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Everyman
by AnonymousWestern drama, having all but disappeared during the Dark Ages, reemerged spontaneously in the liturgy and life of the medieval church. Vernacular miracle plays of England's Middle Ages were performed by lay people -- many by trade guilds -- unschooled in church Latin, but familiar with the biblical events upon which the dramas were based. Morality plays provided moral instruction, their principal characters vivid personifications of virtue and vice. The most durable of the morality plays has proven to be Everyman, whose central character, summoned by Death, must face final judgment on the strength of his good deeds. This venerable drama is reprinted here along with three other medieval classics: The Second Shepherds' Play, Noah's Flood, and Hickscorner.
Everyday Voice Care: The Lifestyle Guide For Singers And Talkers
by Joanna CazdenThe human voice expresses more than words, more than music. Vocal expression links the listener directly to another person's inner feelings, body, and soul. Keeping the voice healthy used to be as mysterious as the power of voice itself. Modern science has revealed much about the vocal mechanism and its health requirements, but simple information for the average voice user has remained hard to find and harder to trust. In Everyday Voice Care: The Lifestyle Guide for Singers and Talkers , respected voice therapist Joanna Cazden brings together a wealth of practical tips and advice to help keep your own expressive voice in top working order. Drawing from her experience as a singer, theater artist, and a licensed speech pathologist who has treated more than 1,000 voice patients, Cazden integrates up-to-date medical information with common-sense suggestions and sympathy for the demands of contemporary life. Chapters on food and drink, cold remedies, loud parties, travel, fitness routines, and when to see a doctor are complemented by notes on alternative health care and the spiritual dimension of vocal rest. This invaluable resource for voice and speech professionals, students, and teachers will answer even the age-old question of whether to put lemon or honey in your tea.
Everybody Just C@lm the F#ck Down
by Robert ChafeAfter an unexpected night in a Regina hospital emergency room, Robert Chafe can’t shake the burning question of whether he’s Tennessee Williams or Dorothy Zbornak. Are his symptoms a harbinger of a terrifying undiagnosed condition, or is it all just in his head? Frenetic, tender, and sometimes scary, Everybody Just C@lm the F#ck Down is a stumbling folly about the aging body, mid-life anxiety, and what it means to live when you can’t know what’s next.
Every Day She Rose
by Nick Green Andrea ScottAfter the Black Lives Matter protest at the 2016 Toronto Pride Parade, two friends find their racial and queer politics aren’t as aligned as they thought, and the playwrights behind them must figure out how to write about the fallout. Cathy Ann, a straight Black woman, and her roommate Mark, a gay white man, came home from the parade with such differing views of what happened and how it affected their own communities. Cathy Ann agrees with the protest that the police presence at the parade doesn’t make her feel safe, while Mark felt safer with them there, especially in the wake of the Pulse nightclub shooting in Orlando. Frustrated he can’t see the bigger issue, Cathy Ann questions if she can continue living with Mark. Simultaneously, playwrights Andrea and Nick—who share the same identities as their characters—pause throughout the show to figure out how to work together to tell the story of a significant turning point in a friendship. Through both sets of dialogue, Every Day She Rose is a powerful exploration of white supremacy, privilege, and patriarchy in supposed safe spaces.
Event-Space: Theatre Architecture and the Historical Avant-Garde
by Dorita HannahAs the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. Event-Space radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’. ‘Event’ was of immense significance to modernism’s revolutionary agenda, resisting realism and naturalism – and, simultaneously, the monumentality of architecture itself. Event-Space analyzes a number of spatiotemporal models central to that revolution, both illuminating the history of avant-garde performance and inspiring contemporary approaches to performance space.
Evening Dress: Farce
by William Dean HowellsMrs. Edward Roberts: "Now, my dear, Amy and I will get there early, so as to make up for your coming a little late, but you must be there for the last half, at least. I would excuse you altogether if I could, for I know you must be dead tired, up all night, that way, on the train, but Mrs. Miller is one of those people who never can listen to reason, and she would take deadly offence if you missed her musicale, and wouldn't forgive us the longest day she lived. So you see?" Mrs. Roberts addresses herself to her husband in the library of their apartment in Hotel Bellingham, at Boston, as she stands before the fire pulling on a long glove and looking at him across his desk, where he has sunk into a weary heap in his swivel chair. "You are dreadfully used up, Edward, and I think it's cruel to make you go out; but what can I do? If it was anybody but Mrs. Miller I wouldn't think of having you go; I'm sure I never want to have her about, anyway. But that's just the kind of people that you're a perfect slave to! Now, dear, I've let the two girls go out, and you must remember that you're in the place alone with the children; but you needn't be troubled, because nobody will come after this hour till Willis does, and the girls will be back before that. Willis is to come and get you on his way to the Millers', and it's all been arranged for you, and you needn't think of a thing till Willis comes. You'll have to dress, of course; but you needn't begin that at once, and you can just sit here in your chair and rest." Mr. Roberts stretches his arms wildly abroad, and, throwing back his head, permits himself a yawn that eclipses his whole face. Mrs. Roberts lets both her arms fall at her side in token of extreme despair. "Edward! If you should go to sleep!"
Even in Paradise
by Elizabeth Nunez"An epic tale of family betrayal and manipulation couched in superbly engaging prose and peopled with deftly drawn characters. In a story structure as rhythmic as the ebb and flow of the water surrounding Trinidad and Barbados, this revisiting of the classic story of King Lear becomes a subtle, organic exploration of politics, class, race, and privilege. A dazzling, epic triumph. " --Kirkus Reviews, Starred review "[Narrator] Émile remarks on parallels to King Lear repeatedly, but there is much more to unpack here. The issue of racism is woven throughout, as are regional problems such as access to Barbados''s beaches and poverty in Jamaica''s Tivoli Gardens. This is also a celebration of the arts, culture, and natural beauty of the islands. Shakespeare''s work is a tragedy, but for Émile ''the future shimmers before [him] full of wondrous possibilities. '' Nunez treats her source material with a deft touch, making this story impressive in its own right. " --Publishers Weekly "Nunez''s textured and engaging novel explores familial discord, along with questions of kinship and self-identity. . . . With a nod to King Lear, Nunez crafts an introspective tale as her vividly drawn characters navigate complications of heritage, race, and loyalty. " --Booklist "In her latest novel, Even in Paradise, acclaimed author Elizabeth Nunez reimagines Shakespeare''s King Lear set in the Caribbean. She transforms the classic tragic tale of betrayal and manipulation within a family into a more political meditation on race, class, and privilege featuring a multiracial cast of characters. " --Hello Beautiful, #BlackWomenRead: 17 Books by Black Women You Need In Your Life This Spring "Another engaging novel by an accomplished author who retells the story of King Lear in a Caribbean landscape with racial tensions playing out alongside the classic narrative of greed and parent/child relations. . . . [The novel] is structured with interesting and layered plots, but what I like best is [Nunez''s] exquisite language detailing Caribbean landscapes and people. . . . I strongly recommend this book, especially to those who love Caribbean stories. " --Me, You, and Books "Even in Paradise is Caribbean drama as grand epic. Nunez, always a master of unexpected contrasts, does it here again. A story told on a huge scale that still manages to be achingly personal and intimate. " --Marlon James, author of A Brief History of Seven Killings "The Caribbean is so blessed to have Elizabeth Nunez writing from and for us! This novel is pan-Caribbean and multiracial, crossing the West Indies with Caribbean characters ethnically originating in Africa, Europe, and the Middle East. Even in Paradise adds another dimension to how we read Shakespeare''s King Lear while celebrating the cultural institutions in the region that have made writers like Nunez possible. " --Tiphanie Yanique, author of Land of Love and Drowning Peter Ducksworth, a Trinidadian widower of English ancestry, retires to Barbados, believing he will find an earthly paradise there. He decides to divide his land among his three daughters while he is alive, his intention not unlike that of King Lear, who hoped "That future strife/May be prevented now. " But Lear made the fatal mistake of confusing flattery with love, and so does Ducksworth. Feeling snubbed by his youngest daughter, Ducksworth decides that only after he dies will she receive her portion of the land. In the meantime, he gives his two older daughters their portions, ironically setting in motion the very strife he hoped to prevent. Beautifully written in elegant prose, this is a novel about greed, resentment, jealousy, betrayal, and romantic love in the postcolonial world of the Caribbean, giving us a diverse cast of characters of African, Indian, Chinese, Syrian/Lebanese, and English ancestry.
Eurydice
by Sarah RuhlDramatic Comedy / 5m, 2f / Unit Set In Eurydice, Sarah Ruhl reimagines the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice must journey to the underworld, where she reunites with her father and struggles to remember her lost love. With contemporary characters, ingenious plot twists, and breathtaking visual effects, the play is a fresh look at a timeless love story.
Europides' Bacchae
by Paul Woodruff Stephen EspositoAn English translation of Euripides' tragedy based on the mythological story of King Pentheus of Thebes and his fateful encounter with the god DIonysus. Includes an introductory essay, extensive notes, appendices on lacuna, a geneological chart of the gods, and an essay by Valerie M. Warrior: "The Roman Bid to Control Bacchic Worship". The Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture and the roots of contemprary thought.
European Theatre Performance Practice, 1900 to the Present (Critical Essays on European Theatre Performance Practice)
by Geoff WillcocksThis volume captures the rich diversity of European performance practice evident in the twentieth and early part of the twenty-first century. Written by leading directors, actors, dancers, scenographers and academics from across Europe, the collection spans a broad range of subject areas including dance, theatre, live art, multimedia performance and street protest. The essays are divided into three sections on: performers and performing; staging performance; representation and reception, and document innovations in acting, performance and stagecraft by key practitioners. Articles also explore the ways that performance has been used to stage debates around major preoccupations of the age such as war, the human condition, globalization, the impact of new technologies and identity politics. This volume, which features previously published performance manifestoes, articles, and book chapters on the most frequently discussed and debated topics in the field, is an indispensable reference work for both academics and students.
European Theatre Performance Practice, 1750–1900 (Critical Essays on European Theatre Performance Practice)
by Jim DavisThis volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.
European Theatre Performance Practice, 1580-1750 (Critical Essays on European Theatre Performance Practice)
by Robert HenkeThis volume presents foundational and representative essays of the last half century on theatre performance practice during the period 1580 to 1750. The particular focus is on the nature of playing spaces, staging, acting and audience response in professional theatre and the selection of previously published research articles and book chapters includes significant works on topics such as Shakespearean staging, French and Spanish theatre audiences, the challenging aspects of the evolution of Italian renaissance acting practice, and the ’hidden’ dimensions of performance. The essays provide coherent transnational coverage as well as detailed treatments of their individual topics. Considerations of theatre practice in Italy, Spain and France, as well as England, place Shakespeare’s theatre in its European context to reveal surprising commonalities and salient differences in the performance practice of early modern Europe’s major professional theatres. This volume is an indispensable reference work for university libraries, lecturers, researchers and practitioners and offers a coherent overview of early modern comparative performance practice, and a deeper understanding of the field’s major topics and developments.
European Theatre Performance Practice, 1400-1580 (Critical Essays on European Theatre Performance Practice)
by Philip ButterworthThis volume brings together important records of medieval theatre practice between 1400 and 1580. The records are drawn from a wide range of spheres including civic, ecclesiastical, trade and guild records and consist of payments for materials, techniques and services; also included are some eye witness accounts. Alongside these records is a selection of the best contemporary research conducted into medieval performance practice, which features ground-breaking analysis and challenges current understanding, knowledge and authority in this field. These contributions of rigorous scholarship complement and support the work of the well-known Records of Early English Drama project and help to further illuminate contemporary fifteenth and early sixteenth-century theatre performance practice.
European Theatre 1960-1990: Cross-Cultural Perspectives (Routledge Revivals)
by Ralph YarrowEuropean theatre has been the site of enormous change and struggle since 1960. There have been radical shifts in the nature and understanding of performance, fuelled by increasing cross-cultural and international influence. Theatre has had to fight for its very existence, adapting its methods of operation to survive. European Theatre 1960-1990, first published in 1992, tells that story. The contributors - who in many cases have been theatre practitioners as well as critics - provide a wealth of fascinating information, covering Germany, France, Poland, Italy, Spain and Sweden, as well as Britain. The book offers an historical and descriptive overview of developments across national boundaries, enabling the reader to compare and contrast acting and directing styles, administrative strategies and the relationship between ideology and achievement. Chapters trace the evolution of theatre in all its aspects, including such elements as the end of censorship in many countries, the upsurge in political and personal awareness of the 1960s, shifting patterns of state artistic policy, and the effects on companies, directors, performers and audiences. This book should be of interest to undergraduates, postgraduates and academics of theatre studies.
European Performative Theatre: The issues, problems and techniques of crucial masterpieces
by Annamaria CascettaPerformative theatre is one of the most important trends of our time. It is emblematic of the work of many European theatrical artists in the early twenty-first century. Annamaria Cascetta does not propose a model or a historical overview, but rather strives to identify the salient features of a significant trend in the theatrical research and transformation of our time by analysing some crucial examples from outstanding works, of great international resonance. She draws on work by artists from different generations, all active between the late twentieth century and the first decades of the twenty-first, and in various European countries, performed in a number of European theatres in recent years. The aim is to apply a method of analysis in depth, bringing out the technical elements of contemporary "performative theatre" in the field, and above all to highlight the close links between it and the urgent and troubled issues and problems of history and society in the phase of cultural and anthropological transition we are experiencing.
European Dance since 1989: Communitas and the Other
by Joanna SzymajdaThis edited collection charts the development of contemporary dance in Central and Eastern Europe since the literal and symbolic revolutions of 1989. Central Europe and the former Soviet Bloc countries were a major presence in dance – particularly theatrical dance – throughout the twentieth century. With the fragmentation of traditional structures in the final decade of the century came a range of aesthetic and ideological responses from dance practitioners. These ranged from attempts to reform classical ballet to struggles for autonomy from the state, and the nature of each was influenced by a set of contexts and circumstances particular to each country. Each contribution covers the strategies of a different country’s dance practitioners, using a similar structure in order to invite comparisons. In general, they address: Historical context, showing the roots of contemporary dance forms The socio-political climates that influenced emerging companies and forms The relationships between aesthetic exploration and institutional patronage The practitioners who were central to the development of dance in each country A diagnosis of the current state of the art and how it has come about The book’s main through-line is the concept of community, and how all of the different approaches that it documents have in some way engaged with this notion, consciously or otherwise. This can take the form of oppositional relationships, institutional formations, or literally, in identifiable communities of dancers and choreographers.
European Armaments Collaboration: European Armaments Collaboration: Policy Problems And Prospects (Routledge Studies in Defence and Peace Economics #1)
by Ron MatthewsFirst published in 1992. The changing strategic environment of the 1990s has been characterised by events such as the Middle-East conflagration and super-power disarmament which represent the two opposing ends of the present security spectrum. The framing of appropriate defence policies now depends on increased NATO industrial defence restructuring and cooperation, especially within Europe. This book identifies, explains and analyses the key issues involved in Europe's defence-industrial reorganisation progress. It tackles head-on controversial issues such as: divergences between practice and policy in NATO US-European positions; the high costs of collaborative ventures; competition vs concentration and the complexities of adopting an European defence consensus within NATO. At a time when the diminution of NATO's defence-industrial base goes hand-in-hand with product reorientation and specialization, this book provides concise, critical and contemporary assessment of European and NA TO collaborative issues.
Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity
by Andree Grau Stephanie JordanEurope Dancing examines the dance cultures and movements which have developed in Europe since the Second World War. Nine countries are represented in this unique collaboration between European dance scholars. The contributors chart the art form, and discuss the outside influences which have shaped it. This comprehensive book explores: * questions of identity within individual countries, within Europe, and in relation to the USA * the East/West cultural division * the development of state subsidy for dance * the rise of contemporary dance as an 'alternative' genre * the implications for dance of political, economic and social change. Useful historical charts are included to trace significant dance and political events throughout the twentieth century in each country. Never before has this information been gathered together in one place. This book is essential reading for everyone interested in dance and its growth and development in recent years.
Euripides V (Electra/Phoenician Woman/Bacchae)
by Richmond Lattimore David GreneA Softcover- Pages are clean. Binding is tight. Cover has minimal shelf wear. Back cover has some corner crease. If you are not totally satisfied please return item for a full refund. Please send me a e-mail before leaving me a bad feedback so it can be resolved. We do our best to accurately describe the condition of items that we sell, but we are not the original owners of our items and we are not able to inspect every page so we may miss something. Older items tend to have some degree of tanning and if we state that an item is an ex-library copy, expect the normal stamps and stickers that are typical for those items. These are all used items unless otherwise specified and although we find items that look new, the majority have been used. So, expect some wear/creasing from normal use. We always ship your package in a timely manner. Unfortunately we have no control over carrier shipping time. Our goal is your 5 star feedback and we will do everything we can to ensure you are happy with your purchase.
Euripides V: Electra, The Phoenician Women, The Bacchae (The Complete Greek Tragedies #7)
by Euripides David Grene Richmond LattimoreIn nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
Euripides V: The Complete Greek Tragedies, Third Edition
by David Grene Richmond Lattimore"Euripides V" includes the plays The Bacchae, translated by William Arrowsmith; Iphigenia in Aulis, translated by Charles R. Walker; The Cyclops, translated by William Arrowsmith; and Rhesus, translated by Richmond Lattimore. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides "Medea," "The Children of Heracles," "Andromache," and "Iphigenia among the Taurians," fragments of lost plays by Aeschylus, and the surviving portion of Sophocles s satyr-drama "The Trackers. " New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life. "
Euripides’ Revolution under Cover: An Essay (Cornell Studies in Classical Philology #65)
by Pietro PucciIn this provocative book, Pietro Pucci explores what he sees as Euripides's revolutionary literary art. While scholars have long pointed to subversive elements in Euripides’s plays, Pucci goes a step further in identifying a Euripidean program of enlightened thought enacted through carefully wrought textual strategies. The driving force behind this program is Euripides’s desire to subvert the traditional anthropomorphic view of the Greek gods—a belief system that in his view strips human beings of their independence and ability to act wisely and justly. Instead of fatuous religious beliefs, Athenians need the wisdom and the strength to navigate the challenges and difficulties of life.Throughout his lifetime, Euripides found himself the target of intense criticism and ridicule. He was accused of promoting new ideas that were considered destructive. Like his contemporary, Socrates, he was considered a corrupting influence. No wonder, then, that Euripides had to carry out his revolution "under cover." Pucci lays out the various ways the playwright skillfully inserted his philosophical principles into the text through innovative strategies of plot development, language and composition, and production techniques that subverted the traditionally staged anthropomorphic gods.
Euripides' Medea
by Diane J. RayorEuripides' Medea comes alive in this new translation that will be useful for both academic study and stage production. Diane J. Rayor's accurate yet accessible translation reflects the play's inherent theatricality and vibrant poetry. The book includes an analytical introduction and comprehensive notes, and an essay on directing Medea by stage director Karen Libman. The play begins after Medea, a princess in her own land, has sacrificed everything for Jason: she helped him in his quest for the Golden Fleece, eloped with him to Greece, and bore him sons. When Jason breaks his oath to her and betrays her by marrying the king's daughter – his ticket to the throne – Medea contemplates the ultimate retribution. What happens when words deceive and those you trust most do not mean what they say? Euripides' most enduring Greek tragedy is a fascinating and disturbing story of how far a woman will go to take revenge in a man's world.
Euripides IV: Rhesus, The Suppliant Women, Orestes, Iphigenia in Aulis (The Complete Greek Tragedies #6)
by Euripides David Grene Richmond LattimoreVolume 4 of the Grene and Lattimore editions offers the most comprehensive selection of the Greek tragedies available in English comprising Rhesus, The Suppliant Women, Orestes, and Iphigenia in Aulis.