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Being Elvis: A Lonely Life

by Ray Connolly

The perfect companion to Baz Luhrmann's forthcoming biopic Elvis, a major motion picture starring Tom Hanks and Austin Butler.What was it like to be Elvis Presley? What did it feel like when impossible fame made him its prisoner? As the world's first rock star there was no one to tell him what to expect, no one with whom he could share the burden of being himself - of being Elvis.On the outside he was all charm, sex appeal, outrageously confident on stage and stunningly gifted in the recording studio. To his fans he seemed to have it all. He was Elvis. With his voice and style influencing succeeding generations of musicians, he should have been free to sing any song he liked, to star in any film he was offered, and to tour in any country he chose. But he wasn't free. The circumstances of his poor beginnings in the American South, which, as he blended gospel music with black rhythm and blues and white country songs, helped him create rock and roll, had left him with a lifelong vulnerability. Made rich and famous beyond his wildest imaginings when he mortgaged his talent to the machinations of his manager, 'Colonel' Tom Parker, there would be an inevitable price to pay. Though he daydreamed of becoming a serious film actor, instead he grew to despise his own movies and many of the songs he had to sing in them. He could have rebelled. But he didn't. Why? In the Seventies, as the hits rolled in again, and millions of fans saw him in a second career as he sang his way across America, he talked of wanting to tour the world. But he never did. What was stopping him?BEING ELVIS takes a clear-eyed look at the most-loved entertainer ever, and finds an unusual boy with a dazzling talent who grew up to change popular culture; a man who sold a billion records and had more hits than any other singer, but who became trapped by his own frailties in the loneliness of fame.

Amy Winehouse (Lives of the Musicians)

by Kate Solomon

In her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.

Amy Winehouse (Lives of the Musicians)

by Kate Solomon

In her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.

Beyoncé (Lives of the Musicians)

by Tshepo Mokoena

Beyoncé is not simply a pop sensation. She is a cultural phenomenon empowering the oppressed and dispossessed, challenging white privilege and misogyny and exploding gender politics. But who is Beyoncé Knowles-Carter? And how did a small girl from Houston become the strong confident woman whose albums sell in their millions and whose songs have become anthems against racial and sexual discrimination and oppression? This biography sets out to reveal exactly that.

Beyoncé (Lives of the Musicians)

by Tshepo Mokoena

Beyoncé is not simply a pop sensation. She is a cultural phenomenon empowering the oppressed and dispossessed, challenging white privilege and misogyny and exploding gender politics. But who is Beyoncé Knowles-Carter? And how did a small girl from Houston become the strong confident woman whose albums sell in their millions and whose songs have become anthems against racial and sexual discrimination and oppression? This biography sets out to reveal exactly that.

David Bowie (Lives of the Musicians)

by Robert Dimery

A relentless innovator, scoring chart hits while simultaneously incorporating radical and ground-breaking elements into his work.As with all great pop stars, Bowie's image changed with almost every new album release. This appetite for reinvention, both musically and visually, saw him dubbed the 'chameleon of pop'. But Bowie's influence extended well beyond his discography and make-up drawer. His androgynous qualities and public statements on his sexuality proved liberating for those who were uncertain about their own. Lives of the Musicians: David Bowie covers the years he spent struggling to find the right artistic outlet to the dramatic breakthrough in 1972 with Ziggy Stardust - and afterwards, the excessive lifestyle that nearly cost him his sanity. It continues with his artistic rebirth in Berlin during the late Seventies, the mainstream success he achieved with Let's Dance in 1983 and the artistic price that he paid for it.

David Bowie (Lives of the Musicians)

by Robert Dimery

A relentless innovator, scoring chart hits while simultaneously incorporating radical and ground-breaking elements into his work.As with all great pop stars, Bowie's image changed with almost every new album release. This appetite for reinvention, both musically and visually, saw him dubbed the 'chameleon of pop'. But Bowie's influence extended well beyond his discography and make-up drawer. His androgynous qualities and public statements on his sexuality proved liberating for those who were uncertain about their own. Lives of the Musicians: David Bowie covers the years he spent struggling to find the right artistic outlet to the dramatic breakthrough in 1972 with Ziggy Stardust - and afterwards, the excessive lifestyle that nearly cost him his sanity. It continues with his artistic rebirth in Berlin during the late Seventies, the mainstream success he achieved with Let's Dance in 1983 and the artistic price that he paid for it.

Prince (Lives of the Musicians)

by Jason Draper

His name was Prince, and he was funky. He was also inspiring, infuriating, visionary and otherworldly. Channelling contradictions in search of his own unique truth, he eventually changed his name to an unpronounceable glyph that merged the male and female symbols in an outward expression of his inner dualities. Gifted with the ability to play almost every instrument on his records, and shifting between musical styles as much as he switched-up his looks, he refused to acknowledge boundaries. Instead, he brought opposing forces together in a life-long quest to reconcile a dirty mind with a love for God. In doing so, the mini Minneapolis genius became a world-conquering icon whose towering legacy continues to shape pop culture.

Prince (Lives of the Musicians)

by Jason Draper

His name was Prince, and he was funky. He was also inspiring, infuriating, visionary and otherworldly. Channelling contradictions in search of his own unique truth, he eventually changed his name to an unpronounceable glyph that merged the male and female symbols in an outward expression of his inner dualities. Gifted with the ability to play almost every instrument on his records, and shifting between musical styles as much as he switched-up his looks, he refused to acknowledge boundaries. Instead, he brought opposing forces together in a life-long quest to reconcile a dirty mind with a love for God. In doing so, the mini Minneapolis genius became a world-conquering icon whose towering legacy continues to shape pop culture.

Songs In The Key of MP3: The New Icons of the Internet Age

by Liam Inscoe-Jones

It's 2013. You're a teenager squinting at your laptop in the dead of night, flicking between iTunes and YouTube and PirateBay. Endless reams of artists unspool at the click of a button. New forms of musical discovery open up before your very eyes. This evolving digital landscape exists beyond the radio, HMV and even the most extensive record collection. You've entered a whole new world and, suddenly, just about everything feels possible.In Songs in the Key of MP3: The New Icons of the Internet Age, Liam Inscoe-Jones explores five contemporary artists who broke the old rules of sound, style and the music industry at large: Devonté Hynes (of Blood Orange), FKA Twigs, Oneohtrix Point Never, Earl Sweatshirt and SOPHIE. Each began their careers as obscure outsiders but, over time, they helped to re-shape pop culture in their image. Through these five extraordinary figures and an eclectic supporting cast of dozens more, Inscoe-Jones paints a picture of the sonic landscape of the last ten years, exploring the influence of their dazzling music on pop culture, the internet and ourselves.An unorthodox mix of criticism, biography and music history - and featuring interviews with the likes of Caroline Polachek, Daniel Lopatin and Nicolás Jaar - Songs in the Key of MP3 is a book of endless curiosity and wonder; a salutary attempt to define pop culture in a fast and ephemeral age.

Songs In The Key of MP3: The New Icons of the Internet Age

by Liam Inscoe-Jones

It's 2013. You're a teenager squinting at your laptop in the dead of night, flicking between iTunes and YouTube and PirateBay. Endless reams of artists unspool at the click of a button. New forms of musical discovery open up before your very eyes. This evolving digital landscape exists beyond the radio, HMV and even the most extensive record collection. You've entered a whole new world and, suddenly, just about everything feels possible.In Songs in the Key of MP3: The New Icons of the Internet Age, Liam Inscoe-Jones explores five contemporary artists who broke the old rules of sound, style and the music industry at large: Devonté Hynes (of Blood Orange), FKA Twigs, Oneohtrix Point Never, Earl Sweatshirt and SOPHIE. Each began their careers as obscure outsiders but, over time, they helped to re-shape pop culture in their image. Through these five extraordinary figures and an eclectic supporting cast of dozens more, Inscoe-Jones paints a picture of the sonic landscape of the last ten years, exploring the influence of their dazzling music on pop culture, the internet and ourselves.An unorthodox mix of criticism, biography and music history - and featuring interviews with the likes of Caroline Polachek, Daniel Lopatin and Nicolás Jaar - Songs in the Key of MP3 is a book of endless curiosity and wonder; a salutary attempt to define pop culture in a fast and ephemeral age.

Songs In The Key of MP3: The New Icons of the Internet Age

by Liam Inscoe-Jones

It's 2013. You're a teenager squinting at your laptop in the dead of night, flicking between iTunes and YouTube and PirateBay. Endless reams of artists unspool at the click of a button. New forms of musical discovery open up before your very eyes. This evolving digital landscape exists beyond the radio, HMV and even the most extensive record collection. You've entered a whole new world and, suddenly, just about everything feels possible.In Songs in the Key of MP3: The New Icons of the Internet Age, Liam Inscoe-Jones explores five contemporary artists who broke the old rules of sound, style and the music industry at large: Devonté Hynes (of Blood Orange), FKA Twigs, Oneohtrix Point Never, Earl Sweatshirt and SOPHIE. Each began their careers as obscure outsiders but, over time, they helped to re-shape pop culture in their image. Through these five extraordinary figures and an eclectic supporting cast of dozens more, Inscoe-Jones paints a picture of the sonic landscape of the last ten years, exploring the influence of their dazzling music on pop culture, the internet and ourselves.An unorthodox mix of criticism, biography and music history - and featuring interviews with the likes of Caroline Polachek, Daniel Lopatin and Nicolás Jaar - Songs in the Key of MP3 is a book of endless curiosity and wonder; a salutary attempt to define pop culture in a fast and ephemeral age.

Take Nothing For Granted: Tales from an Unexpected Life

by Ross Kemp

'These are the stories of some of the things that have happened to me: the funny things, the scary things, the exciting things; the things that have made me who I am. I don't want to start at the beginning and tell them in chronological order because that's not the way my brain works. And this certainly isn't going to be one of those books of life lessons . . .'I've always been passionate about finding and telling stories. And now, for the first time, here are mine.'Famous for his portrayal of TV hardman Grant Mitchell and as the maker of documentaries exploring the most dangerous people and places on the planet, BAFTA-winning Ross Kemp is one of the UK's best known TV stars. Here, Ross shares tales from his remarkable life.From his childhood in Essex, where he used to pretend the woods behind his house were the Amazon rainforest, to finding himself travelling through the real thing thirty years later, Ross's life has taken many twists and turns. Through it all there's been no plan, no roadmap, no strategy. Ross has gone from one wild adventure to the next, and never quite felt like he's fitted in anywhere.From getting lost at sea to setting a sacred island on fire, auditioning for his part on EastEnders to filming in active war zones across the world, these are the heart-warming, hilarious and hard-hitting stories of some of the unexpected adventures that have happened along the way.Warm, energetic and endlessly entertaining, it is a fascinating snapshot of a life lived to the full.

Take Nothing For Granted: Tales from an Unexpected Life

by Ross Kemp

'These are the stories of some of the things that have happened to me: the funny things, the scary things, the exciting things; the things that have made me who I am. I don't want to start at the beginning and tell them in chronological order because that's not the way my brain works. And this certainly isn't going to be one of those books of life lessons . . .'I've always been passionate about finding and telling stories. And now, for the first time, here are mine.'Famous for his portrayal of TV hardman Grant Mitchell and as the maker of documentaries exploring the most dangerous people and places on the planet, BAFTA-winning Ross Kemp is one of the UK's best known TV stars. Here, Ross shares tales from his remarkable life.From his childhood in Essex, where he used to pretend the woods behind his house were the Amazon rainforest, to finding himself travelling through the real thing thirty years later, Ross's life has taken many twists and turns. Through it all there's been no plan, no roadmap, no strategy. Ross has gone from one wild adventure to the next, and never quite felt like he's fitted in anywhere.From getting lost at sea to setting a sacred island on fire, auditioning for his part on EastEnders to filming in active war zones across the world, these are the heart-warming, hilarious and hard-hitting stories of some of the unexpected adventures that have happened along the way.Warm, energetic and endlessly entertaining, it is a fascinating snapshot of a life lived to the full.

Strange Things Are Happening

by Richard Norris

'The rainbow reaches right across the sky, for miles and miles, and has landed right in the middle of our field. My­ mother, Alison, is standing at the beginning. I'm sure it's a beginning, rather than the end, as there's no pot of gold in sight. The point where everything forms or, perhaps, is not quite formed as yet. That's my favourite place. A place alive with possibility.'Strange Things Are Happening begins with the wonder of that rainbow, and continues with many escapades down the rabbit hole. From punk and the beginnings of the DIY scene, through Acid House, psychedelia, the rise of electronic dance music and much more, Richard Norris has been involved in countless countercultural revolutions. From misadventures in Amsterdam with Timothy Leary, with Sun Ra at customs, and Shaun Ryder in Joe Strummer's beaten up Cadillac in Tijuana, to his extraordinarily influential output in The Grid and Beyond The Wizards Sleeve, Richard Norris' story is one of collaboration and community, fuelled by relentless psychedelic curiosity.Strange Things Are Happening is a record of a life lived in the moment, forever in thrall to discovery, exploration and innovation - the search for what lies at the other end of that rainbow.

Strange Things Are Happening

by Richard Norris

'The rainbow reaches right across the sky, for miles and miles, and has landed right in the middle of our field. My­ mother, Alison, is standing at the beginning. I'm sure it's a beginning, rather than the end, as there's no pot of gold in sight. The point where everything forms or, perhaps, is not quite formed as yet. That's my favourite place. A place alive with possibility.'Strange Things Are Happening begins with the wonder of that rainbow, and continues with many escapades down the rabbit hole. From punk and the beginnings of the DIY scene, through Acid House, psychedelia, the rise of electronic dance music and much more, Richard Norris has been involved in countless countercultural revolutions. From misadventures in Amsterdam with Timothy Leary, with Sun Ra at customs, and Shaun Ryder in Joe Strummer's beaten up Cadillac in Tijuana, to his extraordinarily influential output in The Grid and Beyond The Wizards Sleeve, Richard Norris' story is one of collaboration and community, fuelled by relentless psychedelic curiosity.Strange Things Are Happening is a record of a life lived in the moment, forever in thrall to discovery, exploration and innovation - the search for what lies at the other end of that rainbow.

Strange Things Are Happening: Adventures in Music

by Richard Norris

'The rainbow reaches right across the sky, for miles and miles, and has landed right in the middle of our field. My­ mother, Alison, is standing at the beginning. I'm sure it's a beginning, rather than the end, as there's no pot of gold in sight. The point where everything forms or, perhaps, is not quite formed as yet. That's my favourite place. A place alive with possibility.'Strange Things Are Happening begins with the wonder of that rainbow, and continues with many escapades down the rabbit hole. From punk and the beginnings of the DIY scene, through Acid House, psychedelia, the rise of electronic dance music and much more, Richard Norris has been involved in countless countercultural revolutions. From misadventures in Amsterdam with Timothy Leary, with Sun Ra at customs, and Shaun Ryder in Joe Strummer's beaten up Cadillac in Tijuana, to his extraordinarily influential output in The Grid and Beyond The Wizards Sleeve, Richard Norris' story is one of collaboration and community, fuelled by relentless psychedelic curiosity.Strange Things Are Happening is a record of a life lived in the moment, forever in thrall to discovery, exploration and innovation - the search for what lies at the other end of that rainbow.

The Women’s Orchestra of Auschwitz: A Story of Survival

by Anne Sebba

'Superb and timely' KATE MOSSE'Impressive, important, deeply moving' SARAH WATERS'Brilliant' ANTHONY HOROWITZWhat role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives. In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.

The Women’s Orchestra of Auschwitz: A Story of Survival

by Anne Sebba

'Superb and timely' KATE MOSSE'Impressive, important, deeply moving' SARAH WATERS'Brilliant' ANTHONY HOROWITZWhat role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives. In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.

Words for My Comrades: A Political History of Tupac Shakur

by Dean Van Nguyen

Before his murder at twenty-five, Tupac Shakur rose to staggering artistic heights as the pre-eminent storyteller of the 90s, building, in the process, one of the most iconic public personas of the last half century. He recorded several platinum-selling albums, starred in major films and became an activist and political hero known the world over.In this cultural history and brilliantly researched biography, Dean Van Nguyen reckons with Tupac's coming of age, fame and influence and how the political machinations that shaped him as a boy have since buoyed his legacy as a revolutionary following the George Floyd uprising. Words for My Comrades crucially engages with the influence of Tupac's mother, Afeni, whose role in the Black Panther Party, with its dedication to dismantling American imperialism and police brutality, informed Tupac's art. Tupac's childhood as a son of the Panthers, coupled with the influence of his militant stepfather Mutulu Shakur, became his own riveting code of ethics that helped listeners reckon with America's inherent injustices.Drawing upon conversations with the people who bore witness - from Panther veterans and other committed Marxist revolutionaries of 1970s America, to good friends and close collaborators of the rapper himself - Van Nguyen demonstrates how Tupac became one of the most enduring musical legends in hip-hop history and how intimately his name is threaded with the legacy of Black Panther politics. Words for My Comrades is the story of how the energy of the Black political movement was subsumed by culture and how America produced, in Tupac and Afeni, two of its most iconic, enduring revolutionaries.

Words for My Comrades: A Political History of Tupac Shakur

by Dean Van Nguyen

Before his murder at twenty-five, Tupac Shakur rose to staggering artistic heights as the pre-eminent storyteller of the 90s, building, in the process, one of the most iconic public personas of the last half century. He recorded several platinum-selling albums, starred in major films and became an activist and political hero known the world over.In this cultural history and brilliantly researched biography, Dean Van Nguyen reckons with Tupac's coming of age, fame and influence and how the political machinations that shaped him as a boy have since buoyed his legacy as a revolutionary following the George Floyd uprising. Words for My Comrades crucially engages with the influence of Tupac's mother, Afeni, whose role in the Black Panther Party, with its dedication to dismantling American imperialism and police brutality, informed Tupac's art. Tupac's childhood as a son of the Panthers, coupled with the influence of his militant stepfather Mutulu Shakur, became his own riveting code of ethics that helped listeners reckon with America's inherent injustices.Drawing upon conversations with the people who bore witness - from Panther veterans and other committed Marxist revolutionaries of 1970s America, to good friends and close collaborators of the rapper himself - Van Nguyen demonstrates how Tupac became one of the most enduring musical legends in hip-hop history and how intimately his name is threaded with the legacy of Black Panther politics. Words for My Comrades is the story of how the energy of the Black political movement was subsumed by culture and how America produced, in Tupac and Afeni, two of its most iconic, enduring revolutionaries.

You Don't Need a Dick to DJ

by Smokin Jo

Before she became Smokin Jo - the most famous and visible of the first generation of 'superstar DJs' - Joanne Joseph was a young girl growing up in a children's home with her sister. Until her mother returned and whisked the siblings away just before secondary school to a flat on the Portobello Road, her life was devoid of music: the home didn't allow it, apart from hymns and carols at Christmas.As she entered the turbulent years of adolescence, Jo found herself pulled towards Soho and the burgeoning underground acid house scene, instantly finding herself at home amongst other artists, musicians and misfits who breathed and survived on dance music and ecstasy. Within a couple of years, in a lightning-fast ascent, Jo claimed her permanent place as one of England's most exciting and revered DJs of the British rave scene. In 1992, Jo was awarded DJ of the Year in DJ Magazine's list of Top 100 DJ's. To this day she is still the only woman to achieve this accolade.This alternately celebratory and brutal memoir tells a story full of change, growth and determination. It documents Jo's life and loves; her struggles with drink and drugs and journey towards peace and sobriety. It documents the highs and lows of rave culture in an unprecedented way through Jo herself: the elation and euphoria that comes with entertaining an audience as well as the misogyny, the racism, the prejudice and homophobia of the scene, as told by someone who has been at the hard end of these experiences. You Don't Need a Dick to DJ is an extraordinary, moving and unforgettable story from a pioneer and survivor; perhaps the most honest and startling memoir yet to emerge from the club scene.

You Don't Need a Dick to DJ

by Smokin Jo

Before she became Smokin Jo - the most famous and visible of the first generation of 'superstar DJs' - Joanne Joseph was a young girl growing up in a children's home with her sister. Until her mother returned and whisked the siblings away just before secondary school to a flat on the Portobello Road, her life was devoid of music: the home didn't allow it, apart from hymns and carols at Christmas.As she entered the turbulent years of adolescence, Jo found herself pulled towards Soho and the burgeoning underground acid house scene, instantly finding herself at home amongst other artists, musicians and misfits who breathed and survived on dance music and ecstasy. Within a couple of years, in a lightning-fast ascent, Jo claimed her permanent place as one of England's most exciting and revered DJs of the British rave scene. In 1992, Jo was awarded DJ of the Year in DJ Magazine's list of Top 100 DJ's. To this day she is still the only woman to achieve this accolade.This alternately celebratory and brutal memoir tells a story full of change, growth and determination. It documents Jo's life and loves; her struggles with drink and drugs and journey towards peace and sobriety. It documents the highs and lows of rave culture in an unprecedented way through Jo herself: the elation and euphoria that comes with entertaining an audience as well as the misogyny, the racism, the prejudice and homophobia of the scene, as told by someone who has been at the hard end of these experiences. You Don't Need a Dick to DJ is an extraordinary, moving and unforgettable story from a pioneer and survivor; perhaps the most honest and startling memoir yet to emerge from the club scene.

Wildfire: My Ten Years Getting High in The Prodigy

by Leeroy Thornhill

Wildfire tells the story of the first decade of The Prodigy from the perspective of original member Leeroy Thornhill, fully illustrated with entirely unseen photography from the earliest raves, to Japan and the United States in the late '90s, by which point the band were one of the biggest on the planet.Rave pioneers whose sound also encompassed hip hop, punk and rock, The Prodigy arguably had as much influence on contemporary pop culture as the Sex Pistols and these extraordinary images from Leeroy's personal archives capture the wild energy, ecstasy and abandon from the moment they dropped their first hit 'Charly' through the three albums which became the ubiquitous soundtrack to the decade: Experience, Music for the Jilted Generation and Fat of the Land. Beautifully designed in five colours with archival ephemera, and contextualised by Leeroy himself with candid and often hilarious stories describing the band's wild adventures and eccentric encounters as their fame and popularity spread 'like wildfire', this is the ultimate visual journey into the world of the original 'electronic punks'.

Wildfire: My Ten Years Getting High in The Prodigy

by Leeroy Thornhill

Wildfire tells the story of the first decade of The Prodigy from the perspective of original member Leeroy Thornhill, fully illustrated with entirely unseen photography from the earliest raves, to Japan and the United States in the late '90s, by which point the band were one of the biggest on the planet.Rave pioneers whose sound also encompassed hip hop, punk and rock, The Prodigy arguably had as much influence on contemporary pop culture as the Sex Pistols and these extraordinary images from Leeroy's personal archives capture the wild energy, ecstasy and abandon from the moment they dropped their first hit 'Charly' through the three albums which became the ubiquitous soundtrack to the decade: Experience, Music for the Jilted Generation and Fat of the Land. Beautifully designed in five colours with archival ephemera, and contextualised by Leeroy himself with candid and often hilarious stories describing the band's wild adventures and eccentric encounters as their fame and popularity spread 'like wildfire', this is the ultimate visual journey into the world of the original 'electronic punks'.

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