kallman's syndrome. The disease stunted his growth and earned him his nickname, but it also left him with a haunting voice, a mesmerizing voice. He soon built a following as a singer touring with Lionel Hampton's great orchestra in the '40s, then performed with many of the stars of the '50s, from Lester Young to Charlie Parker to Dinah Washington, and was signed by Savoy Records. He thought he had his big break when, in 1962, Ray Charles produced what was by all accounts Jimmy's best work, Falling in Love Is Wonderful. But when it was forced off the shelves by contract disputes, Scott worked as an orderly and clerk in Cleveland for almost two decades. Fans thought he was dead-until songwriter Doc Pomus's funeral in March of 1991.<P><P> As Pomus had instructed in his will, Jimmy sang over his friend's coffin. High-pitched and androgynous, his voice seemed to come out of thin air, transcending gender and age, evoking pure heartbreak. No one knew who he was-heads turned, celebrities conferred, record executives were reduced to tears-until finally Lou Reed turned around and whispered, "He's Jimmy Scott, the greatest jazz singer in the world." And so he was. By the next morning, he had a record deal with Sire that relaunched his career with the masterpiece All the Way, and he has been performing to packed clubs ever since. With full cooperation from Jimmy, his siblings, spouses, and colleagues from Ray Charles to Ruth Brown, Faith in Time is at once an intimate biography, an invaluable history of a life that spanned big band to bebop to pop, and the poignant story of a man whose voice will live forever.

Federico Fellini: His Life and Work

by Tullio Kezich

A lively and authoritative journey into the world of a cinema masterWith the revolutionary 8 1/2, Federico Fellini put his deepest desires and anxieties before the lens in 1963, permanently impacting the art of cinema in the process. Now, more than forty years later, film critic and Fellini confidant Tullio Kezich has written the work by which all other biographies of the filmmaker are sure to be measured. In this moving and intimately revealing account of a lifetime spent in pictures, Kezich uses his friendship with Fellini as a means to step outside the frame of myth and anecdote that surrounds him—much, it turns out, of the director's own making.A great lover of women and a meticulous observer of dreams, Fellini, perhaps more than any other director of the twentieth century, created films that embodied a thoroughly modern sensibility, eschewing traditional narrative along with religious and moral precepts. His is an art of delicate pathos, of episodic films that directly address the intersection of reality, fantasy, and desire that exists as a product of mid-century Italy—a country reeling from a Fascist regime as it struggled with an outmoded Catholic national identity. As Kezich reveals, the dilemmas Fellini presents in his movies reflect not only his personal battles but those of Italian society. The result is a book that explores both the machinations of cinema and the man who most grandly embraced the full spectrum of its possibilities, leaving his indelible mark on it forever.

A Feminist Reader in Early Cinema

by Jennifer M. Bean Diane Negra

A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism. Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics--from the dangerous sexuality of the urban flneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films--looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic. Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen

Film Noir: On Classic Film Noir (Inside Film)

by Andrew Spicer

Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to ‘classic’ film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate ‘neo-noir’ and British film noir: chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

The Filmmaker's Guide to Production Design

by Vincent LoBrutto

Learn to turn a simple screenplay into a visual masterpiece! Top production designers share their real-life experiences to explain the aesthetic, narrative, and technical aspects of the craft. Step by step, aspiring filmmakers will discover sound instruction on the tools of the trade, and established filmmakers will enjoy a new outlook on production design. They will learn, for example, the craft behind movie magic-such as how to create a design metaphor, choose a color scheme, use space, and work within all genres of film, from well-funded studio projects to "guerilla filmmaking." This indispensable resource also contains a history of movie making and guidelines for digital production design. For the experienced filmmaker seeking new design ideas to the struggling newcomer stretching low-budget dollars, this book makes the processes and concepts of production design accessible.Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Firmament

by Tim Bowler

To prove he's part of the gang, Luke must climb into Mrs. Little's house and steal something. But inside the house, Luke encounters something so unexpected that it changes everything -- something that unlocks secrets and helps Luke find out exactly who he is.

Refine Search

Showing 2,726 through 2,750 of 19,779 results