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Sounding Bodies: Acoustical Science and Musical Erotics in Victorian Literature (SUNY series, Studies in the Long Nineteenth Century)
by Shannon DrauckerCan the concert hall be as erotic as the bedroom? Many Victorian writers believed so. In the mid-nineteenth century, acoustical scientists such as Hermann von Helmholtz and John Tyndall described music as a set of physical vibrations that tickled the ear, excited the nerves, and precipitated muscular convulsions. In turn, writers—from canonical figures such as George Eliot and Thomas Hardy, to New Women novelists like Sarah Grand and Bertha Thomas, to anonymous authors of underground pornography—depicted bodily sensations and experiences in unusually explicit ways. These writers used scenes of music listening and performance to intervene in urgent conversations about gender and sexuality and explore issues of agency, pleasure, violence, desire, and kinship. Sounding Bodies shows how both classical music and Victorian literature, while often considered bastions of conservatism and repression, represented powerful sites for feminist and queer politics.
Soundings in Context: Poetry's Embodiments (The University at Buffalo Robert Creeley Lectures in Poetry and Poetics)
by Judith Goldman James MaynardSoundings in Context brings together the second and third University at Buffalo Robert Creeley Lectures in Poetry and Poetics by the renowned literary and textual scholar Jerome McGann, and the innovative, prolific Canadian poet, essayist, and novelist Lisa Robertson, respectively. The volume's first half presents McGann's "Reading (I Mean Articulating) Poetry, a Multi-Player Game," with responses by Nikolaus Wasmoen and Steve McCaffery; the second presents Lisa Robertson's "Dous Chantar: Refrain for a Nightingale," with responses by Shannon Maguire and Liz Howard. Initially given at different moments and since revised, the pieces considered in the lectures range widely, moving from the Romantics and medieval troubadour poetry to T. S. Eliot, Jackson Mac Low, Jacques Rouboud, and far beyond. Still, they are collectively concerned with questions of voice, recitation, and reception in different contexts; with sonic patterning and its modes of significance; and with foregrounding an embodied experience of oral and written language as opposed to its interpretation. McGann, Robertson, and their interlocutors all propose affective, pragmatic approaches to poetry that allow it to surface as materially formative, alive and lived. Reading their contributions together offers an opportunity to see how these values present themselves in differing cultures of poetic scenography across space and time.
The Sounds of Language: An Introduction to Phonetics and Phonology (Linguistics in the World)
by Elizabeth C. ZsigaThe fully updated, new edition of the bestselling introduction to phonetics and phonology The Sounds of Language presents a comprehensive introduction to both the physical and cognitive aspects of speech sounds. Assuming no prior knowledge of phonetics or phonology, this student-friendly textbook clearly explains fundamental concepts and theories, describes key phonetic and phonological phenomena, explores the history and intersection of the two fields, offers practical advice on collecting and reading data, and more. Twenty-four concise chapters, written in non-technical language, are organized into six sections that each focus on a particular sub-discipline: Articulatory Phonetics, Acoustic Phonetics, Segmental Phonology, Suprasegmental Phonology, the Phonology/Morphology Interface, and Variation and Change. The book's flexible modular approach allows instructors to easily choose, re-order, combine, or skip sections to meet the needs of one- and two-semester courses of varying levels. Now in its second edition, The Sounds of Language contains updated references, new problem sets, new examples, and links to new online material. The new edition features new chapters on Lexical Phonology; Word Structure and Sound Structure; and Variation, Probability, and Phonological Theory. Chapters on Sociolinguistic Variation, Child Language Acquisition, and Adult Language Learning have also been extensively updated and revised. Offering uniquely broad and balanced coverage of the theory and practice of two major branches of linguistics, The Sounds of Language: Covers a wide range of topics in phonetics and phonology, from the anatomy of the vocal tract to the cognitive processes behind the comprehension of speech sounds Features critical reviews of different approaches that have been used to address phonetics and phonology problems Integrates data on sociolinguistic variation, first language acquisition, and second language learning Surveys key phonological theories, common phonological processes, and computational techniques for speech analysis Contains numerous exercises and progressively challenging problem sets that allow students to practice data analysis and hypothesis testing Includes access to a companion website with additional exercises, sound files, and other supporting resources The Sounds of Language: An Introduction to Phonetics and Phonology, Second Edition, remains the ideal textbook for undergraduate and beginning graduate classes on phonology and phonetics, as well as related courses in linguistics, applied linguistics, speech science, language acquisition, and cognitive science programs.
Sovereign Fictions: Poetics and Politics in the Age of Russian Realism (Thinking Literature)
by Ilya KligerAn exploration of Russian realist fiction reveals a preoccupation with the absolutist state. The nineteenth-century novel is generally assumed to owe its basic social imaginaries to the ideologies, institutions, and practices of modern civil society. In Sovereign Fictions, Ilya Kliger asks what happens to the novel when its fundamental sociohistorical orientation is, as in the case of Russian realism, toward the state. Kliger explores Russian realism’s distinctive construals of sociality through a broad range of texts from the 1830s to the 1870s, including major works by Tolstoy, Dostoevsky, Gogol, Pushkin, Lermontov, Goncharov, and Turgenev, and several lesser-known but influential books of the period, including Alexander Druzhinin’s Polinka Saks (1847), Aleksei Pisemsky’s One Thousand Souls (1858), and Vasily Sleptsov’s Hard Times (1865). Challenging much current scholarly consensus about the social dynamics of nineteenth-century realist fiction, Sovereign Fictions offers an important intervention in socially inflected theories of the novel and in current thinking on representations of power and historical poetics.
Space, Place, and Bestsellers: Moving Books (Elements in Publishing and Book Culture)
by null Lisa Fletcher null Elizabeth LeaneFrom airport bookstores to deckchairs, as audiobooks downloaded by commuters, and on Kindles and other portable devices, twenty-first century bestsellers move in old and new ways. This Element examines the locations and mobilities of the contemporary bestseller as a multi-format commercial object. It employs paratextual, textual, and site-based analysis of the spatiality of bestsellers and considers the centrality of geography to the commercial promise of these books. Space, Place, and Bestsellers provides analysis of the spatial logic of bestseller lists, evidence-rich accounts of the physical and digital retail sites through which bestsellers flow, and new interpretations of how affixing the label 'bestseller' individual authors and titles generates industrial, social, and textual effects. Through its multi-layered analysis, this Element offers a new model for studying the spatiality of popular fiction.
Space Race Television: Image Vehicles as Agents of (trans-)global Mediatisation
by Sven GramppThis volume offers a media-theoretically oriented perspective on the Space Race. It analyzes feature films, documentaries, live television coverage, magazines, stamps, posters, ticker-tape parades. They visualized the Space Race in a specific way and circulated it transnationally from 'East' to 'West' and from 'West' to 'East' across the 'Iron Curtain'. It will be shown how reporting on the Space Race between 1955 and 1975 can be explained as a globalizing history of the intertwining of images during the Cold War.
Space-Time: Studies in the Symbolic (Re-)appropriation of Public Space (Routledge Studies in Sociolinguistics)
by Isabelle Buchstaller, Małgorzata Fabiszak, and Melody Ann RossThis collection spotlights the diachronic dimensions of the linguistic landscape, the importance of exploring temporal dissonances in historical events in order to better understand semiotic, political, and social transformations across different communities over the last century.The volume seeks to expand the current borders of linguistic landscape (LL) research by situating the analysis of signs in the LL within their time–space organization, which has been understudied in existing scholarship. The book, featuring chapters from established and emerging scholars, argues that a focus on the historicity of the city text can reveal unique insights into the role of semiotic processes as precursors and support mechanisms for political and social changes. The collection is structured around different temporal clusters and geographic contexts across the globe where shorter and longer waves of politically driven resemioticization can be most sharply observed – post-colonial communities; post-communist societies; and recent and current sociopolitical upheavals. Taken together, the volume proposes a kaleidoscope view of the complex temporalities that underpin multimodal discourses in contested public spaces, offering new directions for LL research.This book will be of interest to students and scholars in sociolinguistics, discourse analysis, semiotics, visual anthropology, and political science.The Introduction and Chapter 8 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BYNC-ND) 4.0 license.
Speaking Truth to Power: The Legacy of the Young Cid (Toronto Iberic #86)
by Matthew BaileyEmerging from a richly diverse oral narrative tradition, the heroic tale of the young Cid appears in multiple textual manifestations. From its first appearance circa 1300, the dynamic narrative of the legendary deeds of this young Castilian warrior eclipses the uninspired, matter-of-fact narration of the reign of Fernando I into which it is incorporated. In its analysis of the Mocedades de Rodrigo, the epic poem of Cid’s youth, Speaking Truth to Power identifies the narrative cohesion and the aesthetic principles that elevated the story of the young Cid to its place of prominence among the epic narratives of medieval Spain. Examining the evolution of the narrative through various textual versions, Matthew Bailey highlights the permutations that propelled the young Cid’s unparalleled popularity. The book traces this vibrant narrative tradition from its earliest manifestation in the aftermath of Charlemagne’s imperial mission in Spain to the early modern drama of Guillén de Castro. It convincingly discerns the leadership qualities and the social impact of its legendary protagonists, from their manifestation in the Latin chronicles of early Iberia through the Renaissance, incorporating a wealth of previous scholarship in its innovative findings. Speaking Truth to Power provides readers with a heightened appreciation for the vibrancy of the poetic tradition that lives beyond the texts we study, the oral narratives that are continually refashioned for new audiences and contexts.
Speaking with a Purpose
by Arthur Koch Jason SchmittNow in its 11th edition, Speaking with a Purpose is designed to help speakers develop the skills they need to prepare and deliver effective speeches. Using a traditional step-by-step approach combined with up-to-date communication theory, this no-frills textbook allows students to prepare, practice, and present speeches. This new edition places greater emphasis on the skills needed to communicate effectively both online and offline. It analyses the similarities and differences between in-person speaking and online video conferencing and explores technical online attributes such as best Zoom protocols. This new edition also provides a deeper focus on the ethics and ethical implications associated with communicating in public and assesses issues such as trustworthiness, integrity, and respect for others. A valuable resource in the traditional, online, or hybrid classroom, this is an essential textbook for general courses in public speaking and speech communication and composition. Online resources for instructors include a fully updated test bank and an Instructor’s Manual containing learning objectives and discussion questions. They are available online at https://www.routledge.com/9781032502700.
Specific Learning Differences, What Teachers Need to Know (Second Edition): Embracing Neurodiversity in the Classroom
by Diana HudsonThe updated, straight-talking and accessible guide is ideal for teachers, teaching assistants, SENCOs, senior leadership and even home schooling parents who want to know more about supporting students with Learning Differences.Highlighting some of the more commonly encountered Specific Learning Differences (SpLD's), expert Diana Hudson concisely describes the signs of those that are most commonly encountered in the classroom. Covering: dyslexia, dyspraxia, dyscalculia, dysgraphia, autism spectrum condition, ADHD, OCD and featuring brand new chapters on Pathological Demand Avoidance (PDA), Sensory Processing Disorder (SPD) and tics and Tourette Syndrome, this book covers all the information you need, whilst reminding us that all neurodivergent children are individuals and have different qualities.Diana provides an overview of each identity and evaluates how you may need to adapt your levels of support in the classroom - as well as practical suggestions for modifying teaching materials and methods to make learning enjoyable, effective and accessible for all students. There are also dedicated chapters on helping students with SpLD's to improve their organisation and develop effective revision skills and exam techniques.
The Specter of the Archive: Political Practice and the Information State in Early Modern Britain
by Nicholas PopperAn exploration of the proliferation of paper in early modern Britain and its far-reaching effects on politics and society. We are used to thinking of ourselves as living in a time when more information is more available than ever before. In The Specter of the Archive, Nicholas Popper shows that earlier eras had to grapple with the same problem—how to deal with too much information at their fingertips. He reveals that early modern Britain was a society newly drowning in paper, a light and durable technology whose spread allowed statesmen to record drafts, memoranda, and other ephemera that might otherwise have been lost, and also made it possible for ordinary people to collect political texts. As original paperwork and copies alike flooded the government, information management became the core of politics. Focusing on two of the primary political archives of early modern England, the Tower of London Record Office and the State Paper Office, Popper traces the circulation of their materials through the government and the broader public sphere. In this early media-saturated society, we find the origins of many issues we face today: Who shapes the archive? Can we trust the pictures of the past and the present that it shows us? And, in a more politically urgent vein: Does a huge volume of widely available information (not all of it accurate) risk contributing to polarization and extremism?
Speculum, volume 99 number 1 (January 2024)
by SpeculumThis is volume 99 issue 1 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 99 number 2 (April 2024)
by SpeculumThis is volume 99 issue 2 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 99 number 3 (July 2024)
by SpeculumThis is volume 99 issue 3 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speech Act Theory and Shakespeare: Scenes of Thanking in Shakespeare’s Plays (Routledge Studies in Shakespeare)
by Chahra BeloufaSpeech Act Theory and Shakespeare delves deeper than linguistic ornamentation to illuminate the complex dynamics of thanking as a significant speech act in Shakespearean plays. The word “thanks” appears nearly 400 times in 37 Shakespearean plays, calling for a careful investigation of its veracity as a speech act in the 16th-century setting. This volume combines linguistic analysis to explore the various uses of thanks, focusing on key thanking scenes across a spectrum of plays, including All’s Well That Ends Well, Romeo and Juliet, The Merchant of Venice, Timon of Athens, The Winter’s Tale, and the Henriad. Shakespeare’s works indicate the act of thanking to be more than a normal part of dialogue; it is an artistic expression fraught with pitfalls similar to those of negative speech acts. The study aims to determine what compels the characters in Shakespeare to offer thanks and evaluates Shakespeare’s accomplishment in imbuing the word “thanks” with performance quality in the theatrical sphere. This work adds to our comprehension of Shakespearean plays and larger conversations on the challenges of language usage in theatrical and cultural settings by examining the convergence of gratitude with power dynamics, political intrigue, and interpersonal relationships, drawing on a multidisciplinary approach that includes pragmatics, philosophy, religion, and psychology.
Speech and the City: Multilingualism, Decoloniality and the Civic University
by null Yaron MatrasThe Brexit debate has been accompanied by a rise in hostile attitudes to multilingualism. However, cities can provide an important counter-weight to political polarisation by forging civic identities that embrace diversity. In this timely book, Yaron Matras describes the emergence of a city language narrative that embraces and celebrates multilingualism and helps forge a civic identity. He critiques linguaphobic discourses at a national level that regard multilingualism as deficient citizenship. Drawing on his research in Manchester, he examines the 'multilingual utopia', looking at multilingual spaces across sectors in the city that support access, heritage, skills and celebration. The book explores the tensions between decolonial approaches that inspire activism for social justice and equality, and the neoliberal enterprise that appropriates diversity for reputational and profitability purposes, prompting critical reflection on calls for civic university engagement. It is essential reading for anyone concerned about ways to protect cultural pluralism in our society.
Spenser Studies, volume 38 number 1 (2024)
by Spenser StudiesThis is volume 38 issue 1 of Spenser Studies. Spenser Studies is devoted to the study of Edmund Spenser as well as the poetry of Renaissance England. Contributions examine Spenser’s place in literary history, the social and religious contexts of his writing, and the philosophical and conceptual problems he grapples with in his art. The journal also features work on Renaissance literary culture, broadly conceived. Past issues have published studies ranging from the diction of Stephen Hawes to female authorship in Mary Wroth’s Urania to the influence of English Renaissance sonneteers on William Butler Yeats.
The Spirit of Traditional Chinese Aesthetics
by Zhixiang QiThis book differentiates between and analyzes the Confucian, Taoist and Buddhist spirit in traditional Chinese aesthetics, explains the core characteristics and methods of traditional Chinese aesthetics, and conveys the author’s overall thinking on the spirit of traditional Chinese aesthetics. Given its scope, the book is of great value in terms of understanding and promoting China’s unique traditional culture.
Splinters: Another Kind of Love Story
by Leslie JamisonLeslie Jamison has become one of our most beloved contemporary voices, a scribe of the real, the true, the complex. She has been compared to Joan Didion and Susan Sontag, acclaimed for her powerful thinking, deep feeling, and electric prose. But while Jamison has never shied away from challenging material—scouring her own psyche and digging into our most unanswerable questions across four books—Splinters enters a new realm. <p><p> In her first memoir, Jamison turns her unrivaled powers of perception on some of the most intimate relationships of her life: her consuming love for her young daughter, a ruptured marriage once swollen with hope, and the shaping legacy of her own parents’ complicated bond. In examining what it means for a woman to be many things at once—a mother, an artist, a teacher, a lover—Jamison places the magical and the mundane side by side in surprising ways. The result is a work of nonfiction like no other, an almost impossibly deep reckoning with the muchness of life and art, and a book that grieves the departure of one love even as it celebrates the arrival of another. <p><p> How do we move forward into joy when we are haunted by loss? How do we claim hope alongside the harm we’ve caused? A memoir for which the very term tour de force seems to have been coined, Splinters plumbs these and other pressing questions with writing that is revelatory to the last page, full of linguistic daring and emotional acuity. <p> <b>New York Times Bestseller</b>
Sprechen und Gespräch in historischer Perspektive: Sprach- und literaturwissenschaftliche Zugänge (LiLi: Studien zu Literaturwissenschaft und Linguistik #7)
by Wolfgang Imo Jörg WescheInfolge der pragmatischen Wende in der Germanistik werden die Arbeitsweisen der linguistischen Dialog- und Interaktionsforschung zunehmend mit sprachhistorischen Fragestellungen verknüpft – empirische Erkenntnisse zur heutigen gesprochenen Sprache sollen helfen, Strukturen gesprochener Sprache früherer Epochen zu rekonstruieren. Die Beiträge des Bandes loten die Möglichkeiten und Grenzen interaktionaler, dialogischer bzw. nähesprachlicher Analysen historischer Texte aus. Die linguistischen Beiträge fokussieren Analysemethoden zur Erforschung von Nähesprachlichkeit, die literaturwissenschaftlichen Arbeiten rhetorische Techniken und die ästhetische Inszenierung von Mündlichkeit.
Staging Difficult Pasts: Transnational Memory, Theatres, and Museums
by Maria M. Delgado Michal Kobialka Bryce LeaseThis collection of original essays brings together museum, theatre, and performance case studies with a focus on their distinctive and overlapping modes of producing memory for transnational audiences. Whether this is through narrative, object, embodied encounter or a combination of the three, this volume considers distinctions and interactions between memory and history specifically through the lenses of theatre and performance studies, visual culture, and museum and curator studies. This book is underpinned by three areas of research enquiry: How are contemporary theatre makers and museum curators staging historical narratives of difficult pasts? How might comparisons between theatre and museum practices offer new insights into the role objects play in generating and representing difficult pasts? What points of overlap, comparison, and contrast among these constructions of history and memory of authoritarianism, slavery, colonialism, genocide, armed conflict, fascism, and communism might offer an expanded understanding of difficult pasts in these transnational cultural contexts? This collection is designed for any scholar of its central disciplines, as well as for those interested in cultural geography, memory studies, and postcolonial theory. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-NoDerivatives (CC-BY-ND) 4.0 license.
Staging Disgust: Rape, Shame, and Performance in Shakespeare and Middleton (Elements in Shakespeare Performance)
by null Jennifer PanekThis Element turns to the stage to ask a simple question about gender and affect: what causes the shame of the early modern rape victim? Beneath honour codes and problematic assumptions about consent, the answer lies in affect, disgust. It explores both the textual "performance" of affect, how literary language works to evoke emotions and the ways disgust can work in theatrical performance. Here Shakespeare's poem The Rape of Lucrece is the classic paradigm of sexual pollution and shame, where disgust's irrational logic of contamination leaves the raped wife in a permanent state of uncleanness that spreads from body to soul. Staging Disgust offers alternatives to this depressing trajectory: Middleton's Women Beware Women and Shakespeare's Titus Andronicus perform disgust with a difference, deploying the audience's revulsion to challenge the assumption that a raped woman should “naturally” feel intolerable shame.
Staging Restoration Comedy: The Royal Shakespeare Company, 1967-2019
by David RobertsSince its 1967 production of Vanbrugh’s The Relapse, the Royal Shakespeare Company has been the world’s leading producer of Restoration Comedies. This book is the first to document and critique the company’s history of engagement with that repertoire. It reviews the spaces in which productions have been performed, design principles, casting, voicing, textual adaptation, musical direction, actor perspectives, and the problems of how to confront, adopt or depart from received notions of Restoration style. It goes on to posit that, for all the RSC’s explorations of Restoration Comedy, the company has maintained the repertoire as a fringe interest played out in niche spaces, while recycling many of the assumptions it claims to challenge, and that what is needed is the writer-led intervention seen in RSC and National Theatre adaptations of French drama from the same period. Only then can Restoration Comedy begin to engage wider audiences in new sites of political, historical andcultural meaning.
Staging Revolutions and the Many Faces of Modernism: Performing Politics in Irish and Egyptian Theatre (Transdisciplinary Souths)
by Amina ElHalawaniThe book explores how theatre, with its performative capacity, has the power to engage with and affect the politics of its day. It sets the stage for the reader to discover the revolutionary traditions of Egyptian and Irish theatre, very distinct in their histories and cultures, and understand their enduring relevance in today’s world. The volume takes Ireland as a case study of the interplay between cultural nationalism and politically engaged theatre and compares it to the role of the theatre in Egypt during its Golden era in the 1960s.Through a selection of Egyptian plays by Tawfiq al-Hakim, Mikhail Roman, Yusuf Idris, and Salah Abdul-Saboor, alongside Irish plays by Brian Friel, Frank McGuinness, Christina Reid, and Samuel Beckett, it maps the political aesthetics of unsteady times and seemingly disparate places to reflect on the dynamics of revolt as a staged act in and of itself. Further, the book examines how playwrights from both nations have engaged with theatre as a medium, focusing on how their contemplations, hesitations, frustrations, and protest have been translated onto the stage in their various plays, and comprehends the transformative role the theatre has always played in politics in shaping history across time and space.Bridging together discussions on transnational modernisms with nuanced cultural histories of protest, this critical work will be of great interest to scholars and researchers of literary studies, identity politics, cultural studies, theatre and performance studies, and political studies.
StarWords: The Celestial Roots of Modern Language (Springer Praxis Books)
by Daniel Kunth Elena TerlevichUnbeknownst to many, our modern language contains countless words that were inspired by human observations of the cosmos. We now use words like “zenith”, “Monday”, “disaster”, “dog days”, “starfish”, “lunatic”, flu, and so many others, without a second thought for their celestial roots. Famous French astrophysicist Daniel Kunth invites you on a linguistic and scientific journey through space and time to explore these forgotten origins. You will be astonished to rediscover cosmic language hidden in plain sight through this wonderful collection of historical and cultural stories, famous idioms and delightful puns, along with the real science behind each one. Elena Terlevich is a well known professional astronomer working at INAOE in Mexico, an honorary Professor at La Plata University in Argentina and a regular visitor at the Institute of Astronomy in Cambridge (UK). Requiring no prior knowledge in astronomy or linguistics, this book’s universal contentsinvite the reader to ponder how our observations of the night sky have shaped our modern tongue and customs.