- Table View
- List View
Flyer
by Kate AspengrenDrama / 4 m., 5 f. (to play 21 roles). / Unit set. / While the Project Mercury astronauts carried America's hopes and dreams into space, NASA was busy training another elite corps of pilots, some with more flight experience than John Glenn and company. None of this group soared into space; they were women and here is their story. Flyer focuses on the hopes and dreams of one young pilot in particular. Fran Douglas rises above family scorn and her fiancee's condescension to join the women's corps. Action scenes involving NASA, Congress and Fran's family are intertwined with dream sequences about an intrepid black barnstormer, Bessie Coleman, who died in the 1920s performing an aerial feat. Bessie warns Fran about the many obstacles she will have to overcome to achieve her dream, a dream left unfulfilled when NASA pulled the plug on training women for space flight. / "This story needed to be told and Ms. Aspengren tells it brilliantly." The Westsider.
The Flu Season and Other Plays
by Will Eno"Will Eno is one of the finest younger playwrights I have come across in a number of years. His work is inventive, disciplined and, at the same time, wild and evocative. His ear is splendid and his mind is agile."--Edward Albee "An original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life. Eno specializes in the connections of the unconnected, the apologetic murmurings of the disengaged."--Guardian Winner of the 2004 Oppenheimer Award for best New York debut by an American playwright, The Flu Season is a reluctant love story, in spite of itself. Set in a hospital and a theater, it is a play that revels in ambivalence and derives a flailing energy from its doubts whether a love story is ever really a love story. Will Eno has been called "a Samuel Beckett for the Jon Stewart generation" (The New York Times)--he is a playwright with an extraordinary voice and a singular theatrical vision. Also included in this volume are Tragedy: A Tragedy and Intermission.
Flowers in the Attic: A Stage Play (Dollanganger)
by V.C. AndrewsA Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
Flowers in the Attic: A Stage Play (Dollanganger)
by V. C. AndrewsThe only official stage play of V.C. Andrews's enduring classic of forbidden love--adapted by Andrew Neiderman (The Devil's Advocate). Experience in this new format the original story that captured the world's imagination and earned V.C. Andrews a fiercely devoted readership.At the top of the stairs there are four secrets hidden. Blond, beautiful, innocent, and struggling to stay alive . . . They were a perfect family, golden and carefree--until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. Kept on the top floor of their grandmotherds vast mansion, their loving mother assures them it will be just for a little while. But as brutal days swell into agonizing months and years, Cathy, Chris, and twins Cory and Carrie, realize their survival is at the mercy of their cruel and superstitious grandmother . . . and this cramped and helpless world may be the only one they ever know.Book One of the Dollanganger series, the sequels include Petals in the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. Then experience the attic from Christopher's point of view in Christopher's Diary: Secrets of Foxworth and Christopher's Diary: Echoes of Dollanganger.
A Florentine Tragedy: La Sainte Courtisane (fragments)
by Oscar WildeA Florentine Tragedy is a fragment of a never-completed play by Oscar Wilde. The subject concerns Simone, a wealthy 16th century Florentine merchant who finds his wife Bianca in the arms of a local prince, Guido Bardi.
Flop Musicals of the Twenty-First Century: How They Happened, When They Happened (And What We’ve Learned)
by Stephen PurdyFlop Musicals of the Twenty-First Century offers a provocative and revealing historical narrative of a group of musicals that cost millions, that were created by world-renowned writers and directors, and that had spectacular potential… but bombed anyway. Stephen Purdy asks the reader to consider what the legendary creators of Les Misérables, pop superstar Elton John, and wunderkind Julie Taymor have in common besides being inspired storytellers of iconic Broadway musicals. The answer is that they also all created shows that, for one reason or a dozen, flopped. This book shares the story of what can happen when formidable creative teams of sell-out musicals attempt to repeat their success but miss the mark. First-hand accounts from the cast members, backstage staff, and the creative team, combined with a wealth of secondary sources gathered from press articles, reviews, and critical commentary, offer an intriguing insight into the factors behind success and failure in the musical theatre business. This is a fascinating book for students, scholars, practitioners, and fans of musical theatre that contains thoughtful observations about luck and creative differences, botched adaptations, and alienated audiences, all of which can determine the fate of a musical.
Flop Musicals of the Twenty-First Century: Part I: The Creatives
by Stephen PurdyFlop Musicals of the Twenty-First Century offers a provocative and revealing historical narrative of a group of musicals that cost millions and had spectacular potential ... but bombed anyway. Stephen Purdy examines at length the production histories, which are all bound together by a common thread. The book focuses the lens on several seemingly infallible theatre creatives who weren’t destined to repeat their successes with the shows discussed in this volume. As such, Purdy grounds the discussion by examining what the legendary creators of Les Misérables, pop superstar Elton John, wunderkind Julie Taymor, and many others have in common besides being inspired storytellers of iconic Broadway musicals. The answer is that they also all created shows that, for one reason or a dozen, didn’t find an audience. Flop Musicals of the Twenty-First Century shares the story of what can happen when formidable creative teams of sell-out musicals attempt to re-create their success but miss the mark. This is an engaging book for students, practitioners, and fans of musical theatre that contains thoughtful observations about luck and creative differences, botched adaptations, and alienated audiences, all of which can determine the fate of a musical.
The Flood: and other misadventures of the female prisoners of the St. Lawrence Market
by Leah Simone Bowen“I bore him fourteen children and he had me down here faster than lightning.” In 1887, women were property and could be imprisoned for any reason. Jail was considered a place for the criminal, the disabled, the mentally ill, and the marginalized. In the basement prison below Toronto’s largest market, two women named Mary—one a shunned, pregnant Irish immigrant, the other a vilified Mississauga woman—become an unlikely pair as they form a friendship within their cold, shared cell. Their bond threatens fellow inmate Sophia—who calls herself the first Black woman in Canada and the leader of the prisoners—and she plots to use the women to gain better treatment for herself. But as melting ice water pours into the prison from Lake Ontario, the forgotten women of Toronto must come together to survive. Inspired by true accounts and the history of Toronto’s St. Lawrence Market, The Flood gives voice to the little-known stories of early female prisoners in Canada.
The Floating Island Plays
by Eduardo MachadoIncludes The Modern Ladies of Guanabacoa, Fabiola, In the Eye of the Hurricane and Broken Eggs.
Flip
by Tom RooneyAll Groups / Comedy/Drama / 4 m., 4 f. / Interior unit set or in the round / Hypocrisy among modern America professionals is examined with wit and irony. Dick is a prominent lawyer handling a high profile child custody case. David is a notorious OB/GYN and Lisa is his rambunctious girlfriend who is ten years younger than everyone else. Judy is a burned out party girl willing to settle for dull but kind Arthur. They gather in the proper middle class home of Jake and John for a fifth wedding anniversary celebration. When Jake turns up inexplicably pregnant, the party goers must somehow reconcile things they have been saying with reality. / Winner of the James D. Phelen Award for Literature awarded by the San Francisco Foundation: "Tom Rooney's play creates an ordinary meeting of people speaking an apparently ordinary language, but charged with Rooney's sense of humor, timing and an ever changing focus."
Flight (Wingfield)
by Garth WingfieldDrama / 4m, 2f / Unit Set / When he touched down in Paris after more than 30 hours in the air, he became the first person to cross the Atlantic in an airplane... and an instantaneous star, adored the world over. But that was only the first leg of his complicated journey. Welcome to the world of FLIGHT, a powerful, provocative new play. Following Charles Lindbergh during 14 perilous years of his life - from the journey to Paris through the kidnapping of his son and up to the beginning of World War II - FLIGHT is a rich examination of a singular American life... and a thoroughly fascinating theatrical experience.
Flickering Empire
by Michael Glover Smith Adam SelzerFlickering Empire: How Chicago Invented the U.S. Film Industry tells the fascinating but too little known story of how Chicago served as the unlikely capital of film production in America in the years prior to the rise of Hollywood (1907--1913). As entertaining as it is informative, the book straddles the worlds of academia and popular non-fiction alike in its vivid illustration of the rise and fall of the major Chicago movie studios in the mid-silent era (principally Essanay and Selig Polyscope). Colorful, larger-than-life historical figures like Thomas Edison, Charlie Chaplin, Oscar Micheaux and Orson Welles are major players in Flickering Empire -- in addition to important but forgotten industry giants like 'Colonel' William Selig, George Spoor and Gilbert 'Broncho Billy' Anderson.
The Flick
by Annie Baker"Funny, heartbreaking, sly and unblinking...The Flick may be the best argument anyone has yet made for the continued necessity and profound uniqueness of theater." --Jesse Green, New York "Hilarious and ineffably touching...Ms. Baker's peerless aptitude for exploring how people grope their way toward a sense of equanimity, even as they learn to accept disappointment, is among the things that make her such a gifted writer...This lovingly observed play will sink deep into your consciousness." --Charles Isherwood, New York Times "This hypnotic, heartbreaking micro-epic about movies and moving on is irreducibly theatrical." --David Cote, TimeOut New York In a rundown movie theater in central Massachusetts, three underpaid employees sweep up popcorn in the empty aisles and tend to one of the last thirty-five-millimeter projectors in the state. With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama. ANNIE BAKER'S works include The Aliens (Obie Award), Body Awareness, Circle Mirror Transformation (Obie Award), Nocturama, and an adaptation of Anton Chekhov's Uncle Vanya. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries. Recent honors include a Guggenheim Fellowship, the Steinberg Playwright Award and a New York Drama Critics Circle Award. She is a resident playwright at Signature Theatre.
Flesh and Other Fragments of Love
by Evelyne de la Chenelière Linda GaboriauWhen Pierre and Simone planned a vacation to the Irish coast, they were hoping to revive their failing marriage. What they weren't expecting was to stumble upon the body of Mary, a drowned woman, during a walk along the beach. It's not long before curiosity and obsession take over, and the couple begin to piece together Mary's history using both facts and their imaginations. As her story comes alive, Mary's presence integrates itself into Pierre and Simone's lives, resurrecting their memories and regrets, fears and obsessions. Now they must struggle more than ever to revisit the past in order to write their own story.
Fleabag: The Scriptures
by Phoebe Waller-BridgeGo deeper into the groundbreaking, Emmy-winning series with this must-have collection—&“a completist&’s dream of a book, including the show&’s full scripts and Waller-Bridge&’s commentary&” (Vogue). &“Her coat falls open. She only has her bra on underneath. She pulls out the little sculpture of the woman with no arms. It sits on her lap. Two women. One real. One not. Both with their innate femininity out.&” Phoebe Waller-Bridge&’s critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit, and deeply human drama. In Fleabag: The Scriptures, Waller-Bridge brings together for the first time the complete filming scripts of the first and second seasons, annotated with never-before-seen stage directions and exclusive commentary on her creative process and the making of the series. Now recognized as one of today&’s most essential voices, she delivers powerful insights into her now-iconic protagonist: the hilarious, emotionally damaged, sexually unapologetic woman who can make viewers laugh, cry, and cringe in a single scene. Essential for any fan, Fleabag: The Scriptures is the ultimate companion to a landmark series.
Fleabag: The Sunday Times Bestseller (Nhb Modern Plays Ser.)
by Phoebe Waller-BridgeBestseller in the UK, Sunday Times, November 2019.The complete Fleabag. Every Word. Every Side-eye. Every Fox.Fleabag: The Scriptures includes new writing from Phoebe Waller-Bridge alongside the filming scripts and the never-before-seen stage directions from the Golden Globe, Emmy and BAFTA winning series. 'Perfect' Guardian'Perfect' Daily Telegraph'Perfect' Stylist 'Perfect' Independent'Perfect' Evening Standard 'Perfect' Metro'Perfect' Irish Times 'Perfect' RTE'Perfect' Spectator'Perfect' Refinery29'Perfect' Catholic Herald'Perfection' Financial Times***HAIRDRESSERNO.(pointing to Claire)That is EXACTLY what she asked for.FLEABAGNo it's not. We want compensation.HAIRDRESSERClaire?CLAIREI've got two important meetings and I look like a pencil.HAIRDRESSERNO. Don't blame me for your bad choices. Hair isn't everything.FLEABAGWow.HAIRDRESSERWhat?FLEABAGHair. Is. Everything. We wish it wasn't so we could actually think about something else occasionally. But it is. It's the difference between a good day and a bad day. We're meant to think that it is a symbol of power, a symbol of fertility, some people are exploited for it and it pays your fucking bills. Hair is everything, Anthony.
Flashback: A Brief History of Film
by Louis Giannetti Scott EymanWe set out to write a really brief book. Just the basics, no frills. After considerable deliberation, we finally decided on a mechanical form of organization by decade. We then proceeded to cheat left and right, cramming major figures and film movements into their decade of greatest influence or prestige. Here, then, is a bare-bones history of fiction movies, copiously illustrated with photos, many of them rarely reprinted. Since this book was written primarily with an American audience in mind, we have emphasized the American cinema. Eclectic in our methodology, we have adhered to a broad consensus tradition of film history and criticism; except for a humanist bias, we have no theoretical axes to grind. Nor have we attempted to dazzle the reader with a fresh array of jargon; the text is in plain English, with essential terms in boldface to indicate that they are defined in the glossary. Our main concern has been with film as art, but when appropriate we also discuss film as industry and as a reflection of popular audience values, social ideologies, and historical epochs. History books are filled with value judgments, and this one is no exception. We have not hesitated to call a bomb a bomb. On the whole, however, our attitude has been similar to that of André Breton, the founder of the surrealist movement, who said, "The cinema? Three cheers for darkened rooms."
Flamingo Court
by Luigi CreatoreComedy This three part "slice of life" takes place in three different condos and has audiences laughing at the truth they see in what might be their own neighbors - only zanier. Flamingo Court has ten characters. In the New York production, five actors played all the roles. Producers may want to follow the above pattern, or cast up to ten actors. In any case, audiences respond to this trilogy with uproarious laughter and leave feeling they have experienced great entertainment. ANGELINA, in 104, is a Neil-Simonesque three character piece that starts with smiles and grows into a hilarious, audience-howling ending. CLARA, in 204, is the shortest (ten to twelve minutes) piece. It deals with two characters in a poignant look at the problems of aging and separation. Powerful theater! HARRY, in 304, a five character play - and the wackiest - deals with an eighty-nine year-old gentleman who is battling his greedy daughter at the same time that he gets involved with an aging hooker. When the daughter and the hooker meet "the audience laughs up a Florida-worthy hurricane!" (John Simon, Bloomberg News)
Flaming Idiots
by Tom RooneyFarce / 6m, 2f / Carl and Phil decide that the ladder to success at the post office is missing a few rungs. They know that big money is waiting for people with entrepreneurial spirit and sound business judgement. They have lots of the spirit but little of the judgement and their new gourmet health food restaurant flounders. Zippy's, a popular cross town spot, has been crowded ever since Cy Manamalancia, a notorious mobster, was shot there and that was over twenty years ago. What if someone could get murdered in their restaurant? Flaming Idiots is a contemporary farce which takes place entirely in the restaurant kitchen and requires five doors for slamming. It won the New American Comedy Festival Award.
Five, Six, Seven, Nate!: Better Nate Than Ever; Five, Six, Seven, Nate!; Nate Expectations (Nate Ser.)
by Tim Federle&“The Nate series by Tim Federle is a wonderful evocation of what it&’s like to be a theater kid. Highly recommended.&” —Lin-Manuel Miranda, star and creator of the musical, HamiltonWinner of the Lambda Literary AwardEncore! Nate Foster&’s Broadway dreams are finally coming true in this sequel to Better Nate Than Ever that Publishers Weekly calls a &“funny, tender coming-of-age story.&”Armed with a one-way ticket to New York City, small-town theater geek Nate is off to start rehearsals for E.T.: The Broadway Musical. It&’s everything he ever practiced his autograph for! But as thrilling as Broadway is, rehearsals are nothing like Nate expects: full of intimidating child stars, cut-throat understudies, and a director who can&’t even remember Nate&’s name.Now, as the countdown to opening night is starting to feel more like a time bomb, Nate is going to need more than his lucky rabbit&’s foot if he ever wants to see his name in lights. He may even need a showbiz miracle.The companion novel to Better Nate Than Ever, which TheNew York Times called &“inspired and inspiring,&” Five, Six, Seven, Nate! is full of secret admirers, surprise reunions, and twice the drama of middle school...with a lot more glitter.
Five Revenge Tragedies: The Spanish Tragedy, Hamlet, Antonio's Revenge, The Tragedy of Hoffman, The Revenger's Tragedy
by Thomas Kyd Thomas Middleton William Shakespeare John Marston Henry ChettleAs the Elizabethan era gave way to the reign of James I, England grappled with corruption within the royal court and widespread religious anxiety. Dramatists responded with morally complex plays of dark wit and violent spectacle, exploring the nature of death, the abuse of power and vigilante justice. In Kyd's The Spanish Tragedy a father failed by the Spanish court seeks his own bloody retribution for his son's murder. Shakespeare's 1603 version of Hamlet creates an avenging Prince of unique psychological depth, while Chettle's The Tragedy of Hoffman is a fascinating reworking of Hamlet's themes, probably for a rival theatre company. In Marston's Antonio's Revenge, thwarted love leads inexorably to gory reprisals and in Middleton's The Revenger's Tragedy, malcontent Vindice unleashes an escalating orgy of mayhem on a debauched Duke for his bride's murder, in a ferocious satire reflecting the mounting disillusionment of the age. Emma Smith's introduction considers the political and religious climate behind the plays and the dramatic conventions within them. This edition includes a chronology, playwrights' biographies and suggestions for further reading.
Five Plays
by Anton Chekhov Marina BrodskayaAnton Pavlovich Chekhov (1860-1904) overturned the dramatic conventions of his day and laid the groundwork for contemporary approaches to directing and acting. Now, for the first time, the full lyricism, humor, and pathos of his greatest plays are available to an English-speaking audience. Marina Brodskaya's new translations of Ivanov,The Seagull,Uncle Vanya,Three Sisters, and The Cherry Orchard not only surpass in accuracy all previous translations, but also provide the first complete English text of the plays, restoring passages entirely omitted by her predecessors. This much-needed volume renders Chekhov in language that will move readers and theater audiences alike, making accessible his wordplay, unstated implications, and innovations. His characters' vulnerabilities, needs, and neuroses-their humanity-emerge through their genuine, self-absorbed conversations. The plays come to life as never before and will surprise readers with their vivacity, originality, and relevance.
Five Plays
by Anton Chekhov Marina BrodskayaAnton Pavlovich Chekhov (1860-1904) overturned the dramatic conventions of his day and laid the groundwork for contemporary approaches to directing and acting. Now, for the first time, the full lyricism, humor, and pathos of his greatest plays are available to an English-speaking audience. Marina Brodskaya's new translations of Ivanov, The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard not only surpass in accuracy all previous translations, but also provide the first complete English text of the plays, restoring passages entirely omitted by her predecessors. This much-needed volume renders Chekhov in language that will move readers and theater audiences alike, making accessible his wordplay, unstated implications, and innovations. His characters' vulnerabilities, needs, and neuroses-their humanity-emerge through their genuine, self-absorbed conversations. The plays come to life as never before and will surprise readers with their vivacity, originality, and relevance.
Five Plays
by Michael Weller"It's hard to think of a writer who knows his generation better than Michael Weller." -Frank Rich, New York Times Michael Weller's early work chronicled American culture as it was taken apart and reformed in the turbulent '60s. This volume collects his best-known plays of the '70s and '80s, including the now-classic Moonchildren, Fishing, At Home, Abroad and Loose Ends. Also includes a new introduction by the author.
Five on the Black Hand Side
by Charlie L. RussellBlack Groups / Comedy / Charlie L. Russell / 14 m., 7 f. / Unit set / You are living in Harlem and married to a man who makes you keep a daily time schedule and who reads the Wall Street Journal at breakfast before proceeding to work in a barber shop. This man detests your daughter's fiance and one of your sons is living in rebellion on the roof. What do you do? What you've been silently planning to do as soon as the children were grown: pack up and leave. Except some of the women in the apartment convince you that you ought to stay and fight. In the end you'll find your husband apitulating: / "I am a man of principle, but sometimes you have to forget about principles and do what is right." Then stick around; the wedding reception will be a gala for all. "This is laughter of regeneration and of life.... It expands an audience's sense of the world and clarifies both hope and the challenge in a contemporary life." Village Voice.