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Bite Down Little Whisper
by Don DomanskiFrom a master poet, meditative lines running like veins through the dark grace of being alive. Governor General's Award–winning poet Don Domanski's new collection, Bite Down Little Whisper, delves into the interconnectedness of all life with spiritual gravitas and powerful mindfulness. These are poems brimming with mythological and scientific energies, with a multi-dimensionality that opens itself to both complexity and clarity. Domanski shows us seams and fastenings that unite our longings with the earth itself, with the nonhuman vitality that surrounds us. The heart's need for unity and reverence is present in these poems as a whisper we hear in occasional moments of quietude, when it's possible to perceive the workings of a larger existence.
Bitter in the Belly (Hugh MacLennan Poetry Series)
by John Emil VincentThe past grabs back / what it lets us handleBitter in the Belly reckons with suicide’s wreckage. After John Emil Vincent’s best friend descends into depression and hangs himself, fluency and acuity lose their lustre.Vincent sorts through and tries to arrange cosmologies, eloquence, narrative, insight, only to find fatal limitations. He tries to trick tragedy into revealing itself by means of costume, comedy, thought experiment, theatre of the absurd, and Punch and Judy. The poems progress steadily from the erotic and mythic to the lapidary and biblical, relentlessly constructing images, finding any way to bring the world into the light – what there is of light, when the light is on.In his most personal book, Vincent moves from stark innocence through awful events and losses, to something like acceptance without wisdom – Jonah spit back onto the sand with little to report but that he’s home.
Blindfold (Hugh MacLennan Poetry Series #22)
by John AsfourA sense of exile and belonging dominates the poems, following the journey of a blind man whose life in his new land has been hampered by prejudice and barriers to communication. Exposing the rich and surprising possibilities of a life that has undergone a frightening transformation, Blindfold relates feelings of loss, displacement, and disorientation experienced not only by the disabled but by everyone who finds themselves separated from the norm. Silver Threads He recalls the absence of sound, the impossible silence the disappearance of light. He is only aware of the movement of his mother's hand inside her purse, looking for her handkerchief. He recalls her warning not to play with unknown objects the type that explode on impact. Later, he lies in the dark remembering how she pointed out the silver threads of the morning light just the day before and he sparkles with guilt.
Blood
by Tyler PennockBlood follows a Two-Spirit Indigenous person as they navigate urbanity, queerness, and a kaleidoscope of dreams, memory, and kinship. Conceived in the same world as their acclaimed debut, Bones, Tyler Pennock's Blood centres around a protagonist who at first has difficulty knowing the difference between connection and pain, and we move with them as they explore what it means to want. Pennock weaves longing, intimacy, and Anishinaabe relationalities to recentre and rethink their speaker's relationship to the living—never forgetting non-human kin. This book is a look at how deep history is represented in the everyday; it also tries to answer how one person can challenge the impacts of that history. It is a reminder that Indigenous people carry the impacts of colonial history and wrestle with them constantly. Blood explores the relationships between spring and winter, ice and water, static things and things beginning to move, and what emerges in the thaw. "A music as sensitive as it is revelatory." — Canisia Lubrin, author of The Dyzgraphxst
Blue Sonoma
by Jane MunroIn Blue Sonoma, award-winning poet Jane Munro draws on her well-honed talents to address what Eliot called "the gifts reserved for age." A beloved partner’s crossing into Alzheimer’s is at the heart of this book, and his "battered blue Sonoma" is an evocation of numerous other crossings: between empirical reportage and meditative apprehension, dreaming and wakefulness, Eastern and Western poetic traditions. Rich in both pathos and sharp shards of insight, Munro's wisdom here is deeply embedded, shot through with moments of wit and candour. In the tradition of Taoist poets like Wang Wei and Po-Chu-i, her sixth and best book opens a wide poetic space, and renders difficult conditions with the lightest of touches.
Body Rain
by J. A. HamiltonShortlisted for the 1991 Pat Lowther Award In J.A. Hamilton's poems blood is red, black hearts are black. There is no flinching from things as bad as they can be, especially but not only for women. And yet, this passionate powerful writing radiates affirmation. "his good o, good old world" is livable still in acts of pure verbal magic.
Bones
by Tyler PennockPoems about a young two-spirit Indigenous man moving through shadow and trauma toward strength and awareness. Bones, Tyler Pennock’s wise and arresting debut, is about the ways we process the traumas of our past, and about how often these experiences eliminate moments of softness and gentleness. Here, the poems journey inward, guided by the world of dreams, seeking memories of a loving sister lost beneath layers of tragedy and abuse. With bravery, the poems stand up to the demons lurking in the many shadows of their lines, seeking glimpses of a good that is always just out of reach.At moments heartrending and gut-punching, at others still and sweet, Bones is a collection of deep and painstaking work that examines the human spirit in all of us. This is a hero’s journey and a stark look at the many conditions of the soul. This is a book for survivors, for fighters, for dreamers, and for believers. “Here is a spare and urgent voice that speaks of ‘wounds and beauty,’ that gestures to a story of trauma and abuse while offering us a potent journey of self-reckoning and reclamation.
The Bones Are There
by Kate SutherlandZigzagging across the globe, Kate Sutherland's fourth book is poetry by way of collage: pieced-together excerpts from travellers' journals, ships' logs, textbooks and manuals, individual testimony, and fairy and folk tales that tell stories of the extinction of various species, and of the evolution of human understanding of—and culpability for—the phenomenon. Across its three sections, Sutherland draws identifiable connections between various animal extinctions and human legacies of imperialism, colonialism, capitalism, and misogyny, charting the ways in which they juxtapose one another while impacting the natural order of things.A trenchant critique of humanity's disastrous effects on this world, The Bones Are There is also a celebration of incredible creatures, all sadly lost to us. It honours their memory by demanding accountability and encouraging resistance, so that we might stave off future irrevocable loss and preserve what wonders that remain.
The Bosun Chair
by Jennifer Bowering DelislePart family memoir, part poetry, part love letter to Newfoundland and its people, The Bosun Chair is a lyrical exploration of how we are fortified by the places of our foremothers and forefathers and by how they endured.Like 'ballycater,' the ice that gathers in harbours along the coast, Jennifer Bowering Delisle gathers fragments of history, family lore, and poetry—both her own and that of her great-grandparents—to tell stories of shipwrecks, war, resettlement, and men and women's labour in early twentieth-century Newfoundland. With deftness and haunting imagery, The Bosun Chair reveals the inherent gaps in ancestral history and the drive to understand a story that can never fully be told.
Botero's Beautiful Horses
by Jan Conn“Do we want love / each and every day of our lives?” Jan Conn asks in a poem called “Michoacán.” “You bet your ass,” she answers. The poems of Botero’s Beautiful Horses are charged with otherness, bright with the exhilaration and danger of transformation. Many are descriptions of surrealist canvases, astonishingly kinetic narratives composed by looking hard at unusual pictures, the artists’ writings and their circumstances – and letting them speak for themselves. The book becomes a journey away from the familiar into other cultures, especially Latin American. Poem after poem gathers a sense of inner as well as outward journey away from a “perilous childhood” into a wide world rich and strange with a recurrent underworld motif of darkness, blackness. But what a black! Rich and various, life as if viewed in the “obsidian mirrors the Aztecs fashioned from the dark.
Bottom Rail on Top
by D. M. BradfordA rolling call and response between antebellum Black history and the present that mediates it. Somewhere in the cut between Harriet Jacobs and surveillance, Southampton and sneaker game, Lake Providence and the supply chain, Bottom Rail on Top sets off a mediation between the complications of legacy and selfhood. In a kind of archives-powered unmooring of the linear progress story, award-winning poet D.M. Bradford fragments and recomposes American histories of antebellum Black life and emancipation, and stages the action in tandem with the matter of his own life. Amidst echoes and complicities, roots and flights, lineage and mastery, it's a story of stories told in knots and asides, held together with paper trails, curiosities, and hooks — a study that doesn't end.
Breaker
by Sue SinclairSue Sinclair is the direct inheritor of the great early 20th Century German poet, Rilke: she possesses intense lyrical vision, steeped in wonder at the existence of the world, and a kind of grief at our inability to lose ourselves in it completely. Her perception is acutely focused and rigorous; and she is acutely self-aware. She is not afraid of words like “beauty” or “being,” yet, because of the intensity of her vision, she never uses them as clichés. Her gift for metaphor is astonishing and may remind some readers of the young Roo Borson.
Bridestones (Hugh MacLennan Poetry Series)
by Miranda PearsonCome, anguish. Help us manage / the plainsong of an open shore, / its language of high tide rich and close, / close and hard to see.The early elegiac poems in Bridestones emerge from the borderlands between life and death, loss and renewal. Drawing on dreams, opera, and visual art, and employing symbolist and playfully surreal imagery, Miranda Pearson questions the ways we tend and grieve – for each other and our environment.Beginning with a sudden bereavement, the first section ends with a long poem, “Clearance,” that depicts the experience of emptying and departing a home – the physicality of a house serving as a vehicle for processing grief. Pearson writes on family trauma, illness, love, and desire with a pervading sense of hauntedness, compressed, lyrical accounts of complex and ambivalent terrain. The impact of a pandemic lurks in the background, and themes of fear run through much of this collection, with poems exploring how we face our fears – or deny and avoid them – and, ultimately, how we grow and adapt.Through meditations on art, myth, archaeology, ceremony, and death, Pearson reveals the veil between life and death when drawn to its thinnest. Like the hovering falcon depicted in “A Song of Roses,” the poems view the world from above: “if earth is body, and sky – God help us, spirit.”
Brilliance Is the Clothing I Wear (New Writing from InkWell Workshops #4)
by InkWell WorkshopsA diverse anthology of poetry, fiction, and creative non-fiction compiled from writers in the mental health and addiction communities.The latest in InkWell Workshops’ groundbreaking anthology series, this volume features poetry, fiction, and creative non-fiction from twenty-eight talented writers who are participants in the workshops. Led by accomplished professional writers with “unruly minds,” InkWell is a liberatory project that offers free creative opportunities to people with mental health and addiction issues. With themes of nourishment and desire, madness and connection, grief and hunger for a new world, these are fierce writings from the margins: honest, defiant, funny, and wise.
A Broken Bowl
by Patrick FriesenShortlisted for the 1997 Governor General's Award for Poetry Set firmly at the end of the millennium, A Broken Bowl takes on the burden of history, with its heaped atrocities, its unimaginable sufferings. This long poem is an angry lament, a summoning of fragments, a meditation in the midst of an exhausted world. By turns lyric, satiric, elegiac and incantatory, A Broken Bowl is filled with passionate elemental writing in the tradition of Howl and Crow.
Buckskin and Broadcloth: A Celebration of E. Pauline Johnson — Tekahionwake, 1861-1913
by Sheila M.F. JohnstonThis is the first generously illustrated biography of the Mohawk poet-performer E. Pauline Johnson-Tekahionwake. The author has created an exciting volume of anecdotes, letters and poetry, and illustrated it with period photographs and new illustrations by the Six Nations artist, Raymond R. Skye. While the story of Pauline Johnson has been told before, it has never been given the intimacy that this book provides. Tracing her ancestry, moving on to explore her extraordinary stage career, and finally shedding light on Pauline Johnson’s last years in Vancouver, Sheila M.F. Johnston has breathed new life into the compelling story of one of Canada’s brightest literary and stage stars. This book contains over forty poems that are not part of Pauline Johnson’s classic collection of poems, Flint and Feather. The "uncollected" poems have been culled from archives, libraries and out-of-print books. They shed light on the development of the poet, and enlighten and enrich her life story. Buckskin & Broadcloth is truly a celebration of the life of a Canadian hero – one whose legacy to Canadian literature and Canadian theatre is unparalleled.
The Burning Alphabet
by Barry DempsterThe Burning Alphabet confirms and extends Barry Dempster’s reputation as one of Canada’s most respected poets. Underpinning these poems, as in his previous work, there lies an unswerving dedication to emotional and spiritual honesty, clear-eyed recognitions rendered without pomp. In one section, "Sick Days", he focuses on that "other place" of chronic illness. Other poems present arguments against suicide, and explore the tropical wonders of a woman’s closet. The closing section renders, with great candour and poignancy, the powerful love-hate relationship with an aging father. Dempster writes as though it were simply natural to have speech and song cohabit with such grace. In the thick of night, when we're dreaming of corridors and Dali clocks, the soft brown bodies of bucks and does are basking in our moonlight, nibbling on the last of our lettuce leaves, scratching impressions in our sand. They are the children we wish we'd had, fleeting images of ourselves before inner lives grew blotchy, eyes heavy with 10 p.m. cop shows and those blessedly nonsensical dreams. …From "Deer""In The Burning Alphabet, mood, with all its elaborate subtleties and manifestations, both in sickness and in health, constitutes a metaphysics. I feel as though I've lived an entire inner life in these pages, wrenching, dark, and amazingly sweet." – Roo Borson. Shortlisted for the Governor General’s Award for Poetry 2005; Winner of the CAA Jack Chalmers Poetry Award.
Burning in This Midnight Dream
by Louise B. HalfeA deeply scouring poetic account of the residential school experience, and a deeply important indictment of colonialism in Canada. Many of the poems in Louise Halfe's Burning in This Midnight Dream were written in response to the grim tide of emotions, memories, dreams and nightmares that arose in her as the Truth and Reconciliation process unfolded. In heart-wrenching detail, Halfe recalls the damage done to her parents, her family, herself. With fearlessly wrought verse, Halfe describes how the experience of the residential schools continues to haunt those who survive, and how the effects pass like a virus from one generation to the next. She asks us to consider the damage done to children taken from their families, to families mourning their children; damage done to entire communities and to ancient cultures. Halfe's poetic voice soars in this incredibly moving collection as she digs deep to discover the root of her pain. Her images, created from the natural world, reveal the spiritual strength of her culture. Originally published in 2016 by Coteau Books, Burning in This Midnight Dream won the Indigenous Peoples' Publishing Award, the Rasmussen, Ramussen & Charowsky Indigenous Peoples' Writing Award, the Saskatchewan Arts Board Poetry Award, the League of Canadian Poets' Raymond Souster Award, and the High Plains Book Award for Indigenous Writers. It was also the 2017 WILLA Literacy Award Finalist in Poetry. This new edition includes a new Afterword by Halfe. “Burning in this Midnight Dream honours the witness of a singular experience, Halfe’s experience, that many others of kin and clan experienced. Halfe descends into personal and cultural darkness with the care of a master story-teller and gives story voice to mourning. By giving voice to shame, confusion, injustice Halfe begins to reclaim a history. It is the start of a larger dialogue than what is contained in the pages.” —Raymond Souster Award jury citation
Burying the Moon
by Andrée PoulinA beautifully illustrated novel in verse about a young Indian girl who tackles the taboos around sanitation in her village. In Latika’s village in rural India, there are no toilets. No toilets mean that the women have to wait until night to do their business in a field. There are scorpions and snakes in the field, and germs that make people sick. For the girls in the village, no toilets mean leaving school when they reach puberty. No one in the village wants to talk about this shameful problem. But Latika has had enough. When a government representative visits their village, she sees her chance to make one of her dreams come true: the construction of public toilets, which would be safer for everybody in her village. Burying the Moon shines a light on how a lack of access to sanitation facilities affects girls and women in many parts of the world. Key Text Features author's note illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions). CCSS.ELA-LITERACY.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-LITERACY.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes. CCSS.ELA-LITERACY.RL.5.5 Explain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem. CCSS.ELA-LITERACY.RL.5.7 Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem). CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-LITERACY.RL.6.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone CCSS.ELA-LITERACY.RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text.
But for Now: But For Now (Hugh MacLennan Poetry Series #27)
by Gordon JohnstonFrom "Anna's Lovers" Our houses glow both from within and on the outside: their night lights and an almost perfect and wintry moon. The phrase "but for now" means among other things "making do," as if we had to settle for the bare minimum. In But for Now, Gordon Johnston presents poems where the mortal world is more than enough because there is more to it than the merely mortal and where it is possible to hear beyond the outmoded clanking of inherited religious vocabularies. These poems find moments of grace in chance occurrences and through a wide range of styles and methods, they choreograph the random casual events of our existence. Northrop Frye famously asked, "Where is here?" These poems instead ask, "When is now?" Engaged with worlds of waiting and of doing, with enduring and healing, But for Now celebrates music and noise, speech and silence, and asserts that for all the darkness at the edges, there is something shining at the centre of the painting.
By Hand
by John ReibetanzPoems that examine the creative achievements of the human hand, from cave art to contemporary photography. John Reibetanz’s twelfth collection, By Hand, begins with an epigraph from Lewis Mumford: “Until modern times, apart from the esoteric knowledge of the priests, philosophers, and astronomers, the greater part of human thought and imagination flowed through the hands.” Reibetanz’s new poems investigate human creativity as a visceral interaction with the world: our imagining hands finding the music implicit in the stuff of earth, a “duet// of earthbound songsters,” of mind and material, each shaping the other. Centered on this duet, the book encompasses the wide-ranging aspects of our humanity—hands used for good and ill—portrayed in the examined paintings and sculptures, gardens, tapestries, photographs, and carvings. And they explore in particular the relationship in these artifacts between the “givens” of nature and the modifications and contributions of human culture. As Roo Borson says of the collection, “the poems are shot through with moments in which language’s particular dexterity comes into its own and real objects are remade, as when these lines from ‘The Installation’ celebrate the ‘commonality of clay’ in a relief by della Robbia:” the light-quickened humus of the eyes that, for hundreds of years, have read the notes inscribed on the banner an angel is unscrolling…
Calm Jazz Sea
by Mike BarnesShortlisted for the 1997 Gerald Lampert Award The poems in Calm Jazz Sea reveal a world forever becoming and disappearing, watched over and handled gently by the compassionate intelligence of Mike Barnes. In the everyday and the ephemeral meals, drinks, weather, work, moments of solitude or connection he finds ways to engage the secret matter of humanity: what horrifies, astonishes, or comforts us. Like the sea of the title, restless and receptive, the language of the poems moves through many levels of voice: from an easy vernacular to the strain of conversation, or from the precise record of sensual matter to the insubstantial gestures that constitute thought.
Caravan to the North: Misael’s Long Walk
by Jorge ArguetaAn urgent and eloquent account of a boy traveling in a caravan from his beloved homeland of El Salvador to the US border. This novel in verse is a powerful first-person account of Misael Martínez, a Salvadoran boy whose family joins the caravan heading north to the United States. We learn all the different reasons why people feel the need to leave — the hope that lies behind their decision, but also the terrible sadness of leaving home. We learn about how far and hard the trip is, but also about the kindness of those along the way. Finally, once the caravan arrives in Tijuana, Misael and those around him are relieved. They think they have arrived at the goal of the trip — to enter the United States. But then tear gas, hateful demonstrations, force and fear descend on these vulnerable people. The border is closed. The book ends with Misael dreaming of El Salvador. This beautiful and timely story is written in simple but poetic verse by Jorge Argueta, the award-winning author of Somos como las nubes / We Are Like the Clouds. Award-winning Mexican illustrator Manuel Monroy illuminates Misael’s journey. An author’s note is included, along with a map showing the caravan’s route. Key Text Features author’s note map illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).
Caravana al Norte: La larga caminata de Misael
by Jorge ArguetaEste hermoso y poético relato de un niño que viaja en una caravana desde El Salvador hacia la frontera de los Estados Unidos, ofrece una necesaria y elocuente visión que contrarresta las mentiras que se escuchan acerca de los inmigrantes centroamericanos cuya única opción es abandonar sus amadas tierras natales.Esta novela en verso es un poderoso relato en primera persona. Cuenta la historia de Misael Martínez, un niño salvadoreño cuya familia se une a la caravana que viaja al Norte, hacia los Estados Unidos. Nos muestra muchas de las razones que hacen que personas sientan la necesidad de irse, la esperanza que se esconde detrás de esta decisión, y la terrible tristeza de abandonar sus hogares. Es un aprendizaje sobre lo largo y arduo del viaje pero también sobre la bondad de aquellos que los ayudan a lo largo del camino. Cuando la caravana finalmente llega a Tijuana, Misael y los que lo acompañan se sienten aliviados. Piensan que han alcanzado la meta del viaje de entrar a los Estados Unidos. Pero enseguida el gas lacrimógeno, las protestas cargadas de odio, la fuerza bruta y el miedo caen sobre esta gente tan vulnerable. La frontera sigue cerrada. El libro termina con Misael soñando con El Salvador.Esta hermosa y relevante historia está escrita en el verso accesible y poético de Jorge Argueta, el galardonado autor de Somos como las nubes / We are Like the Clouds. El premiado ilustrador mexicano Manuel Monroy ilumina la travesía de Misael. El libro incluye una nota final del autor y un mapa que ilustra la ruta de la caravana. Key Text Featuresauthor’s notemapillustrations
Careen
by Carolyn SmartBonnie Parker and Clyde Barrow are the stuff of legend -- why tell their story again? Chances are you don’t know the nuances -- their love story and that of their accomplices Buck Barrow and his wife Blanche; their aspirations, conflicts and prayerful natures; and ultimately the sources of their tragedy. At its core, Careen is a long poem spoken by the characters, though the voices are companioned by newspaper articles often ironically at odds with the inside story. Smart lets the principal actors relate their own tale -- a book of voices speaking out of the desperate Dirty Thirties.