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His Greatness

Three men, a great American playwright, his trusted and loyal assistant, and a young Canadian street hustler, find themselves together for two days in a hotel room in Vancouver. This is the story about the nature of life in a created world. Inspired by a potentially true story about the great American playwright...

His And Hers

Here are 150 original monologues by the author of the popular collections ACTORS WRITE FOR ACTORS, ENCORE! and GOING SOLO. Each features sharply defined characters with clear-cut objectives, designed to showcase individual talents. (No royalty for audition purposes only.)

Hir: A Play

Discharged from the Marines under suspicious circumstances, Isaac comes home from the wars, only to find the life he remembers upended. Isaac’s father, who once ruled the family with an iron fist, has had a debilitating stroke; his younger sister, Maxine, is now his brother, Max; and their mother, Paige, is committed to revolution at any cost. Determined to be free of any responsibility toward her formerly abusive husband—or the home he created—Paige fervently believes she can lead the way to a "new world order." Hir, Taylor Mac’s subversive comedy, leaves many of our so-called normative and progressive ideas about gender, families, the middle class—and cleaning—in hilarious and ultimately tragic disarray.

Hippolytus

No play of Euripides is more admired than Hippolytus. The tale of a married woman stirred to passion for a younger man was traditional, but Euripides modified this story and blended it with one of divine vengeance to create a masterpiece of tension, pathos, and dramatic power. In this play, Phaedra fights nobly but unsuccessfully against her desire for her stepson Hippolytus, while the young man risks his life to keep her passion secret. Both of them, constrained by the overwhelming force of divine power and human ignorance, choose to die in order to maintain their virtue and their good names.

Hippies and Bolsheviks and Other Plays: and Other Plays

Hippies and Bolsheviks and Other Plays collects three works by one of Canada's dramatic luminaries.'Hippies and Bolsheviks' is set in that hotbed of hippie idealism, 1970s British Columbia. Young Star stumbles home from a Led Zeppelin concert with a draft dodger and sets in motion a crisis of love and of faith in their idealism against the Establishment.'In Lena's Car', a woman whose marriage is on the verge of collapse reflects on how it got to that point, harkening back to a youth when things were both more simple and more complicated.'>In The Wedding Pool', a group of dissatisfied single friends decide to each contribute fifty dollars a month to a pool to be collected by the first one to marry. But when one of the friends starts dating the bank teller who opens their account, the others are forced to confront their ideas about loneliness and personal responsibility.'The Wedding Pool is a particularly smart and entertaining example of the thirty-something angst genre.' - The Globe and Mail 'If Hippies and Bolsheviks is any indication of the quality of work at this year's playrites Festival, Calgary theatregoers are in for a phenomenal month.' - Calgary Sun.

Hinduism and Hindi Theater

This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova'a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly 'Hindu-Hindi' theatre.

Hillbilly Women

Based on interviews in Appalachia, this docu drama features seven women who reveal in song and narrative their personal stories of survival against incredible odds.

Hilda's Yard

Lemonade is for people who use the front door. It’s an exciting summer day in 1956 for Hilda and Sam Fluck. Newly on their own since their thirtysomething children Gary and Janey moved out, they are finally ready to relax. Hilda plans to hang her laundry while Sam goes to buy a shiny new television. What could disturb their simple peace? Turns out doors are merely decoration as Gary and Janey literally fall over the fence into the backyard, looking for help out of sticky situations. Gary has lost his job, is enamoured with his new girlfriend, Bobbi, and running from a bookie named Beverly, while the ever-dependent Janey has unexpectedly left her husband. The family careens into an afternoon of calamity, showing them that ultimately they must celebrate how they can be together rather than apart. Norm Foster’s heartwarming and relatable family comedy proves that there will always be a significant weight to an empty nest.

Hijikata Tatsumi and Ohno Kazuo (Routledge Performance Practitioners)

Now re-issued, this compact book unravels the contribution of one of modern theatre’s most charismatic innovators. Hijikata Tatsumi and Ohno Kazuo combines: • an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno, extending to the larger story of butoh’s international assimilation • an exploration of the impact of the social and political issues of post-World War II Japan on the aesthetic development of butoh • metamorphic dance experiences that students of butoh can explore • a glossary of English and Japanese terms. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

High Treason and Low Comedy: Egon Erwin Kisch’s Cabaret Plays as History and Art

High Treason and Low Comedy is the first in-depth treatment in English of E. E. Kisch’s work as a playwright, a phase of his life to which he devoted considerable effort during the years 1920–1925.The translations of his two most successful works for the cabaret stages of Germany, Austria, and Czechoslovakia form the basis of discussions that fit them into several intersecting streams: biographical, historical, and cultural. The plays are Die Hetzjagd, which describes the last day on earth of the infamous traitor, Colonel Alfred Redl, and Die Himmelfahrt der Tonka Šibenice (Galgentoni), which presents the comical, coarse, and, at times, pathetic efforts of a Prague prostitute to argue her way into heaven. The plays are a portal into the world of Kisch’s youth as an enterprising journalist and into his thinking and writing just before he became “the raging reporter” and the star of international reportage. While they reflect the Prague milieu of his youth during the twilight years of the Austro-Hungarian Empire, they also illustrate Kisch’s lifelong critical attitude toward the conservative authorities of society, their derelictions of duty, and their indifference to the welfare of the common man and woman.The book also examines the long afterlife of both of these stories as they were re-created by artists in stage, film, novelistic, and television adaptations, illustrating the theme of what happens when historical materials are transformed into art.

High School Reunion: The Musical

Characters: 10 male, 7 female Unit Set Welcome to the 30th Reunion of the Class of '79. Everyone you ever loved, hated, had a crush on, or wanted to punch in the face will be there. They are just older, fattier and angrier. Old scores will be settled, old games will be replayed and new (or should we say old) love will be found. And they will all be singing and dancing to an amazing score by Van Zandt, Milmore & Nick DeGregorio including "I Hope They Know Me," "I Want to Bang Miss Blumquist," "(I'm in a) Garden State of Mind," and the show stopping "I'll Never Dance With You." "The downright funniest reunion you'll ever attend" - Two River Times

High Note (Orca Limelights)

Is landing a role worth losing a best friend? Hailey McEwan has many interests—soccer, field hockey, animation. She'd probably never have started singing if her best friend, Crissy, hadn't persuaded her to take singing lessons and join her choir. No one had any idea that Hailey would be such a natural, least of all Hailey herself. A shared love of music—from pop to opera—has been a big part of the girls' friendship, but when the two face off in a competition for a role in a production of The Marriage of Figaro, their closeness turns into a bitter rivalry. Hailey will have to make a tough decision. Is opera as important to her as it is to Crissy? This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read! The epub edition of this title is fully accessible.

Hiero

Hideous Characters and Beautiful Pagans: Performing Jewish Identity on the Antebellum American Stage

While battling negative stereotypes, American Jews carved out new roles for themselves within the first theatrical entertainments in America. Jewish citizens were active as performers, playwrights, critics, managers, and theatrical shareholders, and often tied their involvement in these endeavors to the patriotic rhetoric of the young republic as they struggled to establish themselves in the new nation. Examining play texts, theatrical reviews, political discourse, and public performances of Jewish rights and rituals, Hideous Characters and Beautiful Pagans argues that Jewish stage types shed light on our understanding of the status of Jewish Americans during a critical historical period. Using an eclectic range of sources including theatrical reviews, diaries, letters, cartoons, portraiture, tax records, rumors flying around the tavern, and more, Heather S. Nathans has listened for the echoes of vanished audiences who witnessed and responded to these stereotypes onstage, from the earliest appearance of Shylock on an American stage in 1752 to Jewish theater artists on the eve of the Civil War. The book integrates social, political, and cultural histories, with an examination of those texts (both dramatic and literary) that shaped the stage Jew.

Hidden Territories: The Theatre of Gardzienice

Wlodzimierz Staniewski's group Gardzienice Theatre has established an unparalleled reputation for a sensual and complex performance aesthetic. The work is inspired by the expressive traditions of indigenous culture and the musicality of the natural environment. This is the first full-length articulation by Staniewski himself of this unique director's philosophy and rigorous practice. In this magnificent book and the remarkable cd-rom which accompanies it, Staniewski, with editor Alison Hodge, gives a fascinating insight into his company's principles and techniques. The cd-rom provides: *Extensive video footage of performances and rehearsals *Essays by Staniewski, Hodge, and other contributors *Photographs from the Gardzienice archives *Performance scripts *Director's notes *A full chronology of the company This innovative publication is a landmark for the documentation and appreciation of contemporary performance. It will be an exciting addition to any theatre-lover's bookshelf.

Hey Presto!: Swift and the Quacks

In this book the author reveals how medicine shows, both ancient and modern, galvanized Jonathan Swift’s imagination and inspired his wittiest satiric voices. Swift dubbed these multifaceted traveling entertainments his Stage-itinerant or “Mountebank’s Stage.” In the course of arguing that the stage-itinerant formed an irresistible model for A Tale of a Tub, Ormsby-Lennon also surmises that the mountebank’s stage will disclose that missing link, long sought, which connects the twin objects of Swift’s ire: gross corruptions in both religion and learning. In the early modern medicine show, the quack doctor delivered a loquacious harangue, infused with magico-mysticism and pseudoscience, high-astounding promises, and boastful narcissism. To help him sell his panaceas and snake-oil, he employed a Merry Andrew and a motley troupe of performers. From their stages, many quacks also peddled their own books, almanacs, and other ephemera, providing Grub Street with many of its best-sellers. Hacks practiced, quite literally, as quacks. Merry Andrew and mountebank traded costumes, whiskers, and voices. Swift apes them all in the Tale. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

Hesiod, The Homeric Hymns, and Homerica

Heroes And Saints And Other Plays: Giving Up The Ghost, Shadow Of A Man, Heroes And Saints

Heroes and Saints & Other Plays is Chicana playwright Cherrí¬e Moraga's premiere collection of theatre. Included are: Shadow of a Man, winner of the 1990 Fund for New American Plays Award; Heroes and Saints, winner of the Dramalogue, the PEN West, and the Critics Circle awards, as well as the Will Glickman Prize for Best Play of 1992; and Giving Up the Ghost, first published by West End Press in 1986, and now presented here in its revised stage version.

Hermeneutic Shakespeare (Routledge Studies in Shakespeare)

This volume takes a deep dive into the philosophical hermeneutics of Shakespearean tradition, providing insight into the foundations, theories, and methodologies of hermeneutics in Shakespeare. Central to this research, this volume investigates fundamental questions including: what is philosophical hermeneutics, why philosophical hermeneutics, what do literary and cultural hermeneutics do, and in what ways can literary and cultural hermeneutics benefit the interpretation of Shakespearean plays? Hermeneutic Shakespeare guides the reader through two main discussions. Beginning with the understanding of "Philosophical Hermeneutics", and the general principles of literary and cultural hermeneutics, the volume includes philosophers such as Friedrich Ast, Daniel Friedrich Schleiermacher, and Wilhelm Dilthey, as well as Ludwig Wittgenstein, Martin Heidegger, Hans-Georg Gadamer, and more recently, Steven Connor. Part Two of this volume applies universal principles of philosophical hermeneutics to explicate the historical, philosophical, acquired, and applied literary interpretations through the critical practices of Shakespeare’s plays or their adaptations, including Henry V, The Merchant of Venice, Hamlet, and The Comedy of Errors. Aimed at scholars and students alike, this volume aims to contribute to contemporary understanding of Shakespeare and literature hermeneutics. Chapters 2, 5, and 6 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by Guangdong University of Foreign Studies.

Hermanas

Candy, Tammy, Sabrina y Annie. Cuatro hermanas que, a pesar de haberse labrado su futuro en ciudades muy distantes, han conseguido mantenerse unidas a lo largo de los años. Uno de sus rituales es la celebración del Cuatro de Julio, para la que siempre se reúnen en la casa familiar. Hasta que en uno de estos encuentros la tragedia sacude su hogar: su madre muere en un accidente de coche y una de las hermanas, Annie, se queda ciega a causa de las heridas.A partir de este momento deberán aunar sus fuerzas para sobrellevar este amargo golpe del destino. Annie es pintora y ha de asimilar la terrible realidad de que jamás volverá a dedicarse a los pinceles. Su padre, quien parece haber perdido el juicio tras la muerte de su esposa, necesitará a sus cuatro hijas más de lo que jamás había imaginado. Y las otras tres hermanas esconden muchas más debilidades de las que han dejado traslucir en estos últimos años#Hermanas es una reflexión sobre la fragilidad de la vida, pero también sobre el precioso regalo que esta supone para cada uno de nosotros. En ella Danielle Steel presenta a cuatro personajes que saben enfrentarse con voluntad férrea a sus debilidades y a las trampas del destino, para alcanzar su felicidad y la de sus seres queridos.«Una novela reposada y agradable sobre los lazos femeninos.»Kirkus Reviews

Heritage, Nostalgia and Modern British Theatre

The Victorians, having once been seen as 'them', the age responsible for the mistakes of the past, were transformed by the new theatrical forms of the 1960s into 'us', a metaphor for what the nation thinks (and fears) about itself. And, since the 1980s and the rise of new biographical forms in the theatre, the emphasis has shifted further, from 'we' to 'me': plays about individuals, great and small, and their struggles for personal validation. This study argues powerfully that the stage portrayal of the Victorians in recent times is a key reference point in understanding notions of Britishness, heritage and nostalgia, and the profound politicisation of national identity over the last four decades. Using many examples drawn from theatre archives, and throwing new light on works by canonical playwrights like Bond, Edgar, and Churchill, it charts the decline in class-based narratives of the British people and the move towards plays reflecting a more atomised, individuated society, preoccupied with identity and the past but no longer able to provide a convincing account of itself as a nation.

Herederas

Fama, moda y escándalo podrían ser fácilmente los nombres de las tres hermanas Trevellyan. Jemima, Tara y Poppy viven en la cresta de la ola, en las cimas inalcanzables del glamour y el estilo absolutos, si bien no debería pasarse por alto que tienen ciertos asuntos por resolver, sobre todo si hablamos de#RIQUEZA: El manirroto estilo de vida de Jemima no conoce límites. El único objetivo en la vida de Tara es independizarse económicamente de su marido a toda costa. Y Poppy quiere huir de la alargada sombra de su familia pero sin perder las comodidades que la fortuna doméstica le facilita.SEXO: Es la obsesión de Jemima, lo único que la ayuda a mitigar su aburrido matrimonio. Por su parte, la vida en apariencia perfecta de Tara no le depara tales placeres. Y Poppy, mimada y malcriada en exceso, aún está por enfrentarse con las emociones que la vida real, y el amor real, le pueda proporcionar.FAMILIA: Es la única verdad que han conocido en sus vidas, y ahora el legado de sus padres, un vasto imperio de la perfumería, ha quedado en las manos de ellas tres# y se encuentra en plena decadencia. ¿Serán capaces de convertir su pasión por el lujo en un negocio rentable? Aún más: tras empezar de cero, ¿podrán enfrentarse al pasado familiar?«Literatura de evasión de la buena. Tan buena, que es como irse de vacaciones.»Daily Mail

Here's To Us

Love Nick and Charlie from Heartstopper? Meet Arthur and Ben! In the follow-up to their charming NEW YORK TIMES BESTSELLER, What If It&’s Us, best friends Adam Silvera (They Both Die At The End) and Becky Albertalli (Simon vs. The Homo Sapiens Agenda) reunite to give Arthur and Ben another shot at true love.From the creator of 13 Reasons Why, What If It&’s Us is soon to be a feature film!Ben has spent his first year of college working on his fantasy manuscript with his writing partner Mario, who is a great Spanish tutor, and an even better kisser. So why can&’t he stop thinking about the fact that Arthur&’s back in town two years after they called it quits?Arthur is in New York for a dream internship on Broadway, with a boyfriend back at home that he couldn't be happier with. But when he comes upon Ben cuddled up with a mystery boy, he starts to wonder if his feelings for Ben ever truly went away. Even as the boys try to focus on their futures, they can't seem to help running into each other in the present. Is the universe forcing them to question if they&’re actually meant to be?Possibly not. After all, things didn&’t work the first time around.Possibly yes. After all, the sparks are still flying.Sometimes you just have to take a leap of faith and raise a glass.Here&’s to celebrating old friends!Here&’s to embracing new beginnings!Here&’s to believing in second chances!PRAISE FOR WHAT IF IT'S US:'Romantic, realistic and sweet, this perfectly captures New York, teenage love and life in that gray area when you're not quite an adult and not quite a child either.' Lauren James, author of The Loneliest Girl in the UniversePRAISE FOR ADAM SILVERA:'A phenomenal talent.' Juno Dawson, author of Clean and WonderlandPRAISE FOR BECKY ALBERTALLI:'The love child of John Green and Rainbow Rowell.' Teen Vogue

Here in This Island We Arrived: Shakespeare and Belonging in Immigrant New York

In this book, Elisabeth H. Kinsley weaves the stories of racially and ethnically distinct Shakespeare theatre scenes in late nineteenth- and early twentieth-century Manhattan into a single cultural history, revealing how these communities interacted with one another and how their work influenced ideas about race and belonging in the United States during a time of unprecedented immigration.As Progressive Era reformers touted the works of Shakespeare as an “antidote” to the linguistic and cultural mixing of American society, and some reformers attempted to use the Bard’s plays to “Americanize” immigrant groups on Manhattan’s Lower East Side, immigrants from across Europe appropriated Shakespeare for their own ends. Kinsley uses archival material such as reform-era handbooks, theatre posters, playbills, programs, sheet music, and reviews to demonstrate how, in addition to being a source of cultural capital, authority, and resistance for these communities, Shakespeare’s plays were also a site of cultural exchange. Performances of Shakespeare occasioned nuanced social encounters between New York’s empowered and marginalized groups and influenced sociocultural ideas about what Shakespeare, race, and national belonging should and could mean for Americans.Timely and immensely readable, this book explains how ideas about cultural belonging formed and transformed within a particular human community at a time of heightened demographic change. Kinsley’s work will be welcomed by anyone interested in the formation of national identity, immigrant communities, and the history of the theatre scene in New York and the rest of the United States.

Here in This Island We Arrived: Shakespeare and Belonging in Immigrant New York

In this book, Elisabeth H. Kinsley weaves the stories of racially and ethnically distinct Shakespeare theatre scenes in late nineteenth- and early twentieth-century Manhattan into a single cultural history, revealing how these communities interacted with one another and how their work influenced ideas about race and belonging in the United States during a time of unprecedented immigration.As Progressive Era reformers touted the works of Shakespeare as an “antidote” to the linguistic and cultural mixing of American society, and some reformers attempted to use the Bard’s plays to “Americanize” immigrant groups on Manhattan’s Lower East Side, immigrants from across Europe appropriated Shakespeare for their own ends. Kinsley uses archival material such as reform-era handbooks, theatre posters, playbills, programs, sheet music, and reviews to demonstrate how, in addition to being a source of cultural capital, authority, and resistance for these communities, Shakespeare’s plays were also a site of cultural exchange. Performances of Shakespeare occasioned nuanced social encounters between New York’s empowered and marginalized groups and influenced sociocultural ideas about what Shakespeare, race, and national belonging should and could mean for Americans.Timely and immensely readable, this book explains how ideas about cultural belonging formed and transformed within a particular human community at a time of heightened demographic change. Kinsley’s work will be welcomed by anyone interested in the formation of national identity, immigrant communities, and the history of the theatre scene in New York and the rest of the United States.