- Table View
- List View
With Pipe, Paddle and Song: A Story of the French-Canadian Voyageurs
by Elizabeth YatesSon of a French nobleman and a Chippewa Indian woman, Guillaume has spent half of his life in his father's Montréal château, half in his mother's village. When his father returns to France, the 16-year-old is determined to make his own way in the world. He signs up with a rough and ready crew of voyageurs, who yearly make their journey into the wilds of Canada to bring back the rich furs that have made New France prosperous. Newbery award winner Elizabeth Yates skillfully weaves history and the theme of a young man coming to grips with two worlds' conflicting demands. Included in the book is an extensive collection of voyageur songs, with music and lyrics.
With the Beatles
by Lewis LaphamHalfway between the summer of love and the Tet offensive, the Beatles went to India to study with the Maharishi--and Lewis Lapham, esteemed Harper's editor and award-winning writer, was there. WITH THE BEATLES is a remarkable book of cultural commentary on that seminal '60s moment.The ashram in Rishikesh, India was the ultimate '60s scene: the Beatles, Donovan, Mia Farrow, a stray Beach Boy and other '60s icons gathered along the shores of the Ganges--amidst paisley and incense and flowers and guitars--to meditate at the feet of the Maharishi Mahesh Yogi. The February 1968 gathering received such frenzied, world-wide attention that it is still considered a significant, early encounter between Western pop culture and the mystical East. And Lewis Lapham was the only journalist allowed inside.And what went on inside the compound has long been the subject of wild speculation and rampant rumor. The Beatles said they wrote some of their greatest songs there . . . and yet they also came away bitterly disillusioned. In WITH THE BEATLES, Lewis Lapham finally tells the whole story.
Withdrawn Traces: Searching for the Truth about Richey Manic, Foreword by Rachel Edwards
by Sara Hawys Roberts Leon NoakesNew discoveries and a fresh perspective, with unprecedented access to Richey's personal archiveOn 1 February 1995, Richey Edwards, guitarist of the Manic Street Preachers, went missing at the age of 27. On the eve of a promotional trip to America, he vanished from his London hotel room, his car later discovered near the Severn Bridge, a notorious suicide spot.Over two decades later, Richey’s disappearance remains one of the most moving, mysterious and unresolved episodes in recent pop culture history. For those with a basic grasp of the facts, Richey's suicide seems obvious and undeniable. However, a closer investigation of his actions in the weeks and months before his disappearance just don’t add up, and until now few have dared to ask the important questions.Withdrawn Traces is the first book written with the co-operation of the Edwards family, testimony from Richey’s closest friends and unprecedented and exclusive access to Richey’s personal archive. In a compelling real-time narrative, the authors examine fresh evidence, uncover overlooked details, profile Richey's state of mind, and brings us closer than ever before to the truth.
Without Getting Killed or Caught: The Life and Music of Guy Clark (John And Robin Dickson Series In Texas Music, Sponsored By The Center For Texas Music History, Texas State University Ser.)
by Tamara Saviano<P><P>For more than forty years, Guy Clark wrote and recorded unforgettable songs. His lyrics and melodies paint indelible portraits of the people, places, and experiences that shaped him. He has served as model, mentor, supporter, and friend to at least two generations of the world’s most talented and influential singer-songwriters. <P><P>In songs such as “Desperados Waiting for a Train,” “The Randall Knife,” “She Ain’t Goin’ Nowhere,” and “Texas 1947,” Clark’s poetic mastery has given voice to a vision of life, love, and trouble that has resonated not only with fans of Americana music, but also with the prominent artists--including Johnny Cash, Ricky Skaggs, Jerry Jeff Walker, and others--who have recorded and performed Clark’s music. <P><P>Now, in Without Getting Killed or Caught: The Life and Music of Guy Clark, writer, producer, and music industry insider Tamara Saviano chronicles the story of this legendary artist from her unique vantage point as his former publicist and producer of the Grammy- nominated album This One’s for Him: A Tribute to Guy Clark. <P><P>Part memoir, part biography, Saviano’s skillfully constructed narrative weaves together the extraordinary songs, larger-than-life characters, previously untold stories, and riveting emotions that make up the life of this modern-day poet and troubadour. <P><P>This sincere, no-holds-barred look at the life of a musical giant will surprise, inform, and entertain music lovers--especially Guy Clark fans. As fellow musician Terry Allen says of Guy in the final chapter, “let him take the lead and follow along, and just enjoy the ride.”
Witnesses and Scholars: Studies in Musical Biography (Musicology)
by H. LennebergFirst Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
WJEC/Eduqas GCSE Music Revision Guide - Revised Edition
by Jan RichardsThe Revised Edition covers the WJEC/Eduqas amended GCSE Music specifications for first teaching from September 2020. // This revised edition covers the new prepared extracts in Unit 3 (WJEC) and Component 3 (Eduqas) for assessment from summer 2022: WJEC: Peer Gynt Suite No.1: Anitra's Dance: Grieg, Everything Must Go: Manic Street Preachers // Eduqas: Badinerie by J.S.Bach for Flute and String Orchestra with Harpsichord, Africa: Toto // This practical and concise revision guide is designed to support students preparing for their WJEC and Eduqas GCSE Music assessment. // Provides the necessary musical information in a succinct and accessible format, ensuring students are fully equipped for assessment // Offers students the opportunity to practise identifying the elements of music when listening, and how they are used in composing // Highlights the required Musical Terms with definitions and includes plenty of Practice Questions to assist students in developing their musical theory skills // Provides help and advice on how to approach the listening examination and coursework // Contains Sample Exam Questions with example answers and commentaries to demonstrate ways to approach the exam aspect of the course // Free audio clips and web links to music to accompany this book will be provided via a dedicated website. 'Listening' icons alongside relevant sections within the book indicate when to go online.
WJEC/Eduqas GCSE Music Student Book: Revised Edition
by Jan RichardsThe Revised Edition of this popular Student Book covers the WJEC/Eduqas amended GCSE Music specifications for first teaching from September 2020. // This revised edition covers the new prepared extracts in Unit 3 (WJEC) and Component 3 (Eduqas) for assessment from summer 2022: WJEC, Peer Gynt Suite No.1: Anitra's Dance: Grieg, Everything Must Go: Manic Street Preachers, Eduqas, Badinerie by J.S.Bach for Flute and String Orchestra with Harpsichord Africa: Toto // Endorsed by WJEC // Covers all four Areas of Study: Musical Forms and Devices, Music for Ensemble, Film Music and Popular Music // Provides practical activities, extension tasks, suggestions for additional listening and useful tips for individual and group work // Supports students in all aspects of Performing, Composing and Appraising // Helps students prepare for the Performing Assessment and presentation of their coursework for Composing: includes identifying best practice, practical advice and guidance on how to complete the required log, evaluation and programme notes // Free audio clips and web links to music performances to accompany this book are provided via a dedicated website. 'Listen online' icons alongside relevant sections within the book indicate when to go online.
Wolfgang Amadeus Mozart: World-Famous Composer
by Diane CookWolfgang Amadeus Mozart, one of the world's best-known composers, began playing music at a very early age and became a professional musician when he was only 17. He went on to compose hundreds of pieces of music--many of which are among the most famous in musical history--and influence composer Ludwig van Beethoven. More than 200 years after his death, Mozart's music is still among the most respected and beloved in the world. Learn the story of one of the most important composers of all time in Wolfgang Amadeus Mozart: World-Famous Composer.
Wolfgang Amadeus Mozart: A Biography
by Piero Melograni Lydia G. CochraneAn engaging account of one of the most enduringly popular and celebrated composers to have ever lived, this book is both readable and scholarly, and grounded by a wealth of Mozart's correspondence. His substantial oeuvre contains works that are considered to be among the most exquisite pieces of symphonic, chamber, and choral music ever written. His operas too cast a long shadow over those staged in their wake. And since his untimely death in 1791, he remains an enigmatic figure -- the subject of fascination for aficionados and novices alike. Piero Melograni here offers a wholly readable account of Mozart's remarkable life and times. This masterful biography proceeds from the young Mozart's earliest years as a wunderkind -- the child prodigy who traveled with his family to perform concerts throughout Europe -- to his formative years in Vienna, where he fully absorbed the artistic and intellectual spirit of the Enlightenment, to his deathbed, his unfinished Requiem, and the mystery that still surrounds his burial. Melograni's deft use of Mozart's letters throughout confers authority and vitality to his recounting, and his expertise brings Mozart's eighteenth-century milieu evocatively to life. Written with a gifted historian's flair for narrative and unencumbered by specialized analyses of Mozart's music, Melograni's is the most vivid and enjoyable biography available. At a time when music lovers around the world are paying honor to Mozart and his legacy,Wolfgang Amadeus Mozart will be welcomed by his enthusiasts -- or anyone wishing to peer into the mind of one of the greatest composers ever known.
Wolfie and Fly: Band on the Run
by Cary Fagan Zoe SiA classic story of imagination, friendship, rock bands and high-speed helicopter chases. For fans of Ivy & Bean, Judy Moody or Nate the Great.Everyone's favorite odd couple is back. Our heroine, Renata Wolfman (Wolfie) does everything by herself. Friends just get in the way, and she only has time for facts and reading. But friendship finds her in the form of Livingston Flott (Fly), the slightly weird and wordy boy from next door. This time, Fly has convinced Wolfie to join him in his one-man band. Before they know it, they're playing live onstage in front of a stadium of screaming fans. But these fans are about to get out of control--and Wolfie and Fly have to make a daring escape!Even though Wolfie thinks she'd rather be at home reading by herself, playing the drums in a rock band is actually pretty fun. Maybe there is something to this friend thing...
The Woman Composer: Creativity and the Gendered Politics of Musical Composition
by Jill HalsteadUnlike previous anthologizing examinations of women and musical composition, this book concentrates on the reasons why there have been, and continue to be, so few women composers. Jill Halstead focuses on the experiences of nine composers born in the twentieth century (Avril Coleridge Taylor, Grace Williams, Elizabeth Maconchy, Minna Keal, Ruth Gipps, Antoinette Kirkwood, Enid Luff, Judith Bailey and Bryony Jagger) to explore the physiological, social and political factors that have inhibited women from pursuing careers as composers. Is there a biological argument for inferior female creativity? Do social structures, such as marriage, serve to restrict potential women composers? Is the gender of a composer reflected in the music they write? If so, how would this manifest itself? The conclusions that are reached are as complex and challenging as the questions that are raised. This powerful and provocative book aims to open up debate on these issues, which have all too often be avoided by critics and musicologists whose writings have perpetuated arguments that denigrate women's ability to compose. By confronting these arguments, this study will hopefully begin a reassessment of attitudes towards women and music, so that women composers are less of a rarity by the end of the next century.
The Woman in Me
by Britney SpearsThe Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. <p><p> In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice—her truth—was undeniable, and it changed the course of her life and the lives of countless others. The Woman in Me reveals for the first time her incredible journey—and the strength at the core of one of the greatest performers in pop music history. <p><p> Written with remarkable candor and humor, Spears’s groundbreaking book illuminates the enduring power of music and love—and the importance of a woman telling her own story, on her own terms, at last. <p> <b>New York Times Bestseller</b>
The Woman in Me
by Britney SpearsThe Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice—her truth—was undeniable, and it changed the course of her life and the lives of countless others. The Woman in Me reveals for the first time her incredible journey—and the strength at the core of one of the greatest performers in pop music history. Written with remarkable candor and humor, Spears&’s groundbreaking book illuminates the enduring power of music and love—and the importance of a woman telling her own story, on her own terms, at last.
A Woman Like Me
by David Ritz Bettye LavetteNow in paperback, "an un-inching and uncompromising look at a life lived across the tracks from fame . . " (Detroit Free Press) As a teenager in Detroit, Bettye LaVette scored a hit single with "My Man--He's a Lovin' Man." But by twenty, she had faded into obscurity, and bad luck repeatedly sabotaged her career. Then, after forty years of singing in clubs, her unforgettable performances at the 2008 Kennedy Center Honors and at President Obama's preinaugural concert put her back in the spotlight. A chronicle of LaVette's incredible life, A Woman Like Me is a poignant, brazen, take-no-prisoners memoir as thrilling and fearless as her music.
Woman Walk the Line: How the Women in Country Music Changed Our Lives (American Music Series)
by Holly GleasonIn this collection of personal essays, women music writers pay tribute to female country artists from June Carter Cash and Dolly Parton to Taylor Swift.Part history, part confessional, and part celebration of country music and the women who make it, Woman Walk the Line is an intimate collection of essays from some of America’s most intriguing women writers. It celebrates how these groundbreaking musicians have provided pivot points, important truths, and doses of courage for women at every stage of their lives. It explores the many ways in which music can transform not just the person making it, but also the listener.Rosanne Cash eulogizes June Carter Cash. A seventeen-year-old Taylor Swift considers the golden glimmer of another precocious superstar, Brenda Lee. The music of Patty Griffin is a balm for a post-9/11 survivor on the run. Emmylou Harris offers a gateway through paralyzing grief. And Lucinda Williams proves that greatness is where you find it.Elsewhere in this wide-ranging anthology, acclaimed historian Holly George Warren captures the spark of rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence.
Woman Walk the Line: How the Women in Country Music Changed Our Lives (American Music Series)
by Holly GleasonIn this collection of personal essays, women music writers pay tribute to female country artists from June Carter Cash and Dolly Parton to Taylor Swift.Part history, part confessional, and part celebration of country music and the women who make it, Woman Walk the Line is an intimate collection of essays from some of America’s most intriguing women writers. It celebrates how these groundbreaking musicians have provided pivot points, important truths, and doses of courage for women at every stage of their lives. It explores the many ways in which music can transform not just the person making it, but also the listener.Rosanne Cash eulogizes June Carter Cash. A seventeen-year-old Taylor Swift considers the golden glimmer of another precocious superstar, Brenda Lee. The music of Patty Griffin is a balm for a post-9/11 survivor on the run. Emmylou Harris offers a gateway through paralyzing grief. And Lucinda Williams proves that greatness is where you find it.Elsewhere in this wide-ranging anthology, acclaimed historian Holly George Warren captures the spark of rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence.
A Woman's Voice in Baroque Music: Mariane von Ziegler and J.S. Bach
by MarkA. PetersAt the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been largely ignored in the Bach literature. Ziegler was Germany's first female poet laureate, and the book highlights her significance in early eighteenth-century Germany and her commitment to advancing women's rights of self-expression. Peters enriches and enlivens the account with extracts from Ziegler's four published volumes of poetry and prose, and analyses her approach to cantata text composition by arguing that her distinctive conception of the cantata as a genre encouraged Bach's creative musical realizations. In considering Bach's settings of Ziegler's texts, Peters argues that Bach was here pursuing a number of compositional procedures not common in his other sacred cantatas, including experimentation with the order of movements within a cantata, with formal considerations in arias and recitatives, and with the use of instruments, as well as innovative approaches to Vox Christi texts and to texts dealing with speech and silence. A Woman's Voice in Baroque Music is the first book to deal in depth with issues of women in music in relation to Bach, and one of the few comprehensive studies of a specific repertory of Bach's sacred cantatas. It therefore provides a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer.
Women and Music: A History
by Karin Anna PendleThis updated, expanded, and reorganized edition of Women and Music features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe and North America. A popular university textbook, Women and Music is enlightening for scholars, a good source of programming ideas for performers, and a pleasure for other music lovers.
Women and Music in Sixteenth-Century Ferrara (New Perspectives in Music History and Criticism #28)
by Laurie StrasThe musica secreta or concerto delle dame of Duke Alfonso II d'Este, an ensemble of virtuoso female musicians that performed behind closed doors at the castello in Ferrara, is well-known to music history. Their story is often told by focussing on the Duke's obsessive patronage and the exclusivity of their music. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and composer, patron and musician, court and convent. With new archival evidence and analysis of music, people, and events over the course of the century, from the role of the princess nun musician, Leonora d'Este, to the fate of the musica secreta's jealously guarded repertoire, this radical approach will appeal to musicians and scholars alike.
Women and Music in the Age of Austen (Transits: Literature, Thought & Culture, 1650-1850)
by Pierre DuBois Kelly M. McDonald Danielle Grover Penelope Cave Simon Fleming Alison C. DeSimone Jane Girdham Leslie Ritchie Jeffrey A. Nigro Ruth Perry Devon R. Nelson Gayle Magee Juliette WellsWomen and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Women and Musical Salons in the Enlightenment
by Rebecca CypessA study of musical salons in Europe and North America between 1760 and 1800 and the salon hostesses who shaped their musical worlds. In eighteenth-century Europe and America, musical salons—and the women who hosted and made music in them—played a crucial role in shaping their cultural environments. Musical salons served as a testing ground for new styles, genres, and aesthetic ideals, and they acted as a mediating force, bringing together professional musicians and their audiences of patrons, listeners, and performers. For the salonnière, the musical salon offered a space between the public and private spheres that allowed her to exercise cultural agency. In this book, musicologist and historical keyboardist Rebecca Cypess offers a broad overview of musical salons between 1760 and 1800, placing the figure of the salonnière at its center. Cypess then presents a series of in-depth case studies that meet the salonnière on her own terms. Women such as Anne-Louise Brillon de Jouy in Paris, Marianna Martines in Vienna, Sara Levy in Berlin, Angelica Kauffman in Rome, and Elizabeth Graeme in Philadelphia come to life in multidimensional ways. Crucially, Cypess uses performance as a tool for research, and her interpretations draw on her experience with the instruments and performance practices used in eighteenth-century salons. In this accessible, interdisciplinary book, Cypess explores women’s agency and authorship, reason and sentiment, and the roles of performing, collecting, listening, and conversing in the formation of eighteenth-century musical life.
Women and Musical Salons in the Enlightenment
by Rebecca CypessA study of musical salons in Europe and North America between 1760 and 1800 and the salon hostesses who shaped their musical worlds. In eighteenth-century Europe and America, musical salons—and the women who hosted and made music in them—played a crucial role in shaping their cultural environments. Musical salons served as a testing ground for new styles, genres, and aesthetic ideals, and they acted as a mediating force, bringing together professional musicians and their audiences of patrons, listeners, and performers. For the salonnière, the musical salon offered a space between the public and private spheres that allowed her to exercise cultural agency. In this book, musicologist and historical keyboardist Rebecca Cypess offers a broad overview of musical salons between 1760 and 1800, placing the figure of the salonnière at its center. Cypess then presents a series of in-depth case studies that meet the salonnière on her own terms. Women such as Anne-Louise Brillon de Jouy in Paris, Marianna Martines in Vienna, Sara Levy in Berlin, Angelica Kauffman in Rome, and Elizabeth Graeme in Philadelphia come to life in multidimensional ways. Crucially, Cypess uses performance as a tool for research, and her interpretations draw on her experience with the instruments and performance practices used in eighteenth-century salons. In this accessible, interdisciplinary book, Cypess explores women’s agency and authorship, reason and sentiment, and the roles of performing, collecting, listening, and conversing in the formation of eighteenth-century musical life.
Women and the Nineteenth-Century Lied
by Aisling Kenny Susan WollenbergThis book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women’s achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied’s musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers’ perception of the genre and help promote awareness of women’s contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire.
Women and the Piano: A History in 50 Lives
by Susan TomesWomen are an essential part of the history of the piano—but how many women pianists can you name? Throughout most of the piano&’s history, women pianists lacked access to formal training and were excluded from male-dominated performance spaces. Even the modern piano&’s keys were designed without consideration of women&’s typically smaller hands. Yet despite their music being largely confined to the domestic sphere, women continued to play, perform, and compose on their own terms. Celebrated pianist and author Susan Tomes traces fifty such women across the piano&’s history. Including now-famous names such as Clara Schumann and Fanny Mendelssohn, Tomes also highlights overlooked women: from Hélène de Montgeroult, whose playing saved her life during the French Revolution, to Leopoldine Wittgenstein, influential Viennese salonnière, and Hazel Scott, the first Black performer in the United States to have a nationally syndicated TV show. From Maria Szymanowska to Nina Simone, and including interviews with women performing today, this is a much-needed corrective to our understanding of the piano—and a timely testament to women&’s musical lives.
Women in American Popular Music
by S. Kay HokeWomen in American Popular Music features composers, performers, patrons, musical contexts and an expanded view of women in music in America. This enlightening e-book short is a good source of programming ideas for performers and a handy resource for music lovers.