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A Passion for Polka: Old-Time Ethnic Music in America
by Victor GreeneNot so long ago, songs by the Andrews Sisters and Lawrence Welk blasted from phonographs, lilted over the radio, and dazzled television viewers across the country. Lending star quality to the ethnic music of Poles, Italians, Slovaks, Jews, and Scandinavians, luminaries like Frankie Yankovic, the Polka King, and "Whoopee John" Wilfart became household names to millions of Americans. In this vivid and engaging book, Victor Greene uncovers a wonderful corner of American social history as he traces the popularization of old-time ethnic music from the turn of the century to the 1960s. Drawing on newspaper clippings, private collections, ethnic societies, photographs, recordings, and interviews with musicians and promoters, Greene chronicles the emergence of a new mass culture that drew heavily on the vivid color, music, and dance of ethnic communities.In this story of American ethnic music, with its countless entertainers performing never-forgotten tunes in hundreds of small cities around the country, Greene revises our notion of how many Americans experienced cultural life. In the polka belt, extending from Connecticut to Nebraska and from Texas up to Minnesota and the Dakotas, not only were polkas, laendlers, schottisches, and waltzes a musical passion, but they shone a scintillating new light on the American cultural landscape. Greene follows the fortunes of groups like the Gold Chain Bohemians, illuminating the development of an important segment of American popular music that fed the craze for international dance music. And even though old-time music declined in the 1960s, overtaken by rock and roll, a new Grammy for the polka was initiated in 1986. In its ebullience and vitality, the genre endures.
Passion for the Piano
by Judith OringerEvolution of the piano, its manufacturing, care of a piano, piano competitions, the piano in literature and films, and politics and the piano.
Passionate Spirit: The Life of Alma Mahler
by Cate HasteA new biography of Alma Mahler (1879-1964), revealing a woman determined to wield power in a world that denied her agency History has long vilified Alma Mahler. Critics accused her of distracting Gustav Mahler from his work, and her passionate love affairs shocked her peers. Drawing on Alma's vivid, sensual, and overlooked diaries, biographer Cate Haste recounts the untold and far more sympathetic story of this ambitious and talented woman. Though she dreamed of being the first woman to compose a famous opera, Alma was stifled by traditional social values. Eventually, she put her own dreams aside and wielded power and influence the only way she could, by supporting the art of more famous men. She worked alongside them and gained credit as their muse, commanding their love and demanding their respect. Passionate Spirit restores vibrant humanity to a woman time turned into a caricature, providing an important correction to a history where systemic sexism has long erased women of talent.
The Passions of Peter Sellars: Staging the Music
by Susan McClaryRecognized as one of the most innovative and influential directors of our time, Peter Sellars has produced acclaimed—and often controversial—versions of many beloved operas and oratorios. He has also collaborated with several composers, including John C. Adams and Kaija Saariaho, to create challenging new operas. The Passions of Peter Sellars follows the development of his style, beginning with his interpretations of the Mozart-Da Ponte operas, proceeding to works for which he assembled the libretti and even the music, and concluding with his celebrated stagings of Bach’s passions with the Berlin Philharmonic. Many directors leave the musical aspects of opera entirely to the singers and conductor. Sellars, however, immerses himself in the score, and has created a distinctive visual vocabulary to embody musical gesture on stage, drawing on the energies of the music as he shapes characters, ensemble interaction, and large-scale dramatic trajectories. As a leading scholar of gender and music, and the history of opera, Susan McClary is ideally positioned to illuminate Sellars’s goal to address both the social tensions embodied in these operas as well as the spiritual dimensions of operatic performance. McClary considers Sellars’s productions of Mozart’s Le nozze di Figaro, Don Giovanni, and Così fan tutte; Handel’s Theodora; Messiaen’s Saint François d’Assise; John C. Adams’s Nixon in China, The Death of Klinghoffer, El Niño, and Doctor Atomic; Kaija Saariaho’s L’amour de loin, La Passion de Simone, and Only the Sound Remains; Purcell’s The Indian Queen; and Bach’s passions of Saint Matthew and Saint John. Approaching Sellars’s theatrical strategies from a musicological perspective, McClary blends insights from theater, film, and literary scholarship to explore the work of one of the most brilliant living interpreters of opera.
Past Sounds: An Introduction to the Sonata Idea in the Piano Trio
by Gillian PerrinThis is a book about classical music – for people who say they love music “but don’t understand how it works”, as well as for performers and music students of all ages. Proposing that deeper enjoyment begins with an understanding of music’s basic structures, the book describes how the simple template of earlier dance-songs was adapted by composers writing music for instruments. The instrumental sonata became one of the great formal frameworks of western music: in symphonies, concertos, chamber music and solo sonatas, it dominated concert music for some 250 years – yet it is little understood by many music lovers. To simplify this vast field, Past Sounds singles out for study “sonatas” for piano trio – piano, violin and ’cello. These instruments have well-contrasted and easily identifiable sounds, and as the story unfolds the reader is introduced to many rarely heard but beautiful works for piano trio. This is a lively, clearly-written narrative as well as a handbook for subsequent listening. The book has two distinctive features. Firstly, technical terms are carefully explained, and for those not familiar with music notation, audio clips in an accompanying website reproduce the actual sound of the music described. Secondly, in a broad historical sweep from mid-18th to 20th centuries, the development of the sonata is followed in its context of contemporary arts and literature – demonstrating how the sonata idea of classical music well deserves to be understood and valued as a western cultural archetype alongside other great artistic and literary forms.
Pasticcio and Temperance Plays in America: Il Pesceballo (1862) and Ten Nights Volume 8 (Nineteenth-Century American Musical Theater Series)
by Dale CockrellThe series aims to represent all the major genres and styles of musical theater of the century, from ballad opera through melodrama, plays with incidental music, parlor entertainments, pastiche, temperance shows, ethnic theater, minstrelsy, and operetta, to grand opera. This series of sixteen volumes provides for the first time ever a comprehensive set of works from a full century of musical theater in the United States of America. The two works in this volume seemingly have little in common. They reflect the society in which they were created in quite different ways. Il Pesceballo is an intelligent and subtle parody of operatic conventions, closer to the tradition of literary burlesque. Ten Nights in a Bar-Room is a play with interpolated song, a theatrical vehicle for moral evangelizing. The first, by America’s first great ballad scholar, remained practically unknown and unperformed; the second, by a forgotten actor/playwright, became legendary and widely embedded in the American cultural heritage. Yet both share at least two important features. One is their incorporation of easily recognized music. The works are also related through the purposes for which they were completed and performed.
The Pastoral in Charles Griffes's Music: Aesthetic of Ambivalence
by Taylor A. GreerAt the turn of the century, visionary composer Charles Tomlinson Griffes synthesized highly diverse elements from other musical traditions into his distinct artistic voice. As American as he was far ranging in his interests, Griffes was an aesthetic polyglot, combining elements of literature, visual arts, global folk melodies, and contemporary European art music into a new musical language. The breadth of his sources of inspiration are breathtaking, including the sensual harmonies of fin-de-siècle French music, the British Aesthetic Movement, folk music drawn from the Middle East and Java, and a wide range of poets, including William Blake, Samuel Taylor Coleridge, and William Sharp. The Pastoral in Charles Griffes's Music explores both his music and the rich historical context from which it grew to enrich our understanding of the composer's artistic contribution and reveal new intersections and contradictions in European and American culture during the early twentieth century. Taylor A. Greer also critiques the philosophical foundation of topic theory and its relationship to the pastoral in Griffes's music to reflect on the end of the nineteenth century and clarify our understanding of his artistic influences. With Griffes's conception of the pastoral, he transformed the siciliana-based tradition he inherited from the eighteenth century into a new and vibrant genre that preserved the usual associations of simplicity and tranquility and introduced new elements of tension into the pastoral ideal, including global voices, paradox, and occasional conflict.
Patriotism and Nationalism in Music Education
by David G. Hebert Alexandra Kertz-WelzelMusic has long served as an emblem of national identity in educational systems throughout the world. Patriotic songs are commonly considered healthy and essential ingredients of the school curriculum, nurturing the respect, loyalty and 'good citizenship' of students. But to what extent have music educators critically examined the potential benefits and costs of nationalism? Globalization in the contemporary world has revolutionized the nature of international relationships, such that patriotism may merit rethinking as an objective for music education. The fields of 'peace studies' and 'education for international understanding' may better reflect current values shared by the profession, values that often conflict with the nationalistic impulse. This is the first book to introduce an international dialogue on this important theme; nations covered include Germany, the USA, South Africa, Australia, Finland, Taiwan, Singapore and Canada.
Patti Smith: The Secret History (The\secret History Of Rock Ser.)
by Alan CrossAlan Cross is the preeminent chronicler of popular music.Here he provides a history of Patti Smith, Godmother of Punk."The High Punk Priestess of New York" looks at her influence and is adapted from the audiobook of the same name.
Patti Smith on Patti Smith: Interviews and Encounters (Musicians in Their Own Words)
by Aidan LevyFrom the moment Patti Smith burst onto the scene, chanting "Jesus died for somebody's sins, but not mine," the irreverent opening line to Horses, her 1975 debut album, the punk movement had found its dissident intellectual voice. Yet outside the recording studio—Smith has released eleven studio albums—the punk poet laureate has been perhaps just as revelatory and rhapsodic in interviews, delivering off-the-cuff jeremiads that emboldened a generation of disaffected youth and imparting hard-earned life lessons. With her characteristic blend of bohemian intellectualism, antiauthoritarian poetry, and unflagging optimism, Smith gave them hope in the transcendent power of art. In interviews, Smith is unfiltered and startlingly present, and prescient, preaching a gospel bound to shock or inspire. Each interview is part confession, part call-and-response sermon with the interviewer. And there have been some legendary interviewers: William S. Burroughs, Thurston Moore (of Sonic Youth), and novelist Jonathan Lethem. Her interview archive serves as a compelling counternarrative to the albums and books. Initially, interviewing Patti Smith was a censorship liability. Contemptuous of staid rules of decorum, no one knew what she might say, whether they were getting the romantic, swooning for Lorca and Blake, or the firebrand with no respect for an on-air seven-second delay. Patti Smith on Patti Smith is a compendium of profound and reflective moments in the life of one of the most insightful and provocative artists working today.
Paul and His Ukulele
by Robert BroderNot all who wander are lost, sometimes they're just searching for a new song.Paul was given a present. “A guitar?” said Paul. “It's a ukulele.” said his parents.Paul loved his ukulele and spent all his time crafting his own song. As he got older, Paul knew it was time to head out in search of something new.When his travels took him to one small town, the unexpected happened. But from unexpected circumstances can come new friendships and new experiences. And maybe that new song he's been looking for.
Paul Bekker's Musical Ethics
by Nanette NielsenGerman music critic and opera producer Paul Bekker (1882–1937) is a rare example of a critic granted the opportunity to turn his ideas into practice. In this first full-length study of Bekker in English, Nanette Nielsen investigates Bekker's theory and practice in light of ethics and aesthetics, in order to uncover the ways in which these intersect in his work and contributed to the cultural and political landscape of the Weimar Republic. By linking Beethoven's music to issues of freedom and individuality, as he argues for its potential to unify the masses, Bekker had already in 1911 begun to construct the ethical framework for his musical sociology and opera aesthetics. Nielsen discusses some of the complex (and conflicting) layers of modernism and conservatism in Bekker that would have a continued presence in his work and its reception throughout his career. Bekker's demands for a 'practical ethics' led to his criticisms of metaphysically grounded approaches to aesthetics, and his ethical views are put into further relief in a sketch of the development of his music phenomenology in the 1920s. Nielsen unravels the complex intersections between Bekker's ethics and his opera aesthetics in connection with his practice as an Intendant at the Wiesbaden State Theatre (1927–1932), offering a critical reading of an opera staged during his tenure: Hugo Herrmann’s Vasantasena (1930). Further works are considered in light of the theoretical framework underpinning the book, inspired by several intersections between ethics and aesthetics encountered in Bekker's work.
Paul Bowles: A Life
by Virginia Spencer CarrPaul Bowles, best known for his classic 1949 novel, The Sheltering Sky, is one of the most compelling yet elusive figures of twentieth-century American counterculture. In this definitive biography, Virginia Spencer Carr has captured Bowles in his many guises-gifted composer, expatriate novelist, and gay icon, to name only a few.
Paul Bowles on Music
by Paul Bowles Timothy Mangan Irene HerrmannThis volume collects the music criticism Bowles published between 1935 and 1946, with an interview conducted by Irene Herrmann shortly before his death.
Paul Dukas: Legacies of a French Musician (Routledge Research in Music)
by Helen Julia Minors Laura WatsonThis book appraises the contribution of Paul Dukas (1865–1935) to a wide variety of French musical practices. As a composer, critic, artistic collaborator and teacher, Dukas was central to the fin de siècle and early twentieth-century Paris musical scene (and more broadly to the French scene). Significantly, his compositional style mediated tradition through the modern language of his present, while his critical writings pioneered a new mode of musical discourse in the French press. Of further interest are Dukas’s professional relationships with iconic figures such as Gabriel Fauré and Claude Debussy, and his role in fostering the next generation of French composers. In addition to mentoring famous names such as Olivier Messiaen and Tony Aubin, he staunchly supported his female students, notably Elsa Barraine, Claude Arrieu and Yvonne Desportes. This unique essay collection offers a panoramic perspective on a comparatively neglected French musician. Paul Dukas: Legacies of a French Musician traces two aspects of his work: Part I treats Dukas as a composer, thinker and artistic collaborator; Part II constructs his intellectual legacy as seen in his creative and pedagogic endeavours. This book is essential reading for anyone interested in fin de siècle and early twentieth-century French music, women in French music, music criticism and composition education in the Paris Conservatoire.
Paul Hindemith: A Research and Information Guide (Routledge Music Bibliographies)
by Stephen LuttmannPaul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides electronic resources.
Paul Kelly: The man, the music and the life in between
by Stuart CoupeAustralia's best music writer examines the life of the Australian music legend - honest, revealing and a must-have for any Paul Kelly fan.Until now, no one has written the definitive biography of Australia's best-loved singer, song writer and poet. Taking us from Paul Kelly's family life as the sixth of eight children in Adelaide, Stuart Coupe, with Paul's blessing and access to friends, family and band mates, shows us the evolution from a young man who only really picked up a guitar in his late teens, to an Australian music icon. As Paul's music career took off he had to juggle the demands of rock'n'roll with real life and it wasn't always pretty. As Paul's manager for a time, Stuart Coupe has seen or heard it all - the good and the bad (like Paul being told by an audience member that his was the worst band ever!). The book will look at Paul Kelly's personal relationships and the impact they have had on Paul's career and his storytelling. It will also highlight his generosity to other artists, like Archie Roach. In 2017 Paul Kelly received an Order of Australia acknowledging his distinguished service to the performing arts and the promotion of the national identity through his contributions as singer, songwriter and musician. At the foundation of it all is his storytelling. PAUL KELLY: The man, the music and the life in between will give us an unfiltered examination of it all.
Paul McCartney: Many Years From Now
by Barry MilesThis book is a history from the inside, of one of the greatest song-writing partnerships of the century. It is the private life of a man made public property - a Beatle - by the age of 21. It is the trajectory of the most popular pop group in history, from the beginnings to break-up.
Paul McCartney: The Biography
by Philip Norman'A thorough, objective telling of McCartney's story - in and out of the most famous band ever.' ESQUIREThe first biography written with McCartney's approval and with access to family members and friends closest to him.In 2013, Sir Paul McCartney granted Philip Norman 'tacit approval' as his biographer. The result is a masterly and complex portrait of the most successful songwriter in history.It gives a unique insight into McCartney's childhood, blighted by the loss of his mother when he was fourteen, and into the creative symbiosis and fierce rivalry between John Lennon and himself that powered the Beatles' music. Here, too, for the first time, is the full story of McCartney's triumphant but troubled post-Beatles years: the tragic death of his first wife, Linda, and the chaotic divorce from his second wife, Heather Mills.Paul McCartney is the definitive life of a long-misunderstood genius that superbly evokes half a century of popular music and culture.
Paul McCartney: The Life
by Philip NormanThe definitive Paul McCartney biography, written with his approval by bestselling biographer Philip Norman.Since the age of twenty-one, Paul McCartney has lived one of the ultimate rock-n-roll lives played out on the most public of stages. Now, Paul's story is told by rock music's foremost biographer, with McCartney's consent and access to family members and close friends who have never spoken on the record before. PAUL McCARTNEY reveals the complex character behind the façade and sheds new light on his childhood--blighted by his mother's death but redeemed by the father who introduced him to music. This is the first definitive account of Paul's often troubled partnership with John Lennon, his personal trauma after the Beatles' breakup, and his subsequent struggle to get back to the top with Wings--which nearly got him murdered in Africa and brought him nine days in a Tokyo jail. Readers will learn about his marriage to Linda, including their much-criticized musical collaboration, and a moving account of her death. Packed with new information and critical insights, PAUL MCCARTNEY will be the definitive biography of a musical legend.
Paul McCartney and His Creative Practice: The Beatles and Beyond (Palgrave Studies in Creativity and Culture)
by Phillip McIntyre Paul ThompsonThis book provides fresh insight into the creative practice developed by Paul McCartney over his extended career as a songwriter, record producer and performing musician. It frames its examination of McCartney’s work through the lens of the systems model of creativity developed by Mihaly Csikszentmihalyi and combines this with the research work of Pierre Bourdieu. This systems approach is built around the basic structures of idiosyncratic agents, like McCartney himself, and the choices he has made as a creative individual. It also locates his work within social fields and cultural domains, all crucial aspects of the creative system that McCartney continues to be immersed in. Using this tripartite system, the book includes analysis of McCartney’s creative collaborations with musicians, producers, artists and filmmakers and provides a critical analysis of the Romantic myth which forms a central tenet of popular music. This engaging work will have interdisciplinary appeal to students and scholars of the psychology of creativity, popular music, sociology and cultural studies.
Paul Revere and the Bell Ringers (Ready-to-read Level 2)
by Jonah WinterYoung Paul Revere and his friends form a club whose members ring the bells at Christ Church, an experience which teaches him responsibility and other lessons that he uses as an adult in the American Revolution.
Paul Simon: A Life
by Marc EliotThe definitive biography of legendary singer-songwriter Paul Simon. Paul Simon, one of the country's most popular musicians, has been a dynamic creative force for more than half a century. Now New York Times bestselling biographer Marc Eliot draws on extensive research and original interviews to trace the incredible life and career of this iconic musician. Along the way Eliot examines Simon's early struggles to succeed as a singer-songwriter, the ups and downs of his decades-long collaboration with Art Garfunkel, his at-times obsessive admiration and competitive drive with Bob Dylan, his musical triumphs such as Still Crazy After All These Years and Graceland, the spectacular failure of his Broadway musical The Capeman, and much more. The first comprehensive biography of Paul Simon and his music Explores the complex relationship between Paul Simon and Art Garfunkel through years of their musical breakups and reunions Reveals personal details, with interviews, of Simon's life away from music Includes dozens of exclusive photographs, several published for the first time Whether you grew up listening to classic Simon and Garfunkel songs or came to love Paul Simon's music through his solo albums, this highly entertaining biography will give you a new understanding of this talented artist and the many surprising twists and turns of his life and work as a songwriter, a performer, and an icon of Boomer Generation.
Paul Simon: The Life
by Robert HilburnA publishing event from music legend Paul Simon: an intimate, candid, and definitive biography written with Simon’s full participation—but without his editorial control—by acclaimed biographer and music writer Robert Hilburn.For more than fifty years, Paul Simon has spoken to us in songs about alienation, doubt, resilience, and empathy in ways that have established him as one of the most beloved artists in American pop music history. Songs like “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland” have moved beyond the sales charts and into our cultural consciousness. But Simon is a deeply private person who has resisted speaking to us outside of his music. He has said he will not write an autobiography or memoir, and he has refused to talk to previous biographers. Finally, Simon has opened up—for more than one hundred hours of interviews—to Robert Hilburn, whose biography of Johnny Cash was named by Michiko Kakutani of the New York Times as one of her ten favorite books of 2013. The result is a landmark book that will take its place as the defining biography of one of America’s greatest artists. It begins in Kew Gardens Hills, Queens, where, raised by a bandleader father and schoolteacher mother, Simon grew up with the twin passions of baseball and music. The latter took over at age twelve when he and schoolboy chum Art Garfunkel became infatuated with the alluring harmonies of doo-wop. Together, they became international icons, and then Simon went on to even greater artistic heights on his own. But beneath the surface of his storied five-decade career is a roller coaster of tumultuous personal and professional ups and downs. From his remarkable early success with Garfunkel to their painfully acrimonious split; from his massive early hits as a solo artist to the wrenching commercial failures of One-Trick Pony and Hearts and Bones; from the historic comeback success of Graceland and The Rhythm of the Saints to the star-crossed foray into theater with The Capeman and a late-career creative resurgence—his is a musical life unlike any other. Over the past three years, Hilburn has conducted in-depth interviews with scores of Paul Simon’s friends, family, colleagues, and others—including ex-wives Carrie Fisher and Peggy Harper, who spoke for the first time—and even penetrated the inner circle of Simon’s long-reclusive muse, Kathy Chitty. The result is a deeply human account of the challenges and sacrifices of a life in music at the highest level. In the process, Hilburn documents Simon’s search for artistry and his constant struggle to protect that artistry against distractions—fame, marriage, divorce, drugs, record company interference, rejection, and insecurity—that have derailed so many great pop figures. Paul Simon is an intimate and inspiring narrative that helps us finally understand Paul Simon the person and the artist. “With train-wreck moments and tender interludes alike, it delivers a sharply detailed Kodachrome of a brilliant musician” (Kirkus Reviews).
Paul Weller and Popular Music: Identity, Idiolect and Image (Ashgate Popular and Folk Music Series)
by Andrew WestUsing research, analysis and a range of historical sources, Paul Weller and Popular Music immerses the reader in the excitement of Paul Weller’s unique creative journey, covering topics such as the artist’s position within his field; his creative processes; the contexts in which the music was made; the artist as collaborator; signifiers that mark the trajectory of the music; and formative influences. Focusing on over 40 years of recorded work from ‘In the City’ to ‘Fat Pop (Volume One)’, this study explores why Paul Weller's music is widely considered both timeless and of its time, and with reference to a wide range of interviews, reviews and texts, it offers an in-depth critical analysis of Paul Weller’s music. It will be of particular interest to scholars and researchers of popular music, popular culture, performance studies and music production.