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Stories I Ain't Told Nobody Yet
by Jo CarsonFifty-four monologues and dialogues, a remarkable distillation of rhythms and nuances from the region of the heart.
Ana en el Trópico
by Nilo Cruz Nacho Artime"Extraordinary and evocative, the stellar Anna in the Tropics is a work of art."--Christine Dolen, Miami HeraldThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect of the arrival of a new "lector" (who reads Tolstoy's Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.
A Lesson from Aloes
by Athol FugardTwo former political activists confront each other and the events which led to their sudden falling-out years ago.
Valley Song
by Athol FugardRarely has a playwright been so closely identified with his country and his people as Athol Fugard has with South Africa. Valley Song, is a work of healing and of envisioning the future. This coming-of-age story about a young girl seeking the courage to embrace the future while her grandfather searches for the wisdom to let go of the past .
Statements
by Winston Ntshona John Kani Athol FugardDeveloped in workshops with award-winning actors, these are the works in Fugard's canon that most directly confront the dehumanizing brutality of apartheid. Includes: Sizwe Bansi is Dead, The Island, and Statements After an Arrest Under the Immorality Act.
Bone Songs
by André Gregory"Bone Songs is a series of love poems, inspired by 33 years of marriage . . . The sonata-style material, which evokes Rumi, Thornton Wilder and James Joyce without ever seeming referential, is elegiac, furious and rhapsodic by turns--true theatrical poetry."--David C. Nichols, Los Angeles Times"To describe André's contribution [as a theatre artist] gets into something which is enormously intangible. His greatest accomplishments are really in the realm of human insight and psychological truth."--Wallace ShawnBone Songs is a meditation on the journey of marriage and the meaning of one's long life, by acclaimed avant-garde theatre director André Gregory. Loosely based on Solomon's Song of Songs, it takes the shape of a passionate conversation with the artist's late wife. Gregory performs Bone Songs as a kind of "After Dinner with André," weaving together his own personal anecdotes with the journey of five characters on a cruise to Antarctica: a young couple honeymooning, a middle-aged couple dealing with illness and an old man returning after the death of his wife. The signature performances sold out in Los Angeles and will debut this season in New York.André Gregory has been one of the most important forces in the American theatre for nearly 40 years. He was the founder of Seattle Repertory Theatre, and in the late 1960s created the Manhattan Project, one of the leading theatres in the New York avant-garde. His ongoing collaboration with playwright Wallace Shawn is at the center of such films as My Dinner with Andre and Vanya on 42nd Street. His legendary production of Alice in Wonderland played in New York for seven years, and toured the U.S., Europe and the Middle East.
A Dybbuk
by Joachim Neugrochel Tony KushnerKushner's imaginative retelling of the classic mystical legend, The Dybbuk, by S. Ansky, the noted Russian and Yiddish-language folklorist, novelist and dramatist. Ansky formed an expedition which roamed throughout the Ukraine to preserve and collect Hasidic folktales. The Dybbuk was a product of that journey. Written before the outbreak of World War I, it wasn't produced until 1920, shortly after Ansky's death. It has been much-produced worldwide ever since.
Six Plays
by Romulus LinneyUniquely adept at capturing the idiomatic poetry of his native South, Linney maneuvers with equal grace through the vernacular of New York's contemporary intelligentsia and the voices of a wide range of historical figures. "...one of our most perceptive chroniclers of the folkways of rural America, finding humanity and nobility in the most remote of places."--Mel Gussow, The New York Times
The Floating Island Plays
by Eduardo MachadoIncludes The Modern Ladies of Guanabacoa, Fabiola, In the Eye of the Hurricane and Broken Eggs.
Plays, 1996-2000 (Maxwell)
by Richard MaxwellThis volume collects for the first time the work of one of America's most important, vital and original young voices. Turning the American family drama firmly on its head, "Maxwell strips more layers of explanation from the Freudian family romance, shining light on the humiliation and fury usually reasoned out of sight by psychologizing playwrights. Few characters in contemporary drama are as exposed as Maxwell's."--Marc Robinson, Village Voice"Imagine if you took a giant hatpin and stuck it into Sylvester Stallone's Rocky. Once all the hot air had leaked out of that melodrama about a working-class underdog who wins fame, fortune and love in the boxing ring, you might find something very much like Richard Maxwell's Boxing 2000. By taking a conventional formula and draining it of all its humid sentimentality and synthetic adrenaline, Mr. Maxwell discovers something new and unexpected. Boxing 2000 is a real knockout: a play that not only challenges theatrical clichés, but your ideas about theatre itself."--Wall Street Journal""It's a sensation that's felt all too rarely these days. Watching Mr. Maxwell's work makes you think of what it must have been like to stumble upon the baffling but seductive creations of a young Sam Shepard in the early 1960's in the East Village."--, New York TimesThis first volume collects nine of Maxwell's early works: Boxing 2000, Caveman, House (1999 OBIE Award winner), Showy Lady Slipper and others.Richard Maxwell is a writer, director and songwriter. He began his acting career with the Steppenwolf Theatre Company in Chicago, where he helped found the Cook County Theater Department, which challenged the principles of traditional acting training. He is artistic director of New York City Players. His plays have been performed in the U.S. at Soho Rep, The Kitchen, P.S. 122, HERE, the Williamstown Theater Festival, Walker Arts Center and the Wexner Center for the Arts; and in Paris, Berlin, Dublin, Brussels, Amsterdam and Vienna.
Subscribe Now!
by Danny Newman"Buy it, borrow it, steal it, but get your hands on it! If you follow Danny's advice on how to sell tickets, you won't have an unsold seat in the house all season long!"--Ralph Black, American Symphony League
Breaking the Rules
by David Savran Peter SellarsThrough interviews and descriptions of methodology, Breaking the Rules captures the essence of major works by the internationally acclaimed avant-garde company.
In Their Own Words
by David SavranIncludes: Lee Breuer, Christopher Durang, Richard Foreman, Maria Irene Fornes, Charles Fuller, John Guare, Joan Holden, David Henry Hwang, David Mamet, Emily Mann, Richard Nelson, Marsha Norman, David Rabe, Wallace Shawn, Stephen Sondheim, Megan Terry, Luis Valdez, Michael Weller, August Wilson and Lanford Wilson.
Water by the Spoonful
by Quiara Alegría Hudes"Hudes brilliantly taps into both the family ties that bind as well as the alternative cyber universe. . . . Her dialogue is bright, her characters, compelling. . . . It's only when cyber meets the real world that anger gives way to forgiveness and resistance becomes redemption; the heart of the play opens up and the waters flow freely."-Variety"A very funny, warm and, yes, uplifting play with characters that are vivid, vital and who stay with you long after the play is over."-Hartford Courant"Ms. Hudes possesses a confident and arresting voice."-The New York TimesWinner of the 2012 Pulitzer Prize for Drama, Quiara Alegría Hudes's drama is a heartbreaking, funny, and inspiring account of the search for family in both conventional and unconventional places.Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world, while somewhere in a chat room, recovering addicts forge an unbreakable bond of support and love. The boundaries of family and friendship are stretched across continents and cyberspace as birth families splinter and online families collide.Water by the Spoonful is the second installment in a trilogy of plays that follow Elliot, a young veteran of the Iraq War. The trilogy's first play, Elliot, A Soldier's Fugue, was a finalist for the 2007 Pulitzer Prize and will be published by Theatre Communications Group concurrently with Water by the Spoonful. The trilogy's final play, The Happiest Song Plays Last, premiered in April 2012 at Chicago's renowned The Goodman Theatre.
The Lyons
by Nicky Silver"Comedy nirvana . . . satisfyingly mean and funny."-New York Post"Without sacrificing his mordant wit or bleak worldview, this distinctive dramatist shows a new maturity and empathy in."?The New York Times"Nicky Silver's terrific play is filled with moments when you can't stop laughing even though the circumstances indicate you really shouldn't. . . . A wonderful little riff on family dysfunction."?Associated Press"Silver finds plenty of fresh bite, and the sheer savagery of his observation here is breathtaking. Watching it brings the dueling sensations of wicked mirth and squirming discomfort at being trapped in the hell of someone else's family horrors. That these are exaggerations of our own is what gives the play its teeth."-The Hollywood ReporterThis vicious, hilarious black comedy opened on Broadway in April 2012 to rave reviews.Nicky Silver, that "strange progeny of a coupling between Mr. Neil Simon and Edward Albee" (The New York Times), has cornered the market on deliciously savage dysfunctional family comedies. Following an acclaimed run Off-Broadway, this intimate and frightening examination of how we cope with loneliness and disappointment currently delights audiences on Broadway.Rita Lyons is the matriarch of a family facing a major crossroads. Her husband, Ben, is dying and her grown children are struggling. As the family gathers in Ben's hospital room, they discover that they're as terrified of being together as they are of being alone.
In the Wake
by Lisa Kron"Funny, moving, and undeniably sexy. The heady blend of smart dialogue and characters. . .makes it a candidate to be the Angels in America of the Bush II decade."-San Francisco Chronicle"The two works [Angels in America and In the Wake] use a volatile chapter in American history as background in their exploration of how the sociopolitical maladies of an age play out in the personal conduct of characters."- Charles McNulty, Los Angeles TimesLisa Kron, author of Broadway's Well and the OBIE-winning solo show 2.5 Minute Ride, has taken on the big question of our country's character. On the Thanksgiving after the controversial 2000 election, political junkie Ellen gathers with family and friends in her cramped New York apartment. But she soon discovers-with an unexpected passionate encounter-that ideas about America and our own selves are not as fixed as they once seemed. A play with plenty of humor and passion to go with its politics, Kron's work premiered last year at Berkeley Rep and Los Angeles' Center Theater Group, and debuted at The Public Theater in New York this fall.Lisa Kron's plays have been performed on Broadway, off-Broadway, and around the world. She is a founding member of the award-winning theater group The Five Lesbian Brothers, and teaches playwriting at Yale University.
The Director's Voice, Vol. 2
by Jason Loewith"Directors today are equipped with a larger toolbox than their forerunners, standing on their shoulders as well as those of pioneers in non-Western theater, experimental visual art, community-based theater, and the ever-evolving commercial theater scene."-- Jason LoewithThis second volume presents a cross-section of the most diverse and dynamic stage directors defining today's American theater, in conversation with director/producer Jason Loewith. A follow-up to the immensely popular first volume, which has sold over eighteen thousand copies, much has changed in the twenty years since The Director's Voice debuted. "The nonprofit model has been turned on its head," Loewith notes. "Institution-building is out for these directors; creating a distinctive voice from a multiplicity of influences is in." Together, these directors sketch a compelling portrait of the art form in the new century.Interviews include: Anne Bogart, Mark Brokaw, Peter Brosius, Ping Chong, David Esbjornson, Oskar Eustis, Frank Galati, Michael Kahn, Moisés Kaufman, James Lapine, Elizabeth LeCompte, Emily Mann, Michael Mayer, Marion McClinton, Bill Rauch, Bartlett Sher, Julie Taymor, Theatre de la Jeune Lune (Barbra Berlovitz, Steven Epps, Vincent Gracieux, Robert Rosen, and Dominique Serrand), George C. Wolfe, and Mary Zimmerman.Jason Loewith is a producer, director, and writer. He has served since 2002 as artistic director of Chicago's Next Theatre Company, where he conceived, co-wrote, and produced Adding Machine: A Musical, which had an award-winning run off-Broadway.
The Train Driver and Other Plays
by Athol Fugard"For me [The Train Driver] is the biggest of them all. Everything I have written before has been a journey to this."-Athol Fugard"A dramatic, moving theater experience written for South Africa. . . . It will save us from hopelessness. See it."-Sunday IndependentThe Train Driver is classic Athol Fugard, and one of his most important plays. The playwright, known throughout the world as a chronicler of his native South Africa's apartheid past, directed its premiere at the newly opened Fugard Theater in one of Cape Town's most politically contentious areas. This seminal work was inspired by the true story of a mother who, with her three children, committed suicide on the train tracks in Cape Town. The two-person drama unfolds between the train's engineer and the grave digger who buries "the ones without names." This edition also includes Coming Home, Fugard's first work addressing AIDS in South Africa, and Have You Seen Us? his first play set in America, about a South African transplanted to San Diego, where the playwright currently resides.Athol Fugard's works includes Blood Knot, Master Harold. . .and the Boys, Boesman and Lena, Sizwe Banzi is Dead and My Children! My Africa! He has been widely produced in South Africa, London, on Broadway, and across the United States.
Cousins
by Athol FugardIn this remarkable memoir, Athol Fugard, author of The Road to Mecca, A Lesson From Aloes, Master Harold...and the boys, Valley Song and numerous other works for the stage, paints a moving study of his early years in South Africa. Cousins focuses on Fugard's relationship with his two cousins and their impact, which led the author to a lifelong pursuit of a writing career.
The Essential Bogosian
by Eric Bogosian"What Lenny Bruce was to the 1950s, Bob Dylan to the 1960s, Woody Allen to the 1970s--that's what Eric Bogosian is to this frightening moment of drift in our history."--Frank Rich, The New York Times
Humpty Dumpty and Other Plays
by Eric BogosianEric Bogosian is one of our most singular and exhilarating commentators on American life. His award-winning solo performance works have been performed with acclaim all over the world. As the New York Times has pointed out, "Bogosian is a born storyteller with perfect pitch." That is never more evident than in his newest book, which collects his three most recent plays. In Humpty Dumpty, five friends gather for a holiday at a mountain getaway where unforeseen events bring them to the brink of the end of the world; Griller, set in a New Jersey backyard, where a barbecue gathering turns sinister and deadly; and Red Angel, Bogosian's riff on Von Sternberg's The Blue Angel, reset on a college campus in 1990s New England."I want theater to wake me up, not lull me to sleep. My theater is not about fantasy, it's not about seduction. My theater is not an outline for a film. It is not a TV sitcom onstage. I want my theater to be an event. I want it to push limits, bite the hand that feeds it and bang heads. It's about my fears, my ideas, my blind spots, my isolation."--Eric BogosianEric Bogosian is the author of five plays including Talk Radio and subUrbia, as well as three Obie Award-winning solos: Drinking in America; Sex, Drugs, Rock & Roll; Pounding Nails in the Floor with My Forehead and his most recent, Wake Up and Smell the Coffee, which was nominated for a Drama Desk Award. He wrote the screenplay adaptations of his first two plays, receiving the Berlin Film Festival's "Silver Bear" for his work in Talk Radio. Simon and Schuster will publish his second novel in 2005.
Notes From Underground
by Eric BogosianIncludes Bogosian's Notes from Underground, the "diary," of an increasingly disturbed and disturbing urban recluse, together with Scenes from the New World, an early dramatic work.
Pounding Nails in the Floor with My Forehead
by Eric BogosianIn his brashest solo show, performer and playwright Eric Bogosian once again aims his searing social commentary at the contemporary urban and suburban scene. "Never miss Bogosian, because the sharp-tongued, sharp-shooting Bogosian never misses."--Clive Barnes, New York Post
Sex, Drugs, Rock & Roll
by Eric BogosianBogosian explores the dark underbelly of the American dream with blistering prose, trenchant social criticism and breathtakingly accurate characterizations of an astonishing range of his fellow citizens.
Wake Up and Smell the Coffee
by Eric Bogosian100% pure high octane Bogosian.Bogosian's latest and greatest monologue."His wit is as venomous as ever, his material even more devastating and polished than before."--New York Daily News"Bogosian hasn't simply crossed the line of good taste, he has snorted it."--The Daily TexanWake Up is Bogosian's meditation on making it to the top of the ladder, on falling off the ladder and on the exhilarating thrill of the ultimate crash and burn. Once again the author offers a blisteringly funny and dead-on take of the chaos and alienation of post-modern life in the U. S. of the year 2000. As Michael Feingold so ably offered in his Village Voice review--"Bogosian is there, watching out for the downtrodden, ridiculing the arrogant rich, defending battered wives and neo-hippie hitchhikers and never losing sight of his own capacity for being classed among the batters and bullies. But his 95 minutes is as fast and exciting a read as the theatre community offers. In our time, the stage has almost been what classical thinkers saw it as, a medium for criticizing life. How perfect that a solo performer should rediscover its roots, by choosing his own life as the object of his criticism."Eric Bogosian, born in Woburn, Massachusetts, has performed his plays and monologues at venues nationwide. Winner of Obie and Drama Desk Awards, he has made four films of his work, most notably Talk Radio and Suburbia. His novel Mall was recently published by Simon and Schuster.