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The Success and Failure of Picasso (Vintage International)
by John BergerAt the height of his powers, Pablo Picasso was the artist as revolutionary, breaking through the niceties of form in order to mount a direct challenge to the values of his time. At the height of his fame, he was the artist as royalty: incalculably wealthy, universally idolized--and wholly isolated. In this stunning critical assessment, John Berger--one of this century's most insightful cultural historians--trains his penetrating gaze upon this most prodigious and enigmatic painter and on the Spanish landscape and very particular culture that shpaed his life and work. Writing with a novelist's sensuous evocation of character and detail, and drawing on an erudition that embraces history, politics, and art, Berger follows Picasso from his childhood in Malaga to the Blue Period and Cubism, from the creation of Guernica to the pained etchings of his final years. He gives us the full measure of Picasso's triumphs and an unsparing reckoning of their cost--in exile, in loneliness, and in a desolation that drove him, in his last works, into an old man's furious and desperate frenzy at the beauty of what he could no longer create.
Sundials: History, Theory, and Practice
by René R.J. Rohr"His lively pen, his direct and simple style, his expressive vocabulary, his avoidance of pedantry, his conciseness in the exposition of his thoughts make his book a pleasure to read." -- Henri Michel, International Academy of the History of ScienceThe story of man's efforts to measure time is a long one -- reaching back thousands of years to the dawn of civilization. Among the earliest instruments developed for telling time was the sundial. In this expert study, a noted sundial expert offers a fascinating and informative account of these ancient devices, presented in simple, lively language.Over the centuries, many different varieties of sundials have been constructed, and Mr. Rohr provides detailed, accurate descriptions of them all: classical sundials, inclined dials, solar calendars, analemmatic dials, moon dials, and many more. There is even a chapter devoted to especially remarkable dials past and present, and a listing of the most popular sundial mottoes. In this profusely illustrated volume, you will not only learn about the long and colorful history of the sundial, you will learn a practical method of building one yourself. No special knowledge is required, other than an understanding of the basic principles of cosmography and of the relative movements of the sun and the planets. (These are recalled in an elementary way in a special chapter.) For mathematically inclined readers, more complex formulae and calculations have been included, some of which have never been printed in a book of gnomonics.
An Actor Prepares
by Constantin StanislavskiThe first volume of Stanislavski's enduring trilogy on the art of acting defines the "System", a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination.
An Actor Prepares (Bloomsbury Revelations Ser.)
by Constantin StanislavskiStanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well.
Ancient Greece
by Robert PayneA history of Greece from its founding to the advent of Philip of Macedon. Covers all aspects of Greek life, philosophy and literature.
Ann at Highwood Hall: Poems for Children
by Robert GravesThe fiftieth anniversary edition of the renowned author&’s poems for children—featuring the original, iconic illustrations. This collection of boisterous and witty children&’s poems by Robert Graves—with charming drawings by painter and illustrator Edward Ardizzone—has enchanted generations of young readers. Celebrating its fiftieth anniversary, the original 1964 edition is now available in this beautiful digital reproduction. These seven timeless poems evoke the world of Victorian England and include the story of Ann, &“the third-but-youngest child of seventeen&” who runs away to live at a duke&’s palace; a valentine in verse; a battle of words lost in translation between King George II and the Chinese Emperor; a doctor&’s bedside visit to a little girl; and a lively argument between young Caroline and Charles that is strikingly similar to the banter of twenty-first century children. Ann at Highwood Hall is a classic of children&’s literature that will thrill fans of Robert Graves and poetry lovers of all ages.
The Beatles in America
by Ed Sanders Peter Thompson Robert Santelli Chris Hutchins Gloria SteinemThe Beatles in America is a limited edition special e-short presented by the Smithsonian and the Grammy Museum. It’s hard to believe that the Beatles first came to America 50 years ago. Their influence cannot be understated- music, fashion, design, film, production, politics, and then some. The Beatles gave an outsized American by-product, rock’n’roll, a different look and sound while simultaneously providing a soundtrack to a cultural revolution. The Beatles in America is an exciting look at the legacy that the Beatles created featuring never-before-published photographs by Ringo Starr from his private portfolio, along with great articles spanning the Fab Four’s career from beginning to end and interviews with both Paul McCartney and Ringo Starr. The Beatles in America also features recollections on the Beatles influence from classic rockers like Smokey Robinson, Pat Benatar, John Fogerty, Brian Wilson, and others. The Beatles in America is a must for old fans looking back on a popular culture phenomena and new fans getting a view of a band that continues to inspire music today.
A Celebration of Ben Jonson
by William F. Blissett Julian Patrick R.W. Van FossenThe papers in this volume were given by some of the world's foremost Jonsonian scholars at a conference at the University of Toronto which marked the 400th anniversary of his birth. Each contributor came from a different institution, and Canada, the United States, Great Britain, and New Zealand were represented. The balance of papers likewise reflects the range of Ben Jonson's achievement and the combination of brio and control so characteristic of him.The papers arrange themselves in pairs: 'The Incredibility of Jonsonian Comedy,' as discussed by Professor Clifford Leech, is of a piece with distrust and defiance of the audience as discussed in the paper 'Jonson and the Loathèd Stage' by Professor Jonas Barish; Professor George Hibbard in 'Ben Jonson and Human Nature' and Professor D.I. McKenzie in 'The Staple of News and the Late Plays' offer critical assessment of plays, the one wide-ranging, the other closely focused on a previously neglected play; and Professor H.N. Maclean in '"A More Secret Cause": The Wit of Jonson's Poetry' and Professor L.C. Knights in 'Ben Jonson: Public Attitudes and Social Poetry' approach the difficult and rewarding task of defining Jonson's poetry of appraisal in different but complementary styles.
The Ceramic Art of Japan
by Hugo MunsterbergFor the collector of Japanese ceramics, the chief value of the book will lie in the author's very practical advice on what, where, and how to collect; what to pay; how to choose a dealer; how to distinguish between the genuine and the imitation; and similar matters of importance. For the non-collector who nevertheless admires Japanese ceramics, the main interest will undoubtedly lie in the concise and highly readable background information that Mr. Munsterberg presents and in his amiable manner of leading the reader to an appreciation of Japan's ceramic art. For both the collector and the non-collector, the abundance of illustrations, many of them in color, will provide an aesthetic treat.
The Ceramic Art of Japan
by Hugo MunsterbergFor the collector of Japanese ceramics, the chief value of the book will lie in the author's very practical advice on what, where, and how to collect; what to pay; how to choose a dealer; how to distinguish between the genuine and the imitation; and similar matters of importance. For the non-collector who nevertheless admires Japanese ceramics, the main interest will undoubtedly lie in the concise and highly readable background information that Mr. Munsterberg presents and in his amiable manner of leading the reader to an appreciation of Japan's ceramic art. For both the collector and the non-collector, the abundance of illustrations, many of them in color, will provide an aesthetic treat.
A Copybook for Japanese Ink - Painting
by Shutei Ota Reiko ChibaThis book is designed for the amateur artist who is eager to find a new outlet for his talents as well as for the one who has already discovered the enchantingworld of Japanese ink-painting. It is, quite frankly, a copybook, and it does not pretend to be anything else. As editor Reiko Chiba says of the paintings in the book, "These basic inspirations are to be individually altered and improved." The paintings are the work of Shutei Ota, an artist who has had a long career of introducing Japanese ink-painting to Westerners. As a teacher, she has found the language barrier to be no handicap. She teaches by showing) by example, and by holding the hands of her students-beginning immediately with strokes and foregoing preliminary sketches. "Paint now" is her philosophy. She likes to think of her paintings as written compositions. Each stroke is a sentence, and each sentence builds up to a complete message or picture. In this book, examples graded from easy to difficult are given. Westerners will no doubt make practical use of the art to create place cards, greeting cards, Christmas cards, and the like for personal use. Beyond this, of course, the study of Japanese ink painting will lead to better understanding of the discipline of Oriental arts in general.
Dancing in the Water of Life
by Thomas MertonThe sixties were a time of restlessness, inner turmoil, and exuberance for Merton during which he closely followed the careening development of political and social activism - Martin Luther King, Jr., and the March on Selma, the Catholic Worker Movement, the Vietnam war, and the assassination of John F. Kennedy. Volume 5 chronicles the approach of Merton's fiftieth birthday and marks his move to Mount Olivet, his hermitage at the Abbey of Gethsemani, where he was finally able to fully embrace the joys and challenges of solitary life: 'In the hermitage, one must pray of go to seed. The pretense of prayer will not suffice. Just sitting will not suffice . . . Solitude puts you with your back to the wall (or your face to it!), and this is good' (13 October, 1964).
Dancing in the Water of Life
by Thomas MertonThe sixties were a time of restlessness, inner turmoil, and exuberance for Merton during which he closely followed the careening development of political and social activism - Martin Luther King, Jr., and the March on Selma, the Catholic Worker Movement, the Vietnam war, and the assassination of John F. Kennedy. Volume 5 chronicles the approach of Merton's fiftieth birthday and marks his move to Mount Olivet, his hermitage at the Abbey of Gethsemani, where he was finally able to fully embrace the joys and challenges of solitary life: 'In the hermitage, one must pray of go to seed. The pretense of prayer will not suffice. Just sitting will not suffice . . . Solitude puts you with your back to the wall (or your face to it!), and this is good' (13 October, 1964).
The Discarded Image: An Introduction to Medieval and Renaissance Literature
by C. S. LewisIn The Discarded Image, C.S. Lewis paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. It describes the "image" discarded by later years as "the medieval synthesis itself, the whole organization of their theology, science and history into a single, complex, harmonious mental model of the universe." This, Lewis's last book, has been hailed as "the final memorial to the work of a great scholar and teacher and a wise and noble mind."
Drawing Lessons from the Great Masters
by Robert Beverly HaleThis book contains one hundred drawings by acknowledged masters, beginning with the Renaissance. They embody, or synthesize, the fundamental expression of the tradition of Western art.
Drawing Lessons from the Great Masters
by Jacob Collins Robert Beverly HaleA book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who's famed lectures and classes at New York City's Art Student League captivated artists and art educators from around the world.Faithfully producing and methodically analyzing 100 master drawings--including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others--Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.
The Englishman's Chair: Origins, Design, and Social History of Seat Furniture in England
by John GloagOriginally published in 1964, The Englishman’s Chair is a history of English chairs, written as a continuous story from the 15th to the 20th Century and because of the revealing powers inherent in chair-making and design, it is also an unconventional footnote to English social history. The changes in taste, and fashion, the increase of skill, the introduction of new materials and the long battle between dignity and comfort are discussed, as is the impact that modern industrial designers have had on chair design.
The Eternal Present, Volume II: The Beginnings of Architecture (The A. W. Mellon Lectures in the Fine Arts #6)
by Sigfried GiedionAn original account of ancient Egyptian and Sumerian architecture from the acclaimed architectural historianIn The Beginnings of Architecture, Sigfried Giedion examines the architecture of ancient Egypt and Sumer. These early builders expressed an attitude of immense force when they confronted their structures with open sky. Giedion argues that it was during these periods that the problem of constancy and change flared up with an intensity unknown in any other period of history, and resolved eventually into the first architectural space conception, the automatic, psychic recording of the visual environment.
Giacometti: A Biography
by James LordThe work of one of the towering creative spirits of the century, Alberto Giacometti's visionary sculptures and paintings from a testament to the artist's intriguing life story. From modest beginnings in a Swiss village, Giacometti went on to flourish in the picturesque milieu of prewar Paris and then to achieve international acclaim in the fifties and sixties. Picasso, Balthus, Samuel Beckett, Stravinsky and Sartre have parts in his story, along with flamboyant art dealers, whores, shady drifters, unscrupulous collectors, poets and thieves. Women were a complex yet important element of his life--particularly his wife, Annette, and his last mistress and model, Caroline--as was the intimate relationship he shared with his brother Diego, who was both Alberto's confidant and collaborator.James Lord was personally acquainted with Giacometti and his entourage, and combines firsthand experience with a unique knowledge gathered during many years of observation and research. In this exceptional biography Lord unfolds the personal history of a man who managed to achieve a heroic destiny by remaining utterly true to himself and to his calling.Giacometti: A Biography was nominated for the National Book Critics Circle Award. James Lord has subsequently published three volumes of memoirs. In recognition of his contribution to French culture he has been made an officer of the Legion of Honour.
The Idea of Art as Propaganda in France, 1750-1799: A Study in the History of Ideas (The Royal Society of Canada Special Publications #No. 8)
by James LeithOne of the most modern features of the French Revolution was its intention of shaping a new kind of citizen by exposing him from childhood to inspirational messages and behavioral models. In this effort to regenerate the masses the French Revolutionaries sought to employ not only schools, but newspapers, festivals, dramas, poems, songs, paintings, statues, and engravings as well. At the peak of the Terror, French leaders brough tthe West to the threshold of the totalitarian state in the fullest sense of the world: they established a single party state, directed a regimented economy, created a mass army, and sought to mobilize all the media capable of influencing the human mind. In was an interest in both art and the Revolution which led Professor Leith to explore the groth of the idea of using art as one instrument of propaganda. The idea proved to have deep roots in western civilization, going back to classical thinkers, medieval churchmen, and the art officials of such monarchs as Louis XIV. But following the hedonistic rococo art of the first half of the eighteenth century, this idea of didactic art took on a new lease of life, reaching a crescendo during the Terror. This book analyses the contribution of the philosophes, the Encyclopedists, royal officials, art critics, and revolutionary leaders to the resurgence of the idea; it also probes the peculiar psychological assumptions which led eighteeneth-century thinkers to believe in the efficacy of visual propaganda. The outcome of this idea of art as an ideological weapon was involved in the fate of the Revolution itself, yet it was also affected by certain curious tensions already evident in the minds of its advocates under the Old Régime. Lingering interest in purely aesthetic values,k affirmation of the need for creative freedom, and determination to maintain French cultural hegemony, all complicated the effort to turn art into a vehicle of civic instruction. The final chapter examines the rôle of these tensions in the dénouement of the idea in the closing phase of the Revolution.This book should appeal not only to those interested in French civilization, the age of Enlightment, and they French Revolution, but to those concerned with the rôle of art and the artist in modern society as well.
The Joy of Handweaving
by Osma TodThis is the first paperback edition of a manual well known to weavers for its great thoroughness, clarity, and value to beginning and professional weavers alike. The author has drawn upon many years of experience as a teacher and writer in preparing this practical text of basic weaving techniques and projects from the simplest to the extremely complex.Each topic of weaving theory and technique is presented with its practical applications in mind. Within the first thirty pages, readers learn enough to complete their first weaving project, a bookmark, and this leads directly to the weaving of rugs on a loom, the process of weaving on a two-harness loom, threading plain weave from a draft, making a two-harness table loom (readers following the clear diagram and instructions will have no trouble building the loom), preparing the weft, handling of threads, two-harness design methods, the weaving of rag rugs in plain weave, useful articles woven with striped warps and wefts, tapestry techniques, and design weaves.For advanced weavers, the second major section of the book covers a great variety of weaves for the four-harness loom and related information: how to warp and thread a four-harness loom, weaving both plain and pattern weave, the twill family of weaves and herringbone variations, the principles of overshot pattern weaving, the diamond or cross family, the monk's belt pattern and its uses, practical overshot patterns, designing drafts and special techniques, ways of weaving overshot, special four-harness techniques (summer and winter weave, the Bronson weave, the M's and O's weave, the crackle weave, the waffle weave, matta technique, syncopation, double weaving on a four-harness loom).The author then details multi-harness weaves such as multi-harness twill, eight-harness damask design, and several others. Then follow discussions of the uses of color in weaving designs, planning borders, the various draft notations (European and American), weaving with synthetic fibers, thread sizes, counts and yardage, and costs of handwoven fabrics. There is a thread chart of warp settings and suitable wefts. A final chapter gives instructions for making several projects from hand-woven fabrics (a folder for linens, a small ornamental box, jackets and suits, and others). The text is fully illustrated throughout with photographs and labelled diagrams.
Lamp and the Lute: Studies in Seven Authors
by Bonamy DobreeFirst Published in 1964. Routledge is an imprint of Taylor & Francis, an informa company.
The Life And Works of Thomas Cole (The\john Harvard Library #81)
by Louis Legrand NobleThe Life And Works of Thomas Cole is a collection of the writings of Thomas Cole (1801–1848), leader of the Hudson River School of painters, presented as a biography with narrative and commentary by his pastor and intimate friend, Louis Legrand Noble. Cole’s poetry, essays, and descriptions are as vividly pictorial as his paintings, offering an illuminating insight into the ideas and feelings of this significant figure in the history of American art.-print ed.
LIFE Bond. James Bond: Commemorating Roger Moore 1927-2017
by The Editors of LifeNo name is more synonymous with suave sophistication and danger than James Bond. And no actor filled the spy's black calf oxfords more often-or with quite the eyebrow-up charm-than the late Roger Moore. Witty and stylish, Moore, who died in May 2017, embodied the spirit of Ian Fleming's globe-trotting secret agent in Live and Let Die, The Spy Who Loved Me, and five other 007 classics.In LIFE Bond. James Bond we pay tribute to this iconic star and all of the agents who came before and after him-the seminal Sean Connery, George Lazenby, Timothy Dalton, Pierce Brosnan, and Daniel Craig. A special section on the history of the Bond franchise provides rare photographs from on the set and off and yields inside intelligence on each film's behind-the-scenes politics, business deals, and casting calls. Plus: an essay by TIME's acclaimed film and culture critic Richard Corliss examines how Bond reflects and influences the world at large.No matter who your favorite 007 is or which 007 film you like the best, LIFE Bond. James Bond delivers.
Life with Picasso
by Carlton Lake Françoise GilotFrançoise Gilot's candid memoir remains the most revealing portrait of Picasso written, and gives fascinating insight into the intense and creative life shared by two modern artists.Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become.Life with Picasso, written with Carlton Lake and published in 1961, is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist at the height of his fame; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career.