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Song of the Gargoyle

by Zilpha Keatley Snyder

A strange sound awakens thirteen-year-old Tymmonin in the dead of night. In a blink of an eye his father, the court jester of Austerneve, is mysteriously kidnapped and the terrified boy must slip away secretly to avoid capture himself.

Music Publishing: The Roadmap to Royalties

by Ron Sobel Dick Weissman

Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generate over thirty different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money. Taking a practical approach, the authors -- one a successful music publisher and attorney, the other a songwriter and music business professor -- explain in simple terms the basic concept of copyright law as it pertains to compositions. Throughout, they give practical examples from "real world" situations that illuminate both potential pitfalls and possible upsides for the working composers.

Fly a Little Higher: How God Answered One Mom's Small Prayer in a Big Way

by Laura Sobiech

Laura Sobiech tells the amazing story of how God used her son's battle with cancer to touch the lives of millions. "Okay, Lord, you can have him. But if he must die, I want it to be for something big. I want someone's life to be changed forever. " This is what Laura Sobeich prayed when she found out her seventeen-year-old son had only one year to live. With this desperate prayer, she released her son to God's will. At that point, Zach Sobiech was just another teenager battling cancer. When his mother told him to think about writing good-bye letters to family and friends, he decided instead to write songs. One of them, "Clouds," captured hearts and changed not one life but millions, making him an international sensation. He produced a full-length EP, written and performed by Zach and his lifelong friend, Sammy, including a personal goodbye song to each other. The day of Zach's funeral, "Clouds" was the #1 downloaded song on iTunes, and the EP rose to #2. The music video now has more than 7 million views on YouTube, and the documentary Soul Pancake released on Zach's eighteenth birthday has more than 9 million views. But Zach's story is not just about music. It's a testament to what can happen when you live as if each day might be your last. It's a story about the human spirit. It's about how God used a dying boy from a small town in Minnesota to touch the hearts of millions-including top executives in the music industry, major music artists, news anchors, talk show hosts, actors, priests and pastors, and school children across the globe. Zach once said, "I want to be known as the kid who went down fighting, and didn't really lose. " Fly a Little Higher is about how God used Zach to do something big.

Chrissie Hynde: A Musical Biography (American Music Series)

by Adam Sobsey

&“Sobsey truly does deliver the goods with this biography . . . This work is as gloriously comprehensive as it gets on the subject of Chrissie Hynde.&” —PopMatters A musical force across four decades, a voice for the ages, and a great songwriter, Chrissie Hynde is one of America&’s foremost rockers. Inducted into the Rock and Roll Hall of Fame in 2005, she and her band The Pretenders have released ten albums since 1980. The Pretenders&’ debut LP has been acclaimed as one of the best albums of all time by VH1 and Rolling Stone. In a business filled with &“pretenders&” and posers, Hynde remains unassailably authentic. Although she blazed the trail for countless female musicians, Hynde has never embraced the role of rock-feminist and once remarked, &“It&’s never been my intention to change the world or set an example for others to follow.&” Instead, she pursued her own vision of rock—a band of &“motorcycles with guitars.&” Chrissie Hynde: A Musical Biography traces this legend&’s journey from teenage encounters with rock royalty to the publication of her controversial memoir Reckless in 2015. Adam Sobsey digs deep into Hynde&’s catalog, extolling her underrated songwriting gifts and the greatness of The Pretenders&’ early classics and revealing how her more recent but lesser-known records are not only underappreciated but actually key to understanding her earlier work, as well as her evolving persona. Sobsey hears Hynde&’s music as a way into her life outside the studio, including her feminism, signature style, vegetarianism, and Hinduism. She is &“a self-possessed, self-exiled idol with no real forbears and no true musical descendants: a complete original.&”

Chrissie Hynde: A Musical Biography (American Music Series)

by Adam Sobsey

&“Sobsey truly does deliver the goods with this biography . . . This work is as gloriously comprehensive as it gets on the subject of Chrissie Hynde.&” —PopMatters A musical force across four decades, a voice for the ages, and a great songwriter, Chrissie Hynde is one of America&’s foremost rockers. Inducted into the Rock and Roll Hall of Fame in 2005, she and her band The Pretenders have released ten albums since 1980. The Pretenders&’ debut LP has been acclaimed as one of the best albums of all time by VH1 and Rolling Stone. In a business filled with &“pretenders&” and posers, Hynde remains unassailably authentic. Although she blazed the trail for countless female musicians, Hynde has never embraced the role of rock-feminist and once remarked, &“It&’s never been my intention to change the world or set an example for others to follow.&” Instead, she pursued her own vision of rock—a band of &“motorcycles with guitars.&” Chrissie Hynde: A Musical Biography traces this legend&’s journey from teenage encounters with rock royalty to the publication of her controversial memoir Reckless in 2015. Adam Sobsey digs deep into Hynde&’s catalog, extolling her underrated songwriting gifts and the greatness of The Pretenders&’ early classics and revealing how her more recent but lesser-known records are not only underappreciated but actually key to understanding her earlier work, as well as her evolving persona. Sobsey hears Hynde&’s music as a way into her life outside the studio, including her feminism, signature style, vegetarianism, and Hinduism. She is &“a self-possessed, self-exiled idol with no real forbears and no true musical descendants: a complete original.&”

Masquerade: The Lives of Noël Coward

by Oliver Soden

'This is the biography - truthful, sympathetic and thorough - that Coward deserves'DAILY TELEGRAPHThe voice, the dressing-gown, the cigarette in its holder, remain unmistakable. There is rarely a week when one of Private Lives, Hay Fever, and Blithe Spirit is not in production somewhere in the world. Phrases from Noël Coward's songs - "Mad About The Boy", "Mad Dogs and Englishman" - are forever lodged in the public consciousness. He was at one point the most highly paid author in the world. Yet some of his most striking and daring writing remains unfamiliar. As T.S. Eliot said, in 1954, "there are things you can learn from Noël Coward that you won't learn from Shakespeare".Coward wrote some fifty plays and nine musicals, as well as revues, screenplays, short stories, poetry, and a novel. He was both composer and lyricist for approximately 675 songs. Louis Mountbatten's famous tribute argued that, while there were greater comedians, novelists, composers, painters and so on, only "the master" had combined fourteen talents in one. So central was he to his age's theatre that any account of his career is also a history of the British stage. And so daring was Coward's unorthdoxy in his closest relationships, obliquely reflected throughout his writing, that it must also be a history of sexual liberation in the twentieth century. In Oliver Soden's sparkling, story-packed new Life, the Master finally gets his due.

Michael Tippett: The Biography

by Oliver Soden

'A delight to read' Philip Pullman'Essential reading ... a genuine landmark publication' Tom ServiceA BBC Radio 4 'Book of the Week'The music of the British composer Michael Tippett - including the oratorio A Child of Our Time, five operas, and four symphonies - is among the most visionary of the twentieth century. But little has been written about his extraordinary life. In this long-awaited first biography, Oliver Soden weaves a century-spanning narrative of epic scope and penetrating insight. His achievement is to have enriched our understanding not only of Tippett but of the twentieth century. Figures such as T.S. Eliot, E.M. Forster, Barbara Hepworth, and W.H. Auden jostle in the cast list. An Edwardian world of gaslight and empire cedes to turmoil and warfare and his operas' game-changing attitudes to gay and civil rights, against a backdrop of the Cold War and the Space Race.The result is a landmark in the study of twentieth-century culture, simultaneously an astonishing feat of scholarship and a story as enthralling as in any great novel.

Michael Tippett: The Biography

by Oliver Soden

'A delight to read' Philip Pullman'Essential reading ... a genuine landmark publication' Tom ServiceA BBC Radio 4 'Book of the Week'The music of the British composer Michael Tippett - including the oratorio A Child of Our Time, five operas, and four symphonies - is among the most visionary of the twentieth century. But little has been written about his extraordinary life. In this long-awaited first biography, Oliver Soden weaves a century-spanning narrative of epic scope and penetrating insight. His achievement is to have enriched our understanding not only of Tippett but of the twentieth century. Figures such as T.S. Eliot, E.M. Forster, Barbara Hepworth, and W.H. Auden jostle in the cast list. An Edwardian world of gaslight and empire cedes to turmoil and warfare and his operas' game-changing attitudes to gay and civil rights, against a backdrop of the Cold War and the Space Race.The result is a landmark in the study of twentieth-century culture, simultaneously an astonishing feat of scholarship and a story as enthralling as in any great novel.

Lords of Chaos

by Didrik Soderlind Michael Moynihan

"* * * * * *! The most incredible story in the history of music ... a heavyweight book."--Kerrang!"An unusual combination of true crime journalism, rock and roll reporting and underground obsessiveness, Lords of Chaos turns into one of the more fascinating reads in a long time."--Denver PostA narrative feature film based on this award-winning book has just gone into production.

Sex Sounds: Vectors of Difference in Electronic Music

by Danielle Shlomit Sofer

An investigation of sexual themes in electronic music since the 1950s, with detailed case studies of &“electrosexual music&” by a wide range of creators. In Sex Sounds, Danielle Shlomit Sofer investigates the repeated focus on sexual themes in electronic music since the 1950s. Debunking electronic music&’s origin myth—that it emerged in France and Germany, invented by Pierre Schaeffer and Karlheinz Stockhausen, respectively—Sofer defines electronic music more inclusively to mean any music with an electronic component, drawing connections between academic institutions, radio studios, experimental music practice, hip-hop production, and histories of independent and commercial popular music. Through a broad array of detailed case studies—examining music that ranges from Schaeffer&’s musique concrète to a video workshop by Annie Sprinkle—Sofer offers a groundbreaking look at the social and cultural impact sex has had on audible creative practices. Sofer argues that &“electrosexual music&” has two central characteristics: the feminized voice and the &“climax mechanism.&” Sofer traces the historical fascination with electrified sex sounds, showing that works representing women&’s presumed sexual experience operate according to masculinist heterosexual tropes, and presenting examples that typify the electroacoustic sexual canon. Noting electronic music history&’s exclusion of works created by women, people of color, women of color, and, in particular Black artists, Sofer then analyzes musical examples that depart from and disrupt the electroacoustic norms, showing how even those that resist the norms sometimes reinforce them. These examples are drawn from categories of music that developed in parallel with conventional electroacoustic music, separated—segregated—from it. Sofer demonstrates that electrosexual music is far more representative than the typically presented electroacoustic canon.

Nerd Girl Rocks Paradise City: A True Story of Faking It in Hair Metal L.A.

by Anne Thomas Soffee

This hilarious peek into the early years of the hair-band era reveals the hierarchy of fishnets, bustiers, and chicks with the Holy Grail--a backstage pass. After college, Anne Thomas Soffee journeyed to Los Angeles to start a career as a rock journalist and small-time heavy-metal flack. A taste for other people's prescriptions and too much beer edges her freelance journalism work right off her schedule. She struggles with not being thin enough, pretty enough, or cool enough when, in the midst of the L.A. riots, Soffee is offered a coveted slot in Virginia Commonwealth University's MFA writing program. Determined to pull herself out of current habits, Soffee starts turning her life around, making a stop at rehab before she heads off to graduate school. Her quarter-life crisis is packed with offbeat characters that prove that fact is often funnier than fiction.

A Mix of Bricks & Valentines: Lyrics 1979–2009

by G. W. Sok

A showcase of the lyrics that G. W. Sok wrote during the three decades that he was with the band The Ex, this musical compendium features more than 250 pieces: a mixture of lyrics, poetry, and political ranting. The Ex is an internationally acclaimed Dutch group that blurred the lines between indie, punk, and underground music. Fans of this influential band will gain insight into the meaning behind their provocative songs and find inspiration in these outspoken and thought-provoking words. An introduction by Sok that describes the process of writing lyrics and his development as a writer is also included.

Music in Other Words: Victorian Conversations

by Ruth A. Solie

Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to "what goes without saying" on the subject--that cultural information so present and pervasive as to go unsaid--fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people--English and others--experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism,Macmillan's Magazine,George Eliot'sDaniel Deronda,opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes--including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility--and in turn suggest the complex links between the history of music and the history of ideas.

David Bowie Rainbowman: 1967-1980

by Jérôme Soligny

'The best book you'll ever read on Bowie's golden years.' -MAIL ON SUNDAY'This is a book unlike any other, the definitive analysis of David's music, told in a quiet natural way, but with absolute authenticity, by the people around him.' - HERMIONE FARTHINGALE'Jérôme Soligny is one of the best authorities in the world on David Bowie's career and life in general... His new biography Rainbowman is a thorough and honest account of the great man.' - TONY VISCONTI'Jérôme is a guy who is still aware that popular music is an art form and not a money suppository. He writes from the heart and is one of the last exemplars of a dying breed. The critic, armed with intelligence and brute compulsive honesty, as dangerous as a river.' - IGGY POP'Not long ago, Jérôme told me something that I find very true: "David played saxophone, guitar, a bit of keyboards, but above all, he played musicians!" I think he really hit the nail on the head.' - MIKE GARSONIn David Bowie Rainbowman, Jérôme Soligny tells the story of David Bowie the musician with the help of those intimately involved with the creation of his music.This uniquely exhaustive work on Bowie's 1967-1980 albums draws on over 150 interviews with the musicians, producers and friends who knew Bowie best, including Robert Fripp, Hermione Farthingale, Lou Reed, George Underwood, Mick Ronson, Carlos Alomar, Trevor Bolder, Mike Garson, Woody Woodmansey and many, many others. With an essay by Soligny on each album followed by oral histories from the most trusted and influential figures in Bowie's musical life, David Bowie Rainbowman is the definitive guide to a singular and mercurial genius - the Rainbowman himself.· With a foreword by Tony Visconti, an introduction by Mike Garson and cover photo by Mick Rock· A beautiful and stylish gift for Bowie fans, over 700 pages long, filled with iconic photographs and with striking cover design by Barnbrook

David Bowie Rainbowman: 1967-1980

by Jérôme Soligny

'This is a book unlike any other, the definitive analysis of David's music, told in a quiet natural way, but with absolute authenticity, by the people around him.' - HERMIONE FARTHINGALE'Jérôme Soligny is one of the best authorities in the world on David Bowie's career and life in general... His new biography Rainbowman is a thorough and honest account of the great man.' - TONY VISCONTI'Jérôme is a guy who is still aware that popular music is an art form and not a money suppository. He writes from the heart and is one of the last exemplars of a dying breed. The critic, armed with intelligence and brute compulsive honesty, as dangerous as a river.' - IGGY POP'Not long ago, Jérôme told me something that I find very true: "David played saxophone, guitar, a bit of keyboards, but above all, he played musicians!" I think he really hit the nail on the head.' - MIKE GARSONIn David Bowie Rainbowman, Jérôme Soligny tells the story of David Bowie the musician with the help of those intimately involved with the creation of his music.This uniquely exhaustive work on Bowie's 1967-1980 albums draws on over 150 interviews with the musicians, producers and friends who knew Bowie best, including Robert Fripp, Hermione Farthingale, Lou Reed, George Underwood, Mick Ronson, Carlos Alomar, Trevor Bolder, Mike Garson, Woody Woodmansey and many, many others. With an essay by Soligny on each album followed by oral histories from the most trusted and influential figures in Bowie's musical life, David Bowie Rainbowman is the definitive guide to a singular and mercurial genius - the Rainbowman himself.· With a foreword by Tony Visconti, an introduction by Mike Garson and cover photo by Mick Rock· A beautiful and stylish gift for Bowie fans, over 700 pages long, filled with iconic photographs and with striking cover design by Barnbrook

Performing Ethnomusicology: Teaching and Representation in World Music Ensembles

by Ted Solis

Performing Ethnomusicology is the first book to deal exclusively with creating, teaching, and contextualizing academic world music performing ensembles. Considering the formidable theoretical, ethical, and practical issues that confront ethnomusicologists who direct such ensembles, the sixteen essays in this volume discuss problems of public performance and the pragmatics of pedagogy and learning processes. Their perspectives, drawing upon expertise in Caribbean steelband, Indian, Balinese, Javanese, Philippine, Mexican, Central and West African, Japanese, Chinese, Middle Eastern, and Jewish klezmer ensembles, provide a uniquely informed and many-faceted view of this complicated and rapidly changing landscape. The authors examine the creative and pedagogical negotiations involved in intergenerational and intercultural transmission and explore topics such as reflexivity, representation, hegemony, and aesthetically determined interaction. Performing Ethnomusicology affords sophisticated insights into the structuring of ethnomusicologists' careers and methodologies. This book offers an unprecedented rich history and contemporary examination of academic world music performance in the West, especially in the United States. "Performing Ethnomusicology is an important book not only within the field of ethnomusicology itself, but for scholars in all disciplines engaged in aspects of performance--historical musicology, anthropology, folklore, and cultural studies. The individual articles offer a provocative and disparate array of threads and themes, which Solís skillfully weaves together in his introductory essay. A book of great importance and long overdue."--R. Anderson Sutton, author of Calling Back the Spirit Contributors: Gage Averill, Kelly Gross, David Harnish, Mantle Hood, David W. Hughes, Michelle Kisliuk, David Locke, Scott Marcus, Hankus Netsky, Ali Jihad Racy, Anne K. Rasmussen, Ted Solís, Hardja Susilo, Sumarsam, Ricardo D. Trimillos, Roger Vetter, J. Lawrence Witzleben

Liberace Extravaganza!

by Connie Furr Soloman Jan Jewett

Known for his spectacular performances, the magnificent Wladziu Valentino Liberace was a world-renowned star in the entertainment industry for more than four decades, and his dazzling, often outrageous costumes are what made him most memorable. In Liberace Extravaganza! the entertainer's sequined, bejeweled, and rhinestone-studded outfits, as well as his extravagant collection of furs, feather capes, sparkling bow ties, and custom-made shoes are exhibited in book form for the very first time.These mesmerizing costumes grew from Liberace's humble beginnings when, as a young man, he would perform in his brother's hand-me-downs. From there, his suits, worth as much as twenty-four thousand dollars, featured layers of silk and satin ruffles, Swarovski crystal rhinestones, and fourteen-karat white-gold, diamond-encrusted buttons, culminating in his "electric" costumes with four thousand light bulbs weighing more than twenty-five pounds.Michael Travis, Liberace's principal designer, has written the foreword for this breathtaking volume. Jim Lapidus, another of Liberace's designers, furrier Anna Nateece, and Ray Arnett, his producer, have contributed original sketches used to design Liberace's costumes. The result is a book that is one of a kind: a celebration of the legendary performer and a visual feast of the most extraordinary costumes ever created.With more than 260 full-color photographs

La desafiante decadencia de la joven Rusia: Young Russia's Defiant Decadence (Flash Ensayo #Volumen)

by Andrew Solomon

Una crónica sobre el final de la Unión Soviética y la nueva Rusia que emergía en los años noventa. Rusia, 1991. Tras el período de glasnost (apertura) y perestroika (reestructuración) impulsado por el último líder soviético, Gorbachov, la Unión Soviética se disuelve. Andrew Solomon viajó a Rusia a principios de los años noventa para presenciar los enormes cambios que experimentaba el país. Solomon analizó en este artículo la situación de la sociedad rusa, radiografiando con agudeza a las nuevas generaciones: artistas avant-garde, hombres de negocios y banqueros, miembros de la mafia rusa, políticos con nuevas ideas... Su idea era retratar el país en un momento en el que se encontraba inmerso en una profunda transformación. El autor descubrió una sociedad divida entre el deseo de adoptar ideas occidentales (democracia, capitalismo) y el empeño por mantener los valores soviéticos. La desafiante decadencia de la joven Rusia ofrece un retrato revelador de los eventos que sacudieron Rusia a finales del siglo veinte.

Music Theory Essentials: A Streamlined Approach to Fundamentals, Tonal Harmony, and Post-Tonal Materials

by Jason W. Solomon

Music Theory Essentials offers an antidote to music theory textbooks that are overly long and dense. Focusing on the essentials, this text provides a clear-cut guide to the key concepts of music theory. Beginning with no assumptions about music theory knowledge, the book covers the core elements of music fundamentals, diatonic and chromatic harmony, post-tonal theory, and popular music in a single concise volume. Emphasizing critical thinking skills, this book guides students through conceptualizing musical concepts and mastering analytic techniques. Each chapter concludes with a selection of applications designed to enhance engagement: Exercises allow students to apply and practice the skills and techniques addressed in the chapter. Brain Teasers challenge students to expand their musical understanding by thinking outside the box. Exploring Music offers strategies for students to apply learned concepts to the music they are currently learning or listening to. Thinking Critically encourages students to think more deeply about music by solving problems and identifying and challenging assumptions. A companion website provides answers to book exercises, additional downloadable exercises, and audio examples. Straightforward and streamlined, Music Theory Essentials is a truly concise yet comprehensive introduction to music theory that is accessible to students of all backgrounds.

Amy Winehouse (Lives of the Musicians)

by Kate Solomon

In her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.

Amy Winehouse (Lives of the Musicians)

by Kate Solomon

In her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.

The Queen Next Door: Aretha Franklin, An Intimate Portrait (Painted Turtle)

by Linda Solomon

"Aretha was private. I respected this and she trusted me." Linda Solomon met Aretha Franklin in 1983 when she was just beginning her career as a photojournalist and newspaper columnist. Franklin’s brother and business manager arranged for Solomon to capture the singer’s major career events—just as she was coming back home to Detroit from California—while Franklin requested that Solomon document everything else. Everything. And she did just that. What developed over these years of photographing birthday and Christmas parties in her home, annual celebrity galas, private backstage moments during national awards ceremonies, photo shoots with the iconic pink Cadillac, and more was a friendship between two women who grew to enjoy and respect one another. The Queen Next Door: Aretha Franklin, An Intimate Portrait is a book full of firsts as Solomon was invited not only to capture historical events in Aretha’s music career showcasing Detroit but to join in with the Franklin family’s most intimate and cherished moments in her beloved hometown. From performance rehearsals with James Brown to off-camera shenanigans while filming a music video with the Rolling Stones, from her first television special to her first time performing with the Detroit Symphony Orchestra, to her last performance with her sisters at her father’s church and her son’s college graduation celebration. In the book’s afterword, Sabrina Vonne' Owens, Franklin’s niece, honors her aunt, a woman who was an overwhelming supporter of civil rights, women’s rights, and fundraising campaigns that helped to benefit her hometown. There was a time in her career—when Franklin was more in demand than ever before—when she insisted that if someone wanted her to perform, they had to come to Detroit. During this time all of her major concerts, national television specials, music videos, and commercials would happen in Detroit. Aretha Franklin showed her respect for the people in the city who championed her from the very beginning when she started singing as a young girl in the church choir. Franklin used to say, "I am the lady next door when I am not on stage." The Queen Next Door offers fans a personal and unseen look at an extraordinary woman in her most natural moments—both regal and intimate—and highlights her devotion to her family and her hometown Detroit—"forever and ever."

Beethoven

by Maynard Solomon

Biography of the composer with selective bibliography and an index of his compositions

Mozart: A Life

by Maynard Solomon

This scholarly 1995 book is more than a biography. It is a psychological portrait of the whole Mozart family, including Leopold, Wolfgang and Marianne. You don't have to be a musician to get into this book. This very readable biography contains a few musical examples but more emphasizes text and facts. It includes a complete list of all of Mozart's works and an analysis of bibliographical resources including how attitudes about Mozart have changed over time. If your view of Mozart was shaped by the Peter Shaffer play and movie, Amadeus,this book may contain quite a few surprises. Was Mozart poisoned? Was he an eternal child?

Mozart: A Life

by Maynard Solomon

On the occasion of Mozart's two hundred and fiftieth birthday, read Maynard Solomon's Mozart: A Life, universally hailed as the Mozart biography of our time.

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