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Wollstone

by Hayden Thorne

The moment Emil Gogean sets foot inside Wollstone Academy’s fairy tale-like campus, he realizes his freshman year in high school is bound to be a very strange one. The school itself, a uniquely romanticized boarding school for boys, boasts remarkable elements that appear to be deliberate -- as though a hidden power has chosen woodland details, a chapel ruin, and school masters who seem to hearken back to a long-gone age, with a clear purpose in mind.When strange things begin to happen to Emil, an unnerving warning from his late grandmother returns to haunt him. A warning about Emil attracting the attention of the king of the dead.Strange faces in wood patterns and mullioned windows. The apparition of a boy among the trees. The unfathomable feeling of sadness permeating the idyllic environment. Emil gradually learns that Wollstone is more than just a school, that the answers to a three-hundred-year-old mystery surrounding a tragic romance lie in the ruined stones of a small chapel and in Nature itself. And that Emil, whose appearance in school has set certain wheels in motion, will have to place himself at the mercy of three mysterious students if he wishes to learn the truth about Wollstone, the boy lost in the woods, and himself.

Wolverine Cirque

by Joseph Olshan

Wolverine Cirque, one of the steepest and most dangerous ski runs in North America, looms over this original short--a taut, gripping tale of male athleticism and love--by Joseph Olshan Sam and Mike, top-notch skiers, hike miles off piste to face a harrowing headwall of snow, a sheer descent that challenges their skill, their endurance, and ultimately, their ability to survive.At the center of the story is Sam's painful and poignant reminiscence of a complicated and doomed love affair with Luc, a Division I soccer player who struggles with his identity and the surprising power of desire finally unleashed. As both men grapple with the intensity of their affection for one another, Sam is forced to reckon that his attempt to master Wolverine Cirque is really a futile effort to stay the arguably more difficult course of his declining youth.

A Woman's Smile: Safe House Short Story Singles

by Barbara Wanjala Ellah Wakatama Allfrey

Illuminating African narratives for readers both inside and outside the continent. Representing the very best of African creative nonfiction, Safe House brings together works from Africa's contemporary literary greats. In a collection that ranges from travel writing and memoir to reportage and meditative essays, editor Ellah Wakatama Allfrey has brought together some of the most talented writers of creative nonfiction from across Africa. This creative nonfiction single from Safe House anthology is Barbara Wanjala's account of her journey from Kenya to Senegal to meet with LGBT activists in Dakar.

Women: A Novella

by Chloe Caldwell

One of Cosmopolitan UK's Best Erotic Novels of All Time "Brief, sharp, and utterly consuming. . . Like your first love, it lingers long after the final chapter." – Tegan Quin"A contemporary classic of queer women's writing." – Michelle Tea"Her prose has a reckless beauty that feels to me like magic.” – Cheryl Strayed"[A] gorgeously composed queer novel that’s about so much more than romantic love.” –VogueThe cult-classic novella that intimately explores one young writer’s whirlwind and whiplash affair as she falls deeply in love with a woman for the first time.Sometimes I wonder what it is I could tell you about her for my job here to be done. I am looking for a short­cut. . . .But that would be asking too much from you. It wasn’t you who loved her.A young writer moves from the country to the city and falls in love with another woman for the very first time. From the start, the relationship is doomed; Finn is nineteen years older, wears men’s clothes, has a cocky smirk of a smile . . . and a long-term girlfriend.With startling clarity and breathtaking tenderness, Chloé Caldwell writes the story of a love in reverse: of nights spent drunkenly hurling a phone against a brick wall; of early mornings hungover in bed, curled up together; of emails and poems exchanged at breakneck speed. In Women, Caldwell lays bare the fierce obsession of addictive love, and asks the question: what, if anything, can who we love teach us about who we are?In this beautiful, transcendent, bracingly sexy novella, Caldwell tells a lust-love story that will bring you to your knees. Capturing the feverish heartbreak of Sapphic romance, painting a stark picture of an identity in crisis, and illuminating the exploratory possibilities of queer life, Women brands the heart and sears the soul.

Women I Know

by Katerina Gibson

Unpicking the stitches of gender and genre, the stories in this searing, funny, haunting debut explore how our ideas of womanhood shape us, and what they cost us.&‘My God darling—the women I know.&’A young woman tries to cheat her algorithm, creating a wholesome online persona while her &‘real&’ life dissipates. A grandmother speaks to her granddaughter through the fog of generations. Two lovers divide over alternative meat options. A factory worker fits eyes in companion dolls until she is called on to install her own.The women I know are sharp, absurd, sly, wrong, wry, repressed, hungry, horny, bold, envious, dominating, uncertain, overdetermined, underpaid, bored, smart, crystalizing, themselves. A burning talent with growing international recognition, Katerina Gibson&’s work has appeared in Granta, Kill Your Darlings, Overland and elsewhere. She is the Pacific regional winner of the 2021 Commonwealth Short Story Prize and recipient of the Felix Meyer Scholarship.&‘Smart, gleeful, savage, funny and genuinely brilliant. I kept wanting to cry out with joy! Katerina Gibson is a superstar.&’ Miles Allinson, author of In Moonland and Fever of Animals'Women I Know is a rich, contemporary blend of inventive and entertaining writing. Dark and funny, Katerina Gibson&’s stories are sparkling with ideas – it&’s thrilling that the future of Australian fiction is held in such talented hands.' Ben Walter, author of What Fear Was 'Come for the bold conceits, stay for the savage disaffection. These mind-bending stories startle, surprise, beguile and devastate. Gibson&’s talent, in striking out from the shores of realism, is to bring us closer to the truths of contemporary life.' Jo Lennan, author of In the Time of Foxes&‘[T]he pieces in Gibson&’s fiction debut create an elegant and subtle whole, with delicate prose that moves the reader as expertly as it disturbs them.&’ Georgia Brough, Books+Publishing

Women in Love: And Other Dramatic Writings (Books That Changed the World)

by Larry Kramer

Screenplays and scripts from the playwright of The Normal Heart.&“A valuable showcase of an important writer&’s early career.&”—The Bay Area Reporter Larry Kramer has been described by Susan Sontag as &“one of America&’s most valuable troublemakers.&” As Frank Rich writes in his Foreword to this collection of writings for the screen and stage, &“his plays are almost journalistic in their observation of the fine-grained documentary details of life . . . that may well prove timeless.&” The title work, the Oscar-nominated screenplay for Women in Love, is a movie &“as sensuous as anything you&’ve probably ever seen on film&” (The New York Times). The screenplay is accompanied by Kramer&’s reflections on the history of the production, sure to be of interest to any student of film. This volume also includes several early plays, Sissies&’ Scrapbook, A Minor Dark Age, and the political farce Just Say No, illuminating the development of one of our most important literary figures. &“Since his screenplay for Women in Love, Kramer has been a prophet of psychic health and catastrophe among us.&” (from The American Academy of Arts and Letters citation). Women in Love &“A visual stunner and very likely the most sensual film ever made.&”—New York Daily News &“Throughout Larry Kramer&’s literate scenario, the Lawrentian themes blaze and gutter. The sooty mind-crushing coal mines that Lawrence knew like the back of his hand are re-created in all their malignance. The annealing quality of sex is exhibited in the most erotic—and tasteful—lust scenes anywhere in contemporary film.&”—Time

Women In The Shadows

by Ann Bannon

Lesbian novel written in the 1950's; part of the Beebo Brinker series.

Women in the Shadows

by Ann Bannon

Designated the "Queen of Lesbian Pulp" for her landmark novels beginning in 1957, Ann Bannon's work defined lesbian fiction for the pre-Stonewall generation. Following the release of Cleis Press's new editions of Beebo Brinker and Odd Girl Out, Women in the Shadows picks up with Beebo's relationship with Laura waning, as both women become caught in the cultural tumult (gay bar raids, heavy drinking, gay rights advocacy) that anticipates by ten years the Stonewall Rebellion of 1969. New introduction explains the book's evolution, including the role Bannon's divorce played in shaping the lesbian protagonist's outrage.

Women in the Shadows

by Ann Bannon

The classic 1950s novel from the Queen of Lesbian Pulp.

Women Lovers, or The Third Woman

by Chelsea Ray Natalie Clifford Barney Melanie C. Hawthorne

This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle époque Paris. In this barely disguised roman à clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the "third woman." Never before published in English, and only recently published in French, this modernist, experimental work has been brought to light by Chelsea Ray's research and translation.

Women of the Bite: Lesbian Vampire Erotica

by Cecilia Tan

Cecilia Tan captures the timeless allure of lesbian vampires who seduce their way through these fifteen stories. These stories of eternal love, dark avenging angels, and the eroticism of blood lust explore the female vampire and her sisters from all angles.

Women of the Post

by Joshunda Sanders

&“What a beautifully imagined and important narrative. Sanders&’ clear-eyed and powerful writing made this a hard one to stop reading!&”—Jacqueline Woodson, National Book Award-Winning Author"This is a novel to cherish and share. And this is a history to sing about and affirm -- to proclaim.&”— Honorée Fanonne Jeffers, New York Times Bestselling author of The Love Songs of W.E.B. Du Bois, an Oprah Book Club NovelNamed a Most Anticipated Book of Summer by Ms. Magazine, PopSugar, Lambda Literary, and many more!Inspired by true events, Women of the Post brings to life the heroines who proudly served in the all-Black battalion of the Women&’s Army Corps in WWII, finding purpose in their mission and lifelong friendship.1944, New York City. Judy Washington is tired of having to work at the Bronx Slave Market, cleaning white women&’s houses for next to nothing. She dreams of a bigger life, but with her husband fighting overseas, it&’s up to her and her mother to earn enough for food and rent. When she&’s recruited to join the Women&’s Army Corps—offering a steady paycheck and the chance to see the world—Judy jumps at the opportunity.During training, Judy becomes fast friends with the other women in her unit—Stacy, Bernadette and Mary Alyce—who all come from different cities and circumstances. Under Second Officer Charity Adams's leadership, they receive orders to sort over one million pieces of mail in England, becoming the only unit of Black women to serve overseas during WWII.The women work diligently, knowing that they're reuniting soldiers with their loved ones through their letters. However, their work becomes personal when Mary Alyce discovers a backlogged letter addressed to Judy. Told through the alternating perspectives of Judy, Charity and Mary Alyce, Women of the Post is an unforgettable story of perseverance, female friendship and self-discovery.

Women on Women: An Anthology of American Lesbian Short Fiction

by Naomi Holoch Joan Nestle

This groundbreaking collection brings together 28 stunning stories by literary talents never before assembled in a single volume. With contributions from both established and bright new voices in lesbian fiction, "Women on Women" ranges from the subtlety and restraint of Willa Cather's "Tommy, the Unsentimental" to Sapphire's daring and highly erotic "Eat" and Valerie Miner's suspenseful "Trespassing." Some of the stories are universal in theme - the joy and excitement of new romance, the ageless problems of family life, and the pain of lost love and of death. And many are written by or about members of racial, ethnic, and other minorities within the gay community. These are stories that offer stirring, eloquent, often passionate insights into the lesbian experience in a long-overdue collection that represents the best of lesbian short fiction from past to present.

Women On Women 2: An Anthology of American Lesbian Short Fiction

by Joan Nestle Naomi Holoch

Second in this series of anthologies.

Women on Women 3: A New Anthology of American Lesbian Fiction

by Joan Nestle Naomi Holoch

Third in this series of anthologies.

Women Who Kill: With Previously Unpublished Material On The "battered Women's Syndrome"

by Ann Jones

This landmark study offers a rogues&’ gallery of women—from the Colonial Era to the 20th century—who answered abuse and oppression with murder: &“A classic&” (Gloria Steinem). Women rarely resort to murder. But when they do, they are likely to kill their intimates: husbands, lovers, or children. In Women Who Kill, journalist Ann Jones explores these homicidal patters and what they reflect about women and our culture. She considers notorious cases such as axe-murderer Lizzie Borden, acquitted of killing her parents; Belle Gunness, the Indiana housewife turned serial killer; Ruth Snyder, the &“adulteress&” electrocuted for murdering her husband; and Jean Harris, convicted of shooting her lover, the famous &“Scarsdale Diet doctor.&” Looking beyond sensationalized figures, Jones uncovers different trends of female criminality through American history—trends that reveal the evolving forms of oppression and abuse in our culture. From the prevalence of infanticide in colonial days to the poisoning of husbands in the nineteenth century and the battered wives who fight back today, Jones recounts the tales of dozens of women whose stories, and reasons, would otherwise be lost to history. First published in 1980, Women Who Kill is a &“provocative book&” that &“reminds us again that women are entitled to their rage.&” This 30th anniversary edition from Feminist Press includes a new introduction by the author (New York Times Book Review).

Women With Handcuffs: Lesbian Cop Erotica

by Sacchi Green

What is it about lesbian cops that push all the right buttons? Sure, there's the uniform with handcuffs, gun, and billy club, and the confidence, authority, and sense of danger. But there's something more that gives these uncompromising women their commanding, overwhelming sexuality. The top-flight fiction writers tapped by Lambda Award-winning editor Sacchi Green in Women with Handcuffs capture that irresistible force -- and channel it into fiercely erotic stories. Delilah Devlin's cops play their "Only Game in Town" in a Southern city that's small without being small-minded. Elizabeth Coldwell's handcuffed stripper in "Torn Off a Strip" meets her match, while Lynn Mixon's witness protection marshal finds (and gives) a "Healing Hand." If you like your policewomen on the case and under the sheets, the hotly subversive stories in Women with Handcuffs are for you.

Women With Handcuffs

by Sacchi Green

What is it about lesbian cops that push all the right buttons? Sure, there's the uniform with handcuffs, gun, and billy club, and the confidence, authority, and sense of danger. But there's something more that gives these uncompromising women their commanding, overwhelming sexuality. The top-flight fiction writers tapped by Lambda Award-winning editor Sacchi Green in Women with Handcuffs capture that irresistible force - and channel it into fiercely erotic stories. Delilah Devlin's cops play their "Only Game in Town" in a Southern city that's small without being small-minded. Elizabeth Coldwell's handcuffed stripper in "Torn Off a Strip" meets her match, while Lynn Mixon's witness protection marshal finds (and gives) a "Healing Hand." If you like your policewomen on the case and under the sheets, the hotly subversive stories in Women with Handcuffs are for you.

Women's Barracks: The Original 1950 Tale of Life and Love in the Free French Army (Femmes Fatales)

by Tereska Torres Judith Mayne

Originally published in 1950, this account of life among female Free French soldiers in a London barracks during World War II sold four million copies in the United States alone and many more millions worldwide. The novel is based on the real-life experiences of the author, Tereska Torres, who escaped from occupied France. She arrived as a refugee in London and joined other exiles enlisting in Charles de Gaulle's army, then stationed in Britain awaiting an invasion of their homeland by Allied forces. But Women's Barracks is no ordinary war story.As the Blitz rains down over London, taboos are broken, affairs start and stop and hearts are won and lost. Women's Barracks was banned for obscenity in several states. It was also denounced by the House Select Committee on Current Pornographic Materials in 1952 as an example of how the paperback industry was "promoting moral degeneracy." But in spite of such efforts-or perhaps, in part, because of them-the novel became a record-breaking bestseller and inspired a whole new genre: lesbian pulp.From the obituary in the New York TimesTereska Torrès, 92, Writer Of Lesbian Fiction, DiesTereska Torrès, a convent-educated French writer who quite by accident wrote America's first lesbian pulp novel, died on Thursday at her home in Paris. ...It was not homophobia that caused Ms. Torrès to find her book's canonical status peculiar. Quite the contrary, she said: because affairs with barracks mates were so much a part of ordinary wartime experience the hoopla seemed simply prurient. "The book spoke very delicately about the few matters of sexual encounters," Ms. Torrès told Salon.com in 2005. "But so what? I hadn't invented anything-that's the way women lived during the war in London." She added: "I thought I had written a very innocent book. I thought, these Americans, they are easily shocked."Femmes Fatales restores to print the best of women's writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series: Bedelia; The Blackbirder; Bunny Lake Is Missing; By Cecile; The G-String Murders; The Girls in 3-B; In a Lonely Place; Laura; Mother Finds a Body; Now, Voyager; Skyscraper; Stranger on Lesbos.

The Women's House of Detention: A Queer History of a Forgotten Prison

by Hugh Ryan

This singular history of a prison, and the queer women and trans people held there, is a window into the policing of queerness and radical politics in the twentieth century. The Women&’s House of Detention, a landmark that ushered in the modern era of women&’s imprisonment, is now largely forgotten. But when it stood in New York City&’s Greenwich Village, from 1929 to 1974, it was a nexus for the tens of thousands of women, transgender men, and gender-nonconforming people who inhabited its crowded cells. Some of these inmates—Angela Davis, Andrea Dworkin, Afeni Shakur—were famous, but the vast majority were incarcerated for the crimes of being poor and improperly feminine. Today, approximately 40 percent of the people in women&’s prisons identify as queer; in earlier decades, that percentage was almost certainly higher. Historian Hugh Ryan explores the roots of this crisis and reconstructs the little-known lives of incarcerated New Yorkers, making a uniquely queer case for prison abolition—and demonstrating that by queering the Village, the House of D helped defined queerness for the rest of America. From the lesbian communities forged through the Women&’s House of Detention to the turbulent prison riots that presaged Stonewall, this is the story of one building and much more: the people it caged, the neighborhood it changed, and the resistance it inspired. Winner, 2023 Stonewall Book Award—Israel Fishman Non-Fiction Book AwardCrimeReads, Best True Crime Books of the Year

WOMXN: Acrostics and Poems to Reclaim the Words that Have Hurt Us

by Lexy Wren-Sillevis

"There are so many words, insults, labels and boxes for women to be packaged and packed off in. Often, but not always, they're words coined by men. Why that is, is a bigger conversation that is starting to be had by women everywhere. We're slowly, but oh-so-surely, making it clear that there is no man in womxn. We're writing him out and writing us back in, and we deserve a suffix all of our own that is free from patriarchal roots. So from here on in, we are WOMXN."Sticks and Stones is a powerful reclamation of the slurs and insults thrown at women for centuries. It's a righting of wrongs - a rewriting of sexist, belittling and shaming language. It's a tool for breaking free from the stereotypes and impossible standards used to confine women, transforming them into messages of resilience and resolve. And, most importantly, it's a rallying call for change, healing and empowerment.It takes the words, slurs, insults and labels that are used to diminish women every day and breaks them down and tears them apart. It transmutes and rewrites these words - sometimes with all of the pain they trigger, sometimes in the form of positive affirmations, mantras and poems - all told in acrostics.With their underlying meditative rhythms, these acrostics are also a remedy for healing wounds and empowering women to have the confidence to be their true selves. You can dip in and out, or read it cover to cover. You can come back to, and work through, any words that resonate with you. Lexy also offers clearing meditations at the back of the book to help you tackle the words that hurt you most, helping to remove them from your past, present and future.This title is illustrated by the hugely talented illustrator and print maker Margaux Carpentier. Margaux creates pictures using a symbolic language, so each piece has its own unique message for every individual. Her work is inspired by all the incredible colours of the world. She adapts her illustrations in 3D and large-scale murals, the most recent of which is currently on display in Brown Hart Gardens in Mayfair, London.

WOMXN: Acrostics and Poems to Reclaim the Words that Have Hurt Us

by Lexy Wren-Sillevis

"There are so many words, insults, labels and boxes for women to be packaged and packed off in. Often, but not always, they're words coined by men. Why that is, is a bigger conversation that is starting to be had by women everywhere. We're slowly, but oh-so-surely, making it clear that there is no man in womxn. We're writing him out and writing us back in, and we deserve a suffix all of our own that is free from patriarchal roots. So from here on in, we are WOMXN."Sticks and Stones is a powerful reclamation of the slurs and insults thrown at women for centuries. It's a righting of wrongs - a rewriting of sexist, belittling and shaming language. It's a tool for breaking free from the stereotypes and impossible standards used to confine women, transforming them into messages of resilience and resolve. And, most importantly, it's a rallying call for change, healing and empowerment.It takes the words, slurs, insults and labels that are used to diminish women every day and breaks them down and tears them apart. It transmutes and rewrites these words - sometimes with all of the pain they trigger, sometimes in the form of positive affirmations, mantras and poems - all told in acrostics.With their underlying meditative rhythms, these acrostics are also a remedy for healing wounds and empowering women to have the confidence to be their true selves. You can dip in and out, or read it cover to cover. You can come back to, and work through, any words that resonate with you. Lexy also offers clearing meditations at the back of the book to help you tackle the words that hurt you most, helping to remove them from your past, present and future.This title is illustrated by the hugely talented illustrator and print maker Margaux Carpentier. Margaux creates pictures using a symbolic language, so each piece has its own unique message for every individual. Her work is inspired by all the incredible colours of the world. She adapts her illustrations in 3D and large-scale murals, the most recent of which is currently on display in Brown Hart Gardens in Mayfair, London.

Wonder Woman: New edition with full color illustrations

by Noah Berlatsky

William Marston was an unusual man—a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage. Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston’s many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Woman comics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest.Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941-1948 reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television.

Wonder World: A Novel

by K. R. Byggdin

“What this town has done, it's like pickling people. Taking us when we're young and fresh and vulnerable, sticking us in a jar and filling us with all these rules they hope will preserve us from the rotting decay of worldliness. But you can't brine someone in that much guilt and shame their whole lives and expect them not to change. Shrivel into mere husks of their former selves, sour as vinegar.”Twenty-seven-year-old Isaac Funk is broke, drifting, and questioning his lonely existence on the East Coast. Having left his conservative hometown of Newfield, Manitoba full of piss and vinegar, Isaac's dreams of studying music and embracing queer culture in Halifax have gradually fizzled out. When his grandfather dies and leaves him a substantial inheritance, Isaac is pulled back to the Prairies for the first time in ten years. Finding his father Abe just as enigmatic and unreachable as always and his extended family more fragmented than ever, Isaac begins to wonder if there will ever be a place for him in Newfield. Is the prodigal son home for good, or is it time to cut and run once more?

Wonderland (Wonderland #1)

by Rob Browatzke

Boy Meets Boy. Boy Loses Boy.Boy Goes to Wonderland...After six months of hot-and-heavy dating, Alex is ready to say goodbye to the sex-drugs-and-dance-till-dawn lifestyle and settle down with the love of his life, Steven. He even bought an engagement ring. But when Steven finds an illicit party favor in Alex's pocket, the powder hits the fan. Steven breaks it off, and Alex heads out to drown his sorrows--in Wonderland...The hottest, hippest nightclub in town, Wonderland is where every boy's dreams come true. Where the DJ, Hatter, spins the maddest tracks, the Caterpillar sells the trippiest drugs, and the Queen of Hearts sends every drag diva off with her head. Still, Alex can't stop thinking about Steven--even while being seduced by a pair of twinks who are tweedlehot and tweedlehotter. Things only get weirder when Alex learns that Steven is missing--and an anonymous phone call warns him that he'll never see Steven again...unless he eats this, drinks that, and dives deeper down the rabbit hole of decadence. This certainly isn't just another weekend--in Wonderland...

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