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Piano & Keyboard All-in-One For Dummies
by Holly Day Jerry Kovarsky Blake Neely David Pearl Michael PilhoferYour complete guide to playing the keys Making beautiful music on a keyboard or piano requires some know-how and practice. This book offers guidance on how to get the most out of your time learning to play the keys. With six hands-on books wrapped up in one, you'll get a deep guide to the techniques the pros use. Discover the details of music theory and reading music, explore different musical genres, and use practice exercises to improve quickly. You'll even find tips on using electronic keyboard technology to enhance your sound. Inside… Piano & Keyboard 101 Understanding Theory and the Language of Music Beginning to Play Refining Your Technique and Exploring Styles Exercises: Practice, Practice, Practice Exploring Electronic Keyboard Technology
Piano Masterpieces of Maurice Ravel (Dover Music for Piano)
by Maurice Ravel"Ravel is one of the rare French composers who have left so strong an imprint on their art that music after them can never be the same." -- Alexis Roland-Manuel. Maurice Ravel (1875-1937) ranks as one of the most original French composers of his time, a consummate craftsman who continually sought perfection of form and style, and whose unique harmonic language was unmistakably his own. Along with Debussy, he stands in the front rank of great modern composers for the piano and his piano music includes a number of masterpieces considered vital to the repertoire of any serious pianist. This handsome, affordable volume reprints a rich selection of his compositions: "Pavane pour une infante défunte," "Jeux d'eau," "Sonatine," "Miroirs," "Menuet antique," "Menuet sur le nom d'Haydn," "Gaspard de la nuit," and more.From the dazzling "Jeux d'eau," whose inventiveness and harmonic ingenuity opened a whole new era in sound, to the beloved "Pavane pour une infante défunte," to the suite "Gaspard de la nuit," music of legendary difficulty that every serious pianist eventually attempts, the piano music of Ravel is among the most recorded and performed in the repertoire. This inexpensive Dover edition makes that music available, at a reasonable price, to pianists who wish to play and study the works of a composer in the vanguard of "the new order of post-Lisztian piano writing."
Piano Music for Little Fingers: Book 2 (Dover Classical Piano Music For Beginners)
by Ann Patrick GreenThe third volume in this series for pianists ages 4 to 9, this book contains more songs in the already familiar key of G. New topics include the key of F and extended hand positions with six-note melodies, plus the IV chord in all keys, dotted rhythms, dynamics, staccato and legato touches, and two-note and longer phrases. Heartwarming Family Circus cartoons appear throughout the book."Of all the piano instruction books and courses out there, yours is the best by far, because it combines theory, fun, a wonderful variety of songs, and of course, the 5-point learning plan. Thank you for providing such a fantastic piano course for children!" -- Beverly Short, Santa Monica, California"You've really found a wonderful way of making music fun for children with your songs. The songs are infused with spirit, so it makes learning truly enjoyable for students." -- Monica Le, Fullerton, California"I love these books because they work! I have been using them for many years with children 4 years old and up. The big notes make note learning easy and the directions for teachers are clear and methodical. My students and their parents are excited as they graduate from one level to the next. These books truly teach little fingers to play! Thank you, Ann Patrick Green!" -- Carol Orozco, Fullerton, California"I use Ann Patrick Green's books with every student. The larger note size, the use of solfege note reading, the inclusion of theory and the way each book is organized makes teaching and learning easy and fun." -- Lisa Smith, piano teacher
Piano Music for Little Fingers: Primer (Dover Classical Piano Music For Beginners)
by Ann Patrick GreenThis is the introductory volume of a three-book set designed to guide young pianists from the most basic techniques and theory to a mastery of the easy classics. The Primer consists of ten lessons, each of which may be divided into smaller or larger segments as needed. Geared toward students ages 4 to 9, this refreshing series features classic Family Circus cartoons."Of all the piano instruction books and courses out there, yours is the best by far, because it combines theory, fun, a wonderful variety of songs, and of course, the 5-point learning plan. Thank you for providing such a fantastic piano course for children!" -- Beverly Short, Santa Monica, California"You've really found a wonderful way of making music fun for children with your songs. The songs are infused with spirit, so it makes learning truly enjoyable for students." -- Monica Le, Fullerton, California"I love these books because they work! I have been using them for many years with children 4 years old and up. The big notes make note learning easy and the directions for teachers are clear and methodical. My students and their parents are excited as they graduate from one level to the next. These books truly teach little fingers to play! Thank you, Ann Patrick Green!" -- Carol Orozco, Fullerton, California"I use Ann Patrick Green's books with every student. The larger note size, the use of solfege note reading, the inclusion of theory and the way each book is organized makes teaching and learning easy and fun." -- Lisa Smith, piano teacher
Piano Music for Little Fingers: Book 2 (Dover Classical Piano Music For Beginners)
by Ann Patrick GreenThe third volume in this series for pianists ages 4 to 9, this book contains more songs in the already familiar key of G. New topics include the key of F and extended hand positions with six-note melodies, plus the IV chord in all keys, dotted rhythms, dynamics, staccato and legato touches, and two-note and longer phrases. Heartwarming Family Circus cartoons appear throughout the book."Of all the piano instruction books and courses out there, yours is the best by far, because it combines theory, fun, a wonderful variety of songs, and of course, the 5-point learning plan. Thank you for providing such a fantastic piano course for children!" — Beverly Short, Santa Monica, California"You’ve really found a wonderful way of making music fun for children with your songs. The songs are infused with spirit, so it makes learning truly enjoyable for students." — Monica Le, Fullerton, California"I love these books because they work! I have been using them for many years with children 4 years old and up. The big notes make note learning easy and the directions for teachers are clear and methodical. My students and their parents are excited as they graduate from one level to the next. These books truly teach little fingers to play! Thank you, Ann Patrick Green!" — Carol Orozco, Fullerton, California"I use Ann Patrick Green's books with every student. The larger note size, the use of solfege note reading, the inclusion of theory and the way each book is organized makes teaching and learning easy and fun." — Lisa Smith, piano teacher
Piano Music of Robert Schumann, Series I (Dover Classical Piano Music)
by Robert SchumannThis selection of Schumann's solo piano compositions contains all of his major work: "Variation über den Namen Abegg" (1830), "Papillons" (1832), "Studien nach Capricen von Paganini" (1832), "Davidsbundler" (1837), "Toccata" (1832), "Allegro" (1831), "Carnaval" (1834–5), "6 Concert-Etuden nach Capricen von Paganini" (1833), "Grosse Sonate No. 1" (1833–5), "Phanatasiestucke" (1937), "Grosse Sonate No. 3" (1835–6), "Kinderscenen" (1838), "Kreisleriana" (1838), "Arabeske" (1839), and "Blumenstück" (1839).This book has been especially designed as a playing edition — the notes are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis.
Piano Music of Robert Schumann, Series I (Dover Classical Piano Music)
by Robert Schumann Clara SchumannThis selection of Schumann's solo piano compositions contains all of his major work: "Variation über den Namen Abegg" (1830), "Papillons" (1832), "Studien nach Capricen von Paganini" (1832), "Davidsbundler" (1837), "Toccata" (1832), "Allegro" (1831), "Carnaval" (1834-5), "6 Concert-Etuden nach Capricen von Paganini" (1833), "Grosse Sonate No. 1" (1833-5), "Phanatasiestucke" (1937), "Grosse Sonate No. 3" (1835-6), "Kinderscenen" (1838), "Kreisleriana" (1838), "Arabeske" (1839), and "Blumenstück" (1839).This book has been especially designed as a playing edition -- the notes are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis.
Piano Music of Robert Schumann, Series II (Dover Classical Piano Music)
by Robert Schumann Clara SchumannDover Publications continues its series of playing editions of musical masterpieces with this selection of Robert Schumann's later compositions for solo piano, edited by Clara Schumann. This second volume contains the major compositions from the period 1838-53: "Humoreske," "Novelletten," "Sonate No. 2," Nachtstücke," "Faschingsschwank aus Wien," "42 Clavierstücke für die Jugend," "4 Fugen," "Waldscenen," "Bunte Blätter," and "3 Clavier-Sonaten für die Jugend."This book has been especially designed as a playing edition -- the noteheads are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis or as accompaniment to recordings.
Piano Notes: The Hidden World of the Pianist
by Charles RosenIn this eloquent, intimate exploration of the delights and demands of the piano, world-renowned concert pianist and music writer Charles Rosen draws on a lifetime's wisdom to consider every aspect of the instrument: from what makes a beautiful sound to suffering from stage fright, from the physical challenges of playing to tales of great musicians, including Vladimir Horowitz's recording tricks, Rachmaninov's hands and why Artur Rubenstein applied hairspray to the keys. Gracefully blending anecdote, history, expertise and memoir, Piano Notes will enchant anyone with a passion for music.
Piano Notes: The World of the Pianist
by Charles RosenCharles Rosen is one of the world's most talented pianists -- and one of music's most astute commentators. Known as a performer of Bach, Beethoven, Stravinsky, and Elliott Carter, he has also written highly acclaimed criticism for sophisticated students and professionals. In Piano Notes, he writes for a broader audience about an old friend -- the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights -- from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound. Rosen reveals Nadia Boulanger's favorite way to avoid commenting on the performances of her friends ("You know what I think," spoken with utmost earnestness), why Glenn Gould's recordings suffer from "double-strike" touches, and how even Vladimir Horowitz became enamored of splicing multiple performances into a single recording. Rosen's explanation of the piano's physical pleasures, demands, and discontents will delight and instruct anyone who has ever sat at a keyboard, as well as everyone who loves to listen to the instrument. In the end, he strikes a contemplative note. Western music was built around the piano from the classical era until recently, and for a good part of that time the instrument was an essential acquisition for every middle-class household. Music making was part of the fabric of social life. Yet those days have ended. Fewer people learn the instrument today. The rise of recorded music has homogenized performance styles and greatly reduced the frequency of public concerts. Music will undoubtedly survive, but will the supremely physical experience of playing the piano ever be the same?
Piano Pedagogy: A Research and Information Guide (Routledge Music Bibliographies)
by Gilles ComeauPiano Pedagogy: A Research and Information Guide provides a detailed outline of resources available for research and/or training in piano pedagogy. Like its companion volumes in the Routledge Music Bibliographies series, it serves beginning and advanced students and scholars as a basic guide to current research in the field. The book will includes bibliographies, research guides, encyclopedias, works from other disciplines that are related to piano pedagogy, current sources spanning all formats, including books, journals, audio and video recordings, and electronic sources.
The Piano Player of Budapest: A True Story of Holocaust Survival, Music and Hope
by Roxanne de BastionOne man, his piano and their miraculous survival.'Extraordinary' Baroness Julia Neuberger'Stunning. A beautiful blend of action, poetry, thought-provoking comment and music ... just brilliant' James Ainscough OBE'A gripping narrative of suffering, loss and survival, with music at its heart' Fiona MaddocksAll future, freedom and success lay ahead of young pianist Stephen de Bastion in 1930s Hungary. Life whirled headily around cocktails, romance, applause and the buzz of Budapest late into the night. Then, 1939. Stephen's world disintegrates and this becomes a story of his brutal descent, of his time in labour camps, of Mauthausen and Gunskirchen and the unimaginable horrors he endured during the Holocaust as a man of Jewish descent. Yet, this is also a tale of extraordinary escape ... and the piano, waiting for him.The same piano that Roxanne de Bastion, his granddaughter, inherits when her father dies. It has been in the family over one hundred years but it is only when, deep in grief, she discovers a cassette recording of Stephen, that the astonishing history of the piano, the man and her family begins to unravel. Weaving together his original recordings, unpublished memoirs, letters and documents, Roxanne sings out her grandfather's story of music and hope, lost and found. Luminous and profoundly moving, this book captures the great spirit of one man in the face of darkness and the hope that echoes down through generations.
The Piano Player of Budapest: A True Story of Holocaust Survival, Music and Hope
by Roxanne de BastionOne man, his piano and their miraculous survival.'Extraordinary' Baroness Julia Neuberger'Stunning. A beautiful blend of action, poetry, thought-provoking comment and music ... just brilliant' James Ainscough OBE'A gripping narrative of suffering, loss and survival, with music at its heart' Fiona MaddocksAll future, freedom and success lay ahead of young pianist Stephen de Bastion in 1930s Hungary. Life whirled headily around cocktails, romance, applause and the buzz of Budapest late into the night. Then, 1939. Stephen's world disintegrates and this becomes a story of his brutal descent, of his time in labour camps, of Mauthausen and Gunskirchen and the unimaginable horrors he endured during the Holocaust as a man of Jewish descent. Yet, this is also a tale of extraordinary escape ... and the piano, waiting for him.The same piano that Roxanne de Bastion, his granddaughter, inherits when her father dies. It has been in the family over one hundred years but it is only when, deep in grief, she discovers a cassette recording of Stephen, that the astonishing history of the piano, the man and her family begins to unravel. Weaving together his original recordings, unpublished memoirs, letters and documents, Roxanne sings out her grandfather's story of music and hope, lost and found. Luminous and profoundly moving, this book captures the great spirit of one man in the face of darkness and the hope that echoes down through generations.
Piano Playing: With Piano Questions Answered (Dover Books On Music: Piano #1)
by Josef HofmannJosef Hofmann (1876-1957) was a master of piano technique and an artist who had few equals at the keyboard. A student of Anton Rubinstein and a leading exponent of the works of Chopin, Liszt, and Schumann, he always balanced his virtuoso playing with a firm adherence to the piece as written. It is this balanced approach to piano playing that he advocates in this highly regarded volume on piano technique.The first section of the book contains a discussion of the rules and tricks of correct piano playing: touch, methods of practicing, the use of the pedal, playing the piece as it is written, "How Rubinstein Taught Me to Play," and indispensables in pianistic success. The second, much longer, section contains Hofmann's answers to specific questions sent to him by piano students and amateurs: questions on positions of the body and hand, actions of the wrist and arm, stretching, staccato, legato, precision, fingering, octaves, the pedals, practice, marks and nomenclature, phrasing, rubato, theory, transposing, and much more.Full of important background information that is highly useful to every piano player, this book will set students on the right track in their studies and allow every amateur to measure the level of his commitment and the quality of the instruction he is receiving. For insight into many facets of playing the piano, there is no better guide than Josef Hofmann.
Piano Servicing, Tuning, and Rebuilding: For the Professional, the Student, the Hobbyist
by Arthur A. ReblitzThe second edition of this world famous book puts into clear pictures and language how anyone handy with tools can repair, regulate, maintain, and even completely rebuild a piano.
The Piano Shop on the Left Bank
by Thad CarhartThad Carhart never realized there was a gap in his life until he happened upon Desforges Pianos, a demure little shopfront in his Pairs neighborhood that seemed to want to hide rather than advertise its wares. Like Alice in Wonderland, he found his attempts to gain entry rebuffed at every turn. An accidental introduction finally opened the door to the quartier's oddest hangout, where locals -- from university professors to pipefitters -- gather on Friday evenings to discuss music, love, and life over a glass of wine.Luc, the atelier's master, proves an excellent guide to the history of this most gloriously impractical of instruments. A bewildering variety passes through his restorer's hands: delicate ancient pianofortes, one perhaps the onetime possession of Beethoven. Great hulking beasts of thunderous voice. And the modest piano "with the heart of a lion" that was to become Thad's own.What emerges is a warm and intuitive portrait of the secret Paris -- one closed to all but a knowing few. The Piano Shop on the Left Bank is the perfect book for music lovers, or for anyone who longs to recapture a lost passion.From the Hardcover edition.
Piano Sonatas
by Muzio ClementiTreasury of keyboard music by extremely influential Italian composer includes 10 of his finest sonatas: Sonata in G Minor, Op. 7, No. 3; Sonata in F Minor, Op. 13, No. 6; Sonata in B Minor, Op. 40, No. 2; Sonata in G Minor, Op. 50, No. 3 (Didone Abbandonata); Sonata in D Major, Op. 25, No. 6; Sonata in A Major, Op. 33, No. 1; 4 more. Reprinted from authoritative editions published by C. F. Peters and Kistner & Siegel & Co.
Piano Starts Here: The Young Art Tatum
by Robert Andrew ParkerRegardless of whether they've heard of jazz or Art Tatum, young readers will appreciate how Parker uses simple, lyrical storytelling and colorful and energetic ink-and-wash illustrations to show the world as young Art Tatum might have seen it. Tatum came from modest beginnings and was nearly blind, but his passion for the piano and his acute memory for any sound that he heard drove him to become a virtuoso who was revered by both classical and jazz pianists alike. Included in the back matter is a biography and bibliography.<P><P> Winner of the Schneider Family Book Award
Piano Technique
by Walter Gieseking Karl LeimerThe volume presents two book by Walter Gieseking, foremost pianist of his generation, and his teacher for five years, Karl Leimer, that have long been sought after by students and teachers looking for a radical approach toward developing not only finger-technique but expression-technique. Emphasis throughout is on listening to one's self and proper understanding as the basis of proper technique for the piano.In book one, originally titled The Shortest Way to Pianistic Perfection, Gieseking and Leimer work with a series of piano works -- a study from Lebert and Stark, Bach's Two- and Three-Part Inventions in C, and Beethoven's Sonata in F Minor, Op. 2, No. 1. Before beginning to play, the student is asked to visualize each piece through silent reading. Through Leimer's instruction in this area the student soon discovers how to approach each piece as not merely a series of notes to memorize but as a coherent musical structure to understand. Following are instructions on natural interpretation, with consideration of touch, relaxation, and proper emphasis in the practice. Also given are notes on such topics as etudes, scales, broken chords, the trill, and tranquility.In book two, Rhythmics, Dynamics, Pedal and Other Problems of Piano Playing, Leimer carries his method of visualization further with a study of the Allemande from Bach's French Suite in E Major. Following are further exercises and practices for developing other pianistic technique with reference to works of other composers. Specific exercises which cover rhythmics, dynamics, and phrasing are designed so that they will benefit not only the pianist but also performers on other instruments. Extensive chapters on variety of touch and the pedal give a great number of techniques and exercises for extending the expressive and dynamic range.
Piano Tuning: A Simple and Accurate Method for Amateurs (Dover Books On Music: Piano)
by J. Cree FischerIf you have a note that has dropped in pitch, do you have to call in the tuner? A stuck key? Sympathetic rattle? Missing bridles? A broken hammer shank? An unglued ivory? The answer, in each case, is no: you can make all of these repairs yourself!This is the clearest and most complete book available for beginning tuners and amateur pianists. It explains all the basic processes practically and with model clarity. A non-musician can use this book without too much difficulty.You will learn how upright, grand, and square actions work, and how to take care of the smallest repairs — repairing stuck keys, poorly adjusted bottoms and capstans, crowded back checks, felts and leather on the hammers, hammer stems; softening damper and hammer felts; installing new bridles; eliminating "sympathetic rattle"; all with a minimum of tools and training.You will learn a professional method of tuning based on slightly flattened fifths, where only the octave and the upward fifth intervals are used. This is one of the easiest systems to learn, one capable of a great deal of control, and one perfectly suited to adjusting one or two keys. It is a tested method especially right for amateurs working without a teacher, and a method that trains the ear for other recommended systems. The author also explains "beats," the theory of the tempered scale, and useful experiments you can make with harmonic phenomena.If you want to experiment with tuning a piano, there is no better book to start with. It will help performers and teachers make occasional repairs and learn the structure and scale of the piano. Those who want to know how pianos work will find this book both clear and useful.
The Piano Works of Claude Debussy (Dover Books on Music)
by E. Robert SchmitzThis book is a firsthand report of a great composer's intentions in regard to the performance of his music. These intentions have been digested and interpreted for us by the composer's friend Robert Schmitz (1889–1949), who was himself a distinguished pianist, an articulate musician, and a well-known teacher. The product is an authoritative commentary on the entire body of Debussy's work for piano solo.Written for both performers and listeners, the book's purpose is to increase enjoyment of and insight into these works. The book's shorter opening section comprises notes on many general aspects of the composer's life and work; a biographical sketch; a discussion of Debussy's place in relation to the concepts of impressionism and romanticism; his use of classical forms, tonality and modality, melody, counterpoint, etc. Section two, the heart of the book, examines in detail the whole of Debussy's music for solo piano, two hands. Seventy-one pieces in all are included: The Arabesques, the Suite Bergmasque, the Estampes, Images, Children's Corner, Préludes and Études. Each in its chronological place, the pieces are first described as a whole as to mood, source of programmatic inspiration, structure, tonality, and other characteristics. Then follows specific suggestions dealing with technical and expressive problems of particular measures and phrases.The book is not meant as a substitute for Debussy's piano works; on the contrary, it will cause both listeners and performers to turn to this superb corpus of music with new interest and insight. "Complete, thorough, authoritative and important." — San Francisco Chronicle. "It is a thoughtful and mature reference book and though I am at variance with certain of its premises and conclusions, there is much to provoke the intelligent music lover and the inquiring musician." — Abram Chasins, The New York Times. "There is no doubt that he had closely identified himself with the great French composer, and his love and belief in the music shine through every page of this book." — H. C. Schonbert, The Saturday Review.
Piazzolla. El mal entendido
by Diego Fischerman Abel GilbertPiazzolla. El mal entendido es la biografía definitiva de uno de los compositores de tango más importantes del mundo. La vida y la obra de Astor Piazzolla transcurrieron entre su demonización y el asombrado reconocimiento. Fue el emblema sonoro de una ciudad que buscaba estar a tono con su tiempo y sus aspiraciones. A un siglo de su nacimiento, esta nueva edición de Piazzolla. El mal entendido recupera la trama artística, cultural y política que acompañó al bandoneonista desde su aparición fulgurante junto a Aníbal Troilo hasta su inserción internacional más allá del tango. El ensayo intenta ser un puente crítico de acercamiento a una música que no deja de abrirse a nuevos sentidos y reflexiones. "Este libro siempre ha tratado de ser un puente (uno más) con aquello que nos legó Piazzolla, un modo reflexivo de acercamiento a lo que, primero, llegó como una vibración: el aire de Buenos Aires en movimiento", dicen Fischerman y Gilbert.
Pick Up the Pieces: Excursions in Seventies Music
by John CorbettUnless you lived through the 1970s, it seems impossible to understand it at all. Drug delirium, groovy fashion, religious cults, mega corporations, glitzy glam, hard rock, global unrest—from our 2018 perspective, the seventies are often remembered as a bizarre blur of bohemianism and disco. With Pick Up the Pieces, John Corbett transports us back in time to this thrillingly tumultuous era through a playful exploration of its music. Song by song, album by album, he draws our imaginations back into one of the wildest decades in history. Rock. Disco. Pop. Soul. Jazz. Folk. Funk. The music scene of the 1970s was as varied as it was exhilarating, but the decade’s diversity of sound has never been captured in one book before now. Pick Up the Pieces gives a panoramic view of the era’s music and culture through seventy-eight essays that allow readers to dip in and out of the decade at random or immerse themselves completely in Corbett’s chronological journey. An inviting mix of skilled music criticism and cultural observation, Pick Up the Pieces is also a coming-of-age story, tracking the author’s absorption in music as he grows from age seven to seventeen. Along with entertaining personal observations and stories, Corbett includes little-known insights into musicians from Pink Floyd, Joni Mitchell, James Brown, and Fleetwood Mac to the Residents, Devo, Gal Costa, and Julius Hemphill. A master DJ on the page, Corbett takes us through the curated playlist that is Pick Up the Pieces with captivating melody of language and powerful enthusiasm for the era. This funny, energetic book will have readers longing nostalgically for a decade long past.
Pickin' on Peachtree: A History of Country Music in Atlanta, Georgia (Music in American Life)
by Wayne W. DanielAtlanta played a major role in launching the country music industry in the early 1920s and remained one of the nation’s leading country music centers for four decades. Also a major recording center for twenty years, the city was visited regularly by representatives of New York record companies who traveled south to scout for singers and musicians. During the 1950s, Atlanta’s television stations drew on the talent that had entertained in the area for years to assemble long-running, popular country music shows. Using fresh and fascinating information gleaned from newspaper archives, personal interviews, and other sources, Wayne W. Daniel takes readers from early fiddling conventions through the beginnings of the country music industry, to the early days of country programming on radio, and on through Atlanta’s importance as a regional recording center. He includes an analysis of the role television has played from the 1950s to the present. “If there are still people around who think country music moved right out of the hills directly to Nashville, Wayne Daniel’s book should disabuse them of that. Atlanta was country music’s real birthplace, and has remained a vital and energetic center; Pickin ’ on Peachtree presents a wealth of new information and research, and establishes the importance of Atlanta in the rise of one of America’s most unique art forms.” -- Charles Wolfe, author of Tennessee Strings and Kentucky Country “In this thoroughly researched history of country music in Atlanta, Wayne Daniel explores the major artists, promoters, and industry executives who gave Atlanta’s country music its luster. . . . No one interested in country music, whether in fiddle conventions of the 1910s, the ‘golden age’ of recordings of the 1920s, the early radio barn dance broadcasts of the 1930s and ’40s, or country music on television in the ’50s and beyond will fail to find something of interest in Pickin ’ on Peachtree. -- Norm Cohen, author of Long Steel Rail: The Railroad in American Folksong Wayne w. Daniel is the author of more than 75 articles in Bluegrass Unlimited, Journal of Country Music, Devil’s Box, and other publications.
Pickin' Up the Pieces: The Heart and Soul of Country Rock Pioneer Richie Furay
by Michael Roberts Richie FurayWhen a young Richie Furay moved to New York hoping to make it big in folk music, God wasn't one of his concerns. But destiny was. Later, when he started Buffalo Springfield with Neil Young and Stephen Stills, it seemed Furay's destiny had finally arrived. Although the band recorded only three albums, it remains a touchstone of sixties rock music-with all five band members now enshrined in the Rock and Roll Hall of Fame. Furay remained a musical pioneer, forming Poco and recording some of the first-and best-country rock music of the sixties and seventies. His work was a major influence on the Eagles and innumerable other bands. But he still had not found his destiny. It wasn't until his marriage almost disintegrated that Furay confronted his need for God. After co-founding two legendary bands and recording with a rock super-group, Richie Furay finally found his destiny. The long journey took him from sold-out arena concerts to the pulpit of a Colorado church, from rock royalty to the Rock of Ages.Destiny is often found in the places where we're not looking. As you follow the twists and turns in Richie Furay's inspiring journey, you'll gain fresh insight into your own.From the Trade Paperback edition.