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Listening: A History Of Our Ears (Perspectives in Continental Philosophy)
by Charlotte Mandell Jean-Luc NancyIn this lyrical meditation on listening, Jean-Luc Nancy examines sound in relation to the human body. How is listening different from hearing? What does listening entail? How does what is heard differ from what is seen? Can philosophy even address listening, écouter, as opposed to entendre, which means both hearing and understanding? Unlike the visual arts, sound produces effects that persist long after it has stopped. The body, Nancy says, is itself like an echo chamber, responding to music by inner vibrations as well as outer attentiveness. Since “the ear has no eyelid” (Quignard), sound cannot be blocked out or ignored: our whole being is involved in listening, just as it is involved in interpreting what it hears. The mystery of music and of its effects on the listener is subtly examined. Nancy’s skill as a philosopher is to bring the reader companionably along with him as he examines these fresh and vital questions; by the end of the book the reader feels as if listening very carefully to a person talking quietly, close to the ear.
Listen: A History of Our Ears
by Charlotte Mandell Jean-Luc Nancy Peter SzendyIn this intimate meditation on listening, Peter Szendy examines what the role of the listener is, and has been, through the centuries. The role of the composer is clear, as is the role of the musician, but where exactly does the listener stand in relation to the music s/he listens to? What is the responsibility of the listener? Does a listener have any rights, as the author and composer have copyright? Szendy explains his love of musical arrangement (since arrangements allow him to listen to someone listening to music), and wonders whether it is possible in other ways to convey to others how we ourselves listen to music. How can we share our actual hearing with others? Along the way, he examines the evolution of copyright laws as applied to musical works and takes us into the courtroom to examine different debates on what we are and aren’t allowed to listen to, and to witness the fine line between musical borrowing and outright plagiarism. Finally, he examines the recent phenomenon of DJs and digital compilations, and wonders how technology has affected our habits of listening and has changed listening from a passive exercise to an active one, whereby one can jump from track to track or play only selected pieces.
Señor Don Gato: A Traditional Song
by John MandersWhen he climbs on a roof to read a love letter, a cat has an unfortunate fall with unexpected consequences.
Ancient Sounds for a New Age: An Introduction to Himalayan Sacred Sound Instruments
by Diáne MandleAncient Sounds for a New Age is an introduction to and overview of sound healing with Himalayan instruments. It offers a clear idea of what is needed to learn and practice for anyone who decides to enter the field, and serves as an instructional tool to that end. Diáne has combined techniques from other fields that have proven very effective for her clients and describe these in the book. As an extra bonus, exclusive access to a digital one-hour instructional video is included to demonstrate Diáne’s methods as a practitioner. The book is organized in five parts. The first, Part I: Fundamentals of Sound Healing, offers an orientation to the work. Part II: The Sacred Sound Family, teaches about the sound healing instruments—the tingshas, the ganta and dorje, and the Himalayan bowls—and the author takes you through some basic configurations for working with multiple instruments. Part III: Sound Healing and the Chakras, offers a breakdown of techniques and principles for working with the body’s main energy centers, the chakras. Part IV: Working with Challenging Emotions, offers brief orientations to working with anxiety and depression, dedicating one chapter to each. The last main section of the book, Part V: Enhancing Your Practice, concerns ways to include other modalities in a sound healing session, and the author shares some that have worked well in her own practice. Diane explores colors and toning, power language, and visualization, reminding the reader, “In learning to practice sound healing, we are aspiring to become more than technicians who can play the instruments—we are developing into healers.” Additionally, several Appendices include: thumbnail profiles of some sound healing pioneers, an interesting case study, some client testimonials, and further resources, including information about Diane’s school and some of the classes and products offered. “Diáne Mandle is the preeminent voice in the field of Tibetan bowl sound healing. Her book, Ancient Sounds for the New Age, offers a platform of deep understanding on which a practical skill set can be easily built upon. This is what the emerging field of sound healing has been waiting for. There is no doubt that it will soon be recognized as the go-to resource for serious vibrational practitioners.”—Richard Rudis (Karma Sonam Dorje) “Diane Mandle's Tibetan Bowels were part of the Integrative Medical Care offered at the San Diego Cancer and Research Institute. Our patients found her sounds magical, therapeutic, meditative and leading to an inner sense of peace and well-being.” —Paul Brenner M.D, PhD “In Ancient Sounds for a New Age, Diane reveals how to use the Tibetan bowls, tingshas, ganta, and dorgje to transform problems into doorways of light. I've personally experienced her ability to awaken the music of the soul and open to the blessings of harmony, and now with this indispensable book, you can too.”—Cyndi Dale, Intuitive, healer, and author of many bestselling books including The Subtle Body, The Intuition Guidebook, The Complete Book of Chakras, Energetic Boundaries
Kendrick Lamar's To Pimp A Butterfly (33 1/3 Series)
by Sequoia ManerBreaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar's sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering laudatory album reviews, many awards, and even a canonized place in Harvard's W. E. B. Du Bois archive. Why did this strangely compelling record stimulate the emotions and imaginations of listeners? <p><p>This book takes a deep dive into the sounds, images, and lyrics of To Pimp a Butterfly to suggest that Kendrick appeals to the psyche of a nation in crisis and embraces the development of a radical political conscience. Kendrick breathes fresh life into the Black musical protest tradition and cultivates a platform for loving resistance. Combining funk, jazz, and spoken word, To Pimp a Butterfly's expansive sonic and lyrical geography brings a high level of innovation to rap music. More importantly, Kendrick's introspective and philosophical songs compel us to believe in a future where, perhaps, we gon' be alright.
Made in Ireland: Studies in Popular Music (Routledge Global Popular Music Series)
by Áine Mangaoang John O'Flynn Lonán Ó BriainMade in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music.
Michael and Me: The Untold Story of Michael Jackson's Secret Romance
by Shana MangatalMore than six years after his death, Michael Jackson continues to fascinate the world. Shana Mangatal was one of Jackson's only constant and true rocks of stability for nearly two decades. Their relationship was quiet and sweet and real--a closely guarded secret, known only to a few trusted employees and friends. Shana is now coming forward to tell their love story. Her story is rich with every little detail. She witnessed the scandals, lawsuits, the release of groundbreaking albums and subsequent world tours, big-budget short films, addictions. Michael and Me entertains and inspires, but above all, Shana continues to treat Michael (and his legacy) with respect. This is not an exploitative tell-all, but rather a book that shows the side of Michael people never knew. In it, Shana paints a more intimate picture of this beloved, yet very misunderstood man.
Mary Climbs In: The Journeys of Bruce Springsteen's Women Fans
by Lorraine Mangione Donna LuffBruce Springsteen has been cherished by his fans for decades, from his early days playing high school gymnasiums through globally successful albums and huge stadium shows to solo performances in intimate theaters. As his long and illustrious career has evolved, the legendary devotion of his fans has remained a constant. Springsteen fans have become worthy of study in their own right, with books, memoirs, and even a movie documenting their passion and perspectives. But his fans are not monolithic, and surprisingly little attention has been paid to why so many women from across the world adore The Boss. Mary Climbs In illuminates this once overlooked but increasingly important and multi-faceted conversation about female audiences for Springsteen’s music. Drawing on unique surveys of fans themselves, the study offers insight into women’s experiences in their own voices. Authors Lorraine Mangione and Donna Luff explore the depth of women fans’ connection to Springsteen and the profound ways this connection has shaped their lives. Reflections from fans enliven each page as readers journey through the camaraderie and joy of concerts, the sorrow and confusion of personal loss and suffering, the love and closeness of community, and the search for meaning and for the self. Viewed through a psychological lens, women fans’ relationship with Springsteen is revealed in all its complexity as never before. Mary Climbs In is an important interdisciplinary contribution to the growing field of Springsteen studies and a must-read for any fan.
Blues Musicians of the Mississippi Delta
by Steven ManheimThe Mississippi Delta blues run as deep and mysterious as the beautiful land from where the music originates. Blues legends B.B. King, Muddy Waters, John Lee Hooker, Howlin' Wolf, Sonny Boy Williamson, and countless other greats came from this region. The Delta blues, born as work songs in Mississippi cotton fields, was played on city street corners and in rural juke joints. With the Great Migration of African Americans in the first half of the 20th century, the Delta blues also made its way from Mississippi to Chicago. The sound of the blues would become the blueprint for the birth of rock and roll in Memphis in the 1950s. The era of the great Delta blues musicians is over, but their legacy remains an important chapter in American music. This book contains images of these important performers and the rich Delta landscapes that influenced their music.
Reimagine to Revitalise: New Approaches to Performance Practices Across Cultures (Elements in Twenty-First Century Music Practice)
by Charulatha Mani
Barbie: I can be A Rock Star
by Mary Man-Kong Jiyoung AnBarbie decides to enter the big talent competition. Unfortunately, so does her biggest rival: her "frenemy," Raquelle! Barbie is very nervous--but with a little help from her friends, she rocks the house! This full-color storybook comes with over 50 rockin' stickers!From the Trade Paperback edition.
The Rolling Stones Rare and Unseen: Foreword by Keith Richards, afterword by Andrew Loog Oldham
by Gered MankowitzFOREWORD BY KEITH RICHARDS'ICONIC... DAZZLING.'-MOJO'Gered was at one with the band. More than that, for that special time, he was in the band.'-ANDREW LOOG OLDHAM'He was a hell of a lot of fun. That's why he was a good photographer.'-MARIANNE FAITHFULLDelve into the unseen archive of iconic photographer Gered Mankowitz as he shares rare and newly discovered images of his time with the Rolling Stones, alongside his most iconic shots.Just a teenager, Mankowitz took some of the best-loved photographs of the Stones in their frantic, formative years. Now for the first time he looks beyond those famous images - unearthing frames that have never been seen before, plus those rarely used.Also featuring Gered's first-hand stories and a host of expert writers on the band and their music - including The Times' chief rock and pop critic Will Hodgkinson, Ben Sisario of the New York Times as well as academics, fashion writers and more - The Rolling Stones Rare and Unseen is a fresh look at the greatest story in rock 'n' roll.AFTERWORD BY ANDREW LOOG OLDHAM
The Rolling Stones Rare and Unseen: Foreword by Keith Richards, afterword by Andrew Loog Oldham
by Gered MankowitzFOREWORD BY KEITH RICHARDS'ICONIC... DAZZLING.'-MOJO'Gered was at one with the band. More than that, for that special time, he was in the band.'-ANDREW LOOG OLDHAM'He was a hell of a lot of fun. That's why he was a good photographer.'-MARIANNE FAITHFULLDelve into the unseen archive of iconic photographer Gered Mankowitz as he shares rare and newly discovered images of his time with the Rolling Stones, alongside his most iconic shots.Just a teenager, Mankowitz took some of the best-loved photographs of the Stones in their frantic, formative years. Now for the first time he looks beyond those famous images - unearthing frames that have never been seen before, plus those rarely used.Also featuring Gered's first-hand stories and a host of expert writers on the band and their music - including The Times' chief rock and pop critic Will Hodgkinson, Ben Sisario of the New York Times as well as academics, fashion writers and more - The Rolling Stones Rare and Unseen is a fresh look at the greatest story in rock 'n' roll.AFTERWORD BY ANDREW LOOG OLDHAM
The Study of Fugue (Dover Books On Music: Analysis)
by Alfred MannClassic study comprises two parts. The first is a comprehensive historical survey of writings on the fugue from the beginning of fugal teaching (c. 1350) to the present. Part Two explores in depth four 18th-century studies which are its classical presentations: Steps to Parnassus, J. J. Fux (1725), A Treatise on Fugue, F. W. Marpurg (1753-54), Fundamental and Practical Essay on Fugal Counterpoint, Padre Martini (1775), A Manual of the Fundamental Principles of Composition, J. A. Albrechtsberger (1790). Translations of texts, introductions and critical commentary, and many musical examples. Index. Bibliography.
Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power
by Larisa Kingston MannIn this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann shows, goes beyond cultural concerns.Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization.
Richard Wagner y la música
by Thomas MannLa evolución de una pasión durante toda una vida: el arte de Richard Wagner según Thomas Mann. Thomas Mann reservó su entusiasmo y sabiduría de lector meticuloso para aquellos autores cuyas obras le hicieron soñar. Como figura central de este panteón de padrinos culturales se alza Richard Wagner, pasión fundamental del escritor y piedra de toque de algunas de sus novelas. Este libro ofrece una visión plural y cambiante del compositor, a quien Mann admiró sobre todo por haber sabido trascender las limitaciones específicas de su campo y aspirar a la universalidad. «Realmente, no es difícil advertir un hálito del espíritu que anima El anillo de los Nibelungos en mis Buddenbrook, en esa procesión épica de generaciones unidas y entrelazadas gracias a un conjunto de motivos centrales.»Thomas Mann
Sufrimientos y grandeza de Richard Wagner (Colección Endebate #Volumen)
by Thomas MannEl apasionado ensayo escrito por Thomasn Mann sobre el gran compositor alemán Richard Wagner. «La pasión por la mágica obra de Wagner me haacompañado toda mi vida, desde que la descubríy empecé a asimilarla y a penetrar en ella.» Estas elogiosas palabras de Thomas Mann forman parte del controvertido ensayo escrito en 1933, aplaudido por muchos y denostado por personalidades de la época como Olaf Gulbransson o Richard Strauss. El autor de La montaña mágica analiza con pasión los claroscuros del carácter y el pensamiento de Richard Wagner, los mimos que dieran vida a una obra extraordinaria, monumental, que compara a la de grandes escritores del siglo XIX como Émile Zola o Lev Tolstói.
Mario Lanza: Singing to the Gods (American Made Music Series)
by Derek ManneringBlessed with one of the great tenor voices of all time, Mario Lanza (1921-1959) rose to spectacular heights in a film, recording, and concert career that spanned little more than a decade. Groomed at the outset for a career on the opera stage, Lanza instead flourished in Hollywood where his films, most notably The Great Caruso, broke box-office records the world over and influenced the careers of countless musicians. To this day, the Three Tenors cite him as an inspiration for their own careers on the classical stage. Lanza's recordings for RCA sold in the millions, and he remains the crossover artist supreme. But his tremendous success was derailed by his self-destructive lifestyle, and by age thirty-eight he was dead, with his extraordinary promise left unfulfilled. Newly revised and updated for its first U.S. edition, Mario Lanza: Singing to the Gods is the definitive account of the remarkable life and times of one of the twentieth century's most beloved singing stars. This richly detailed work also contains a selection of rare photographs, several of which are drawn from Lanza's estate. With the support of Lanza's daughter, Ellisa Lanza Bregman, the tenor's colleagues, and his closest friend, Terry Robinson, Derek Mannering has chronicled a fascinating and unforgettable life. From the fabulous successes of the early MGM years through the disastrous walkouts and cancellations that sent Lanza's career into freefall, Mannering objectively and movingly reveals the story of a great star torn apart by his own troubled psyche and undisciplined lifestyle.
iOpener: I am a Drummer (iOpeners)
by Jane Manners Sam SacchettiIn I Am a Drummer, schoolchildren will read about Sam, a young drummer, and all the different ways he plays the drums. This title features clear photography, bright colors, and contains a lot of noisy words that are fun to read aloud. This 32-word book has discussion questions at the back to encourage reading comprehension.Grade: KindergartenSubject: Physical ScienceGenre: Biography/AutobiographyComprehension Skill/Strategy: Make InferencesDiagnostic Reading Assessment (DRA/EDL): 6Guided Reading Level: DLexile Level: 6DK's iOpeners equip K-6 students with the skills and strategies they need to access and comprehend nonfiction so that they are not only learning to read but reading to learn. The combination of high-interest content and eye-popping photography of iOpeners brings science and social studies topics to life, raises student achievement in reading, and boosts standardized test scores.
Michael Jackson and the Blackface Mask (Ashgate Popular and Folk Music Series)
by Harriet J. ManningBlackface minstrelsy, the nineteenth-century performance practice in which ideas and images of blackness were constructed and theatricalized by and for whites, continues to permeate contemporary popular music and its audience. Harriet J. Manning argues that this legacy is nowhere more evident than with Michael Jackson in whom minstrelsy’s gestures and tropes are embedded. During the nineteenth century, blackface minstrelsy held together a multitude of meanings and when black entertainers took to the stage this complexity was compounded: minstrelsy became an arena in which black stereotypes were at once enforced and critiqued. This body of contradiction behind the blackface mask provides an effective approach to try and understand Jackson, a cultural figure about whom more questions than answers have been generated. Symbolized by his own whiteface mask, Jackson was at once ’raced’ and raceless and this ambiguity allowed him to serve a whole host of others’ needs - a function of the mask that has run long and deep through its tortuous history. Indeed, Manning argues that minstrelsy’s assumptions and uses have been fundamental to the troubles and controversies with which Jackson was beset.
Michael Jackson and the Blackface Mask (Ashgate Popular and Folk Music Series)
by Harriet J. ManningMichael Jackson challenged the power structure of the American music industry and struck at the heart of blackface minstrelsy, America’s first form of mass entertainment. The response was a derisive caricature that over time Jackson subverted through his art. In this expanded, all-new edition, Michael Jackson and the Blackface Mask argues for the tangible relationship between Jackson and blackface minstrelsy. It reveals the dialogue at minstrelsy’s core and, in its broader sense, tracks a centuries-long pattern of racial oppression and its resistance and how that has been played out in popular theatre. Michael Jackson and the Blackface Mask explores Jackson’s early talent and fame and the birth and escalation of ‘Wacko Jacko’. In relation to all this, the book examines Jackson’s dynamic art as it evolved, from his live performances and short films to the very surface of his own body. Scholarly and interdisciplinary, this work is suitable for readers across a diverse spectrum of academic fields, including African American studies, popular music studies and cultural theory, media and communication, gender studies and performance and theatre studies. Academic but accessible, this book will also be an engaging read for anyone interested in Michael Jackson and especially in his role as an icon of difference, in America’s dynamics of race and his mass media image.
If It Sounds Good, It Is Good: Seeking Subversion, Transcendence, and Solace in America's Music
by Richard ManningMusic is fundamental to human existence; it is embedded in our evolution and encoded in our DNA, which is to say, essential to our survival. Academics in a variety of disciplines have devised explanations that Richard Manning, a lifelong journalist, finds hollow, incomplete, ivory-towered, and just plain wrong. He approaches the question from a wholly different angle, using his own guitar and banjo as instruments of discovery. In the process, he finds himself dancing in celebration of music rough and rowdy. American roots music is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, field hands, drunks, slackers, and hucksters. Yet these people—poor, working people—built the foundations of jazz, gospel, blues, bluegrass, rock 'n' roll, and country music, in an unparalleled burst of invention. Use this book to follow where Manning's guitar leads. Ultimately, it sings the American body electric.
Guitar Girl
by Sarra ManningSeventeen-year-old Molly Montgomery never planned on becoming famous. Molly's band, The Hormones, was just supposed to be about mucking around with her best mates, Jane and Tara, and having fun. But when the deliciously dangerous Dean and his friend T join the band, things start happening fast. Soon The Hormones are front-page news, and their debut album is rocketing up the charts. Molly is the force behind the band, but the hazards of fame, first love, screaming fans, and sleazy managers are forcing the newly crowned teen queen of grrl angst close to the edge. Fame never comes for free, and Molly's about to find out what it costs.
Rock and Roll Cage Match
by Sean ManningWell-known music journalists, cultural critics, humorists, and musicians render their verdict on the legendary and soon-to-be legendary rivalries of rock.
The Show I'll Never Forget: 50 Writers Relive Their Most Memorable Concertgoing Experience
by Sean ManningIn The Show I’ll Never Forget, writer Sean Manning has gathered an amazing array of unforgettable concert memories from a veritable A-list of acclaimed novelists, poets, biographers, cultural critics, and songwriters. Their candid, first-person recollections reveal as much about the writers’ lives at the time as they do about the venues where the shows occurred or the artists onstage. Ishmael Reed on Miles Davis Luc Sante on Public Image Ltd. Heidi Julavits on Rush Daniel Handler and Andrew Sean Greer on Metric Diana Ossana on Led Zeppelin Maggie Estep on Einsturzende Neubauten Dani Shapiro on Bruce Springsteen Gary Giddins on Titans of the Tenor! Nick Flynn on Mink DeVille Susan Straight on The Funk Festival Rick Moody on the The Lounge Lizards Jennifer Egan on Patti Smith Harvey Pekar on Joe Maneri Thurston Moore on Glen Branca, Rudolph Grey, and Wharton Tiers Chuck Klosterman on Prince Sigrid Nunez on Woodstock Jerry Stahl on David Bowie Charles R. Cross on Nirvana Marc Nesbitt on The Beastie Boys And many more . . . No matter where your musical taste falls, these often funny, occasionally sad, always thought-provoking essays-all written especially for The Show I’ll Never Forget-are sure to connect with anyone who loves, or has ever loved, live music.