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After Hitchcock: Influence, Imitation, and Intertextuality
by David Boyd Palmer R. BartonAlfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium. In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists.
After In-Yer-Face Theatre: Remnants of a Theatrical Revolution
by William C. BolesThis book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others. Split into three sections the book re-examines the era, considers the movement’s influence on international theatre, and considers its lasting effects on contemporary British theatre. The first section offers new readings on works from that time period (Antony Neilson and Mark Ravenhill) as well as challenges myths created by the Royal Court Theatre about the its involvement with In-Yer-Face theatre. The second section discusses the influence of In-Yer-Face on Portuguese, Russian and Australian theater, while the final section discusses the legacy of In-Yer-Face writers as well as their influences on more recent playwrights, including chapters on Philip Ridley, Sarah Kane, Joe Penhall, Martin Crimp, Dennis Kelly, and Verbatim Drama.
After Kieślowski: The Legacy of Krzysztof Kieślowski
by Steven WoodwardTraces the legacy of Krzysztof Kieslowski in films made after his death using his scripts or ideas and in the work of other filmmakers.
After Midnight: Watchmen after Watchmen
by Suzanne ScottContributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris Yogerst Alan Moore and Dave Gibbons’s Watchmen fundamentally altered the perception of American comic books and remains one of the medium’s greatest hits. Launched in 1986—“the year that changed comics” for most scholars in comics studies—Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children. After Midnight: “Watchmen” after “Watchmen” looks specifically at the three adaptations of Moore and Gibbons’s Watchmen—Zack Snyder’s Watchmen film (2009), Geoff Johns’s comic book sequel Doomsday Clock (2017), and Damon Lindelof’s Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show’s production can impact its politics. Finally, the book’s last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.
After the Dancing Days
by Margaret I. RostkowskiFrom the Bookjacket: Ages 11-14 So much had changed in one year One year ago, I believed my mother knew everything and that I would never have cause to disobey her. I knew my father could heal anyone And I thought Uncle Paul had died in glory. Thirteen-year-old Annie waits at the train station for her father, a doctor. It is 1919, the Great War is over, and the wounded are returning to a small town near Kansas City from the battlefields of France. When her father decides to continue his work at the veterans' hospital, Annie finds she is drawn to the place for reasons she doesn't understand. There she meets Andrew, a horribly burned young veteran who is bitterly withdrawn from all around him. Acting against the express wishes of her strong-willed mother, Annie continues to visit the hospital, helping Andrew come out of his shell. Together they discover the devastating truth about Uncle Paul's death. Then Annie must confront her mother's anger and the ironies of heroism. AFTER THE DANCING DAYS is a timeless first novel about a young girl's first steps into the complex world of adulthood.
After the Red Army Faction: Gender, Culture, and Militancy
by Charity ScribnerMasterminded by women, the Red Army Faction (RAF) terrorized West Germany from the 1970s to the 1990s. Afterimages of its leaders persist in the works of pivotal artists and writers, including Gerhard Richter, Elfriede Jelinek, and Slavoj i ek. Why were women so prominent in the RAF? What does the continuing cultural response to the German armed struggle tell us about the representation of violence, power, and gender today? Engaging critical theory, Charity Scribner addresses these questions and analyzes signal works that point beyond militancy and terrorism. This literature and art discloses the failures of the Far Left and registers the radical potential that RAF women actually forfeited.After the Red Army Faction maps out a cultural history of militancy and introduces "postmilitancy" as a new critical term. <P><P>As Scribner demonstrates, the most compelling examples of postmilitant culture don't just repudiate militancy: these works investigate its horizons of possibility, particularly on the front of sexual politics. Objects of analysis include as-yet untranslated essays by Theodor Adorno and Jürgen Habermas, as well as novels by Friedrich Dürrenmatt and Judith Kuckart, Johann Kresnik's Tanztheaterstück Ulrike Meinhof, and the blockbuster exhibition Regarding Terror at the Berlin Kunst-Werke. Scribner focuses on German cinema, offering incisive interpretations of films by Margarethe von Trotta, Volker Schlöndorff, and Fatih Akin, as well as the international box-office success The Baader-Meinhof Complex. These readings disclose dynamic junctures among several fields of inquiry: national and sexual identity, the disciplining of the militant body, and the relationship between mass media and the arts.
After the Red Army Faction
by Charity ScribnerAnalyzing the afterimage of revolutionary violence in contemporary culture and politics. Utopia or Auschwitz: Germany's 1968 Generation and the Holocaust
After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 (Film and Culture Series)
by Michael SlowikMany believe Max Steiner's score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry's early sound era (1926–1934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's initial development, recasting the history of film sound and its relationship to the "Golden Age" of film music (1935–1950). <P><P>Slowik follows filmmakers' shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of the advent of synchronized dialogue. He concludes with a reassessment of King Kong and its groundbreaking approach to film music, challenging the film's place and importance in the timeline of sound achievement.
After the Silents
by Michael SlowikViewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's initial development
After Tupac and D Foster
by Jacqueline WoodsonD Foster showed up a few months before Tupac got shot that first time and left us the summer before he died. <P><P> The day D Foster enters Neeka and her best friend's lives, the world opens up for them. D comes from a world vastly different from their safe Queens neighborhood, and through her, the girls see another side of life that includes loss, foster families and an amount of freedom that makes the girls envious. Although all of them are crazy about Tupac Shakur's rap music, D is the one who truly understands the place where he's coming from, and through knowing D, Tupac's lyrics become more personal for all of them. The girls are thirteen when D's mom swoops in to reclaim D--and as magically as she appeared, she now disappears from their lives. Tupac is gone, too, after another shooting; this time fatal. As the narrator looks back, she sees lives suspended in time, and realizes that even all-too-brief connections can touch deeply. <P> A Discussion Guide to After Tupac and D Foster by Jacqueline Woodson .<P> Newbery Honor book
After Uniqueness: A History of Film and Video Art in Circulation (Film and Culture Series)
by Erika BalsomImages have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at once. <P><P>From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.
Afterimages
by Arlene CroceDancing leaves nothing else behind--no record, no text--and so the afterimage becomes the subject of dance criticism. A dance critic tries to train the memory as well as the organs of sense; he tries to make the afterimage that appears in his writing match the performance. 10 years of reviews of dancing, from ballet to Balanchine to Twyla Tharp.
The Afterlife of Texts in Translation: Understanding the Messianic in Literature
by Edmund ChapmanThe Afterlife of Texts in Translation: Understanding the Messianic in Literature reads Walter Benjamin’s and Jacques Derrida’s writings on translation as suggesting that texts exist within a process of continual translation. Understanding Benjamin’s and Derrida’s concept of ‘afterlife’ as ‘overliving’, this book proposes that reading Benjamin’s and Derrida’s writings on translation in terms of their wider thought on language and history suggests that textuality itself possesses a ‘messianic’ quality. Developing this idea in relation to the many rewritings and translations of Don Quijote, particularly the multiple rewritings by Jorge Luis Borges, Edmund Chapman asserts that texts consist of a structure of potential for endless translation that continually promises the overcoming of language, history and textuality itself.
The Afterlife of the Hollywood Western
by Pete FalconerThis book examines the Western genre in the period since Westerns ceased to be a regular feature of Hollywood filmmaking. For most of the 20th Century, the Western was a major American genre. The production of Westerns decreased in the 1960s and 1970s; by the 1980s, it was apparent that the genre occupied a less prominent position in popular culture. After an extended period as one of the most prolific Hollywood genres, the Western entered its “afterlife”. What does it now mean for a Hollywood movie to be a Western, and how does this compare to the ways in which the genre has been understood at other points in its history? This book considers the conditions in which the Western has found itself since the 1980s, the latter-day associations that the genre has acquired and the strategies that more recent Westerns have developed in response to their changed context.
The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life (Studies in the Cinema of the Black Diaspora)
by L. H. StallingsAn absorbing portrait of a groundbreaking Black woman filmmaker.Kathleen Collins (1942–88) was a visionary and influential Black filmmaker. Beginning with her short film The Cruz Brothers and Miss Malloy and her feature film Losing Ground, Collins explored new dimensions of what narrative film could and should do. However, her achievements in filmmaking were part of a greater life project. In this critically imaginative study of Collins, L.H. Stallings narrates how Collins, as a Black woman writer and filmmaker, sought to change the definition of life and living. The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life explores the global significance and futurist implications of filmmaker and writer Kathleen Collins. In addition to her two films, Stallings examines the broad and expansive and varying forms of writing produced by Collins during her short life time. The Afterlives of Kathleen Collins showcases how Collins used filmmaking, writing, and teaching to assert herself as a poly-creative dedicated to asking and answering difficult philosophical questions about human being and living. Interrogating the ideological foundation of life-writing and cinematic life-writing as they intersect with race and gender, Stallings intervenes on the delimited concepts of life and Black being that impeded wider access, distribution, and production of Collins's personal, cinematic, literary, and theatrical works.The Afterlives of Kathleen Collins definitively emphasizes the evolution of film and film studies that Collins makes possible for current and future generations of filmmakers.
Afterlives of the Lady of Shalott and Elaine of Astolat (Arthurian and Courtly Cultures)
by Ann F. HoweyThis book investigates adaptations of The Lady of Shalott and Elaine of Astolat in Victorian and post-Victorian popular culture to explore their engagement with medievalism, social constructions of gender, and representations of the role of art in society. Although the figure of Elaine first appeared in medieval texts, including Malory’s Le Morte Darthur, Tennyson’s poems about the Lady and Elaine drew unprecedented response from musicians, artists, and other authors, whose adaptations in some cases inspired further adaptations. With chapters on music, art, and literature (including parody, young people’s literature, and historical fiction and fantasy), this book seeks to trace the evolution of these characters and the ways in which they reinforce or challenge conventional gender roles, represent the present’s relationship to the past, and highlight the power of art.
Aftershocks: Dispatches from the Frontlines of Identity
by Nadia OwusuI have lived in disaster and disaster has lived in me. Our shared languages are thunder and reverberation.When Nadia Owusu was two years old her mother abandoned her and her baby sister and fled from Tanzania back to the US. When she was thirteen her beloved Ghanaian father died of cancer. She and her sister were left alone, with a stepmother they didn't like, adrift. Nadia Owusu is a woman of many languages, homelands and identities. She grew up in Rome, Dar-es-Salaam, Addis Ababa, Kumasi, Kampala and London. And for every new place there was a new language, a new identity and a new home. At times she has felt stateless, motherless and identity-less. At others, she has had multiple identities at war within her. It's no wonder she started to feel fault lines in her sense of self. It's no wonder that those fault lines eventually ruptured. Aftershocks is the account of how she hauled herself out of the wreckage. It is the intimate story behind the news of immigration and division dominating contemporary politics. Nadia Owusu's astonishingly moving and incredibly timely memoir is a nuanced portrait of globalisation from the inside in a fractured world in crisis.
Again Josefina (American Girls Short Stories #8)
by Valerie TrippAny child who has taken piano lessons will get a kick out of this book. Josefina finds unique ways to "practice," and even baby Antonio gets into the act of encouraging her to practice more. Humor, warmth, and lots of repetition lead Josefina to become a player of songs. Other books about Josefina are also available from Bookshare. In order for this file to make an excellent embossed braille copy, attention must be paid to the words written in Spanish.
Against All Odds
by Chuck Norris Ken AbrahamNorris describes himself as a shy youth who finally blossomed while studying martial arts as a soldier in South Korea. His self-deprecating humor shows through anecdotes about karate defeats, white-knuckled speaking engagements, and his failure to become a Los Angeles policeman, which led to his fame as a karate champion.
Against the Wind: An Autobiography
by Geoffrey HouseholdIn this fascinating and uniquely colorful autobiography, a twentieth-century master of suspense fiction candidly examines his extraordinary life, times, and art One of the twentieth century's most respected writers of adventure and espionage thrillers, Geoffrey Household penned more than twenty novels and short story collections in a career that spanned more than fifty years--and lived a life as eventful and surprising as his acclaimed, pulse-pounding fiction. In Against the Wind, the author whom the New York Times credits with having "helped to develop the suspense story into an art form" shares his remarkable personal history with candor and wit, while exploring the creative process and his roles as a husband, father, bestselling popular artist, and citizen of his uniquely eventful time. From his years as a student at the University of Oxford to his early career in the cutthroat world of international business and finance to his patriotic service with British intelligence during World War II, with perilous postings in Greece, Romania, and the Middle East that later informed his thrilling fiction, Household evocatively recalls a peripatetic life lived purposefully and often dangerously in some of the most colorful and fascinating regions of the globe.
Agarrá la pala: El verdadero trabajo del youtuber
by Teodoro Ciampagna Alejandro Bacile¿Cuál es el verdadero trabajo del youtuber? Ellos mismos te lo cuentan. Mucho se habla de que los youtubers son un montón de vagos que hace pavadas frentes a una camarita. Lo cierto es que cambiaron el paradigma de la comunicación y son los dueños de la audiencia de todas las edades; cada uno con su talento particular. ¿Cuál es su verdadero trabajo? ¿Cuánto tiempo les lleva? ¿Por qué lo hacen? ¿Son todos amigos o hay rivalidades? Esas y muchas otras preguntas más son respondidas en este libro por los youtubers más importantes de la Argentina.
Agatha Christie: First Lady of Crime
by Agatha ChristieIncludes a new introduction from Sophie Hannah, bestselling author of THE MONOGRAM MURDERS and HAVEN'T THEY GROWNAgatha Christie was not only the biggest selling writer of detective stories the world has ever known, she was also a mystery in herself, giving only the rarest interviews, declining absolutely to become any sort of public figure, and a mystery too in the manner in which she achieved her astonishing success.H R F Keating, a crime novelist and respected reviewer of crime fiction, brought together a dozen distinguished writers from both sides of the Atlantic to throw light on this double mystery. Some analyse the art itself; some explain the reasons for her success, not just the books, but also in film and theatre.The approaches are penetrating, affectionate, enthusiastic, analytical, funny - even critical. Together, they give an almost unique insight into the life and work of the First Lady of Crime.
Agatha Christie: First Lady of Crime
by Agatha ChristieIncludes a new introduction from Sophie Hannah, bestselling author of THE MONOGRAM MURDERS and HAVEN'T THEY GROWNAgatha Christie was not only the biggest selling writer of detective stories the world has ever known, she was also a mystery in herself, giving only the rarest interviews, declining absolutely to become any sort of public figure, and a mystery too in the manner in which she achieved her astonishing success.H R F Keating, a crime novelist and respected reviewer of crime fiction, brought together a dozen distinguished writers from both sides of the Atlantic to throw light on this double mystery. Some analyse the art itself; some explain the reasons for her success, not just the books, but also in film and theatre.The approaches are penetrating, affectionate, enthusiastic, analytical, funny - even critical. Together, they give an almost unique insight into the life and work of the First Lady of Crime.
The Age of Bowie
by Paul Morley'A handsome six footer with a warm and engaging personality, Davie Jones has all it takes to get to the show business heights including . . . talent.' David Bowie at 17 in May, 1964 writing his own press biography. Respected arts commentator Paul Morley, one of the team who curated the highly successful retrospective exhibition for the Victoria & Albert Museum in London, David Bowie Is . . . constructs the definitive story of Bowie that explores how he worked, played, aged, structured his ideas, invented the future and entered history as someone who could and would never be forgotten. Morley will capture the greatest moments of Bowie's career; from the recording studio with the likes of Brian Eno and Tony Visconti; to iconic live performances from the 1970s, 80s and 90s, as well as the various encounters and artistic relationships he developed with rock luminaries John Lennon, Lou Reed and Iggy Pop. And of course, discuss in detail his much-heralded, and critically-acclaimed comeback with the release of Black Star just days before his shocking death in New York. Morley will offer a startling biographical critique of David Bowie's legacy, showing how he never stayed still even when he withdrew from the spotlight, how he always knew his own worth, and released a dazzling plethora of mobile Bowies into the world with a bloody-minded determination and a voluptuous imagination to create something amazing that was not there before.
The Age of Bowie: How David Bowie Made A World Of Difference
by Paul MorleyAuthor and industry insider Paul Morley explores the musical and cultural legacies left behind by "The Man Who Fell to Earth."Respected arts commentator and author Paul Morley, an artistic advisor to the curators of the highly successful retrospective exhibition David Bowie is for the Victoria & Albert Museum in London, constructs a definitive story of Bowie that explores how he worked, played, aged, structured his ideas, influenced others, invented the future, and entered history as someone who could and would never be forgotten. Morley captures the greatest moments from across Bowie's life and career; how young Davie Jones of South London became the international David Bowie; his pioneering collaborations in the recording studio with the likes of Tony Visconti, Mick Ronson, and Brian Eno; to iconic live, film, theatre, and television performances from the 1970s, 80s, and 90s, as well as the various encounters and artistic relationships he developed with musicians from John Lennon, Lou Reed, and Iggy Pop to Trent Reznor and Arcade Fire. And of course, discusses in detail his much-heralded and critically acclaimed finale with the release of Blackstar just days before his shocking death in New York. Morley offers a startling biographical critique of David Bowie's legacy, showing how he never stayed still even when he withdrew from the spotlight, how he always knew his own worth, and released a dazzling plethora of personalities, concepts, and works into the world with a single-minded determination and a voluptuous imagination to create something the likes of which the world had never seen before--and likely will never see again.