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The Circle Game (A List)
by Margaret AtwoodThe appearance of Margaret Atwood's first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we've come to know in later works, such as Power Politics, Bodily Harm, and Alias Grace. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted. Containing many of Atwood's best and most famous poems, The Circle Game won the 1966 Governor General's Award for Poetry and rapidly attained an international reputation as a classic of modern poetry.
The Circle Game (A List)
by Margaret AtwoodThe appearance of Margaret Atwood's first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we've come to know in later works, such as Power Politics, Bodily Harm, and Alias Grace. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted. Containing many of Atwood's best and most famous poems, The Circle Game won the 1966 Governor General's Award for Poetry and rapidly attained an international reputation as a classic of modern poetry. This beautiful edition of The Circle Game contains the complete collection, with an introduction by Sherrill E. Grace of the University of British Columbia.
Climbing Shadows: Poems for Children
by Shannon BramerA splendidly illustrated collection of poems inspired by young children that address common themes such as having a hard day at school, feeling shy or being a newcomer. The poems in Climbing Shadows were inspired by a class of kindergarten children whom poet and playwright Shannon Bramer came to know over the course of a school year. She set out to write a poem for each child, sharing her love of poetry with them, and made an anthology of the poems for Valentine’s Day.This original collection reflects the children’s joys and sorrows, worries and fears, moods and sense of humor. Some poems address common themes such as having a hard day at school, feeling shy or being a newcomer, while others explore subjects of fascination — bats, spiders, skeletons, octopuses, polka dots, racing cars and birthday parties. Evident throughout the book is a love of words and language and the idea that there are all kinds of poems and that they are for everyone — to read or write.Cindy Derby’s dreamy watercolor illustrations gently complement each poem. Beautiful, thoughtful, sensitive and funny, this is an exceptional collection.Key Text Featuresillustrationstable of contentsauthor’s noteCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.K.1With prompting and support, ask and answer questions about key details in a text.CCSS.ELA-LITERACY.RL.K.4Ask and answer questions about unknown words in a text.CCSS.ELA-LITERACY.RL.K.7With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).CCSS.ELA-LITERACY.RL.1.4Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.CCSS.ELA-LITERACY.RL.2.4Describe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.
Clinic Day
by Diana Fitzgerald BrydenDiana Fitzgerald Bryden's second book of poetry, Clinic Day, (choreo)graphs the experiences and thoughts and feelings of three characters (The Secretary, The Surgeon, and a wanderer named -- not inaptly -- Blake), who perform a pas de trois of yearning and loss and occasional moments of grace. If at times the dance has a fevered quality, it is also, always, electrically alive and exquisitely shaped. In the clinic that lies at the heart of this unravelling day there is no panacea and no placebo, but there are the consolations of attending with clarity and honesty, and the healing powers of image and metaphor and wit.
Closer to Home
by Derk WynandPoised and buoyant, musing among ironies; alive to the psychologies of weather, night noises, mowing the lawn and putting it off; knowing the many mindscapes of neighbourhood, detecting the places where myth surfaces into a backyard or long weekend, where a situation teeters on the brink of art and "imagined creatures are making / real connections" -- what is Closer To Home is domestic life that has been given back its dance, the bite and mystery that both provokes and eludes the grasp of the mind.
Coconut (Crow Said Poetry)
by Nisha PatelIn her debut collection, Canadian National Slam Champion Nisha Patel commands her formidable insight and youthful, engaged voice to relay experiences of racism, sexuality, empowerment, grief, and love. These are vitally political, feminist poems for young women of colour, with bold portrayals of confession, hurt, and healing.Coconut rises fiercely like the sun. These poems bestow light and warmth and the ability to witness the world, but they ask for more than basking; they ask readers to grow and warn that they can be burnt. Above all, Nisha Patel’s work questions and challenges propriety and what it means to be a good woman, second-generation immigrant, daughter, consumer, and lover.
Collected Poems of Bronwen Wallace
by Bronwen Wallace Carolyn SmartBronwen Wallace was recognized in the last decade of her short life as a major Canadian poet and a significant figure in the growth of the feminist movement. The author of five collections of poetry and a book of short fiction, most of which have been out of print for decades, Wallace worked in a range of poetic styles in a voice as intimate as a conversation between friends. Offering the full breadth of this celebrated poet's output in a single, long-awaited volume, Collected Poems of Bronwen Wallace brings the text of all five published collections back into print alongside unpublished poems from earlier in her career, allowing readers to see the stylistic evolution of her poetry from its first incarnation to her last written work. In an engaging and often moving tone, the poems draw the reader in even as they document the poet honing her craft during the turbulent 1970s and reveal her fascination with the politics of the personal, the everyday concerns of ordinary people, and inequality and violence. Carolyn Smart's introduction and notes supplement the collection, along with a bibliography that catalogues the scholarly and literary responses to Wallace's work for the first time. An exhilarating reading experience, Collected Poems of Bronwen Wallace celebrates the clarity, humour, righteous anger, and inclusivity of Wallace's poetry, which remains timely and original thirty years after her death.
Collected Poems of Bronwen Wallace
by Bronwen WallaceBronwen Wallace was recognized in the last decade of her short life as a major Canadian poet and a significant figure in the growth of the feminist movement. The author of five collections of poetry and a book of short fiction, most of which have been out of print for decades, Wallace worked in a range of poetic styles in a voice as intimate as a conversation between friends. Offering the full breadth of this celebrated poet's output in a single, long-awaited volume, Collected Poems of Bronwen Wallace brings the text of all five published collections back into print alongside unpublished poems from earlier in her career, allowing readers to see the stylistic evolution of her poetry from its first incarnation to her last written work. In an engaging and often moving tone, the poems draw the reader in even as they document the poet honing her craft during the turbulent 1970s and reveal her fascination with the politics of the personal, the everyday concerns of ordinary people, and inequality and violence. Carolyn Smart's introduction and notes supplement the collection, along with a bibliography that catalogues the scholarly and literary responses to Wallace's work for the first time. An exhilarating reading experience, Collected Poems of Bronwen Wallace celebrates the clarity, humour, righteous anger, and inclusivity of Wallace's poetry, which remains timely and original thirty years after her death.
The Collected Poetry of Carol Shields
by Carol ShieldsCarol Shields, best known for her fiction writing, received both the Pulitzer Prize and the Governor General’s Award for Fiction for her novel The Stone Diaries. But she also wrote hundreds of poems over the span of her career.The Collected Poetry of Carol Shields includes three previously published collections and over eighty unpublished poems, ranging from the early 1970s to Shields’s death in 2003. In a detailed introduction and commentary, Nora Foster Stovel contextualizes these poems against the background of Shields’s life and oeuvre and the traditions of twentieth-century poetry. She demonstrates how poetry influenced and informed Shields’s novels; many of the poems, which constitute miniature narratives, illuminate Shields’s fiction and serve as the testing ground for metaphors she later employed in her prose works. Stovel delineates Shields’s career-long interest in character and setting, gender and class, self and other, actuality and numinousness, as well as revealing her subversive feminism, which became explicit in Reta Winter’s angry (unsent) letters in Unless and in the stories of poet Mary Swann and Daisy Goodwill in Swann and The Stone Diaries.The first complete collection of her poetry, this volume is essential for all readers of Carol Shields. Stovel’s detailed annotations, based on research in the Carol Shields fonds at Library and Archives Canada, reveal the poems in all their depth and resonance, and the dignity and consequence they afford to ordinary people.
Combustion
by Lorri Neilsen GlennLorri Neilsen Glenn’s poems welcome the reader into a place where the strange is made familiar and the familiar reveals its own magic. Here the combustible materials of childhood and old age are always potentially present, and the attention paid them multi-dimensional. Her poems engage their subjects with wits and senses on full alert, whether the occasion is an encounter with the full moon during a lonely drive across the prairies, a raucous community dance at the oldest dance hall in the Maritimes, or the opening of the door into “the small town inside”. Reaching from nature to human nature, often drawn by the long line and the hum of loss, Neilsen Glenn explores a full range of poetic possibilities.
The Complete Poems of George Whalley
by Michael John DisantoAn eminent Canadian man of letters, scholar, naval officer and secret intelligence agent, CBC scriptwriter, musician, biographer, and translator, George Whalley (1915-1983) was also a gifted poet whose work spans five decades. Along with his major critical work, Poetic Process, and his superb biography, The Legend of John Hornby, Whalley’s poetry is an important contribution to the emergence and development of twentieth-century modernism. The Complete Poems of George Whalley is the first collection of Whalley’s entire poetic oeuvre. It contains the previously published work from his two books of poetry, Poems 1939-1944 and No Man An Island, as well as pieces that appeared in periodicals and edited collections. It gathers all his unpublished poems found in public archives and his personal papers, letters, and journals. This collection reinforces Whalley’s place as the foremost Canadian poet of the Second World War, during and immediately after which the majority of these works were written. It also emphasizes the humour and playfulness of his early and late poems. Michael DiSanto’s introduction provides an overview of Whalley’s life and career, and examines the relationship between his poetics and criticism by consulting his essays, letters, and unpublished papers. Restoring Whalley’s poetry and literary contributions to their rightful place in the Canadian canon, this comprehensive collection opens new chapters on mid-twentieth-century modernism and war poetry.
Concrete and Wild Carrot
by Margaret AvisonWinner of the 2003 Griffin Poetry Prize and of the 2003 CAA Jack Chalmers Poetry Award and Globe 100 book for 2003 In Margaret Avison's new poems, little pleasures are bound up with larger ones. Her slightest subjects -- beloved Toronto parks with their population of oaks, firs, squirrels, dogs, kids, even ants, and the minutest sighs of her contemporary urban soundscape -- all have their being within an immense composition that calls and hauls us to a largeness, a category-breaking "always unthinkable" beyond.
Congratulations, Rhododendrons
by Mary GermaineIn her debut collection, Congratulations, Rhododendrons, award-winning poet Mary Germaine offers love poems to an insistently unlovely world.Through poems that speak to plastic bags and drones as much as they admire roses and the moon, Germaine surfs the confluence of artificial and natural environments, technology, and our small but consequential feelings about them. At turns devotional and suspicious, these poems toe the boundaries of intimacy, responsibility, and reason.In anxious times, anything can be taken as a sign; a crow, a talking coin, and a news report are all sources of information whose truth (or “fake-ness”) demand investigation. Germaine’s poems scroll from a shrine in Lourdes to an augmented-reality sandbox, from a mall filled with loitering ex–love interests to a fairy-tale ending where all the men turn out to be chairs. Funny, provocative, sly, and melancholic, Congratulations, Rhododendrons makes a case for the hope that every apparent disaster of social investment might in the end be redeemed as meaningful, genuine, or at least in some way helpful.
Copper Woman: And Other Poems
by Afua CooperCopper Woman and Other Poems is a collection of poems that announces a humanistic vision, dealing with such themes as rebirth (physical and symbolic), mythology, memory, bondage, blood, family, identities in flux, migration, politics and flights of fancy. The contents move back and forth between the past and the present, and project into the future, envisioning a new world/a new creation. The message that we are our brothers and our sisters keepers and that the earth is our home – a home that we must protect and keep safe if we are to survive – resonates throughout. Copper Woman is a call to arms against apathy and all forms of tyranny. It is liberatory dub poetics that say equality and equity are possible and within reach. It invites its readers to cast off their chains and shackles and proclaim their freedom. It invites us all to grasp a greater vision of our world. Jamaican-born Dr. Afua Cooper has achieved considerable success as a dub poet and as the author of a children’s book, a collection of poetry and as co-author of The Underground Railroad: Next Stop, Toronto! Dr. Cooper is a recent recipient of the Harry Jerome Award for Professional Excellence.
Could Be
by Heather CadsbyPoems about the unexpected and often wry coincidences language lends to life. In Could be, each poem is a moment of engaged and isolated attention, prodding language, relationships, the mundane aspects of daily life, friendships and art. It asks how we use words, how we shape them and are in turn shaped by them. In many ways, then, this book is about how we construct our world through language, and how language unexpectedly shifts the terms on us. It is wry, funny, moving and at times disturbing. It will quietly assert itself, as so often language itself does, and will challenge readers to reconsider how they engage with words and world.
Cries from the Ark
by Dan MacIsaacA pitch-perfect debut and a call to act in the service of Earth through radiant attention. Humankind, at present, has breached floodgates that have only been breached before in ancient stories of angry gods, or so far back on geologic and biological timelines as to seem more past than past. Against this catastrophic backdrop (at the end of consolations, at the high-water mark), and equipped with a periscopic eye and a sublime metaphorical reach, poet Dan MacIsaac has crowded his debut vessel with sloths and auks, mummified remains and bumbling explorers, German expressionists and Neolithic cave-painters. With the predominant “I” of so many poetic debuts almost entirely absent, Cries from the Ark is catalogue and cartography of our common mortal—and moral—lot.
Crying Dress: Poems
by Cassidy McFadzeanThe poems in Crying Dress, acclaimed poet Cassidy McFadzean’s third collection, explore the multiplicity of meaning that arises from fragmentation, rhythm, competing sounds, and ellipsis. Rooted in the tradition of lyric poetry, these strikingly original poems revel in musicality (rhyme, beat, and alliteration) while deploying puns, idiom, and other forms of linguistic play to create a dissonance that challenges the expected coherence of a poem. From the ghosts and gardens of Brooklyn and Sicily to the clanging of garbage chutes in Uno Prii’s modernist high rises in Toronto, to quiet moments of intimacy in domestic spaces, and the early days of sobriety and grief, Crying Dress explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological, while reaffirming the poet’s sonic, vertiginous lyricism and gift for overlooked detail.
The Cyborg Anthology
by Lindsay B-EPoems written by Cyborgs in the future – this collection melds sci-fi and poetry, human and machine. The Cyborg Anthology takes place in a future where there was a thriving world of Robots and Cyborgs living peacefully beside Humans, but a disaster destroyed all Robot and most Cyborg life. The book is organized like a typical anthology of literature, split into sections that include a biography of each poet and a sample of their poetry. It covers early Cyborg poetry, political, celebrity, and pop culture poets, and ends with the next generation of Cyborg poets. The narrative takes place in the time after a cataclysmic event, and the collection wrestles with this loss. Through the lives of the poets, the book chronicles the history of personhood for technological beings, their struggle for liberation, and demonstrates different ways a person can be Cyborg. The poems and biographies together tell the story of a complex and enthralling world-to-come, exploring topics that are important in the future, and also urgent right now. “With mordant wit and a playful satiric touch, these Cyborg poems showcase a dazzling range of poetic forms and ideas: imaginative and charmingly subversive. Move over Norton Anthology of Poetry, there’s a new force in town, and they are a delight.” —Renée Sarojini Saklikar, author of Listening to the Bees and Children of Air India "The premise of this collection alone is fabulous. The poems are potent and powerful. With echoes of Le Guin, Brunner and Monáe, Lindsay B-e’s debut is layered and smart, provocative, and deeply satisfying. I was moved and fascinated. Speculative poetry at its best." —Hiromi Goto, author of Chorus of Mushrooms and Darkest Light
The Danger Model (Hugh MacLennan Poetry Series #49)
by Madelaine Caritas LongmanIs the self inside the body / or is it the body / or can it leave? "How can you ask a question that you live inside?" Madelaine Caritas Longman's debut is an affecting, intelligent engagement with the often-paradoxical pursuit of self-coherence and self-presence. These prose poems, haiku, and experiments with language and form not only examine the individual search for identity but call into question the concept itself. Inhabiting contexts as diverse as the medical system, performance art, queer adolescence, and Talmudic debate, The Danger Model considers what it means to be a "self." Searching for answers in Internet forums, the work of Portuguese poet Fernando Pessoa, and the films and installations of Japanese artist Yayoi Kusama, Longman brings attention to the lived experience of mental and physical illness and attempts to make meaning out of it. Disarmingly candid, intellectually rigorous, and surprisingly funny, these poems explore the luxury and burden of subjectivity by showing us what it is like to struggle to attach oneself to the world through specific desires and needs. Provocatively realistic but also hopeful, The Danger Model is an investigation of how we come to recognize – or not recognize – ourselves and each other.
The Danger Model (Hugh MacLennan Poetry Series #51)
by Madelaine Caritas LongmanIs the self inside the body / or is it the body / or can it leave? "How can you ask a question that you live inside?" Madelaine Caritas Longman's debut is an affecting, intelligent engagement with the often-paradoxical pursuit of self-coherence and self-presence. These prose poems, haiku, and experiments with language and form not only examine the individual search for identity but call into question the concept itself. Inhabiting contexts as diverse as the medical system, performance art, queer adolescence, and Talmudic debate, The Danger Model considers what it means to be a "self." Searching for answers in Internet forums, the work of Portuguese poet Fernando Pessoa, and the films and installations of Japanese artist Yayoi Kusama, Longman brings attention to the lived experience of mental and physical illness and attempts to make meaning out of it. Disarmingly candid, intellectually rigorous, and surprisingly funny, these poems explore the luxury and burden of subjectivity by showing us what it is like to struggle to attach oneself to the world through specific desires and needs. Provocatively realistic but also hopeful, The Danger Model is an investigation of how we come to recognize - or not recognize - ourselves and each other.
Daughters of Men
by Brenda LeifsoShortlisted for the 2009 Lampman-Scott Award (for the best book of poetry in the National Capital Region) Brenda Leifso’s first volume of poetry is a stunning debut: haunting, disturbing but resolutely beautiful. With an unflinching eye, Leifso explores the uncertainty of memory, the legacy of place, the powerful dynamics of sexuality and secrecy, and the violence inherent in family relations. Her central section, “The Theban Women,” is a multi-voiced re-imagining of Euripides’s The Bacchae; this drama in verse gives voice to women long silent, and together with Leifso’s more personal poems, it forms a book of exceptional power from a poet whose voice is as honest as it is beautiful.
day/break
by Gwen Benawayday/break, poet Gwen Benaway's fourth collection of work, explores the everyday poetics of the trans feminine body. Through intimate experiences and conceptualizations of trans life, day/break asks what it means to be a trans woman, both within the text and out in the physical world. Shifting between theory and poetry, Benaway questions how gender, sexuality, and love intersect with the violence and transmisogyny of the nation state and established literary institutions. In beautiful lyric verse, day/break reveals the often-unseen other worlds of trans life, where body, self, and sex are transformed, becoming more than fixed binary locations.
Dayo
by Marc PerezAn elegant debut collection that illuminates the contours of un/belonging. Dayo: a Tagalog word referring to someone who exists in a place not their own. A wanderer, migrant worker, exile or simply a stranger. At its core, the poems in Dayo interrogate whether belonging can exist in a society suffused with violence. Here, the poet, as a stranger, confronts the politics of recognition by offering his vision. Reflexive and lyrical, this collection embodies the true curiosity and tenacious spirit of a dayo seeking a place to replant, tend, and grow delicate roots.
Days Into Flatspin: Poems
by Ken BabstockDays into Flatspin is Ken Babstock's extraordinary second collection and it reveals a poet in full flight, fearless and technically brilliant. Diving into and then beyond what is seen or the coma of looking as one poem calls it, Babstock veers into the inner core of things, animals, and places through portals that exist all around us -- clothing, banisters, marshes, locks, wounds. And these are always entry points, always a means by which to go forward and further into, forcing decisions about whether to continue on or retreat and revealing that we rarely have any choice at all. Babstock opens everything to investigation, rupturing the limitations of the eye and the strictures of the poetic form: a sonnet is built from a Frisbee game, a love poem inspired by a cow, a gash inhabited by a field of crickets. And throughout his poetic landscape is a solitary bird -- watching, passing overhead, biding time, always present. Days into Flatspin is a soaring collection.
Dead Man's Float
by Derk WynandDead Man's Float details that sad emblem of Western alienation, the tourist couple in their rented tropical Eden. Here life is temporary and not at all cheap. The wildlife is spectacular, the culture incomprehensible, and the locals politely try to hide their hilarity at Canadian pidgin Spanish. Heat, beaches, ruins -- why did we think they could distract us from domestic squabbling or the 3 a.m. dreads? Derk Wynand wrings wry existential meditations from firsthand experience of the Exotic -- the First World and the Third in their ritual winter dance.