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Hey Presto!: Swift and the Quacks

In this book the author reveals how medicine shows, both ancient and modern, galvanized Jonathan Swift’s imagination and inspired his wittiest satiric voices. Swift dubbed these multifaceted traveling entertainments his Stage-itinerant or “Mountebank’s Stage.” In the course of arguing that the stage-itinerant formed an irresistible model for A Tale of a Tub, Ormsby-Lennon also surmises that the mountebank’s stage will disclose that missing link, long sought, which connects the twin objects of Swift’s ire: gross corruptions in both religion and learning. In the early modern medicine show, the quack doctor delivered a loquacious harangue, infused with magico-mysticism and pseudoscience, high-astounding promises, and boastful narcissism. To help him sell his panaceas and snake-oil, he employed a Merry Andrew and a motley troupe of performers. From their stages, many quacks also peddled their own books, almanacs, and other ephemera, providing Grub Street with many of its best-sellers. Hacks practiced, quite literally, as quacks. Merry Andrew and mountebank traded costumes, whiskers, and voices. Swift apes them all in the Tale. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

Hesiod, The Homeric Hymns, and Homerica

He's All Man: Learning Masculinity, Gayness, and Love from American Movies

"He's All Man" is John M. Clum's insightful, biting and characteristically humorous analysis of the central myths of American manhood that have been propagated by Hollywood films and dramatized by our major playwrights. In the politically incorrect way he dared to ask "What happened to gay irony?" in Something for the Boys , Clum now dares to ask the explosive question "What is the vision of the American Male that Hollywood has sold us?" He's All Man examines the ways in which homoeroticism has been part of the myth of American manhood, wrapping itself around cowboy, soldier, and gangster legends as they fuse to create a picture of the quintessential American male. <p><p>From Audie Murphy to The Sands of Iwo Jima and The Maltese Falcon , Clum takes us on a tour of the roughs, the toughs, and the fluffs that swagger, strut, and pirouette their way through the Hollywood Masculinity Machine and the ways in which gay filmmakers have bought into the Hollywood vision of manhood and romance. Just as Something for the Boys raised hackles and caused controversy over Lorenz Hart's lyrics and Ethel Merman's lungs, He's All Man will surely do the same for Edward G. Robinson's cigar and Marlon Brando's t-shirt.

Heroes And Saints And Other Plays: Giving Up The Ghost, Shadow Of A Man, Heroes And Saints

Heroes and Saints & Other Plays is Chicana playwright Cherrí¬e Moraga's premiere collection of theatre. Included are: Shadow of a Man, winner of the 1990 Fund for New American Plays Award; Heroes and Saints, winner of the Dramalogue, the PEN West, and the Critics Circle awards, as well as the Will Glickman Prize for Best Play of 1992; and Giving Up the Ghost, first published by West End Press in 1986, and now presented here in its revised stage version.

El héroe

La primera pieza teatral de Manuel Rivas. La «guerra secreta» de Sidi Ifni fue la última guerra colonial española. Denominada también en el ámbito militar como la de los Cien Días, duró más tiempo, con combates entre noviembre de 1957 y el 30 junio de 1958. Murieron al menos trescientos soldados españoles y más de quinientos resultaron heridos graves. El número de víctimas entre los nativos y guerrilleros tuvo que ser muy alta, pero nunca se ha dado una cifra oficial. En España no hubo apenas noticia de esta tragedia bélica. El franquismo extremó su régimen de censura para mantenerla oculta. Fue una guerra cruel y secreta. Arturo Piñeiro, alias Robinson, alias Caronte, ex boxeador y legionario, es el protagonista de El héroe. Participa en los combates del Sidi Ifni y a su regreso a España espera un gran recibimiento, pero el guerrero se encuentra con una población que ignorasu guerra. El choque de Robinson hace que se tambalee su visión del mundo. España es también tierra conquistada por la dictadura, un estado de guerra o excepción permanente, donde gobierna un Caudillo «por la gracia de Dios». El héroe trata de la llamada «pena de Marte», de la angustia del guerrero ante el engaño de la guerra. En un mundo de cárceles y guerras «secretas», de nuevo culto al guerrero, la historia del legionario Robinson nos sitúa en un escenario de la historia como un «presente recordado».

Hermeneutic Shakespeare (Routledge Studies in Shakespeare)

This volume takes a deep dive into the philosophical hermeneutics of Shakespearean tradition, providing insight into the foundations, theories, and methodologies of hermeneutics in Shakespeare. Central to this research, this volume investigates fundamental questions including: what is philosophical hermeneutics, why philosophical hermeneutics, what do literary and cultural hermeneutics do, and in what ways can literary and cultural hermeneutics benefit the interpretation of Shakespearean plays? Hermeneutic Shakespeare guides the reader through two main discussions. Beginning with the understanding of "Philosophical Hermeneutics", and the general principles of literary and cultural hermeneutics, the volume includes philosophers such as Friedrich Ast, Daniel Friedrich Schleiermacher, and Wilhelm Dilthey, as well as Ludwig Wittgenstein, Martin Heidegger, Hans-Georg Gadamer, and more recently, Steven Connor. Part Two of this volume applies universal principles of philosophical hermeneutics to explicate the historical, philosophical, acquired, and applied literary interpretations through the critical practices of Shakespeare’s plays or their adaptations, including Henry V, The Merchant of Venice, Hamlet, and The Comedy of Errors. Aimed at scholars and students alike, this volume aims to contribute to contemporary understanding of Shakespeare and literature hermeneutics. Chapters 2, 5, and 6 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by Guangdong University of Foreign Studies.

Hermanas

Candy, Tammy, Sabrina y Annie. Cuatro hermanas que, a pesar de haberse labrado su futuro en ciudades muy distantes, han conseguido mantenerse unidas a lo largo de los años. Uno de sus rituales es la celebración del Cuatro de Julio, para la que siempre se reúnen en la casa familiar. Hasta que en uno de estos encuentros la tragedia sacude su hogar: su madre muere en un accidente de coche y una de las hermanas, Annie, se queda ciega a causa de las heridas.A partir de este momento deberán aunar sus fuerzas para sobrellevar este amargo golpe del destino. Annie es pintora y ha de asimilar la terrible realidad de que jamás volverá a dedicarse a los pinceles. Su padre, quien parece haber perdido el juicio tras la muerte de su esposa, necesitará a sus cuatro hijas más de lo que jamás había imaginado. Y las otras tres hermanas esconden muchas más debilidades de las que han dejado traslucir en estos últimos años#Hermanas es una reflexión sobre la fragilidad de la vida, pero también sobre el precioso regalo que esta supone para cada uno de nosotros. En ella Danielle Steel presenta a cuatro personajes que saben enfrentarse con voluntad férrea a sus debilidades y a las trampas del destino, para alcanzar su felicidad y la de sus seres queridos.«Una novela reposada y agradable sobre los lazos femeninos.»Kirkus Reviews

Heritage, Nostalgia and Modern British Theatre

The Victorians, having once been seen as 'them', the age responsible for the mistakes of the past, were transformed by the new theatrical forms of the 1960s into 'us', a metaphor for what the nation thinks (and fears) about itself. And, since the 1980s and the rise of new biographical forms in the theatre, the emphasis has shifted further, from 'we' to 'me': plays about individuals, great and small, and their struggles for personal validation. This study argues powerfully that the stage portrayal of the Victorians in recent times is a key reference point in understanding notions of Britishness, heritage and nostalgia, and the profound politicisation of national identity over the last four decades. Using many examples drawn from theatre archives, and throwing new light on works by canonical playwrights like Bond, Edgar, and Churchill, it charts the decline in class-based narratives of the British people and the move towards plays reflecting a more atomised, individuated society, preoccupied with identity and the past but no longer able to provide a convincing account of itself as a nation.

The Heresy of Wu Han: His play 'Hai Jui's Dismissal' and its role in China's Cultural Revolution

At the centre of China's Cultural Revolution in its first stages stands the ambiguous figure of Wu Han. Occupying until the mid-sixties a favoured position among the intellectual elite of the People's Republic, he was the eighth-ranking figure in the Chinese Communist Party, and his Peking Opera Hai Jui's Dismissal was performed all over China. Gradually it became apparent that Wu Han was using Hai Jui to lampoon Chairman Mao Tse-tung and the core policies of the CPP. Other dissidents began to pen articles and plays on similar themes. For several years Mao chafed under these literary attacks, but in late 1965 he retaliated. A sudden, scathing attack on Wu Han and his play by an obscure newspaper editor marked the beginning of the Cultural Revolution, a cataclysm in which the Party leadership was decimated while Mao regained full supremacy. This volume presents the first translation of Wu Han's plays and helps to clarify the obscure origins of a national phenomenon that was at once intellectual, social, and political.

Here's To Us

Love Nick and Charlie from Heartstopper? Meet Arthur and Ben! In the follow-up to their charming NEW YORK TIMES BESTSELLER, What If It&’s Us, best friends Adam Silvera (They Both Die At The End) and Becky Albertalli (Simon vs. The Homo Sapiens Agenda) reunite to give Arthur and Ben another shot at true love.From the creator of 13 Reasons Why, What If It&’s Us is soon to be a feature film!Ben has spent his first year of college working on his fantasy manuscript with his writing partner Mario, who is a great Spanish tutor, and an even better kisser. So why can&’t he stop thinking about the fact that Arthur&’s back in town two years after they called it quits?Arthur is in New York for a dream internship on Broadway, with a boyfriend back at home that he couldn't be happier with. But when he comes upon Ben cuddled up with a mystery boy, he starts to wonder if his feelings for Ben ever truly went away. Even as the boys try to focus on their futures, they can't seem to help running into each other in the present. Is the universe forcing them to question if they&’re actually meant to be?Possibly not. After all, things didn&’t work the first time around.Possibly yes. After all, the sparks are still flying.Sometimes you just have to take a leap of faith and raise a glass.Here&’s to celebrating old friends!Here&’s to embracing new beginnings!Here&’s to believing in second chances!PRAISE FOR WHAT IF IT'S US:'Romantic, realistic and sweet, this perfectly captures New York, teenage love and life in that gray area when you're not quite an adult and not quite a child either.' Lauren James, author of The Loneliest Girl in the UniversePRAISE FOR ADAM SILVERA:'A phenomenal talent.' Juno Dawson, author of Clean and WonderlandPRAISE FOR BECKY ALBERTALLI:'The love child of John Green and Rainbow Rowell.' Teen Vogue

Herederas

Fama, moda y escándalo podrían ser fácilmente los nombres de las tres hermanas Trevellyan. Jemima, Tara y Poppy viven en la cresta de la ola, en las cimas inalcanzables del glamour y el estilo absolutos, si bien no debería pasarse por alto que tienen ciertos asuntos por resolver, sobre todo si hablamos de#RIQUEZA: El manirroto estilo de vida de Jemima no conoce límites. El único objetivo en la vida de Tara es independizarse económicamente de su marido a toda costa. Y Poppy quiere huir de la alargada sombra de su familia pero sin perder las comodidades que la fortuna doméstica le facilita.SEXO: Es la obsesión de Jemima, lo único que la ayuda a mitigar su aburrido matrimonio. Por su parte, la vida en apariencia perfecta de Tara no le depara tales placeres. Y Poppy, mimada y malcriada en exceso, aún está por enfrentarse con las emociones que la vida real, y el amor real, le pueda proporcionar.FAMILIA: Es la única verdad que han conocido en sus vidas, y ahora el legado de sus padres, un vasto imperio de la perfumería, ha quedado en las manos de ellas tres# y se encuentra en plena decadencia. ¿Serán capaces de convertir su pasión por el lujo en un negocio rentable? Aún más: tras empezar de cero, ¿podrán enfrentarse al pasado familiar?«Literatura de evasión de la buena. Tan buena, que es como irse de vacaciones.»Daily Mail

Here There And Everywhere

A Collection of Plays by Jason Milligan

Here in This Island We Arrived: Shakespeare and Belonging in Immigrant New York

In this book, Elisabeth H. Kinsley weaves the stories of racially and ethnically distinct Shakespeare theatre scenes in late nineteenth- and early twentieth-century Manhattan into a single cultural history, revealing how these communities interacted with one another and how their work influenced ideas about race and belonging in the United States during a time of unprecedented immigration.As Progressive Era reformers touted the works of Shakespeare as an “antidote” to the linguistic and cultural mixing of American society, and some reformers attempted to use the Bard’s plays to “Americanize” immigrant groups on Manhattan’s Lower East Side, immigrants from across Europe appropriated Shakespeare for their own ends. Kinsley uses archival material such as reform-era handbooks, theatre posters, playbills, programs, sheet music, and reviews to demonstrate how, in addition to being a source of cultural capital, authority, and resistance for these communities, Shakespeare’s plays were also a site of cultural exchange. Performances of Shakespeare occasioned nuanced social encounters between New York’s empowered and marginalized groups and influenced sociocultural ideas about what Shakespeare, race, and national belonging should and could mean for Americans.Timely and immensely readable, this book explains how ideas about cultural belonging formed and transformed within a particular human community at a time of heightened demographic change. Kinsley’s work will be welcomed by anyone interested in the formation of national identity, immigrant communities, and the history of the theatre scene in New York and the rest of the United States.

Here in This Island We Arrived: Shakespeare and Belonging in Immigrant New York

In this book, Elisabeth H. Kinsley weaves the stories of racially and ethnically distinct Shakespeare theatre scenes in late nineteenth- and early twentieth-century Manhattan into a single cultural history, revealing how these communities interacted with one another and how their work influenced ideas about race and belonging in the United States during a time of unprecedented immigration.As Progressive Era reformers touted the works of Shakespeare as an “antidote” to the linguistic and cultural mixing of American society, and some reformers attempted to use the Bard’s plays to “Americanize” immigrant groups on Manhattan’s Lower East Side, immigrants from across Europe appropriated Shakespeare for their own ends. Kinsley uses archival material such as reform-era handbooks, theatre posters, playbills, programs, sheet music, and reviews to demonstrate how, in addition to being a source of cultural capital, authority, and resistance for these communities, Shakespeare’s plays were also a site of cultural exchange. Performances of Shakespeare occasioned nuanced social encounters between New York’s empowered and marginalized groups and influenced sociocultural ideas about what Shakespeare, race, and national belonging should and could mean for Americans.Timely and immensely readable, this book explains how ideas about cultural belonging formed and transformed within a particular human community at a time of heightened demographic change. Kinsley’s work will be welcomed by anyone interested in the formation of national identity, immigrant communities, and the history of the theatre scene in New York and the rest of the United States.

Here Comes the Bride... and There Goes the Groom

Comedy / 7f / Interior / When Millie Compton's fiance bolts from the altar, she rushes into the church dressing room in tears. She is joined by her sister (the matron of honor), her mother and grandmother and her best friend (a bridesmaid). Unable to fathom Pardue's flight, they admit his mother and sister, also a bridesmaid, who are equally bewildered. Consolation turns to recrimination as the mothers take each other on in a purse-smacking fight. Hilarity gives way to a happy ending when Pardue calls to confess that prenuptial nerves sent him dashing to the men's room to be sick, but now the wedding can go on.

The Heraclidae

The theme of the Heraclidae is how the children of Heracles, under the care of Iolaus and Alemena, were driven from city to city throughout Greece, fleeing the wrath of Eurystheus, king of Argos, who hated them for their father's sake.

The Heracles of Euripides (Focus Classical Library)

This is an English translation of Euripides' tragedy Heracles on how Heracles is maddened by the gods to murder his wife and children.

Heracles and Other Plays

Heracles/ Iphigenia Among the Taurians/ Helen/ Ion/ Cyclops: Of these plays, only 'Heracles' truly belongs in the tragic sphere with its presentation of underserved suffering and divine malignity. The other plays flirt with comedy and comic themes. Their plots are ironic and complex with deception and elusion eventually leading to reconciliation between mother and son in 'Ion', brother and sister in 'Iphigenia', and husband and wife in 'Helen'. The comic vein is even stronger in the satyric'Cyclops' in which the giant's inebriation and subsequent violence are treated as humorous. Together, these plays demonstrate Euripides' challenge to the generic boundaries of Athenian drama.

HER2

In this poignant meditation on the uneasy relationship between science and the human spirit, a group of women aged nineteen to sixty-three with HER2-related breast cancer are recruited for a clinical drug trial. For some of them the trial is renewed hope; others feel it’s a weary last resort. For Dr. Danielle Pearce, the research scientist in charge of the program, the trial is the most critical moment of her career. Her mission is global, and measured outcomes are her chief concern. But in the chemo room, medical statistics are just background noise as the women gradually form a collective bond through humour and compassion, raising the question, does community positively influence immunity?

Her Ladyship Was Irish

Mary’s class is putting on a production of a play called Her Ladyship Was Irish. Mary is excited to be the stage manager, but she's nervous about how the other students' behavior will affect the show. As they put the show together, Mary learns about judging others and working as a team.

Henry VIII: The Famous History of the Life of King Henry the Eighth, A Tragedy

King Henry VIII risks both his realm and his immortal soul when he divorces Katherine of Aragon in favour of Anne "Bullen". With a cast of characters that includes Cardinal Wolsey, Thomas Cranmer, the dukes of Norfolk and Suffolk, and Sir Thomas Cromwell, Shakespeare explores one of the most fascinating periods in English history, which was still shaping and influencing his world under Henry's daughter, Elizabeth I.

Henry VIII: The Famous History Of The Life Of King Henry The Eighth, A Tragedy (Dover Thrift Editions)

The portrait of a monarchy in crisis, this historical drama concerns the famous king's efforts to secure a divorce from his dignified and popular queen in order to marry an enchanting courtesan and produce a male heir. The play ranks among Shakespeare's most sumptuous and spectacular works, offering a splendid pageant of masques and royal ceremony. Occasional lapses in historical accuracy are compensated for by keen psychological and political insights, vivid characterizations, and evocative language.Possibly the last of Shakespeare's dramas, Henry VIII was almost certainly co-written with John Fletcher. It is a play of farewells - to the world, to life, to power - in which major historical characters make memorable exits, including Cardinal Wolsey's rueful observation: "Had I but served my God with half the zeal/I served my king, he would not in mine age/Have left me naked to mine enemies." Nevertheless, the play ends in triumph and hopeful expectations with the prophecy of the coming Elizabethan age.

Henry VIII

Conspiracies and intrigue are rife in the court of Henry VIII as a Duke is executed for treason, having been tricked by the Cardinal. And when the King falls in love with Anne Bullen and decides to divorce his wife, he causes an irrevocable rift with the Catholic Church. After the King's secret marriage to Anne courtiers fall in and out of favour and deaths abound, with far-reaching consequences.

Henry VIII: The Famous History Of The Life Of King Henry The Eighth, A Tragedy (The Pelican Shakespeare)

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Henry VIII

With new editors who have incorporated the most up-to-date scholarship, this revised Pelican Shakespeare series will be the premiere choice for students, professors, and general readers well into the twenty-first century. Each volume features: * Authoritative, reliable texts* High quality introductions and notes* New, more readable trade trim size* An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts