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Alexander Pope (Routledge Revivals)
by G.S. FraserFirst published in 1978, Alexander Pope is an introduction to Pope’s life and work, which sets the poet solidly in his age and relates the liveliness and variety of his poetry to the strange combination of chronic invalidism and a sociable disposition which marked his life. G. S. Fraser argues that Pope is a more varied figure than his reputation as a great satirist indicates and that he is in some ways more a survivor from the Restoration than a precursor of middle-class morality. Special attention is paid to the poems in the first Collected Works of 1717, which displays both Pope’s gaiety and his sense of colour and beauty. The dignity of his translation of Homer and the thoughtfulness and piety of An Essay on Man are also emphasised. His satirical genius, which found its greatest expression during the later years of declining health, is not ignored but set in perspective. Many readers of this persuasively argued study will be surprised to discover in it a gayer, more warm-hearted and more likeable Pope than they had, perhaps, imagined. Students of English literature will find this book immensely refreshing.
Alexander Pope: Everyman's Poetry
by Alexander Pope Douglas Brooks-DaviesChief satirist of the Augustan age, as seen in The rape of the Lock, Pope spoke out against society and his profession, in poetry of bitter invective and biting humour.
Alexander Pope’s Catholic Vision: "Slave to no sect"
by G. Douglas AtkinsA fresh look at the greatest poet of early eighteenth-century England, this highly readable book focuses on Pope's religious thinking and major poems. G. Douglas Atkins extends the argument that the Roman Catholic poet was no Deist, 'closet' or otherwise.
Alexander Vvedensky: An Invitation For Me To Think (NYRB Poets)
by Matvei Yankelevich Eugene Ostashevsky Alexander Vvedensky"Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don't consider that we've been defeated.... According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' ... It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die." -- Pussy Riot [Nadezhda Tolokonnikova's closing statement at their trial in August 2012] "I raise[d] my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky--with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")--responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song. A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime--he made a living as a writer for children before dying under arrest in 1942--and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals.
The "Alexandreis" of Walter of Chatilon
by David TownsendWritten sometime in the 1170s, Walter of Chatillon's Latin epic on the life of Alexander the Great loomed as large on literary horizons as the works on Jean de Meun, Dante, or Boccaccio. Within a few decades of its composition, the poem had become a standard text of the literary curriculum. Virtually all authors of the thirteenth through fifteenth centuries knew the poem. And an extraordinary two hundred surviving manuscripts, elaborately annotated, attest both to the popularity of the Alexandreis and to the care with which it was read by its medieval audience.
Alfred Lord Tennyson
by Harold BlooomEssays by T. S. Eliot, G. M. Young, Cleanth Brooks, Marshall McLuhan, Robert Langbaum, Christopher Ricks, John Rosenberg, John Hollander, Harold Bloom, A. Dwight Culler, and Robert Bernard Martin.
Alfred, Lord Tennyson: An outstanding collection of his best-loved poems (The Great Poets)
by Lord Alfred TennysonTennyson was one of the true great Victorian poets - much of his work is known throughout the world:'Theirs not to reason why, theirs but to do and die''Tis better to have loved and lost than never to have loved at all'His genius is expressed through the precision and delicacy of the language of his lyrical poems. Some of his words were engraved in the 2012 Olympic village and his early poetry was a major influence on and inspiration for the Pre-Raphaelite Brotherhood. Tennyson initially declined a baronetcy - indeed, he wrote a substantial amount of unoffical political poetry. To this day, he remains one of Britain's most popular poets.'No man ever got very high by pulling other people down... Don't knock your friends. Don't knock your enemies. Don't knock yourself' Tennyson
Alfred Tennyson
by Andrew LangINTRODUCTION. IN writing this brief sketch of the Life of Tennyson, and this attempt to appreciate his work, I have rested almost entirely on the Bio- graphy by Lord Tennyson with his kind per- mission and on the text of the Poems. <P> <P> As to the Life, doubtless current anecdotes, not given in the Biography, are known to me, and to most people. But as they must also be familiar to the author of the Biography, I have not thought it desirable to include what he rejected. The works of the localisers I liave not read Tennyson disliked these researches, as a rule, and they appear to be unessential, and often hazardous. The professed commentators I have not consulted. It appeared better to give ones own impressions of the Poems, unaffected by the impressions of others, except in one or two cases where matters of fact rather than of taste seemed to be in question. Thus on two or three points I have ventured to differ from a distinguished living critic, and have given the reasons for my dissent. . .
Algunos consejos: Algunos consejos: volumen 9 contiene tres historias de no ficción y un poema
by D. S. PaisAlgunos consejos: volumen 9 contiene tres historias de no ficción y un poema.
Alias Anna: A True Story of Outwitting the Nazis
by Susan Hood Greg DawsonThe moving true story of how young Ukrainian Jewish piano prodigies Zhanna (alias “Anna”) and her sister Frina outplayed their pursuers while hiding in plain sight during the Holocaust. A middle grade nonfiction novel-in-verse by award-winning author Susan Hood with Greg Dawson (Zhanna’s son).She wouldn’t be Zhanna. She’d use an alias. A for Anna. A for alive.When the Germans invade Ukraine, Zhanna, a young Jewish girl, must leave behind her friends, her freedom, and her promising musical future at the world’s top conservatory. With no time to say goodbye, Zhanna, her sister Frina, and their entire family are removed from their home by the Nazis and forced on a long, cold, death march. When a guard turns a blind eye, Zhanna flees with nothing more than her musical talent, her beloved sheet music, and her father’s final plea: “I don’t care what you do. Just live.” This incredible true story in-verse about sisterhood, survival, and music is perfect for fans of Lifeboat 12, Inside Out and Back Again, and Alan Gratz.Includes extensive back matter with original letters and photographs, additional information, and materials for further reading.
Alice Walker: Her Blue Body Everything We Know: Earthling Poems 1965-1990
by Alice WalkerThe collected poems of the Pulitzer Prize winning author of THE COLOR PURPLE.'I am the womanoffering two flowerswhose roots are twin.Justice and HopeHope and JusticeLet us begin'Alice Walker has been writing poetry since the summer of 1965, when she travelled to East Africa and began the collection ONCE while sitting beneath a tree facing Mount Kenya.Encompassing the collections ONCE, REVOLUTIONARY PETUNIAS & OTHER POEMS, GOOD NIGHT WILLIE LEE I'LL SEE YOU IN THE MORNING, and HORSES MAKE A LANDSCAPE LOOK MORE BEAUTIFUL as well as other poems, this is a wonderful, surprising, entertaining collection that offers a historical perspective on the evolution of both the poetry itself and the political and spiritual inspiration behind it.
Alien, Correspondent
by Antony Di NardoThese astute, generous poems give us contemporary Beirut in all its ravaged and incongruent beauty. This arresting first collection is, in part, a delicately balanced look at Beirut from the perspective of a Westerner who lives and works in that remarkable city. Whether writing about the Middle East or about domestic life, Di Nardo refuses to romanticize; he doesn’t moralize about the causes of perennial conflicts. He is that rare thing: a clear-eyed witness. Here and there Starbucks coffee cups collide with service taxis and re-assign the chaos, litter the brittle landscape of the coast, while the world command picks through the sands of lawlessness for just a grain of what remains of itself, the little air of familiarity defunct, despised and fed to those on foot like scraps to gutter cats in the shade of too many parked cars that took the place of date palms standing on the sidewalks. Yet no one would ever leave their shift at the wheel, or turn home in the grim belief life’s purpose is that unreal. (from “Oh the streets of West Beirut”) “Time and space are lenses Di Nardo overlays to bring Beirut into historic and personal focus… Evidence of violence abounds here, as does love, and Di Nardo epitomizes, like Cavafy, the empathy required to be its perfect correspondent.” –John Barton
Alien vs. Predator
by Michael RobbinsThe debut collection of a poet whose savage, hilarious work has already received extraordinary notice. Since his poems first began to appear in the pages of The New Yorker and Poetry, there has been a lot of excited talk about the fresh and inventive work of Michael Robbins. Equal parts hip- hop, John Berryman, and capitalism seeking death and not finding it, Robbins's poems are strange, wonderful, wild, and completely unlike anything else being written today. As allusive as the Cantos, as aggressive as a circular saw, this debut collection will offend none but the virtuous, and is certain to receive an enormous amount of attention. .
The Aliens Have Landed!
by Kenn NesbittFrom the back cover: If aliens ever visit Earth, they'll definitely want to take this book home with them. No other souvenir will do after they've seen the world through Kenn Nesbitt's eyes-a world full of mashed potatoes on the ceiling, kangaruplets, skunks in love, antigravity machines, and a jillion other imaginative subjects. No matter what planet you live on, you'll want this book, too . . . it's packed with far-out, funny, clever poems guaranteed to give you a galactic case of the giggles.
Alight
by Fady JoudahThe poems in Alight alternate between the estranging familial and strangely familiar, between burning and illumination. As father, husband, and physician, Fady Joudah gives children and vulnerable others voice in this hauntingly lyrical collection, where, with quiet ferociousness, one's self can be reclaimed from suffering's grip over mind and spirit.Fady Joudah is a Palestinian-American poet, translator, and physician of internal medicine. He received his medical training from the Medical College of Georgia and University of Texas, and served with Doctors Without Borders in 2002 and 2005. His first book, The Earth in the Attic, won the 2007 Yale Series of Younger Poets competition, judged by Louise Glück. In 2010 he received a PEN translation award for his translations of Palestinian poet Mahmoud Darwish.
Alive
by Elizabeth WillisAmerican poet Elizabeth Willis has written an electrifying body of work spanning more than twenty years. With a wild and inquisitive lyricism, Willis--"one of the most outstanding poets of her generation" (Susan Howe)--draws us into intricate patterns of thought and feeling. The intimate and civic address of these poems is laced with subterranean affinities among painters, botanists, politicians, witches and agitators. Coursing through this work is the clarity and resistance of a world that asks the poem to rise to this, to speak its fury.
Alive Together: New and Selected Poems
by Lisel MuellerIn a collection that represents over thirty-five years of her writing life, this distinguished poet explores a wide range of subjects, which include her cultural and family history and reflect her fascination with music and the discoveries offered by language. In fact, her book is a testament to the miraculous power of language to interpret and transform our world. It is a testament that invites readers to share her vision of experiences we all have in common: sorrow, tenderness, desire, the revelations of art, and mortality - "the hard, dry smack of death against the glass." To this community Mueller presents moments after moment where the personal and public realms intersect, where lives ranging from her own to those of Mary Shelley and Anton Webern illuminate the ways in which history shapes our lives. In "Brendel Playing Schubert," Mueller's breathtaking linguistic virtuosity reminds us how music can transport us out of ourselves and into "the nowhere where the enchanted live"; in "Midwinter Notes," the crepuscular world, stripped of its veil, shines forth as a signal from some realm where the sense of things may be revealed. In the title piece Mueller brings a sense of enduring and unclouded wonder to a recognition of all those whose lives might have been our own.<P><P> Pulitzer Prize Winner
Alive Together: New and Selected Poems
by Lisel MuellerIn a collection that represents over thirty-five years of her writing life, this distinguished poet explores a wide range of subjects, which include her cultural and family history and reflect her fascination with music and the discoveries offered by language. In fact, her book is a testament to the miraculous power of language to interpret and transform our world. It is a testament that invites readers to share her vision of experiences we all have in common: sorrow, tenderness, desire, the revelations of art, and morality—“the hard, dry smack of death against the glass.” In the title piece Mueller brings a sense of enduring and unclouded wonder to a recognition of all those whose lives might have been our own. “Speaking of marvels,” says the poem’s speaker, “I am alive.” Thus we, too—alive together—are marvels, and so are our children: who—but for endless ifs— might have missed out on being alive together with marvels and follies and longings and lies and wishes and error and humor and mercy and journeys and voices and faces and colors and summers and mornings and knowledge and tears and chance. Imaginative, poignant, and wise—Alive Together is a marvelous book, an act of faith and courage in the face of life’s enduring mystery.
All Along You Were Blooming: Thoughts for Boundless Living
by Morgan Harper NicholsA celebration of hope. An encounter with grace. A restoration of the heart. A healing of wounds. An anthem of freedom. All Along You Were Blooming is the ultimate love letter from the pen of popular Instagram poet Morgan Harper Nichols to your mind, to your heart, to your soul, and to your body.Morgan Harper Nichols delivers a striking collection of illustrated poetry and prose, inviting you to "stumble into the sunlight" and delight in the wild and boundless grace you've been given. There is a purpose in every season, and no matter how you want to race through this day or run away from this place, rest assured that you are invited to live fully—right here, right now. Light will always find you, and even when the sun sets and you sit awaiting the dawn, know you are still blooming in the way you were meant to. And in each small moment, whether in the light or the dark, you can make room for becoming, for breathing, for stumbling, and for simply being—for there is Grace, today and every day.
All Are Welcome
by Alexandra PenfoldIllustrations and simple, rhyming text introduce a school where diversity is celebrated and songs, stories, and talents are shared. <p> <b>New York Times Bestseller</b>
All The Colors Of The Race
by Arnold Adoff John L. SteptoeA collection of poems written from the point of view of a child with a black mother and a white father.
All Day I Dream About Sirens
by Domenica MartinelloFrom Homer to Starbucks, a look at sirens and mermaids and feminism and consumerism. <P><P> What started as a small sequence of poems about the Starbucks logo grew to monstrous proportions after the poet fell under a siren spell herself. All Day I Dream About Sirens is both an ancient reverie and a screen-induced stupor as these poems reckon with the enduring cultural fascination with siren and mermaid narratives as they span geographies, economies, and generations, chronicling and reconfiguring the male-centered epic and women's bodies and subjectivities.
All Dogs Are Good: Poems & Memories
by Courtney PeppernellWritten for anyone who has known the touch of a cold nose on their hand, the bark of a best friend, or the joy of a walk accompanied by a wagging tail, All Dogs Are Good pays tribute to the special bond we share with our canine companions.Filled with heartfelt poems and prose on the love, dedication, and laughter our dogs bring, as well as the unique lessons they teach us along the way, bestselling author Courtney Peppernell&’s vignettes of life with our dogs are a touching reminder of the gifts they give us during their journey on earth. Celebrating dogs everywhere, All Dogs Are Good is a collection dog lovers will hold in their hearts forever.
The All + Flesh: Poems
by Brandi BirdBrandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection. Brandi Bird’s long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today. I am made of centuries & carbohydrates the development of my molars the hunger the teeth grew has been with me since childhood I can’t escape the mouths of others
All The Fun's In How You Say A Thing: An Explanation Of Meter And Versification
by Timothy SteelePerfect for the general reader of poetry, students and teachers of literature, and aspiring poets, All the Fun’s in How You Say a Thing is a lively and comprehensive study of versification by one of our best contemporary practitioners of traditional poetic forms. Emphasizing both the coherence and the diversity of English metrical practice from Chaucer’s time to ours, Timothy Steele explains how poets harmonize the fixed units of meter with the variable flow of idiomatic speech. He examines the ways in which poets have used meter, rhyme, and stanza to communicate and enhance meaning. Steele illuminates as well many practical, theoretical, and historical issues in English prosody, without ever losing sight of the fundamental pleasures, beauties, and insights that fine poems offer us. Written lucidly, with a generous selection of helpful scansions and explanations of the metrical effects of the great poets of the English language, All the Fun’s in How You Say a Thing is not only a valuable handbook on technique; it is also a wide-ranging study of English verse and a mine of entertaining information for anyone wishing more fully to write, enjoy, understand, or teach poetry.