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All of Us: The Collected Poems (Vintage Contemporaries)
by Raymond CarverThis prodigiously rich collection suggests that Raymond Carver was not only America&’s finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver&’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver&’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver&’s life and work; and a moving introduction by Carver&’s widow, the poet Tess Gallagher.
All Soul Parts Returned (American Poets Continuum)
by Bruce BeasleyWhen the Gnostic Gospels collide with new age spiritualism, the Oxford Happiness Test, and treatises on Buddhist practice, we know we're in the territory of a Bruce Beasley collection. Alternately devout and heretical, Beasley-known for his intense and continuing soul-quest through previous award-winning books-interrogates the absurdities, psychic violence, and spiritual condition of twenty-first century America with despair, philosophic intelligence, and piercing humor.Bruce Beasley is the author of eight collections of poetry, including Theophobia (BOA, 2012). The winner of numerous literary awards and fellowships, he lives in Bellingham, WA, where he is a professor of English at Western Washington University.
All the Names Between
by Julie McCarthyPoems that form an eloquent, searching contemplation of “the warp and weft of being and nonbeing.” All the Names Between is Nova Scotia poet Julia McCarthy’s meditative and crackling-with-dark-energy third collection. From her observation of “long-horned beetles... rearranging the landscape” to an apperception of “part of me /...seeded by dust / of meteors and asteroids,” McCarthy makes palpable, in richly layered imagery and with attentiveness that unfolds stillness, the “Singing Emptiness” that informs and quickens the crow’s flight, the stones’ weight, and our own being as we move in “the defined world both elegant / and maimed.” Concerned with both the inadequacy and the necessity of word to convey world, the poems move through a shifting landscape of seasons and creatures, of the remembered dead, and of scattered stones reading the Akashic field. Grounded in the experience of presence, where the external and internal meet, a crossroads of consciousness where “a language without a name / remembers us” and the poem is a votive act, All the Names Between reflects the shadow-light of being, of what is and what isn’t, the seen and the unseen, the forgotten and the remembered where every elegy has an ode at its centreevery ode has an elegy around its edges. (from “Ode with an Elegy around its Edges”) Praise for All the Names Between: “It is Julia McCarthy’s incomparable eloquence as a poet to, as an experienced photographer might, wield darkness as an ever more powerful lens to reveal the intricate beauty of the world as she finds it. And it is with this extraordinary vision, that McCarthy ushers us into her newest collection, All the Names Between, ‘where the dead gather like trees in their white coats’ and bats hover overhead, ‘lucifugal as ashes from invisible fires.’ These are poems scintillate with vision and stunningly intimate—showing us page after page the full, and exquisite measure of ‘night’s worth.’” —Clarise Foster, Editor, Contemporary Verse 2 “Here is a book of meditations for even those immune to poetry, a poetry with no comfort zones. McCarthy takes readers to a world where the marriage between solitude and nature gives birth to memorable, haunting lines, where the mystery of poetry lies just between the words. I have no doubt readers will embrace this book as their own.” —Goran Simić, author of Immigrant Blues and From Sarajevo, with Sorrow
All We Saw
by Anne MichaelsFrom the internationally celebrated author of Fugitive Pieces and the Griffin Poetry Prize-shortlisted collection Correspondences -- and Toronto's Poet Laureate -- comes a profoundly moving new collection of poetry of love and memory.In All We Saw, Anne Michaels returns to poetry with strikingly original lyrics to explore one of her essential concerns: "what love makes us capable of, and incapable of." In this passionate, piercing short collection, dedicated to the late Mark Strand, Michaels explores "love's dare / love's repair / a single stitch." In lyrics that ponder what happens to the bodies of lovers -- so vital when together, different when apart, death coming to one before the other -- she embraces both the intimacy and the vastness of the connection between two people. The complete and sheltering understanding of a great love is a powerful presence in all the poems, with its particular imagery (the ringing fog, the white page of the bed), as is the shattering loss of its end. Lyrics of various forms and two longer poems explore desire in a style chaste, spare, figuratively modulated, calm and almost classical in its precision. By the book's end, we are left with a renewed awareness of the mystery at the core of our astonishing lives. With Michaels, we enter a space that is "not inside / nor outside: dusk's / doorway," where memory might be kept alive.
All We Saw: Poems
by Anne MichaelsPoems of elegy in the aftermath of a great love from the internationally best-selling, award-winning novelist (Fugitive Pieces, The Winter Vault) and poet. In All We Saw, Anne Michaels returns with strikingly original poems to explore one of her essential concerns: "what love makes us capable of, and incapable of." Here are the ways in which passion must accept, must insist, that "death . . . give / not only take from us." This piercing short collection treats desire in a style that is chaste, spare, figuratively modulated, and almost classical in its precision. In lyrics that ponder what happens to the bodies of lovers--so vital when together, different when apart, death coming to one before the other--Michaels embraces both the intimacy and the vastness of the connection between two people. Love's sheltering understanding is a powerful presence in all the poems, with its particular imagery (the ringing fog, the white page of the bed), as is the shattering loss of its end. With Michaels, we enter a space that is "not inside / not outside: dusk's / doorway," where memory might be kept alive.
The Amazing Planet Earth (Step into Reading)
by StorybotsThe wacky robots from the award-winning apps, videos, and Netflix show, Ask the StoryBots, now star in their own early readers. This one is about our little corner of the solar system!Fans of the StoryBots will recognize the colorful art from their popular outer-space video, &“A Beautiful, Beautiful World&” (The Earth Song), on YouTube. There are eight planets in our solar system, but the most beautiful is the one we call home. This rhyming Step 1 Science Reader will entertain while imparting simple facts about everyone&’s favorite planet. Step 1 Readers feature big type and easy words for children who know the alphabet and are eager to begin reading. Rhyme and rhythmic text paired with picture clues help children decode the story.Accolades for the StoryBots digital media: Appy Award for Best Book AppTeacher's Choice Award Editor&’s Choice—Children&’s Technology Review Family Choice Award Parents&’ Choice AwardCynopsis Kids !magination Award for best educational mobile app
Ambizioni Illuminate al Neon
by Scott Hidenea Riccardo41 poesie ed illustrazioni derivate da esperienze di vita ricorrenti, innate in questo mondo moderno. Una combinazione sia di ispirazioni dirette che indirette mescolate con motivi fluorescenti illuminati
American Originality: Essays on Poetry
by Louise GlückA luminous collection of essays from one of our most original and influential poets Five decades after her debut poetry collection, Firstborn, Louise Glück is a towering figure in American letters. Written with the same probing, analytic control that has long distinguished her poetry, American Originality is Glück’s second book of essays—her first, Proofs and Theories, won the 1993 PEN/Martha Albrand Award for First Nonfiction. Glück’s moving and disabusing lyricism is on full display in this decisive new collection. From its opening pages, American Originality forces readers to consider contemporary poetry and its demigods in radical, unconsoling, and ultimately very productive ways. Determined to wrest ample, often contradictory meaning from our current literary discourse, Glück comprehends and destabilizes notions of “narcissism” and “genius” that are unique to the American literary climate. This includes erudite analyses of the poets who have interested her throughout her own career, such as Rilke, Pinsky, Chiasson, and Dobyns, and introductions to the first books of poets like Dana Levin, Peter Streckfus, Spencer Reece, and Richard Siken. Forceful, revealing, challenging, and instructive, American Originality is a seminal critical achievement.
The Amputee's Guide to Sex
by Jillian WeiseA paradigm-shifting collection about disability and desire, recontextualized with an introduction by one of our most provocative contemporary poets.When Jillian Weise wrote The Amputee’s Guide to Sex, it was with the intention of changing the conversation around disability; essentially, she was tired of seeing "cripples" portrayed as asexual characters. The collection that resulted is a powerful lesson in desire, the body, pain, and possession.These poems interrogate medical language and history, imagine Mona Lisa in a wheelchair, rewrite Elizabeth Bishop’s poem "In the Waiting Room," address a lover’s arsonist ex-girlfriend, and show the prosthesis as the object of male curiosity and lust. Publishers Weekly, in a starred review, called the book a “charged and daring debut” and described Jillian Weise as an "agile and powerful poet . . . speaking boldly and compassionately about a little-discussed subject that becomes universal in her careful hands."In the years since its first publication, our culture continues to grapple with questions limned in this collection. In a new introduction, Weise revisits and recontextualizes her work, revealing its urgency to our present moment. What are the challenges of speaking "for" a community? How to resist the institutionalization of ableist paradigms? How are atypical bodies silenced? Where do our corporeal selves intersect with our technologies?
The Analyst
by Molly PeacockWhen a psychoanalyst became a painter after surviving a stroke, her longtime patient, distinguished and beloved poet Molly Peacock, took up a unique task. The Analyst is a new, visceral, twenty-first century "in memoriam" of ambiguous loss in which Peacock brilliantly tells the story of a decades-long patient-therapist relationship that now reverses and continues to evolve. Peacock invigorates the notion of poetry as word-painting: A tapestry of images, from a red enameled steamer on a black stove to Tibetan monks funneling glowing sand into a painting, create the backdrop for her quest to define identity. From "In Our Unexpected Future":. . . for frocks outlast pillars. But feelingsoutlive frocks. The immaterial storms through,a force beyond years (a mere four since youwere nearly felled). It isn't what happened that lasts. Not art, either, but the savory core. What's felt.
The Analyst: Poems
by Molly Peacock“Whatever the subject, rich music follows the tap of Molly Peacock’s baton.”—Washington Post When a psychoanalyst became a painter after surviving a stroke, her longtime patient, distinguished and beloved poet Molly Peacock, took up a unique task. The Analyst is a new, visceral, twenty-first century “in memoriam” of ambiguous loss in which Peacock brilliantly tells the story of a decades-long patient-therapist relationship that now reverses and continues to evolve. Peacock invigorates the notion of poetry as word-painting: A tapestry of images, from a red enameled steamer on a black stove to Tibetan monks funneling glowing sand into a painting, create the backdrop for her quest to define identity. From “In Our Unexpected Future”: …for frocks outlast pillars. But feelings outlive frocks. The immaterial storms through, a force beyond years (a mere four since you were nearly felled). It isn’t what happened that lasts. Not art, either, but the savory core. What’s felt.
Anges Déchus
by Toni AriasVoici mon meilleur recueil de poèmes en Espagne. Il a été dans le Top 100 d'Amazon.es entre janvier et mars 2016. Il a été numéro 3 des meilleures ventes en mars 2016.
Anjos Caídos
by Toni AriasANJOS CAÍDOS é o quinto poemário de Toni García Arias publicado em papel em seu momento pelo prestigioso Editorial Renacimiento. ANJOS CAÍDOS é um conjunto de poemas que abordam os temas próprios da vida, como se fossem pequenos postais da vida cotidiana. Entre os temas que abordam este poemário podemos encontrar as lembranças da infância, o desamor, a perda dos seres queridos ou a sensação de derrota. O título ANJOS CAÍDOS faz referência a todas essas pequenas perdas que vamos sofrendo ao longo da vida e que são ao fim nossos momentos vividos convertidos já em lembranças.
Anna and the Ice Troll
by C. L. ClickardUntil she finishes her laundry, Anna won't be chased away by an ice troll!
Anny's Mirrors
by Nancy E. Walker-GuyeAnny finds mirrors everywhere: in her mother's room, her spoon, her pot, and a puddle!
Antes de las 12
by María Stockli EsparducerTrocitos de alma que encontré abandonados en un grupo de Whatsapp. <P><P>Antes de las 12 es una recopilación de poemas en forma de mensajes, de palabras escritas en folios que se van consumiendo y de trocitos de alma que encontré abandonados en un grupo de Whatsapp.
Antología poética
by William Butler YeatsW.B. Yeats es, junto a Ezra Pound y T.S. Eliot, el gran renovador de la poesía europea del siglo XX. W.B. Yeats es, junto a Ezra Pound y T.S. Eliot, el gran renovador de la poesía europea del siglo XX. Nacido en Irlanda, su obra está transida de la mitología céltica, los ritmos del modernismo sajón y la fiebre de sus pasiones ocultistas y esotéricas. Lumen presenta aquí una rigurosa antología de toda su obra, seleccionada y prologada por el también irlandés y Premio Nobel de Literatura Seamus Heaney. La traducción corre a cargo de poeta Daniel Aguirre, quien ha llevado a cabo una impecable versión rimada, sin duda una de las aportaciones más brillantes que se han hecho a la traducción de poesía en nuestro país.
Apocalypse 23
by Kelly Priour Michele FabbriUne compilation de poésie obscure et inquiétante: qui habet aurem audiat...
Arabian Satire: Poetry from 18th-Century Najd (Library of Arabic Literature #49)
by Marcel Kurpershoek Hmedan Al-Shwe'IrThis lively volume collects poems by Hmedan al-Shwe'ir, who lived in Najd in the Arabian Peninsula shortly before the hegemony of the Wahhabi movement in the early 18th century. A master of satire known for his ribald humor, self-deprecation, and invective verse (hija), Hmedan was acerbic in his criticisms of society and its morals, voiced in in a poetic idiom that is widely referred to as “Nabati,” here a mix of Najdi vernacular and archaic vocabulary and images dating back to the origins of Arabic poetry. In Arabian Satire, Hmedan is mostly concerned with worldly matters, and addresses these in different guises: as the patriarch at the helm of the family boat and its unruly crew; as a picaresque anti-hero who revels in taking potshots at the established order, its hypocrisy, and its moral failings; as a peasant who labors over his palm trees, often to no avail and with no guarantee of success; and as a poet recording in verse how he thinks things ought to be. The poems in Arabian Satire, reveal a plucky, headstrong, yet intensely socially committed figure—representative of the traditional Najdi ethos—who infuses his verse with proverbs, maxims, and words of wisdom expressed plainly and conversationally. Hmedan is accordingly quoted by historians of the Gulf region and in anthologies of popular sayings. This is the first full translation of this remarkable poet.
Ateos que creen en Dios
by Andrés MonteroTodas las madres ateas son creyentes en Dios. Cualquiera que ame tiene fe. Ateos que Creen en Dios es una abstracción expresionista del concepto de Dios en forma de metáfora poética. <P><P>Ese concepto, la idea de Dios y principalmente de su naturaleza, representan el mayor reto intelectual y sentimental de la historia del ser humano.No hay nada comparable a la idea de Dios en cuanto a exigencia de esfuerzo mental, de capacidad de entendimiento y de imaginación. <P>Todos quienes profesan fe, con independencia del culto religioso al que se adscriban, buscan el discernimiento de Dios. En ese esfuerzo, la poesía se revela como vehículo estético y semántico para acercarnos a la comprensión de Dios. <P>Los poemas de esta obra formulan que el amor y la fe son equivalentes, mientras que ateísmo y confesión religiosa representan dos modos antagónicos de intelectualizar sentimentalmente a Dios.
The Atheist Wore Goat Silk: Poems
by Anna JourneyIn her third collection of poems, The Atheist Wore Goat Silk, Anna Journey once again celebrates the profusion of sensuality erupting from the material world. As she weaves dark fables, luminous family memories, and hard-edged personal tales into a singular fabric, Journey charts the boundaries of absence and departure, delineating the separations that we often hope to stitch back together at the intersections of the body and the imagination.Rhythmically charged and lyrically narrative, these poems are rich with verbal cascades and currents of mordant reflections. Throughout this collection, both readers and the poet are linked by a delicate and elegantly spun web of verse.
Atticus Boxed Set: Love Her Wild and The Dark Between Stars
by AtticusFrom the Instagram poetry sensation Atticus, an ebook boxed set of his bestselling collections: Love Her Wild and The Dark Between Stars.Atticus’s poetry has captured the hearts and minds of more than a million avid followers on his Instagram account @AtticusPoetry, including superstars like Alicia Keys, Emma Roberts, and Karlie Kloss, who have marveled at his talent for distilling an entire spectrum of emotions into a pitch-perfect, effortlessly evocative line. His first collection, Love Her Wild, captures what is both raw and relatable about the smallest and the grandest moments in life: the first glimpse of a new love in Paris; skinny dipping on a summer’s night; the irrepressible exuberance of the female spirit; or drinking whiskey in the desert watching the rising sun. In his second collection, a New York Times bestseller, Atticus turns his attention to the dualities of our lived experiences, exploring the infectious energy of starting a relationship, the tumultuous realities of commitment, and the agonizing nostalgia of being alone again. The Dark Between Stars illustrates that we need moments of both beauty and pain—the darkness and the stars—to fully appreciate all that life and love have to offer.
Auguries
by Clea RobertsWhether speaking of erotic love, domestic life, spiritual wilderness, or family entanglements, the poems of Auguries, the much-anticipated second collection from Yukon poet Clea Roberts, are saturated with their northern landscape. Roberts is well versed in the distances and dynamics between tedium and ecstasy, light and dark, isolation and solitude, freeze and thaw, flow and stillness. Her poems are spare and clean, each like a single larch in an immense white plain; their exactness startling and arresting. As the Gerald Lampert Award jury citation for her celebrated first book noted, “Her images . . . are not only crisp and precise, but manage to speak about the physical conditions of this place and its emotional landscape in one and the same lyrical breath . . .” Written during a period in which Roberts both became a parent and lost a parent, the poems in Auguries lend themselves to prayer, surrender, celebration, reconciliation, meditation, and auspice. Tell me how to breathe between the painful and the beautiful, my lips, my eyelids slow with cold. (from “Cold Snap”) “Clea Roberts writes poems of clear, quiet beauty. They contain the silence of perception: alive to the world with open eye and open heart.” — Anne Michaels
Augury: Poems
by Eric PankeyFrom award-winning poet and author of Crow-Work, a collection exploring the presence of the divine in the seemingly ordinary. The ancient Romans practiced augury, reading omens in bird&’s flight patterns. In the poems of Augury, revelation is found in nature&’s smallest details: a lizard&’s quick movements, a tree scarred by lighting, the white curve of a snail&’s shell. Here the sensory world and the imagined one collide in unexpected and wonderful ways, as Pankey scrutinizes the physical for meaning, and that meaning for truth. With uncommon grace, each of Pankey&’s precise lyrics advances our shared ontological questions and expresses our deepest contradictions. In a world of mystery, should we focus on finding meaning or creating it? How can the known—and the unknown— be captured in language?Augury is a masterful and magical collection from a poet of stirring intelligence, &“a book of stones unstitched from the wolf&’s belly.&”Praise for Augury &“A darkly luminous book by a poet at the height of his considerable poetic power.&” —Kathy Fagan, author of Moving & St. Rage &“This is a book I will keep close at hand, alongside the best work of Montale, Dickinson, Celan, and Stevens. This is a book one will turn to again and again.&” —Rebecca Dunham, author of Cold Pastoral &“Each ethereal image he weaves into his work is delicately curated, whittled down through his attention to sound. . . . Pankey&’s poems destabilize as they straddle time and place, and he looks askance at the narrow way in which language is often viewed.&” —Publishers Weekly