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Opera: A Beginner's Guide (Beginner's Guides)
by Alexandra WilsonOpera is often perceived to be characterised by excessive passions, sumptuous costumes, lavish sets, and ill-mannered divas. In reality, operas address the most fundamental and universal human concerns - love, death, jealousy, greed and power. In this timeless introduction, Alexandra Wilson rescues the art form from fading into insignificance and reveals the reasons behind its lasting appeal.
Kicking & Dreaming: A Story of Heart, Soul, and Rock and Roll
by Ann Wilson Nancy Wilson Charles R. CrossThe story of Heart is a story of heart and soul and rock ’n’ roll. Since finding their love of music and performing as teenagers in Seattle, Washington, Ann Wilson and Nancy Wilson, have been part of the American rock music landscape. From 70s classics like “Magic Man” and “Barracuda” to chart- topping 80s ballads like “Alone,” and all the way up to 2012, when they will release their latest studio album, Fanatic, Heart has been thrilling their fans and producing hit after hit. In Kicking and Dreaming, the Wilsons recount their story as two sisters who have a shared over three decades on the stage, as songwriters, as musicians, and as the leaders of one of our most beloved rock bands. An intimate, honest, and a uniquely female take on the rock and roll life, readers of bestselling music memoirs like Life by Keith Richards and Steven Tyler’s Does the Noise in My Head Bother You? will love this quintessential music story finally told from a female perspective.
My Jesus: From Heartache to Hope
by Anne Wilson"Whatever you are feeling, God can handle it--all of it. The tears, screams, and questions. God invites you to let Him tend to your heart."In the bluegrass fields of Kentucky, Anne Wilson and her siblings, Jacob and Elizabeth, grew up in the security and love of their family--and Jesus. But when Jacob died in a car accident, Anne was thrust into a painful journey of grief and soul-wrestling that led to God calling her to create songs that glorified Him.My Jesus weaves together Anne's personal story with an encouraging message to anyone longing for God to wipe away their tears.No matter what season of life you're facing, My Jesus comes alongside you to:Show how God can bring purpose out of lossOffer hope in the midst of heartbreakRemind you that God never abandons youDiscover the beauty that can emerge from suffering as you read Anne's story of growing closer to the God who always makes a way.Praise for My Jesus:"I love how Anne Wilson invites us into the cracks and crevices of her life and how she built her life on Jesus. My Jesus is personal, and it takes you on a journey through some of the most foundational parts of Anne's life that develop into a large picture where it is so clear that God was the artist of it all. As I read through each page, I felt like I was at coffee with Anne, hearing her story."--Sadie Robertson Huff, author, speaker, and founder of Live Original"The song 'My Jesus' has impacted so many of our lives in such important ways. Reading this book, being in the moments with Anne and her family, and hearing her faith rise up when her heart was broken, Anne has told a true and deep story that we all need to read."--Annie F. Downs, New York Times bestselling author of That Sounds Fun
Singing to the Lyre in Renaissance Italy: Memory, Performance, and Oral Poetry
by Blake WilsonA primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.
I Am Brian Wilson: The genius behind the Beach Boys
by Brian Wilson'My life has been written about over and over again, and that's mostly okay with me. Other people can talk about my life. Sometimes they'll get it right and sometimes they'll get it wrong. For me, when I think back across my own life, there are so many things that are painful. Sometimes I don't like discussing them. Sometimes I don't even like remembering them. But as I get older, the shape of that pain has changed. Sometimes memories come back to me when I least expect them. Maybe that's the only way it works when you've lived the life I've lived: starting a band with my brothers that was managed by my father, watching my father become difficult and then impossible, watching myself become difficult and then impossible, watching women I loved come and go, watching children come into the world, watching my brothers get older, watching them pass out of the world. Some of those things shaped me. Others scarred me. Sometimes it was hard to tell the difference. When I watched my father fly into a rage and take swings at me and my brothers, was that shaping or scarring? When we watched him grow frustrated with his day job and take solace in music, was that shaping or scarring? Those are all memories but I can't get to them all at once. I've had a whole lifetime to take them in. Now I have a whole book to put them out there.'Excerpt from I Am Brian Wilson
I Am Brian Wilson: The genius behind the Beach Boys
by Brian WilsonThey say there are no second acts in American lives, and third acts are almost unheard of. That's part of what makes Brian Wilson's story so astonishing. As co-founder member of the Beach Boys in the 1960s, Wilson created some of the most groundbreaking and timeless popular music ever recorded. With intricate harmonies, symphonic structures, and wide-eyed lyrics that explored life's most transcendent joys and deepest sorrows, songs like 'In My Room', 'God Only Knows' and 'Good Vibrations' forever expanded the possibilities of pop songwriting. Derailed in the 1970s by mental illness, drug use, and the shifting fortunes of the band, Wilson came back again and again over the next few decades, surviving and - finally - thriving. Now, for the first time, he weighs in on the sources of his creative inspiration and on his struggles, the exhilarating highs and the debilitating lows. I Am Brian Wilson reveals as never before the man who fought his way back to stability and creative relevance, who became a mesmerizing live artist, who forced himself to reckon with his own complex legacy and completed Smile, the legendary unfinished Beach Boys record that had become synonymous with both his genius and its destabilization. Today Brian Wilson is older, calmer, filled with perspective and forgiveness. Whether he's talking about his childhood, his bandmates, or his own inner demons, Wilson's story, told in his own voice and in his own way, unforgettably illuminates the man behind the music, working through the turbulence and discord to achieve, at last, a new harmony.(P) 2016 Audible, Inc.
Good Vibrations: A Children's Picture Book (LyricPop #0)
by Brian Wilson Mike LoveMike Love and Brian Wilson's world-famous song, gloriously illustrated by Paul Hoppe, will bring smiles to the faces of children and parents alike. I'm pickin' up good vibrations She's giving me the excitations (oom bop bop)
A Fiddle For Angus
by Budge WilsonAngus' family is musical. Everyone has their own instrument and everyone knows how to make music. But Angus can only hum along to his family's playing, and humming isn't good enough. Angus wants to join his family's orchestra. When Angus' father tells him the family will give him an instrument, he can't choose until he hears the fiddle at a ceilidh. But fiddling is hard; he can't make the music he wants. With patience, practice, and lots of lessons, Angus' fingers learn how to play, and the music inside him finds a way out. Budge Wilson's story will ring true for every young musician and is a fitting tribute to the music makers of Cape Breton.
I Am Charlie Wilson
by Charlie WilsonThe long-awaited New York Times bestselling memoir of seven-time Grammy-nominated artist Charlie Wilson, the iconic R&B and Funk singer-songwriter-producer and former lead singer of The Gap Band—interwoven with his recollections of collaborating with fellow artists such as Stevie Wonder, Kanye West, and Snoop Dogg.Recognized the world over for his distinct voice and timeless hits spanning a career of nearly half a century, Charlie Wilson is one of the most celebrated musicians of his generation. So it took friends and family by surprise when he checked into rehab and revealed that he had been not only homeless, but also helpless.Here is the riveting story of how love and faith carried him through not only his addiction, but also prostate cancer. Here, too, is the story of his work in the music business, including a career resurgence that saw collaborations with some of the most sought-after artists of today, including Pharrell and Justin Timberlake.Now over twenty years sober, Wilson recounts a life filled with vertiginous highs and heartbreaking lows. His is a story of triumph over adversity, courage in the face of extreme hardship, and love when all else is lost. It is a tale of the last sixty years in social and pop culture history, and one that will stay with you for years to come.
Time of My Life: A Jazz Journey from London to New Orleans (American Made Music Series)
by Clive WilsonNew Orleans is a kind of Mecca for jazz pilgrims, as Whitney Balliett once wrote. This memoir tells the story of one aspiring pilgrim, Clive Wilson, who fell in love with New Orleans jazz in his early teens while in boarding school in his native England. It is also his story of gradually becoming disenchanted with his family and English environment and, ultimately, finding acceptance and a new home in New Orleans.The timing of his arrival, at age twenty-two, just a few weeks after the signing of the 1964 Civil Rights Act and the end of legal segregation, placed him in a unique position with the mostly African American musicians in New Orleans. They showed him around, brought him into their lives, gave him music lessons, and even hired him to play trumpet in brass bands. In short, Wilson became more than a pilgrim; he became an apprentice, and for the first time, legally, in New Orleans, he could make that leap.Time of My Life: A Jazz Journey from London to New Orleans tells the story of Wilson’s journey as he discovers the contrast between his imagined New Orleans and its reality. Throughout, he delivers his impressions and interactions with such local musicians as “Fat Man” Williams, Manuel Manetta, Punch Miller, and Billie and DeDe Pierce. As his playing improves, invitations to play in local bands increase. Eventually, he joins in the jam and, by doing so, integrates the Original Tuxedo Jazz Band, which had been in continuous existence since 1911. Except for a brief epilogue, this memoir ends in 1979, when Wilson assembles his own band for the first time, the Original Camellia Jazz Band, with musicians who had been among his heroes when he first arrived in New Orleans.
Giacomo Puccini
by Conrad WilsonGiacomo Puccini (1858--1924), composer of such popular operas as La Bohème and Madame Butterfly, is most renowned for his gift as a melodist. With his final opera, Turandot, Puccini composed the last Italian work in the genre to hold a firm place in the international repertoire. The author draws attention to the felicity, daring and extraordinary colouring of his music, countering the view held during Puccini's lifetime that he was a retrogressive who aimed to shock. Puccini is shown to have been a new force in musical drama, and yet a man who remained insecure about his creative powers. Conrad Wilson's book is a polemical, passionate and rational attempt to set the man from Lucca among the immortal greats.
Gateways to Understanding Music
by Dave Wilson Timothy RiceGateways to Understanding Music, Second Edition, explores music in all the categories that constitute contemporary musical experience: European classical, popular, jazz, and world music. Covering the oldest forms of human music making to the newest, this chronology presents music from a global rather than a Eurocentric perspective. Each of 60 "gateways" addresses a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. How did the piece come to be composed or performed? How did it respond to the social and cultural issues at the time, and what does that music mean today? Students learn to listen to, explain, understand, and ultimately value all the music they encounter in their world. New to this edition is a broader selection of musical examples that reflect the values of diversity, equity, and inclusion advocated by North American universities. Eight gateways have been replaced. A timeline of gateways helps students see the book’s historical narrative at a glance. Features Values orientation—Diverse, equitable, and inclusive approach to music history. All genres of music—Presents all music as worthy of study, including classical, world, popular, and jazz. Global scope within a historical narrative—Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Recurring themes — Aesthetics, emotion, social life, links to culture, politics, economics, and technology. Modular framework—60 gateways—each with a listening example—allow flexibility to organize chronologically or by the seven themes. Consistent structure—With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. Anthology of scores—For those courses that use the textbook in a music history sequence. Gateways to Understanding Music continues to employ a website to host the audio examples and instructor’s resources.
The Dresden Manuscripts: Unearthing an 18th Century Musical Genius
by David WilsonA lifelong study of the music of Johann Hasse by conductor David Wilson has culminated in his superb new book, The Dresden Manuscripts: Unearthing an 18th Century Musical Genius. Hasse's music achieved great popularity during his lifetime, only to be overshadowed later in history by other composers, especially Mozart. Dr. Wilson's important and illuminating focus on the Dresden manuscripts will certainly be a springboard for conductors and musicologists to further examine the entirety of Hasse's oeuvre to rediscover other gems, particularly among the masses and operas, many of which will be found worthy of reentering the repertoire. David Wilson has produced a revelatory work of refined scholarship that will deepen our knowledge of this important yet oft-neglected Baroque composer.
Playing with Fire: The Story of Maria Yudina, Pianist in Stalin's Russia
by Elizabeth WilsonThe first full biography of the fearless and brilliant Maria Yudina, a legendary pianist who was central to Russian intellectual life Maria Yudina was no ordinary musician. An incredibly popular pianist, she lived on the fringes of Soviet society and had close friendships with such towering figures as Boris Pasternak, Pavel Florensky, and Mikhail Bakhtin. Legend has it that she was Stalin&’s favorite pianist. Yudina was at the height of her fame during WWII, broadcasting almost daily on the radio, playing concerts for the wounded and troops in hospitals and on submarines, and performing for the inhabitants of besieged Leningrad. By the last years of her life, she had been dismissed for ideological reasons from the three institutions where she taught. And yet according to Shostakovich, Yudina remained &“a special case. . . . The ocean was only knee-deep for her.&” In this engaging biography, Elizabeth Wilson sets Yudina&’s extraordinary life within the context of her times, where her musical career is measured against the intense intellectual and religious ferment of the post-revolutionary period and the ensuing years of Soviet repression.
Shostakovich: A Life Remembered
by Elizabeth WilsonShostakovich: A Life Remembered is a unique study of the great composer Dimitri Shostakovich drawn from the reminiscences and reflections of his contemporaries. Using much material never previously published in English, as well as personal accounts from interviews and specially commissioned articles, Elizabeth Wilson has built a fascinating chronicle of Shostakovich's life.
Come a Little Bit Closer
by Ian WilsonIan 'Peewee' Wilson has been singing bass doo-wop with iconic vocal group The Delltones since the 1950s and the First Wave of Australian pop. In this breezy and brilliant memoir, Peewee recalls the highs and inimitable lows of life fronting Australia's longest-performing vocal group. Beyond the stage door he reveals the secret to his longevity: a larrikin spirit honed in his beach-bumming youth, and a wide-eyed curiosity that led him to dabble in hallucinogenic substances and chase Playboy Bunnies (not at the same time). It's all part of Peewee's never-ending search for the underlying meaning of it all. Come a little bit closer to the Beanpole of Bop.
Making It in the Music Business: The Business and Legal Guide for Songwriters and Performers
by Lee WilsonFrom an experienced entertainment lawyer, &“a terrific handbook that outlines all the information a fledgling musician or songwriter needs to know&” (Booklist). Early in their careers, most musicians find it hard to believe that their band might ever make enough money to fight over. But sooner than you think, success may arrive, and without clear terms that spell out how the band is organized and who controls what rights, your best friends and fellow musicians may become your worst enemies. Anyone who seeks to enter the complex world of the music business ought to know what to do in order to avoid derailing a high-speed ride to the top of the charts. This guide from a longtime intellectual property lawyer can help you get there—without breaking up the band.
The Chamber Organ in Britain, 1600-1830
by Michael I. WilsonThe first edition of The English Chamber Organ was published in 1968. This new, revised edition takes into account the considerable research into chamber organs that has taken place over the last thirty years. Much of the book has been completely rewritten and expanded, and it includes a number of organs not detailed in the first edition. As its revised title suggests, this new edition covers foreign-make imports as well as British-made organs that were sent overseas. Part one comprises a series of chapters that cover the history of the chamber organ, its origins and development. Part two provides a general introduction to the construction of organs, while part three gives detailed descriptions of 196 British chamber organs, with information on their location, specifications, design, and suggestions for further reading. As a domestic instrument the chamber organ was often perceived to be as much a piece of furniture as an item of musical equipment. The Chamber Organ in Britain offers an assessment of the organ as both a musical instrument and as a decorative icon.
Nicholas Lanier: Master of the King's Musick
by MichaelI. WilsonNicholas Lanier (1588-1666) was not only the first person to hold the office of Master of the Music to King Charles I, he was also a practising painter, a friend of Rubens, Van Dyck and many other artists of his time, and one of the very first great art collectors and connoisseurs. He is especially remembered for the part he played in acquiring, on behalf of Charles I, the famous collection of paintings belonging to the Gonzaga family of Mantua. Many of these paintings still form an important part of the Royal Collection today. In this book the different strands of Lanier's colourful life are for the first time drawn together and presented in a single compelling narrative.
Music—Psychoanalysis—Musicology
by Samuel WilsonThere is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics—from the romantic and the modernist to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Žižek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers, and anyone else interested in the intersections between music, psychoanalysis, and musicology.
New Music and the Crises of Materiality: Sounding Bodies and Objects in Late Modernity
by Samuel WilsonThis book explores the transformation of ideas of the material in late twentieth- and early twenty-first-century musical composition. New music of this era is argued to reflect a historical moment when the idea of materiality itself is in flux. Engaging with thinkers such as Theodor Adorno, Sara Ahmed, Zygmunt Bauman, Rosi Braidotti, and Timothy Morton, the author considers music's relationship with changing material conditions, from the rise of neo-liberalisms and information technologies to new concepts of the natural world. Drawing on musicology, cultural theory, and philosophy, the author develops a critical understanding of musical bodies, objects, and the environments of their interaction. Music is grasped as something that both registers material changes in society whilst also enabling us to practice materiality differently. book focuses on how recent music and sound art have expressed notions of the body and the material environment. It engages with thinkers such as to demonstrate how this music relates to changing material conditions, from the
Young Neil: The Sugar Mountain Years
by Sharry Wilson&“A supremely compelling chronicle&” of Neil Young&’s early life (Rolling Stone). Covering the years from 1945 to 1966, this book documents the childhood and teenage life of Canadian musician and Rock & Roll Hall of Famer Neil Young. From his birth in Toronto through his school years in Florida, Ontario, and Manitoba, the book examines the development of Young&’s unique talent against a backdrop of shifting postwar values, a turbulent family history, and a musical revolution in the making—and includes many previously unseen photos and set lists. &“Not only takes us on Neil&’s voyage but also uncovers life in the 40&’s, 50&’s, and 60&’s in Ontario and Manitoba . . . Wonderful.&” —Bernie Finkelstein, author of True North: A Life In the Music Business &“Having covered Neil Young for a good portion of his career, I thought I knew everything there was to know about the man and his music. I was wrong. Sharry Wilson&’s book, marked by enormous depth of study and research, opens windows into Young&’s early life and creative development I never knew existed.&” —Dave Zimmer, author, Crosby, Stills & Nash: The Biography
Woodstock, Baby!: A Far-Out Counting Book
by Spencer WilsonA far-out counting board book celebrating the peace and love of Woodstock!Little rockers will love counting everything from peace signs and guitars to bell-bottoms and rock bands in this out-of-sight board book with simple rhyming words and groovy illustrations. It's the perfect gift for every little flower child and music fan.
Limited Edition of One
by Steven WilsonThe more I thought about it, the more I realised my career has been unusual. How did I manage to do everything wrong but still end up on the front cover of magazines, headlining world tours and achieving Top 5 albums? How did I attract such obsessive and fanatical fans, many of whom take everything I do or say very personally, which is simultaneously flattering but can also be tremendously frustrating? Even this I somehow cultivated without somehow meaning to. My accidental career.Limited Edition of One is unlike any other music book you will ever have read.Part the long-awaited memoir of Steven Wilson: whose celebrated band Porcupine Tree began as teenage fiction before unintentionally evolving into a reality that encompassed Grammy-nominated records and sold-out shows around the world, before he set out for an even more successful solo career.Part the story of a twenty-first century artist who achieved chart-topping mainstream success without ever becoming part of the mainstream. From Abba to Stockhausen, via a collection of conversations and thought pieces on the art of listening, the rules of collaboration, lists of lists, personal stories, professional adventurism (including food, film, TV, modern art), old school rock stardom, how to negotiate an obsessive fanbase and survive on social media, and dream-fever storytelling.
Limited Edition of One
by Steven WilsonThe more I thought about it, the more I realised my career has been unusual. How did I manage to do everything wrong but still end up on the front cover of magazines, headlining world tours and achieving Top 5 albums? How did I attract such obsessive and fanatical fans, many of whom take everything I do or say very personally, which is simultaneously flattering but can also be tremendously frustrating? Even this I somehow cultivated without somehow meaning to. My accidental career.Limited Edition of One is unlike any other music book you will ever have read.Part the long-awaited memoir of Steven Wilson: whose celebrated band Porcupine Tree began as teenage fiction before unintentionally evolving into a reality that encompassed Grammy-nominated records and sold-out shows around the world, before he set out for an even more successful solo career.Part the story of a twenty-first century artist who achieved chart-topping mainstream success without ever becoming part of the mainstream. From Abba to Stockhausen, via a collection of conversations and thought pieces on the art of listening, the rules of collaboration, lists of lists, personal stories, professional adventurism (including food, film, TV, modern art), old school rock stardom, how to negotiate an obsessive fanbase and survive on social media, and dream-fever storytelling.