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W.A.R.: The Unauthorized Biography of William Axl Rose

by Mike Wall

A journalist who had unprecedented access to Guns n' Roses at their peak delivers a big, brash history of the band's charismatic, fantastically talented and idiosyncratic leader—W. Axl RoseEven in the world of rock and roll, a figure like Axl Rose doesn't come along very often. Mercurial and brilliant, deluded and imperious, Rose defies easy description or analysis. Few people have studied Rose as closely as Mick Wall has. Traveling with Guns n' Roses and writing about them in the late 1980s and early 1990s, Wall first earned Axl's trust and later his fury. W.A.R. goes back to the beginning, revealing Rose's childhood influences (and how he got his name), and tracking the birth of the band and their enormous success with albums like "Appetite for Destruction" and "Use Your Illusion." With fame and money came substance abuse and infighting, and a lead singer who morphed from eccentric to seemingly unhinged. Wall's book is richly detailed and offers surprising new views on some celebrated Guns 'n Roses and Axl Rose incidents, including: --the death of two fans at a concert in Donington Park in England, --Rose's fall-out and eventual split from every one of the other original Gn'R band members, --fights with perceived enemies like Kurt Cobain, Motley Crue's Vince Neil and fashion designer Tommy Hilfiger, --Rose's consistent refusal to show up at concerts throughout his career, --Axl becoming a virtual recluse at his Malibu mansion for most of the past 15 years. The book goes right up to the present, to explore why a new Guns n' Roses—with a reconfigured band—has toured but still hasn't released their long-awaited album "Chinese Democracy", now over a decade in the making at a cost of over $13 million. W.A.R. is about great music, bad relationships, and the public and private personas of one of the most controversial performers of our time.

Rock Stars Do the Dumbest Things

by Bill Crawford Margaret Moser

Aerosmith. Elvis Presley. Michael Jackson. Nine Inch Nails. Ozzy Osbourne. U2. What do all of these artists have in common? They're rich and rowdy rock 'n' roll renegades whose wild stunts, dumb quotes, and out-of-control lifestyles are featured in Rock Stars Do the Dumbest Things.--Where else will you find an explanation (goodness knows, we need one) of the Spice Girls' fourteen and one-half minutes of fame straight from the mouths of babes--Baby Spice, that is? "We're like a religious cult."--Or where will you learn Izzy Stradlin's (of Guns N' Roses) deep thoughts on the virtues of vomiting out of a bus going sixty-five miles an hour?--And how live octopuses end up in a bathtub with Led Zepplin's female playmates?Whether you're a Metallica or Madonna fan, you'll get plenty of jaw-dropping facts and anecdotes, along with biographical and career highlights of over eighty-eight raunchy rock 'n' rollers.From current starts like Marilyn Manson and Courtney Love, to classic rockers like the Rolling Stones and the Eagles, Rock Stars Do the Dumbest Things is proof that rock music is still crazy after all these years.

San Juan Noir (Akashic Noir #0)

by Mayra Santos-Febres

La capital de Puerto Rico entra la serie noir, editado por una de las autoras más conocidas de San Juan. “A welcomed addition to the publisher’s popular noir series, San Juan Noir has the distinction of being issued in two editions, English and Spanish, to more accurately reflect the Caribbean island’s bilingual culture. Editor Santos-Febres gathers a varied collection of stories she expects will ‘reveal a side of Puerto Rico otherwise obscured by the tourist trade and preconception.’” —NBC News Latino La serie noir ha hecho una marca fuerte en el Caribe con Havana Noir, Kingston Noir, Haiti Noir, y Trinidad Noir. Este volumen muestra el hecho que la isla del Puerto Rico no es totalmente playas arenosas y hoteles extravagantes. Mayra Santos-Febres es uno de los titanes literarios de la isla, y ella ha reclutado una lista estelar de compatriotas a contribuir. Cuentos nuevos por: Wilfredo J. Burgos Matos, Ernesto Quiñonez, Mayra Santos-Febres, José Rabelo, Luis Negrón, Yolanda Arroyo Pizarro, Ana María Fuster Lavín, Janette Becerra, Manolo Núñez Negrón, Tere Dávila, Edmaris Carazo, Alejandro Álvarez Nieves, Charlie Vázquez y Manuel A. Meléndez.

San Juan Noir (Akashic Noir #0)

by Mayra Santos-Febres

Puerto Rico's capital city enters the Noir Series arena, meticulously edited by one of San Juan's best-known authors. “A welcomed addition to the publisher’s popular noir series, San Juan Noir has the distinction of being issued in two editions, English and Spanish, to more accurately reflect the Caribbean island’s bilingual culture. Editor Santos-Febres gathers a varied collection of stories she expects will ‘reveal a side of Puerto Rico otherwise obscured by the tourist trade and preconception.’” —NBC News Latino Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Wilfredo J. Burgos Matos, Ernesto Quiñonez, Mayra Santos-Febres, José Rabelo, Luis Negrón, Yolanda Arroyo Pizarro, Ana María Fuster Lavín, Janette Becerra, Manolo Núñez Negrón, Tere Dávila, Edmaris Carazo, Alejandro Álvarez Nieves, Charlie Vázquez, and Manuel A. Meléndez. Translated by Will Vanderhyden.

Swimming with the Blowfish: Hootie, Healing, and One Hell of a Ride: A Story of Redemption

by Jim Sonefeld

Hootie & the Blowfish’s drummer chronicles the band’s rise, fall, and rebirth, as well as his path from addiction to recovery and a more fruitful life.For a time, there was no bigger band in the world than Hootie & the Blowfish—rock & roll’s unexpected foil to the grunge music that dominated the early ’90s airwaves.?In Swimming with the Blowfish, Jim?Sonefeld, drummer and one of the band’s principal songwriters, reveals the inside story of the band’s humble beginnings, meteoric rise, sudden fall, and ultimate rebirth—and in the telling he opens his heart to readers about addiction, recovery, and faith.Hootie became ubiquitous in the ‘90s—their debut album Cracked Rear View was one of the best-selling in the history of rock music; they won two Grammy Awards; their live performances were played alongside the Dave Matthews Band, R.E.M., and even Willie Nelson and Neil Young; and they appeared at the biggest venues in the world. Though Jim enjoyed the perks that came with fame—the parties, the relationships, the money, the drugs and alcohol—eventually it all became a camouflage that hid a deeper spiritual malady. As his life was careening toward disaster, he reached out his hands to seek relief in twelve-step recovery, eventually settling into a loving, but by no means uncomplicated, homelife.A book that encapsulates a band still beloved by legions of fans, Swimming with the Blowfish is much more—an unpretentious, emotional story of one man’s spiritual path to a more fruitful life. Jim’s journey is shattering, redeeming, and ultimately as comforting as your favorite flannel shirt.Praise for Swimming with the Blowfish“I’ve truly relished hanging out with the fun-loving, mischievous ‘Soni’ through the years, but this book exposes a more deeply-rooted, impassioned side he didn’t always show. He captures the spirit of the surreal and sometimes unsettling life behind the scenes of one of my favorite bands, sincerely revealing that he is as fragile as the rest of us. It’s an eloquent yet humbling example of a lesson we can all learn from—that no degree of fame or fortune leaves us immune to experiencing pain, powerlessness, and regret.” —Dan Patrick, sports broadcaster and host of?The Dan Patrick Show?“Jim Sonefeld details his rollercoaster ride through rock and roll, addiction and sobriety with searing honesty and grace.” —Radney Foster, singer-songwriter of Foster & Lloyd and author of?For You?to?See?the?Stars

Unruly: The Highs and Lows of Becoming a Man

by Ja Rule

Ja Rule, actor, singer, songwriter, and one of the most multi-dimensional rap artists of his time, tells his compelling story—from his youth to his rise to international fame to his transformative two years in Federal prison—and reveals the man beneath the legend.Unruly is two stories that offer one complete picture of a man and his world: the angry, fatherless rapper, Ja Rule who was “raised by the streets”; and Jeffrey Atkins, the insightful, reflective father and loyal husband who learned the hard way how to be a good man.Filled with never-before-revealed anecdotes and sixteen pages of black-and-white photos, Unruly shows the determination that it takes to become a man in today’s society. Ja Rule considers the lack of role models for many young black men today—a void that leads to bad choices and the wrong paths. Recalling his youth, he illuminates the seductive pull of the streets and the drug dealers who were his earliest role models.Jeffrey Atkins offers practical wisdom—reflection, growth and hope learned first-hand as an inmate, father, husband, and community role model. He speaks fondly of men who inspired Unruly—the inmates he met in prison whose misguided ideas of masculinity landed them behind bars—and Louis Farrakhan who mediated the televised encounter with Ja Rule’s adversary, 50 Cent.Unruly is a compelling, personal look at the duality and conflicts that arise in the African-American male psyche from a man who has enjoyed breathtaking fame and suffered heartbreaking misfortune.

Power Chord: One Man's Ear-Splitting Quest to Find His Guitar Heroes

by Thomas Scott McKenzie

Power Chord is the story of one man’s epic pilgrimage to gain rock enlightenment from the gods and guitar heroes of the Golden Age of heavy metal. Author Scott McKenzie set off to make contact with the legendary metal superstars he worshipped in his rural Kentucky youth—men like George Lynch of Dokken, Glen Tipton of Judas Priest, and Ace Frehley of KISS—hoping to gain wisdom and a better understanding of the electric guitar mystique. The result is a veritable treasure trove of enthralling behind-the-scenes stories and “where are they now” revelations that will delight anyone who has ever felt a Mötley Crüe, Guns ’N’ Roses, or Black Sabbath song reach out from the speakers and grab them by the ears.

What I Cannot Change

by Darrell Brown LeAnn Rimes

Billboard hits come and go, but once in a blue moon a song comes along that captures people's hearts and stands the test of time. Country / Pop sensation LeAnn Rimes' "What I Cannot Change" released to radio in August 2008 and immediately topped the charts. The song's simple message of peace and acceptance speaks to people from all walks of life:I will learn to let go what I cannot changeI will learn to forgive what I cannot changeI will learn to love what I cannot changeBut I will change, I will changeWhatever I, whenever I canThe book WHAT I CANNOT CHANGE is an elegant counterpart to the song that will include an introduction by Rimes, lyrics, interior photographs, stories from people who have experienced their own journeys of change.

Luck or Something Like It: A Memoir

by Kenny Rogers

A living legend of Country Music and a worldwide music icon, superstar Kenny Rogers has enjoyed a fascinating five decades in show business, and he tells the full story of his remarkable life and career in Luck or Something Like It. From his days with hit group The First Edition to his sterling solo work, the artist who "knows when to hold 'em and knows when to fold 'em" knows how to tell a captivating life story as well–bringing a golden era of Country Music to life as he recounts his remarkable rise to the top of the charts. An honest, moving, eye-opening view of a musician's life on the road, Luck or Something Like It is the definitive music memoir–a backstage pass to fifty years of performing and recording presented by the one and only Kenny Rogers, one of the bestselling artists ever.

Satan Is Real: The Ballad of the Louvin Brothers

by Benjamin Whitmer Charlie Louvin

Get ready for one of America’s great untold stories: the true saga of the Louvin Brothers, a mid-century Southern gothic Cain and Abel and one of the greatest country duos of all time. The Los Angeles Times called them “the most influential harmony team in the history of country music,” but Emmylou Harris may have hit closer to the heart of the matter, saying “there was something scary and washed in the blood about the sound of the Louvin Brothers.” For readers of Johnny Cash’s irresistible autobiography and Merle Haggard’s My House of Memories, no country music library will be complete without this raw and powerful story of the duo that everyone from Dolly Parton to Gram Parsons described as their favorites: the Louvin Brothers.

My Name Is Love

by Darlene Love Rob Hoerburger

Featured in the film Twenty Feet From Stardom, the woman whose voice the New York Times said "is as embedded in the history of rock 'n' roll as Eric Clapton's guitar and Bob Dylan's lyrics" tells her storyRight out of high school, Darlene Love began singing lead vocals for legendary producer Phil Spector, cutting such classic hits as the number one "He's a Rebel," "Da Doo Ron Ron," and "He's Sure the Boy I Love." As part of the girl group the Blossoms, she held a regular spot on television's Shindig!, and with Bob B. Soxx & the Blue Jeans she toured the country.Later, she sang backup—and collected numerous scintillating backstage stories—with, among others, Dionne Warwick, the Mamas and the Papas, and Sonny and Cher. Now in My Name Is Love, Darlene is ready to tell her tales about Elvis coming on to her backstage during his famous '68 Comeback Special, about wild parties she witnessed at Tom Jones's house, and about her love affair with Bill Medley of the Righteous Brothers. She also recalls how she found herself cleaning houses in Beverly Hills, heard herself on the radio, and vowed to make a comeback. That comeback has included roles in all of the Lethal Weapon movies, starring roles on Broadway, and headlining concert appearances worldwide.A dishy, behind-the-scenes showbiz memoir, My Name Is Love is also the inspiring story of a woman who refused to give up.

Led Zeppelin's Led Zeppelin IV (33 1/3 #17)

by Erik Davis

Stripping their famous name off the record was Led Zeppelin’s almost petulant attempt to let their Great Work stand on its own two feet. But the wordless jacket also lent the album charisma. Fans hunted for hidden meanings, or, in failing to find them, sensed a strange reflection of their own mute refusal to communicate with the outside world. This helped to create one of the supreme paradoxes of rock history: an esoteric megahit, a blockbuster arcanum....

Jazz

by Gary Giddins Scott DeVeaux

All That Jazz―Total Access to the music and the players. This streamlined second edition exposes students to the expressive power of jazz and brings its greatest players to life. With an emphasis on engagement with the music, this new text gives students all the guidance and inspiration they need to fully understand jazz. Now with Total Access, Jazz offers students a package without match―streaming music of 77 classic masterpieces and little-known gems, robust Listening Guides, a media-rich ebook, outstanding video, and a gripping narrative―all at an unbeatable price.

La magie de Manie (French Edition)

by Michelle J. Fournier

This novice high/intermediate low reader focuses on three high school French students from Maine participating in Manie Musicale, an international bracket-style competition of sixteen contemporary French songs. Julie is a shy basketball star who struggles in French but loves music. She is bullied by Gabi, a popular girl with Canadian roots who is misunderstood by her friends. Mohamed is a new Mainer from Sénégal whose English is poor but who is not afraid to stand up to bullies. Tension mounts as the competition comes to a close and the students have to navigate complex social interactions while confronting their fears and hoping to win the grand prize - concert tickets in Boston to see a famous Manie Musicale singer. Can the magic of music bring them all together?

The Pastoral in Charles Griffes's Music: Aesthetic of Ambivalence

by Taylor A. Greer

At the turn of the century, visionary composer Charles Tomlinson Griffes synthesized highly diverse elements from other musical traditions into his distinct artistic voice. As American as he was far ranging in his interests, Griffes was an aesthetic polyglot, combining elements of literature, visual arts, global folk melodies, and contemporary European art music into a new musical language. The breadth of his sources of inspiration are breathtaking, including the sensual harmonies of fin-de-siècle French music, the British Aesthetic Movement, folk music drawn from the Middle East and Java, and a wide range of poets, including William Blake, Samuel Taylor Coleridge, and William Sharp. The Pastoral in Charles Griffes's Music explores both his music and the rich historical context from which it grew to enrich our understanding of the composer's artistic contribution and reveal new intersections and contradictions in European and American culture during the early twentieth century. Taylor A. Greer also critiques the philosophical foundation of topic theory and its relationship to the pastoral in Griffes's music to reflect on the end of the nineteenth century and clarify our understanding of his artistic influences. With Griffes's conception of the pastoral, he transformed the siciliana-based tradition he inherited from the eighteenth century into a new and vibrant genre that preserved the usual associations of simplicity and tranquility and introduced new elements of tension into the pastoral ideal, including global voices, paradox, and occasional conflict.

Rhythm, Ancestrality and Spirit in Maracatu de Nação and Candomblé: Repercussions (ISSN)

by Lizzie Ogle

Rhythm, Ancestrality and Spirit in Maracatu de Nação and Candomblé: Repercussions examines how the highly percussive carnival practice of Maracatu de nação – an Afro-Brazilian musical and spiritual tradition originating in the north- eastern state of Pernambuco – has evolved in relation to the cosmology of Candomblé Nagô in the urban centres of Recife and Olinda, Brazil.Offering one of the first detailed ethnographic explorations into maracatu de nação, Candomblé Nagô and the connections between them, this book is a collaborative enquiry into frequently negated sacred and ancestral knowledge systems central to Afro-Brazilian musical-spiritual practices. Using an innovative research framework which integrates musical and rhythmic practices with spiritual, ancestral and ecological knowledge systems, readers are provided with an intimate ethnography based on eight years of friendship and learning with the oldest continuously active maracatu group in the world, Nação Leão Coroado, and its most recent leader, Mestre Afonso Aguiar (1948– 2018).This is a valuable text for those interested in ethnomusicology, performance studies, religious and cultural anthropology, decolonial research methods and writing styles, eco- musicology and Afro-diasporic, Brazilian and Latin American studies.

Thank You (Falettinme Be Mice Elf Agin): A Memoir

by Sly Stone

Not many memoirs are generational events. But when Sly Stone, one of the few true musical geniuses of the last century, decides to finally tell his life story, it can’t be called anything else.As the front man for the sixties pop-rock-funk band Sly and the Family Stone, a songwriter who created some of the most memorable anthems of the 1960s and 1970s (“Everyday People,” “Family Affair”), and a performer who electrified audiences at Woodstock and elsewhere, Sly Stone’s influence on modern music and culture is indisputable. But as much as people know the music, the man remains a mystery. After a rapid rise to superstardom, Sly spent decades in the grips of addiction.Now he is ready to relate the ups and downs and ins and outs of his amazing life in his memoir, Thank You (Falettinme Be Mice Elf Agin). The book moves from Sly’s early career as a radio DJ and record producer through the dizzying heights of the San Francisco music scene in the late 1960s and into the darker, denser life (and music) of 1970s and 1980s Los Angeles. Set on stages and in mansions, in the company of family and of other celebrities, it’s a story about flawed humanity and flawless artistry. Written with Ben Greenman, who has also worked on memoirs with George Clinton and Brian Wilson, and in collaboration with Arlene Hirschkowitz, Thank You (Falettinme Be Mice Elf Agin) is a vivid, gripping, sometimes terrifying, and ultimately affirming tour through Sly’s life and career. Like Sly, it’s honest and playful, sharp and blunt, emotional and analytical, always moving and never standing still.

Ordinary Days: The Seeds, Sound, and City That Grew Prince Rogers Nelson

by Angela Joy

A rhythmic, striking picture book biography of legendary singer/songwriter/performer Prince.Before he became a legend, he was just a boy… On an ordinary day, you could see him. A young boy named Prince Rogers Nelson, who had parents who fought, nowhere to call home, and a collection of memories turned into sound: the shouts of anger, the purr of pigeons, the roar of cars down a busy Minneapolis street, and the whisper of cold wind on budding lilac bushes. Other sounds joined in as he taught himself to play the guitar, piano, drums, and much more, leading to the day this ordinary boy began to make music—and became extraordinary. Black Is a Rainbow Color and Choosing Brave author Angela Joy’s exquisite words harmonize with acclaimed illustrator Jacqueline Alcántara’s sweeping art to create a tender, profound look into music icon Prince's early life and the moments that shaped him.Ordinary Days also includes an extensive author’s note and playlist of recommended Prince songs suitable for young listeners.

The Technique of Orchestration Workbook

by Kent Kennan Donald Grantham

The Technique of Orchestration Workbook, Seventh Edition, accompanies the textbook of the same name—the definitive resource on the study of orchestration—providing musical excerpts, full scores, and scoring assignments to enrich the lessons learned in the textbook. Spanning an array of periods and styles, the musical examples collected here cover scoring techniques in the following sections: Strings Woodwinds Brass Scoring of Chords Transcribing Piano Music Scoring for Woodwinds, Horns, and Strings Percussion Harp and Keyboard Instruments Scoring for Full Orchestra Additional learning tools include transposition exercises, error detection drills, and discussions on harmonics, while the workbook pages are perforated throughout for ease of use in and out of the classroom. Featuring the music of Bach, Mozart, Brahms, Beethoven, Schumann, Copland, Bartók, and many more, The Technique of Orchestration Workbook, Seventh Edition, is an invaluable companion to the textbook.

The Technique of Orchestration: Pearson New International Edition

by Kent Kennan Donald Grantham

The Technique of Orchestration, Seventh Edition, is the definitive textbook on the study of orchestration, offering a concise, straight-to-the-point approach that prepares students to score their own compositions with confidence. Updated to reflect developments in instruments and orchestral best practices, this seventh edition features: Copious musical examples spanning the history of the orchestra Detailed descriptions of instruments and their distinctive characteristics Explanations of how to score chords and transcribe piano idioms Discussions on specialized ensembles and scoring techniques New musical examples have been added throughout and listening lists have been revised to include more music by women and composers of color, representing a diverse musical catalogue. Supported by an accompanying workbook of scores and scoring exercises (available separately), as well as a robust listening program keyed to the textbook, The Technique of Orchestration, Seventh Edition, is an accessible, essential, all-in-one resource for the student of orchestration.

Flannery at the Grammys

by Irwin H. Streight

A devout Catholic, a visionary—and some say prophetic—writer, Flannery O’Connor (1925–1964) has gained a growing presence in contemporary popular culture. While O’Connor professed that she did not have an ear for music, allusions to her writing appear in the lyrics and narrative form of some of the most celebrated musicians on the contemporary music scene. Flannery at the Grammys sounds the extensive influence of this southern author on the art and vision of a suite of American and British singer-songwriters and pop groups. Author Irwin H. Streight invites critical awareness of O’Connor’s resonance in the products of popular music culture—in folk, blues, rock, gospel, punk, heavy metal, and indie pop songs by some of the most notable figures in the popular music business. Streight examines O'Connor's influence on the art and vision of multiple Grammy Award winners Bruce Springsteen, Lucinda Williams, R.E.M., and U2, along with celebrated songwriters Nick Cave, PJ Harvey, Sufjan Stevens, Mary Gauthier, Tom Waits, and others. Despite her orthodox religious, and at times controversial, views and limited literary output, O’Connor has left a curiously indelible mark on the careers of the successful musicians discussed in this volume. Still, her acknowledged influence and remarkable presence in contemporary pop and rock songs has not been well noted by pop music critics and/or literary scholars. Many years in the making, Flannery at the Grammys achieves groundbreaking work in cultural studies and combines in-depth literary and pop music scholarship to engage the informed devotee and the casual reader alike.

Hip-Hop Is History

by Ben Greenman Questlove

A must-read for old-school hip-hop heads and burgeoning fans alikeTime'Hip Hip is not History, it's Our story. Brilliant book'Craig Charles'Hip-Hop Is History melds a detailed chronological retelling of the genre's story with occasionally hair-raising memoir 'Guardian'Sharp and lyrical analyses of hip-hop's evolution with fascinating, up-close recollections of the genre's turning point... an exuberant account of a dynamic musical genre and the cultural climate in which it evolved Publishers WeeklyWhen hip-hop first emerged in the 1970s, it wasn't expected to become the cultural force it is today. But for a young Black kid growing up in a musical family in Philadelphia, it was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to try to make his own songs. That kid was Questlove, and decades later, he is a six-time Grammy Award-winning musician, an Academy Award-winning filmmaker, a New York Times bestselling author, a producer, an entrepreneur, a cofounder of one of hip-hop's defining acts (the Roots), and the genre's unofficial in-house historian. In this landmark book, Hip-Hop Is History, Questlove skilfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits-and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopaedic fluency and passion of an obsessive fan but also the expertise and originality of an innovative participant. Hip-hop is history, and also his history.'A must-read for music lovers, cultural history buffs, and hip-hop fans... Questlove's illuminating and insightful survey is as personal as it is expert'Booklist'A memorable, masterful history of the first 50 years of an indelible American art form'Kirkus ReviewsThe musician and Oscar-winning director traces the first 50 years of hip-hop... Questlove pairs the history of hip-hop with a personal reflection on how the genre shaped his identity during his childhood in PhiladelphiaThe Week

Hybrid Ethnography: Online, Offline, and In Between (Qualitative Research Methods #58)

by Liz Przybylski

Today′s research landscape requires an updated set of analytical skills to tell the story of how people interact with and make meaning from contemporary culture. Hybrid Ethnography: Online, Offline, and In Between provides researchers with concrete and theory-based processes to combine online and offline research methods to tell the story of how and why people are interacting with expressive culture. This book provides a roadmap for combining online and in-person ethnographic research in an explicit manner to support the reality of much contemporary fieldwork. In the tradition of the Qualitative Research Methods series, this concise book serves graduate students and faculty learning ethnography and field methods, as well as those designing, conducting, and writing up their own dissertations and research studies. From choosing the pursue a hybrid ethnographic strategy to collecting data to analyzing and sharing results, author Liz Przybylski covers all aspects of conducting a hybrid ethnography study. Hybrid Ethnography was awarded Honorable Mention for the 2021 Bruno Nettle Prize given by the Society for Ethnomusicology!

Hybrid Ethnography: Online, Offline, and In Between (Qualitative Research Methods #58)

by Liz Przybylski

Today′s research landscape requires an updated set of analytical skills to tell the story of how people interact with and make meaning from contemporary culture. Hybrid Ethnography: Online, Offline, and In Between provides researchers with concrete and theory-based processes to combine online and offline research methods to tell the story of how and why people are interacting with expressive culture. This book provides a roadmap for combining online and in-person ethnographic research in an explicit manner to support the reality of much contemporary fieldwork. In the tradition of the Qualitative Research Methods series, this concise book serves graduate students and faculty learning ethnography and field methods, as well as those designing, conducting, and writing up their own dissertations and research studies. From choosing the pursue a hybrid ethnographic strategy to collecting data to analyzing and sharing results, author Liz Przybylski covers all aspects of conducting a hybrid ethnography study. Hybrid Ethnography was awarded Honorable Mention for the 2021 Bruno Nettle Prize given by the Society for Ethnomusicology!

Phonurgia Universalis: Universals in Music (Numanities - Arts and Humanities in Progress #28)

by François-Bernard Mâche

This translation of Musique au singulier (2001) from the French identifies what is common to music of all times and cultures. The author, François-Bernard Mâche is a composer and internationally renowned musicologist. He addresses the question of universals in music and demonstrates how musical play is a poetic and natural game that already takes shape in the animal world. Mâche invites the reader to reconsider the traditional opposition between nature and culture and to reflect on experiencing such intense emotions when both listening to and manipulating sounds. This title appeals to students and researchers working in musicology.

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