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Essays on Theatre and Change: Towards a Poetics Of
by Kélina GotmanIf theatre is a way of seeing, an event onstage but also a fleeting series of moments; not a copy or double but more vitally metamorphosis, transformation, and change, how might we speak to – and of – it? How do we envision and frame a fluid reality that moves faster than we can write? Arranged over two parts, 'Figurations' and 'Translations', Essays on Theatre and Change reflects on the animal, history, doubling, translation, and the performative potential of writing itself. Each fictocritical essay weaves between voices, genres and contexts to consider what theatre might be, offering a 'partial object' rather than a complete theory. Leaving the page radically open to its reader, Essays on Theatre and Change is a dazzling, multi-lensed account of what it is to think and write on theatre.
Essays on Shakespeare and Elizabethan Drama: In Honour of Hardin Craig (Routledge Library Editions: Renaissance Drama #Vol. 5)
by Richard HosleyThe twenty-eight essays of this collection, first published in 1962, are the work of distinguished British, Canadian, and American scholars. The essays range widely over the field of Elizabethan drama, concentrating attention on Shakespeare and Marlowe but not neglecting earlier dramatists such as Kyd and Greene or later ones such as Heywood and Massinger. Among the general topics treated are the staging of the interludes, intrigue in Elizabethan tragedy, and Jacobean stage pastoralism. This title will be of interest to students of English literature.
Essays On Elizabethan Drama
by T. S. EliotTouching on everyone from Marlowe to Middleton, Essays on Elizabethan Drama is a rigorous collection of Eliot’s works on the great dramatists of the 16th century.
Espresso
by Lucia FrangioneSexy, provocative and challenging, Espresso is a rich, dark, bitter hit of comedy and sensuality. One of Lucia Frangione's blasphemy plays,' it inverts the Catholic stereotypes of feminine sexuality to boldly examine their corresponding masculine sexual emblems of Father, Son and Holy Ghost. In an erotic world where men are traditionally cast as either fathers to be looked up to or sons to be looked after, where, for women, is the possibility of a flesh-and-blood lover, challenging her to open her heart without trespassing her will--a lover as he appears in the Song of Solomon: passionate, earthy, creative, vulnerable and beautiful-- the avatar of the holy spirit? There has been a horrible car crash, and Vito, the patriarch of an immigrant family, has had his body smashed and his heart lacerated, his life hanging by threads of tubes and wires in an intensive care ward. His family has rushed in from all over the country for an anxious vigil of hope, prayer and memory by his bedside. In this crucible of anxiety, a single actress alternately narrates and enacts her own and her family's history along with an uninvited narrator/actor, Amante ("lover" in Italian). As Amante engages all the women of the clan Rosa plays in a swirl of sharply portrayed characters--Vito's mother, Nonna, forced into marriage at thirteen but only now, at sixty-seven, experiencing the first intimations of her body's desire; the pit-bull martyrdom of Vito's second wife, Vincenza; and Rosa herself in her own thin, urbane skin stretched tight to hold in the red, passionate blood that boils just below the surface--we are never sure whether Rosa has created Amante or he has created her. Cast of 1 woman and 1 man.
Espelho quebrado: Nebun
by Catalina Jacob"Pulou. Ninguém escutou os gritos prévios, apenas o impacto do seu corpo contra o pavimento. Ali, todos olhavam seu corpo desfigurado no chão. Uma poça carmesim tingiu sua roupa. «Era tão boa» diziam entre lágrimas frescas. «Merecia o céu», lamentavam-se. Porém, de sua vida, haviam feito umo inferno. Ignorando seus gritos prévios, anulando sua essência e censurando suas palavras. Ignorada em vida." Não existe outra como Nebun... infeliz e traída pela vida; acompanhada pela indiferença e abandonada por quem a escutava. Inicia assim a sua aventura até a liberdade, porém, a desgraça a persegue atrapalha boa parte do caminho. Sozinha, mais sozinha do que nunca antes. Ou quem sabe nem tanto.
El espejo de un hombre: Vida, obra y época de William Shakespeare
by Stephen GreenblattLa biografía definitiva del dramaturgo más importante de todos los tiempos. Son muchos los que consideran a William Shakespeare el mejor escritor de todos los tiempos por su ingenio, la universalidad de sus conflictos, la profundidad de los personajes, la revolución sin precedentes que supuso su obra... Pocos autores han marcado un antes y un después de forma tan incuestionable. Sin embargo, casi nada se sabe con certeza de su vida. Durante siglos se han sucedido especulaciones de todo tipo, sin que ninguna arrojara luz convincente sobre el gran misterio. Stephen Greenblatt, uno de los mayores expertos en Shakespeare, propone aquí una original hipótesis arropándose en la obra misma del dramaturgo y en la de sus coetáneos. De un modo similar a la manera en que Hamlet observaba la efigie de su padre («Una combinación y una forma sin duda / en las que cada dios parece / haber puesto su sello / para mostrar al mundo el espejo de un hombre»), así mismo es este libro mucho más que una biografía. También es un riguroso estudio de los escritos de Shakespeare y, sobre todo, un magnífico retrato de la Inglaterra isabelina. Reseñas:«Asombrosamente bueno. Es el libro más inteligente y sofisticado, y también el estudio más colosalmente apasionado que he leído jamás sobre la vida y obra de Shakespeare.»Adam Gopnik, The New Yorker «Un libro de lectura compulsiva, original como pocos. Greenblatt ha conducido la investigación más empática posible sobre el modo en que las experiencias vitales de Shakespeare penetraron en sus obras.»Stanley Wells «Tan absorbente, lúcido y coherente que su llegada no es solo bienvenida sino motivo de celebración.»Dan Cryer, Newsday «Elocuentemente escrito, ricamente detallado y revelador desde el primero hasta el último capítulo [...]. Es inevitable que logre un lugar entre los estudios esenciales de losmejoresescritores.»William E. Cain, Boston Sunday Globe «Una magnífica hazaña.»Denis Donoghue «Una deslumbrante e ingeniosa biografía.»Richard Lacayo, Time «Greenblatt evoca con concisión y vívidamente el mundo isabelino.»Mitchiko Kakutami, The New York Times
Escaping From Houdini (Stalking Jack the Ripper #3)
by Kerri ManiscalcoThe #1 New York Times bestselling series that started with Stalking Jack the Ripper and Hunting Prince Dracula continues in this third bloody installment! A luxurious ocean liner becomes a floating prison of madness and horror when passengers are murdered one by one...with nowhere to run from the killer. Audrey Rose Wadsworth and her partner-in-crime-investigation, Thomas Cresswell, are en route to New York to help solve another blood-soaked mystery. Embarking on a week-long voyage across the Atlantic on the opulent RMS Etruria, they're delighted to discover a traveling troupe of circus performers, fortune tellers, and a certain charismatic young escape artist entertaining the first-class passengers nightly. But then, privileged young women begin to go missing without explanation, and a series of brutal slayings shocks the entire ship. The disturbing influence of the Moonlight Carnival pervades the decks as the murders grow ever more freakish, with nowhere to escape except the unforgiving sea. It's up to Audrey Rose and Thomas to piece together the gruesome investigation as even more passengers die before reaching their destination. But with clues to the next victim pointing to someone she loves, can Audrey Rose unravel the mystery before the killer's horrifying finale? p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Times} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px 'Times New Roman'} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px 'Times New Roman'; min-height: 16.0px}
Escape to Freedom
by Ossie DavisHistorical drama / 3 Black m, 1 Black f, 2 White m, 1 White f / Various sets / Escape to Freedom is very useful in an educational context for both Black and White children as a tool to teach them about slavery-- and also about the importance of education. The story focuses on the boyhood of Frederick Douglass, born a slave and in later life an abolitionist and orator. Much of the plot centers on Fred's struggle to learn to read, the surest way to freedom. Eventually he attains his freedom and runs off disguised as a free sailor.
The Escape Room: 'One of my favourite books of the year' LEE CHILD
by Megan GoldinWelcome to the escape room. Your goal is simple. Get out alive.In the lucrative world of Wall Street finance, Vincent, Jules, Sylvie and Sam are the ultimate high-flyers. Ruthlessly ambitious, they make billion-dollar deals and live lives of outrageous luxury. Getting rich is all that matters, and they'll do anything to get ahead.When the four of them become trapped in an elevator escape room, things start to go horribly wrong. They have to put aside their fierce office rivalries and work together to solve the clues that will release them. But in the confines of the elevator the dark secrets of their team are laid bare. They are made to answer for profiting from a workplace where deception, intimidation and sexual harassment thrive.Tempers fray and the escape room's clues turn more and more ominous, leaving the four of them dangling on the precipice of disaster. If they want to survive, they'll have to solve one more final puzzle: which one of them is a killer?Praise for The Escape Room:"High wire tension from the first moment to the last. Four ruthless people locked in a deadly game where victory means survival. Gripping and unforgettable!" Harlan Coben"Fantastic. One of my favourite books of the year." Lee Child"Amazing...a thriller set in an elevator [that explores] the vast territory of people's worst natures. A nightmarish look inside ourselves. Simply riveting." Louise Penny"A sharp, slick, utterly engrossing thriller. This knockout debut hooked me from the first page and didn't let go." Cristina Alger, USA Today bestselling author of The Banker's Wife
The Escape: The Escape
by Rashid Ben AddiIt is the cry of a whole generation, unable to get out of the cycle of inertia, and still sees the ray of hope coming from behind the border When we are assured of the low level of images that were exposing the boats of death that lead the young to die, just as butterflies go to the Holocaust and follow the beam of light, shaking the narrator reassured, and tells us that death boats are still fine It is only the destination of the butterflies that have differed, but their burning is still going on in front of the sight of a homeland that is in dire need of its wings and its lava, which withers without price. Young people flee to bars and endless hell, or sink into the belly of the Ghoul, to become a hand to strike terrorism, or leave to Turkey, and cut all ties to the homeland .. <P><P>Or live endless dreams of escape may be in the coffin, may be a reminder to America For eternal migration And if all these manifestations of escape, lived by one hero, is "Yazid" hero of the novel, but in fact pictures of a whole generation, feels that he is outcast, and does not trust much that anyone will reach the truth of his feelings, so the young writer from the beginning anger In Manfesto opens his novel and says: Our feelings and feelings we are outcasts, uglier than words described in a novel or even in a poem Let the novel begin with infinite circles from Taha, Rabat, that harsh city. <P><P>The bus is scattered between the bus (life), the cafe, and the sea The dream of a revolution comes fleeting, not for a better tomorrow, but for equal losses, or to lose the winners in this grim reality At the peak of despair lies the false hope more than once, on the establishment of a dream, or promise a way worse than the current way. Hope may appear in the spectrum of a woman appearing and disappearing, or in the pregnancy of a child aborting harshly, and remains just a painful memory, or loss added to the rest of the losses Even after escaping to Turkey, fate continues to play with a desperate yo
Errors and Reconciliations: Marriage in the Plays and Novels of Henry Fielding (Routledge Studies in Eighteenth-Century Literature)
by Anaclara Castro-SantanaHenry Fielding is most well-known for his monumental novel Tom Jones. Though not necessarily common knowledge, Henry Fielding started his literary career as a dramatist and eventually transitioned to writing novels. Though vastly different in their approach and subject, there is a common thread in Fielding’s work that spanned his career: marriage. Errors and Reconciliations: Marriage in the Plays and Novels of Henry Fielding explores this theme, focusing on Fielding’s fascination with matrimony and the ever-present paradoxical nature of marriage in the first half of the eighteenth-century, as a state easily attained but nearly impossible to escape.
Error in Shakespeare: Shakespeare in Error (Palgrave Shakespeare Studies)
by Alice LeonardThe traditional view of Shakespeare’s mastery of the English language is alive and well today. This is an effect of the eighteenth-century canonisation of his works, and subsequently Shakespeare has come to be perceived as the owner of the vernacular. These entrenched attitudes prevent us from seeing the actual substance of the text, and the various types of error that it contains and even constitute it. This book argues that we need to attend to error to interpret Shakespeare’s disputed material text, political-dramatic interventions and famous literariness. The consequences of ignoring error are especially significant in the study of Shakespeare, as he mobilises the rebellious, marginal, and digressive potential of error in the creation of literary drama.
Errol John's Moon on a Rainbow Shawl (The Fourth Wall)
by Lynette GoddardErrol John wrote Moon on a Rainbow Shawl (1958) after becoming disillusioned about the lack of good roles for black actors on the British theatre scene. While this situation has only slightly improved since, his response has become the most revived black play in Britain, from its original production at the Royal Court in 1958, to the National Theatre in 2012. It depicts the lives of a black community living in poverty in a shared tenement yard in Port of Spain, Trinidad, in the mid-1940s, showing how each of the characters carries dreams of escaping to create better lives for themselves and their families. Lynette Goddard focuses on how the play articulates the narratives of migration that prompted many Caribbean people to uproot from their homes on the islands and move to the England in the post-war era. For some of them, these dreams of a new life became a reality, but they were experienced differently across genders and generations.
Erotic Resistance: The Struggle for the Soul of San Francisco
by Gigi Otalvaro-HormillosaErotic Resistance celebrates the erotic performance cultures that have shaped San Francisco. It preserves the memory of the city's bohemian past and its essential role in the development of American adult entertainment by highlighting the contributions of women of color, queer women, and trans women who were instrumental in the city's labor history, as well as its LGBT and sex workers' rights movements. In the 1960s, topless entertainment became legal in the city for the first time in the US, though cross-dressing continued to be criminalized. In the 1990s, stripper-artist-activists led the first successful class action lawsuits and efforts to unionize. Gigi Otálvaro-Hormillosa uses visual and performance analysis, historiography, and ethnographic research, including participant observation as both performer and spectator and interviews with legendary burlesquers and strippers, to share this remarkable story.
Erotic Politics: The Dynamics of Desire in the Renaissance Theatre
by Susan ZimmermanIdentifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decoder for erotic experience, both reinforcing and subverting expected sexual behaviour. They argue that the dynamics of theatrical eroticism served to deconstruct gender definitions, leaving conventional categories of sexuality blurred, confused - or absent. In seeking to reposition the conventions and subversions of gender and desire in terms of one another, these essays open up an attractive and distinctive perspective in cultural debate.
Eroding the Language of Freedom: Identity Predicament in Selected Works of Harold Pinter (Routledge Advances in Theatre & Performance Studies)
by Farah AliLet down by the uncertainties of memory, language, and their own family units, the characters in Harold Pinter’s plays endure persistent struggles to establish their own identities. Eroding the Language of Freedom re-examines how identity is shaped in these plays, arguing that the characters’ failure to function as active members of society speaks volumes to Pinter’s ideological preoccupation with society’s own inadequacies. Pinter described himself as addressing the state of the world through his plays, and in the linguistic games, emotional balancing acts, and recurring scenarios through which he put his characters, readers and audiences can see how he perceived that world.
Ernie McClintock and the Jazz Actors Family: Reviving the Legacy
by Elizabeth M. CizmarErnie McClintock and the Jazz Actors Family is a critical biography examining the life and work of Ernie McClintock, the founder of the Jazz Acting Method and 1997 recipient of the Living Legend Award from the National Black Theatre Festival, whose inclusive contributions to acting and actor training have largely remained on the fringes of scholarship and practice. Based on original archival research and interviews with McClintock’s students and peers, this book traces his life from his childhood in Chicago to Harlem in the 1960s at the height of the Black Arts Movement, to Richmond, Virginia in 2003, paying particular attention to his Black Power–influenced, culturally specific acting theory and versatile Black theatrical productions. As a biographical study, this book establishes McClintock as a leading figure of the Black Theatre Movement, proven by the Jazz Acting technique, his critically acclaimed productions, and his leadership positions in organizations such as the Black Theatre Alliance. Ernie McClintock and the Jazz Actors Family explores how the Jazz Acting technique was applied in productions such as N.R. Davidson’s El Hajj Malik, Derek Walcott’s Dream on Monkey Mountain, Cheryl West’s Before It Hits Home, Endesha Mae Holland’s From the Mississippi Delta, and many collectively-authored pieces. The book also investigates why he has been excluded from dominant theatre histories, especially considering how, as a gay Black man, he persistently defied the status quo, questioning practices of administrators of theatres and mainstream theatrical standards. Ernie McClintock and the Jazz Actors Family is situated at the intersection of Black acting theory, Black Arts Movement history, and Black queer studies, and is an illuminating study of an important figure for actors, acting teachers, acting students, and cultural historians. This is an essential resource for readers who are seeking histories and approaches outside of a white, straight, Eurocentric framework.
Ernestine Shuswap Gets Her Trout
by Tomson HighwayBased on a deposition signed by 14 Chiefs of the Thompson River basin on the occasion of a visit to their lands by Canadian Prime Minister Sir Wilfrid Laurier in 1910, Ernestine Shuswap Gets Her Trout is a ritualized retelling of how the Native Peoples of British Columbia lost their fishing, hunting and grazing rights, their lands, and finally their language without their agreement or consent, and without any treaties ever having been signed. It is one of the most compellingly tragic cases of cultural genocide to emerge from the history of colonialism, enacted by four women whose stories follow each other like the cyclical seasons they represent. <p><p> Written in the spirit of Shuswap, a Trickster language” within which the hysterically comic spills over into the unutterably tragic and back, this play is haunted by the blood of the dead spreading over the landscape like a red mist of mourning.
Equus
by Peter ShafferAn explosive play that took critics and audiences by storm, Equus is Peter Shaffer's exploration of the way modern society has destroyed our ability to feel passion. Alan Strang is a disturbed youth whose dangerous obsession with horses leads him to commit an unspeakable act of violence. As psychiatrist Martin Dysart struggles to understand the motivation for Alan's brutality, he is increasingly drawn into Alan's web and eventually forced to question his own sanity. Equus is a timeless classic and a cornerstone of contemporary drama that delves into the darkest recesses of human existence.
Equestrian Drama: An Anthology of Plays
by Kimberly PoppitiEquestrian Drama: An Anthology of Plays is a collection of four representative equestrian dramas. It includes four annotated plays: Timour the Tartar by Matthew G. Lewis, The Battle of Waterloo by J. H. Amherst, Mazeppa by Henry M. Milner, and The Whip by Henry Hamilton and Cecil Raleigh. An introduction precedes the collection, providing the information necessary to understand and contextualize the genre and the plays as both written and performance texts, and within the time period of their original productions, as well as within the larger histories of theatre and equestrian entertainments. Additional related plays are identified, excerpted, and explored, providing readers with a wide range of examples to better understand the development and significance of this unique form of popular theatre. Also identified and explored are significant contributions made to stage technology and design by the patented stage machinery designed for the production of the mechanized form of equestrian drama, which became popular in the late nineteenth century. Equestrian Drama is suitable for undergraduate, graduate, and professional students in theatre history, dramatic literature, performance studies, and equine studies. An online supplement to this book is available to provide readers with additional content relating to this collection, including original English language translations of La Fille Hussard and Rognolet and Passe-Carreau, as well as the full annotated text of Turpin's Ride to York.
Episode 26
by Howard KorderComedy / 7m, 2f / Remember those glorious days of Saturday morning sci fi serials at the local bijou: Buck Rogers and Flash Gordon. Here is an affectionate and extremely ingenious send up of the genre. Our hero is Buzz Gatecrasher and he finds himself on the Planet Darvon with our sweetheart and his, Hillen Dale, and with Dr. Art Deco, the obligatory dotty scientist. Darvon is ruled by Vaknor, a cross between Darth Vader, Ming the Merciless and Dracula, who fancies himself Emperor of the Universe. With the help of Arno, the winged King of the Hawk People, Buzz vanquishes Vaknor and saves the universe only to be reminded by the announcer that we all have to tune in next week for Episode 27!
Environmental Degradation in Jacobean Drama
by Bruce BoehrerIn Environmental Degradation in Jacobean Drama, Bruce Boehrer provides the first general history of the Shakespearean stage to focus primarily on ecological issues. Early modern English drama was conditioned by the environmental events of the cities and landscapes within which it developed. Boehrer introduces Jacobean London as the first modern European metropolis in an England beset by problems of overpopulation; depletion of resources and species; land, water and air pollution; disease and other health-related issues; and associated changes in social behavior and cultural output. In six chapters he discusses the work of the most productive and influential playwrights of the day: Shakespeare, Jonson, Middleton, Fletcher, Dekker and Heywood, exploring the strategies by which they made sense of radical ecological change in their drama. In the process, Boehrer sketches out these playwrights' differing responses to environmental issues and traces their legacy for later literary formulations of green consciousness.
Entreacte
by Rut Vidal OltraUna novel·la esperpèntica, divertida, que narra els embolics d'una família en la qual res és el que sembla. La Sofia organitza una trobada amb els seus quatre fills a la casa d'estiueig de l'Empordà per escampar les cendres del pare, un reconegut director de teatre, i llegir el seu testament. El cap de setmana, però, es converteix en una trobada tensa a causa dels secrets que amaguen els membres de la família, les enveges que traspuen, les confessions que es revelen i els retrets inevitables que sorgeixen quan finalment el notari, un amic de la família, obre el testament i llegeix les últimes voluntats del pare. «Va baixar al menjador desitjant no trobar-se ningú. Havia de pensar quina estratègia li calia seguir i necessitava un cafè per fer-ho. Si ho destapava tot, la Sofia sabria que s'havia separat i que ho havia amagat. Això podia ser un drama en tres actes i no estava disposada a aguantar-ho. Si no deia res, s'hauria de menjar els punys davant de l'Eva. Com podia ser tan truja, la seva germana?».
Entrances and Exits
by Paul RuditisIt's time for the Fall One-Act Festival, and Hope gets the honored privilege of debuting her very first original play! With Bryan directing and Jason and Sam as the leads, it seems as if nothing could go wrong with this dream team of talent. But where's the fun in that? Enter Sam and Jason's onstage chemistry that's so hot, it's working overtime offstage! Course, Sam's real-life beau, Eric isn't so cool with that. And what about Bryan? With his sexual orientation public knowledge, he's gaining some admiring attention from the most unexpected people. Can you blame them? With all these raging hormones, it'll be a wonder if the play goes off at all. And the after party? Please - that'll be a show all in itself...
Entertainment Rigging for the 21st Century: Compilation of Work on Rigging Practices, Safety, and Related Topics
by Bill SapsisFrom the basics of physical forces and mathematical formulas to performer flying and stage automation, Entertainment Rigging for the 21st Century provides you with insider information into rigging systems and the skills you need to safely operate them. Over the past decade, the entertainment industry has witnessed major changes in rigging technology, as manually operated rigging has given way to motorized systems in both permanent and touring productions, and greater attention has been paid to standardizing safety practices. This book leads you through what is currently happening in the industry, why it’s happening, and how. Accessible for riggers and non-riggers alike, it contains details on the technology and methodology used to achieve the startling effects found in concerts and stage shows. With a foreword written by Monona Rossol, this text contains contributions from industry leaders including: Rocky Paulson Bill Gorlin Tray Allen Roy Bickel Keith Bohn Karen Butler Stuart Cox Bill Sapsis Dan Culhane Eddie Raymond Chris Higgs Carla Richters Joe McGeough Scott Fisher