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Henry IV, Part I: A History
by William ShakespeareAfter overthrowing his predecessor, King Henry IV is acutely aware of the delicate political tensions he must balance to protect his throne. On one hand, he must rein in his son, the mischievous Prince Hal, who has left the court for a life of drinking and pleasure. At the same time, he must put down a rebellion of some of the most powerful families in England. Henry IV, Part I is the second of four connected plays about successive British monarchs, including Richard II, Henry IV, Part II, and Henry V.
Henry IV, Part I: Volume 3: King Richard Iii. King John. Merchant Of Venice. King Henry Iv Part I. King Henry Iv Part Ii. Cambridge Library Collection. Literary Studies (Dover Thrift Editions: Plays)
by William ShakespeareOne of the most popular of all Shakespeare's history plays, Henry IV, Part I re-creates actual events from early-15th-century English history as King Henry deals with his kingdom led by Harry Percy ("Hotspur") and other notables. Besides this mutinous action, the king must also contend with the dissolute ways of his son, Prince Hal, who spends much of his time in the company of the witty, rotund, tavern-haunting Sir John Falstaff, one of Shakespeare's immortal comic characters. During the rebellion against his father, however, Hal acquits himself honorably in battle, portending the eventual transformation in later plays of the wild prince into a great warrior-king.These various themes are woven together here in s superb blend of brilliantly staged scenes depicting the king's attempts to pacify the rebels and maintain his power, the plotting of Percy and other insurgents, grim action on the battlefield, and the low comedy of Falstaff and his comrades -- all brought to life in some of Shakespeare's finest blank verse and raciest prose.
Henry IV, Part I
by William ShakespeareFollowing the death of Richard II, Shakespeare continues his history cycle with part one of the story of Henry IV—a play about power, honor, and rebellion. <p><p> This title in the Signet Classics Shakespeare series includes: <p>• An overview of William Shakespeare’s life, world, and theater <p>• A special introduction to the play by the editor, Maynard Mack <p>• A note on the sources from which Shakespeare derived Henry IV, Part One—including selections from Raphael Holinshed’s The Chronicles of England, Scotland, and Ireland <p>• Dramatic criticism from Samuel Johnson, Samuel Taylor Coleridge, John Dover Wilson, and others <p>• A stage and screen history of notable actors, directors, and productions of Henry IV, Part One <p>• Text, notes, and commentaries printed in the clearest, most readable format <p>• Recommended readings
Henry IV, Part 2
by William ShakespeareHistory play, with King Hery IV Part 1. Features some of Shakespeare's most enduring characters: Prince Hal, Falstaff, Hotspur.
Henry IV, Part 2: Large Print (Modern Library Classics)
by William ShakespeareAfter defeat at the Battle of Shrewsbury the rebels regroup. But Prince Hal’s reluctance to inherit the crown threatens to destroy the ailing Henry IV’s dream of a lasting dynasty. Shakespeare’s portrait of the prodigal son’s journey from youth to maturity embraces the full panorama of society. Under the editorial supervision of Jonathan Bate and Eric Rasmussen, two of today’s most accomplished Shakespearean scholars, this Modern Library series incorporates definitive texts and authoritative notes from William Shakespeare: Complete Works. Each play includes an Introduction as well as an overview of Shakespeare’s theatrical career; commentary on past and current productions based on interviews with leading directors, actors, and designers; scene-by-scene analysis; key facts about the work; a chronology of Shakespeare’s life and times; and black-and-white illustrations. Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.
Henry IV, Part 2
by William Shakespeare Claire Mceachern Stephen Orgel A. R. BraunmullerThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Henry IV, Part 1
by A. R. Braunmuller Claire Mceachern Stephen Orgel William ShakespeareThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.This edition of Henry IV, Part 1 is edited with an introduction by Claire McEachern. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.From the Trade Paperback edition.
Henry IV, Part 1
by William ShakespeareHistory play, completed in Henry IV Part 2. Features some of Shakespeare's most enduring characters: Prince Hal, Falstaff, and Hotspur.
Henry IV, Part 1 (Folger Shakespeare Library)
by William ShakespeareThe authoritative edition of Henry IV, Part 1 from The Folger Shakespeare Library, is the trusted and widely used Shakespeare series for students and general readers. Family relationships are at the center of Henry IV, Part 1. King Henry IV and Prince Hal form one major father-son pair, with Henry in despair because Hal lives a dissolute life. The father-son pair of Hotspur (Lord Henry Percy) and his father, the Earl of Northumberland, is in seeming contrast; the King envies Northumberland "his Harry," wishing he could claim the gallant Hotspur as his own. Meanwhile, Hal has entered into a quasi-father-son relationship with a disreputable but amusing knight, Sir John Falstaff. Another strand of action centers on still more family relationships. Hotspur's stand against Henry focuses on Hotspur's brother-in-law, Mortimer. Mortimer, who fought against the Welsh magician Owen Glendower, was defeated and captured and has married Glendower's daughter. King Henry pronounces Mortimer a traitor whom he will not ransom. Hotspur, in declaring war on Henry, sees himself as fighting for Mortimer, his wife's brother. <p><p>This edition includes: <p>•Freshly edited text based on the best early printed version of the play <p>•Full explanatory notes conveniently placed on pages facing the text of the play <p>•Scene-by-scene plot summaries <p>•A key to the play's famous lines and phrases <p>•An introduction to reading Shakespeare's language <p>•An essay by a leading Shakespeare scholar providing a modern perspective on the play
Henry IV, Part 1 (Modern Library Classics)
by William Shakespeare Jonathan Bate Eric RasmussenHenry IV sits on a usurped throne, his conscience and his nobles in revolt, while his son Hal is immersed in a self-indulgent life of revelry with the notorious Sir John Falstaff. Shakespeare explores questions of kingship and honor in this masterly mingling of history, comedy, and tragedy. Under the editorial supervision of Jonathan Bate and Eric Rasmussen, two of today's most accomplished Shakespearean scholars, this Modern Library series incorporates definitive texts and authoritative notes from William Shakespeare: Complete Works. Each play includes an Introduction as well as an overview of Shakespeare's theatrical career; commentary on past and current productions based on interviews with leading directors, actors, and designers; scene-by-scene analysis; key facts about the work; a chronology of Shakespeare's life and times; and black-and-white illustrations. Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.From the Trade Paperback edition.
Henry IV, Part 1
by William Shakespeare Claire Mceachern Stephen Orgel A. R. Braunmuller"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts
Henry Irving and The Victorian Theatre (Routledge Library Editions: Victorian Theatre #2)
by Madeleine BinghamOriginally published in 1978. Henry Irving achieved an astounding success in Britain and America as an actor; yet he lacked good looks, had spindly legs, and did not have a good voice. He said so himself. Today Irving is regarded as the archetype of the old-time actor, but in his own time he was regarded as a great theatrical innovator. Even Bernard Shaw, who attacked him pitilessly, even unto death, called him ‘modern’ when he first saw him act. Irving, the man, with his tenacious, obsessive talent, his human limitations and weaknesses, and his ephemeral glory is brought most sympathetically to life in this biography. It is written from contemporary sources, and from criticisms, lampoons, caricatures and gossip columns. If Irving reflected certain aspects of his age, this book underlines the Victorian ethic to which he appealed and the backcloths against which it was set – the extraordinary lavishness of the Lyceum productions and the incredible extravagance of social entertaining. Not the least absorbing aspect of this biography is the fascinating account of the long partnership between Irving and Ellen Terry, still in many respects an enigmatic one, but here portrayed with lively insight into character combined with understanding and deep knowledge of the social and theatrical context of the Victorian age.
Henry Irving: A Re-Evaluation of the Pre-Eminent Victorian Actor-Manager (Routledge Library Editions: The Victorian World #18)
by Richard FoulkesHenry Irving (1838-1905), the first actor to be knighted, dominated the theatre in Britain and beyond for over a quarter of a century. As an actor, he was strikingly different with his idiosyncratic pronunciation, his somewhat ungainly physique, and his brilliant psychological portrayals of virtue and villainy. He was also the director of spectacular, and commercially driven, entertainments and as the manager of the Lyceum theatre, he controlled every aspect of the performance. First published in 2008, this collection of essays by leading theatre scholars explores each element of Irving’s art: his acting, his contribution to the plays he commissioned, his flair for the stage picture, and his ear for incidental music. This book will be of interest to those studying the history of theatre.
Henrik Ibsen: The Man and the Mask
by Ivo De FigueiredoA magnificent new biography of Henrik Ibsen, among the greatest of modern playwrights Henrik Ibsen (1820–1908) is arguably the most important playwright of the nineteenth century. Globally he remains the most performed playwright after Shakespeare, and Hedda Gabler, A Doll’s House, Peer Gynt, and Ghosts are all masterpieces of psychological insight. This is the first full-scale biography to take a literary as well as historical approach to the works, life, and times of Ibsen. Ivo de Figueiredo shows how, as a man, Ibsen was drawn toward authoritarianism, was absolute in his judgments over others, and resisted the ideas of equality and human rights that formed the bases of the emerging democracies in Europe. And yet as an artist, he advanced debates about the modern individual’s freedom and responsibility—and cultivated his own image accordingly. Where other biographies try to show how the artist creates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.
Hello, Ma & Other Plays
by Trude Stonecomedy / The telephone is the umbilical cord that connects a widowed mother and her grown daughter. Ma patiently responds to her daughter's problems with warmth, humor and bite until she is distracted by love and marriage.
Hello … Hello
by Karen HinesWinner of the 2007 Gwen Pharis Ringwood Award for DramaIn the vast, unnamed metropolis of Hello ... hello, art and commerce have finally and completely conjoined; stylish cafés serve up zebra mussels and the air is thick with a gentle rain of sparrows plummeting down from the mirrored office towers. Everywhere, people are falling for an edgy new fashion accessory: a shiny ball filled with poison that hangs from a delicate chain. In this oddly peaceful world, Cassandra, a salesgirl at a clothing store called the Abyss, meets a charismatic ad man named Ben in the graveyard where she is mourning her lover, the last true artist on earth. They find themselves helplessly attracted to one another. Ben walks Cassandra home and invites her out to dinner, which leads to sex, marriage and a house in Semi-Residentia. Then comes baby. All one and a half inches of her. Hello ... hello, nominated for several Dora awards, including Best Play and Best Musical, is a tragic, comedic and curiously erotic attack on western society's predilection for escapist consumerism and entertainment. If the boy-meets-girl musical is the shiny happy ball, then the content of the play, and its characters, are the poison held within. '[Hines is] one of the most original artists in the city.' - Toronto Life
Hellenic Common: Greek Drama and Cultural Cosmopolitanism in the Neoliberal Era (Routledge Advances in Theatre & Performance Studies)
by Philip ZapkinHellenic Common argues that theatrical adaptations of Greek tragedy exemplify the functioning of a cosmopolitan cultural commonwealth. Analyzing plays by Femi Osofisan, Moira Buffini, Marina Carr, Colin Teevan, and Yael Farber, this book shows how contemporary adapters draw tragic and mythic material from a cultural common and remake those stories for modern audiences. Phillip Zapkin theorizes a political economy of adaptation, combining both a formal reading of adaptation as an aesthetic practice and a political reading of adaptation as a form of resistance. Drawing an ethical centre from Kwame Anthony Appiah’s work on cosmopolitanism and Michael Hardt and Antonio Negri’s theory of the common, Hellenic Common argues that Attic tragedy forms a cultural commonwealth from which dramatists the world over can rework, reimagine, and restage materials to envision aspirational new worlds through the arts. This study will be of great interest to students and scholars of drama, adaptation studies, literature, and neoliberalism.
Helen's Most Favorite Day
by Mark DunnFantasay / 2m, 4f / Unit Set / Be careful what you wish for... Love at "second sight" and a magic wish doom Helen to repeat the best day of her life ad infinitum, unless she can be rescued by those nearest and dearest to her in this romantic fantasy about love in three tenses, and dreams fulfilled and un. Helen's Most Favorite Day tells the story of forty-four year old Helen, for whom romantic love has been an infrequent caller. At a trip to the fairgrounds Helen is swept off her feet by a carnie named Jed who gives her one of the nicest, most special days of her life. He gives Helen another gift as well: a "wish" proffered to him by his friend, a mystic. Helen, playing along, "wishes" for the chance to repeat this special day forever. Her wish is granted. And with it comes the direst of unforeseen repercussions. Her family and friends rally to assist Helen by wishing themselves back to that same day from which they hope to extricate poor Helen, and to, in fact, save the universe. Premiered by the Community Theatre League, Williamsport, PA, in 2000. A gentle comedy wrapped in a beat-the-clock rollick, as science and logic take a back seat to the directives of the human heart.
Hélène Cixous: Critical Impressions
by Lee A. Jacobus Regina BarrecaFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Helado de pera
by Enrico VarrecchioneEsta es la historia de cómo la esperada partida a Suecia con el programa de estudios de Erasmus se perfila en un primer momento como un desagradable encuentro con un universo en el que se intercalan la violencia, la sexualidad y los abusos. El protagonista, además de autor, narra los primeros doce días que pasó en la Escandinavia profunda entre la pequeña aldea de Uddevalla y la gran y cosmopolita Gotemburgo; la difícil convivencia con Lena, su compañera de piso, y ese sentimiento de inadaptación que desembocará con el tiempo en una crisis personal y psicólogica.
Heiner Müller's The Hamletmachine (The Fourth Wall)
by David Barnett"I’m good Hamlet gi’me a cause for grief" At first glance, readers of The Hamletmachine (1979) could be forgiven for wondering whether it is actually a play at all: it opens with a montage of texts that are not ascribed to a character, there is no vestige of a plot, and the whole piece lasts a total of ten pages. Yet, Heiner Müller’s play regularly features in theatres’ repertoires and is frequently staged by university theatre departments. In four short chapters, David Barnett unpicks the complexities of The Hamletmachine’s writing and frames its author as an experimental, politically committed writer who confronts the shortcomings of his age. In considering the problems Müller poses for the play’s performance, he also discusses two exemplary productions in order to show how the work can engage very different audiences. This book examines why such a compact, radically open, and yet seemingly obscure play has proved so popular.
Hedda Gabler & Sirens: Elektra In Bosnia
by Judith Thompson Cynthia AshpergerIn Hedda Gabler, a moving exploration of female oppression, a recently married Hedda navigates her new identity as a wife and the intense constraints put on her by society. She prefers pistols to cooking and does not care for raising a family. As Hedda fights against the pressures of her new life and her own neuroses, she comes to terms with an untimely choice. Sirens: Elektra in Bosnia is a gripping story about the horrors of collective and personal wars as a family torn apart by death and destruction becomes their own worst enemy. When a deal between Agamemnon and his brother Menelaus goes awry, Iphigenia becomes the blood sacrifice leading to truths her sister Elektra can no longer hide from. Against the backdrop of a family drama, Judith Thompson gives voice to the women who were silenced during the Bosnian War, examining a cultural trauma and its place in our collective history.
Hedda Gabler and Other Plays
by Henrik IbsenIn these four unforgettably intense plays, Henrik Ibsen explores the complex nature of truth, the tension between freedom and responsibility, and the terrible pull that the past exerts over the present. In The Wild Duck, an idealist destroys a family by exposing the lie behind his friend's marriage. In Rosmersholm, a respectable man is driven to extremes by guilt over his wife's death, while in The Lady from the Sea, a woman is caught between her family and the enticement of the wild sea. And in Hedda Gabler, one of Ibsen's most famous and vivid anti-heroines struggles to break free from the conventional life she has created for herself, with tragic results.
Hedda Gabler and Other Plays
by Henrik IbsenFour of Ibsen's most important plays in superb modern translations, part of the new Penguin Ibsen series.In these four unforgettably intense plays, Henrik Ibsen explores the complex nature of truth, the tension between freedom and responsibility, and the terrible pull that the past exerts over the present. In The Wild Duck, an idealist destroys a family by exposing the lie behind his friend's marriage. In Rosmersholm, a respectable man is driven to extremes by guilt over his wife's death, while in The Lady from the Sea a woman is caught between her family and the enticement of the wild sea. And in Hedda Gabler, one of Ibsen's most famous and vivid anti-heroines struggles to break free from the conventional life she has created for herself, with tragic results.The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. The plays have been freshly translated by the best modern translators and are based on the recently published, definitive Norwegian edition of Ibsen's works. They all include new introductions and editorial apparatus by leading scholars.Vol. 1: Peer Gynt and BrandVol. 2: A Doll's House and Other PlaysVol. 3: Hedda Gabler and Other PlaysVol. 4: The Master Builder and Other Plays
Hedda Gabler and Other Plays
by Henrik IbsenIn these three unforgettably intense plays, Henrik Ibsen explores the problems of personal and social morality that he perceived in the world around him and, in particular, the complex nature of truth. The Pillars of the Community (1877) depicts a corrupt shipowner’s struggle to hide the sins of his past at the expense of another man’s reputation, while in The Wild Duck (1884) an idealist, believing he must tell the truth at any cost, destroys a family by exposing the lie behind his friend’s marriage. And Hedda Gabler (1890) portrays an unhappily married woman who is unable to break free from the conventional life she has created for herself, with tragic results for the entire family.