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An Enemy of the People

by Arthur Miller John Guare

When Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller's preface and an introduction by John Guare.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.From the Trade Paperback edition.

An Enemy of the People

by Henrik Ibsen Arthur Miller

<P>When Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. <P>But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. <P>Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller's preface and an introduction by John Guare.

An Enemy of the People

by Henrick Ibsen

An Enemy of the People addresses the irrational tendencies of the masses, and the hypocritical and corrupt nature of the political system that they support. It is the story of one brave man's struggle to do the right thing and speak the truth in the face of extreme social intolerance.

An Earl to Save Her Reputation (Mills And Boon Historical Ser.)

by Laura Martin

A convenient betrothal“It will save us both from scandal.”Widowed three times over, Lady Anna Fortescue is used to ignoring the wagging tongues of the ton. After finding herself in a compromising position with handsome bachelor Lord Harry Edgerton, to avoid scandal she ends up engaged again. The arrangement may be one of convenience, but as Anna finds herself unable to resist Harry’s charms, she realizes the betrothal may have its benefits…

An Assassin's Guide to Love and Treason

by Virginia Boecker

Philippa Gregory meets Mr. and Mrs. Smith in this witty and thrilling action-adventure novel of star-crossed assassins in Elizabethan England. <P><P>When Lady Katherine's father is killed for being an illegally practicing Catholic, she discovers treason wasn't the only secret he's been hiding: he was also involved in a murder plot against the reigning Queen Elizabeth I. With nothing left to lose, Katherine disguises herself as a boy and travels to London to fulfill her father's mission, and to take it one step further--kill the queen herself. <P><P>Katherine's opportunity comes in the form of William Shakespeare's newest play, which is to be performed in front of Her Majesty. But what she doesn't know is that the play is not just a play. It's a plot to root out insurrectionists and destroy the rebellion once and for all.The mastermind behind this ruse is Toby Ellis, a young spy for the queen with secrets of his own. When Toby and Katherine are cast opposite each other as the play's leads, they find themselves inexplicably drawn to one another. But the closer they grow, the more precarious their positions become. And soon they learn that star-crossed love, mistaken identity, and betrayal are far more dangerous off the stage than on.

An Analysis of Jean-Paul Sartre’s Plays in Théâtre complet (Routledge Studies in Twentieth-Century Literature)

by Adrian van den Hoven

An Analysis of Jean-Paul Sartre’s Plays in Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre’s plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of Sartre’s philosophy, his prose writings and works by other philosophers, novelists, and playwrights, this comprehensive volume is essential reading for students of French literature, theatre, and existentialist philosophy.

An American Health Dilemma: Race, Medicine, and Health Care in the United States 1900-2000

by W. Michael Byrd Linda A. Clayton

First published in 2002. An American Health Dilemma is the story of medicine in the United States from the perspective of people who were consistently, officially mistreated, abused, or neglected by the Western medical tradition and the US health-care system. It is also the compelling story of African Americans fighting to participate fully in the health-care professions in the face of racism and the increased power of health corporations and HMOs. This tour-de-force of research on the relationship between race, medicine, and health care in the United States is an extraordinary achievement by two of the leading lights in the field of public health. Ten years out, it is finally updated, with a new third volume taking the story up to the present and beyond, remaining the premiere and only reference on black public health and the history of African American medicine on the market today. No one who is concerned with American race relations, with access to and quality of health care, or with justice and equality for humankind can afford to miss this powerful resource.

An Almost Perfect Thing

by Nicole Moeller

Greg is a once-respected journalist searching for a high-profile story that will help revive his career. Chloe is the missing girl he wrote about six years earlier who has just returned home to a world she no longer recognizes. Instead of leading police to her captor, Chloe turns to Greg to share her story. Unfortunately for him, Chloe won't provide names or locations, and instead dictates exactly how the story should be told. But Chloe has become an international celebrity—both respected and scrutinized by the public—and they all want to know, who is her kidnapper? Why is she protecting him? When Greg begins to question whether truth and fiction have collided, he takes matters into his own hands, in spite of the drastic consequences. Even if that means coming face to face with Chloe's abductor. Inspired by the story of Natascha Kampusch, An Almost Perfect Thing is a multi-perspective thriller about possession and desire, the need to own our stories, and our "right" to the truth.

An Actress Prepares: Women and "the Method"

by Rosemary Malague

'Every day, thousands of women enter acting classes where most of them will receive some variation on the Stanislavsky-based training that has now been taught in the U.S. for nearly ninety years. Yet relatively little feminist consideration has been given to the experience of the student actress: What happens to women in Method actor training?' An Actress Prepares is the first book to interrogate Method acting from a specifically feminist perspective. Rose Malague addresses "the Method" not only with much-needed critical distance, but also the crucial insider's view of a trained actor. Case studies examine the preeminent American teachers who popularized and transformed elements of Stanislavsky’s System within the U.S.—Strasberg, Adler, Meisner, and Hagen— by analyzing and comparing their related but distinctly different approaches. This book confronts the sexism that still exists in actor training and exposes the gender biases embedded within the Method itself. Its in-depth examination of these Stanislavskian techniques seeks to reclaim Method acting from its patriarchal practices and to empower women who act. 'I've been waiting for someone to write this book for years: a thorough-going analysis and reconsideration of American approaches to Stanislavsky from a feminist perspective ... lively, intelligent, and engaging.' – Phillip Zarrilli, University of Exeter 'Theatre people of any gender will be transformed by Rose Malague’s eye-opening study An Actress Prepares... This book will be useful to all scholars and practitioners determined to make gender equity central to how they hone their craft and their thinking.' – Jill Dolan, Princeton University

An Actor’s Research: Investigating Choices for Practice and Performance

by Tamsin Stanley Philippa Strandberg-Long

An Actor’s Research: Investigating Choices for Practice and Performance presents an accessible and highly practical guide to the research approaches required of the actor. It aims to establish the precision and rigour of the actor’s craft that is intrinsic to a compelling acting performance, explore a range of research activities surrounding and emerging from practical work in the studio, and enable the actor to evolve a multifaceted skillset in researching for performance. The chapters focus on different research areas such as the self, character, relationships, circumstance, and context, providing accessible and practical guidance to developing a personal research practice. Each aspect is explained and engaged with as practice, rather than study – offering helpful hints and advising against common pitfalls – ultimately enabling the actor to locate the necessary knowledge to shape and inform their performance in both text-based and devised scenarios. Additionally, as the actor’s self is a personal instrument that is drawn on in terms of expression, impulses, and imagination; the self also becomes a source for creative appraisal and research. This book therefore offers comprehensive advice and strategies for self-evaluation and reflection, connecting research investigation with self-exploration in making expressive performance choices, making it a practice highly applicable to the actor’s needs. An Actor’s Research closely follows the training actor’s needs in terms of performance-based research; however, its practical research activities for text and character creation and strategies for the development of critical thinking and self-reflective skills support the ongoing development of the actor and their craft in both training and professional circumstances.

An Actor's Work: A Student's Diary (Routledge Classics)

by Konstantin Stanislavski

Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.

An Actor's Work: A Student's Diary

by Konstantin Stanislavski

Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.

An Actor's Work on a Role

by Konstantin Stanislavski

An Actor’s Work on a Role is Konstantin Stanislavski’s exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one’s chosen role. Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy – after An Actor Prepares and Building a Character, now combined in An Actor’s Work – in which Stanislavski sets out his psychological, physical and practical vision of actor training. This new translation from renowned scholar Jean Benedetti not only includes Stanislavski’s original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming 'The System' as the cornerstone of actor training.

An Actor's Handbook: An Alphabetical Arrangement of Concise Statements on Aspects of Acting, Reissue of first edition

by Elizabeth Reynolds Hapgood Constantin Stanislavski

This is the classic lexicon of Stanislavski's most important concepts, all in the master's own words. Upon its publication in 1963, An Actor's Handbook quickly established itself as an essential guide for actors and directors. Culling key passages from Stanislavski's vast output, this book covers more than one hundred and fifty key concepts, among them 'Improvisation', 'External Technique', 'Magic If', 'Imaginary Objects', 'Discipline', 'What Is My System?' and 'Stage Fright'.This reissued, attractively packaged edition will be an essential book for any performer.

An Actor's Guide—Making It in New York City, Third Edition: Everything a Working Actor Needs to Survive and Succeed in the Big Apple

by Glenn Alterman

A Step-by-Step Guide for the Actor Pursuing a Career in New York A great deal has changed in the industry in the last decade. In this new, third edition of An Actor&’s Guide—Making It in New York City, Glenn Alterman provides everything actors need to know. You&’ll discover the ten things that it takes to make it as a successful actor in the city, how to support yourself, where and how to start your life as a New York actor, understanding and marketing &“your brand,&” the best acting schools and conservatories, effective ways to contact agents and casting directors, and more. The author, a successful working actor, also shares many insider tips on topics such as: how to network effectivelyheadshots, photographers, and how to have a successful photo sessioncreating your actor websitesthe best Internet resources and casting siteshow to give winning auditions and interviewsfinding and developing great monologuesoff and off-off Broadway opportunitiesTV and film opportunitiesvoice-overscommercial print modelingcommercialssurvival jobsappropriate behavior in the businessscams and rip-offs to avoidinformation for actors with disabilitiesinformation on diversity and LGBTQ concernsa listing of agents, casting directors and theaters Among the book&’s many interviews are legendary show business figures, such as actors Henry Winkler, Alison Fraser, Dylan Baker, Lisa Emery, and Charles Busch, as well as casting directors Juliet Taylor, Ellen Lewis, Jay Binder, Donna DeSeta, and Liz Lewis, among many others. With Alterman&’s essential guide, you&’ll be prepared to launch and maintain your dream career in the city that never sleeps.

An Actor's Guide--Making It in New York City: Everything a Working Actor Needs to Survive and Succeed in the Big Apple

by Glenn Alterman

For any actor in or on the way to New York City, this is the definitive source for advice, winning strategies, marketing techniques, and invaluable insights to being a successful New York actor. This new edition has been completely revised and updated to cover the significant changes in the New York theater landscape over the last nine years. This indispensable guide has also been expanded to include dozens of new interviews with top New York City actors and a completely improved Internet chapter equipped with the most up-to-date tools to thrive in the industry. Aspiring and established professionals will find this thorough and up-to-the-minute volume chock full of resources and advice about auditioning, making professional connections, promoting one's self, seeking opportunities in nontraditional venues, finding an apartment, securing "survival jobs," understanding actor unions, getting headshots, and furthering one's actor training in New York. This guide also details working as a film extra, careers in print modeling, scams and rip-offs to avoid, opportunities for actors with disabilities, and using the Internet to the fullest advantage. Included are in-depth interviews with legendary show business figures such as actor Henry Winkler, casting director Juliet Taylor, and theater director Joseph Chaikin as well as top talents from the fields of film, television, stage, commercials, and talent agencies. Written by a professional New York actor with over thirty years of experience, this meticulously researched guide will give actors the tools they need to survive and thrive in New York show business.

An Actor's Companion

by Seth Barrish Anne Hathaway

"I was totally unprepared for the transformation that Seth's technique created in me. . . . I realized that what I thought I knew about acting up to that point was largely misguided . . . but I now had a great, talented, dedicated teacher who generously wanted to share his tools with everyone. There is muscularity, not to mention wisdom and truth to Seth's techniques. He is a wonderful teacher, and I know that having him as my first guide is one of the luckiest things to have happened to me in my career and life. And when I can't get back to class with him, I am so grateful I have this book to turn to."--Anne Hathaway"This book is truly unlike anything else I know--these pieces are haikus on specific elements of performance and character building."--Philip Himberg, executive director, Sundance Theatre InstituteA collection of practical acting tips, tools, and exercises, An Actor's Companion is ideal for both the seasoned professionals and actors-in-training. The tips--all simple, direct, and useful--are easy to understand and even easier to apply, in both rehearsal and in performance.Seth Barrish is an actor, teacher, and the co-artistic director of The Barrow Group in New York City. In his thirty-year career, he has directed the award-winning shows My Girlfriend's Boyfriend (Lucille Lortel Award for Best Solo Show, Drama Desk and Outer Critics Circle nominations for Best Solo Show), Sleepwalk With Me (Nightlife Award for Outstanding Comedian in a Major Performance), The Tricky Part (Obie Award, Drama Desk nominations for Best Play and Best Solo Show), Pentecost (Drama Desk nomination for Best Play), Old Wicked Songs (Los Angeles Drama Critics Circle Award and Garland Award for Best Direction), and Good (Straw Hat Award for Best Direction), among dozens of others.

An Actor Survives: Remarks on Stanislavsky (Routledge Advances in Theatre & Performance Studies)

by Tomasz Kubikowski

This book focuses on the analysis and interpretation of the first volume of the book An Actor’s Work by Konstantin Stanislavsky. This volume is the only part of his planned major work on theatre art that he was able to finish and authorise before his death. Its highly edited variant has long been known as ‘An Actor Prepares’ in the English-speaking world. Tomasz Kubikowski explores Stanislavsky’s material not only as a handbook of acting but also as a philosophical testament of Stanislavsky, in which he attempts to contain his most essential experiences and reflections. This book explores the underlying theme of ‘survival’ in its various meanings, from professional to existential; and the mechanisms and actions we attempt to survive. This study will be of great interest to students and scholars in theatre and performance studies.

An Actor Rehearses: What to Do When and Why

by David Hlavsa

With a commonsense approach, An Actor Rehearses takes performers through the rehearsal process and explains exactly what to do when. The actor’s process is explained simply, sequentially, and in detail, starting from the period before rehearsals begin and continuing through first read-through, blocking rehearsals, technical rehearsals, and performances. Packed with exercises that are useful in the classroom and in the rehearsal studio, An Actor Rehearses is an indispensable guide to the rehearsal process that makes building a character easier and more rewarding for both actor and audience. And because author David Hlavsa’s emphasis is on relating acting to life, performers learn to make a remarkable connection between becoming a better actor and becoming a better person: more compassionate, more vital, more alive. Clear, practical, usable advice for actors at every level Unique focus: learning to become a better actor means learning to become a better person Huge potential audienceAllworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

An Acrobat of the Heart: A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski

by Stephen Wangh

"The actor will do, in public, what is considered impossible. " When the renowned Polish director Jerzy Grotowski began his 1967 American workshop with these words, his students were stunned. But within four weeks they themselves had experienced the "impossible. " In An Acrobat of the Heart, teacher-director-playwright Stephen Wangh reveals how Jerzy Grotowski's physical exercises can open a pathway to the actor's inner creativity. Drawing on Grotowski's insights and on the work of Stanislavski, Uta Hagen, and others, Wangh bridges the gap between rigorous physical training and practical scene and character technique. Wangh's students give candid descriptions of their struggles and breakthroughs, demonstrating how to transform these remarkable lessons into a personal journey of artistic growth. Courageous and compelling, An Acrobat of the Heartis an invaluable resource for actors, directors, and teachers alike.

Amédée, The New Tenant, Victims of Duty: Three Plays (Books That Changed the World)

by Eugène Ionesco

Three hilarious and provocative plays by the absurdist pioneer who remains “one of the most important and influential figures in the modern theater” (Library Journal).The author of such modern classics as The Bald Soprano, Exit the King, Rhinoceros, and The Chairs, Eugene Ionesco’s plays have become emblematic of Absurdist theatre and the French avant-garde. This essential collection combines The New Tenant with Amédée and Victims of Duty—plays Richard Gilman has called, along with The Killer, Ionesco’s “greatest plays, works of the same solidity, fulness, and permanence as [those of] his predecessors in the dramatic revolution that began with Ibsen and is still going on.”In Amédée, the title character and his wife have a problem—not so much the corpse in their bedroom as the fact that it’s been there for fifteen years and is now growing, slowly but surely crowding them out of their apartment.In The New Tenant, a similar crowding is caused by an excess of furniture—as Harold Hobson said in the London Times, “there is not a dramatist . . . who can make furniture speak as eloquently as Ionesco, and here he makes it the perfect, the terrifying symbol of the deranged mind.”In Victims of Duty, Ionesco parodies the conformity of modern life by plunging his characters into an obscure search for “mallot with a t.”

Amy's Wish

by Tom Sharkey

Comedy / 3m, 3f / Interior Recently retired and newlywed, Sam Galway is flabbergasted when the spring water at his honeymoon retreat transforms dear old Amy into a 19-year-old knockout. His "young'' bride attracts a youthful admirer while the sheriff becomes convinced that Sam has murdered Amy. This romantic comedy by the librettist-composer of It's a Wonderful Life, the author of My Heart Reminds Me and the co-author of Just Say Yes! is a charming audience-pleaser.

Amphitryon, By Molière: The Misanthrope / Amphitryon / Tartuffe / The Learned Ladies

by Molière

Wilbur is at the peak of his form in this stellar translation of an unusual Molière play-populated with Greeks and Greco-Roman gods and flavored with the essences of vaudeville, fan-tasy, high comedy, farce, and even opera. Afterword by Richard Wilbur.

Amphitryon

by David Christenson Plautus

The play Amphitryon provides an introduction to the world of Roman comedy from one of its best practitioners, Plautus. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.

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