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Homer Rodeheaver and the Rise of the Gospel Music Industry (Music in American Life #1)

by Kevin Mungons Douglas Yeo

From tent revivals to radio and records with a gospel music innovator Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel. Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.

Homeland Revealed

by Matt Hurwitz

An American soldier presumed killed in Iraq returns home ten years after disappearing. This is the premise of the award-winning and highly addictive Homeland. Known for its heart-pumping plot and phenomenal acting, Homeland has garnered multiple Emmys, fabulous reviews, and legions of devoted fans. This richly visual book unpacks the complex show, delving into favorite characters, conspiracy theories, and behind-the-scenes detail, while also exploring how real covert operations inspire and inform the show. Hundreds of photos capturing the intense onscreen action complement veteran writer Matt Hurwitz's narrative as he weaves in and out of the past three seasons using interviews with the creators, cast, and crew. An engrossing read in a deluxe hardcover package, Homeland Revealed is the ultimate gift for any fan of the series.

Homeland and Philosophy

by Robert Arp

In Homeland and Philosophy, 23 philosophers tackle the issues that Showtime's award winning show, Homeland, asks us to consider. The show, which centers on Marine Sergeant Nicholas Brody's release from an al-Qaeda prison, and CIA Agent Carrie Mathison's distrust of his intentions, asks questions of identity, what it means to be a terrorist, the conditions and effects of brainwashing, lying for the greater good, and whether or not courage is a virtue.But these questions are only a few among many that are explored in the shadowy spy-filled world of Homeland. Through the lenses of Rawls, Kant, Arendt, Foucault, Heidegger, Sartre, and Kierkegaard, among others, Homeland and Philosophy considers the ethics of drone warfare; whether or not Carrie Mathison's personality changes and psychological disorder make her an interesting character study in the metaphysics of personhood; at what point is privacy only an illusion; and concepts of torture, punishment, and discipline.Nicholas Brody is a Marine, a terrorist, a double agent, a congressman, a father, a husband, a lover, and a friend...but who is Nicholas Brody?

Home Work: A Memoir of My Hollywood Years

by Julie Andrews

In this follow-up to her critically acclaimed memoir, Home, Julie Andrews shares reflections on her astonishing career, including such classics as Mary Poppins, The Sound of Music, and Victor/Victoria. <P><P> In Home, the number one New York Times international bestseller, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. With this second memoir, Home Work: A Memoir of My Hollywood Years, Andrews picks up the story with her arrival in Hollywood and her phenomenal rise to fame in her earliest films--Mary Poppins and The Sound of Music. Andrews describes her years in the film industry -- from the incredible highs to the challenging lows. <P><P>Not only does she discuss her work in now-classic films and her collaborations with giants of cinema and television, she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, the end of her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. <P><P>The pair worked together in numerous films, including Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Cowritten with her daughter, Emma Walton Hamilton, and told with Andrews's trademark charm and candor, Home Work takes us on a rare and intimate journey into an extraordinary life that is funny, heartrending, and inspiring. <P><P><b>A New York Times Bestseller</b>

Home Work: A Memoir of My Hollywood Years

by Julie Andrews

'The book is filled with that most distinctive of all her qualities: her voice' The TimesHome Work, the second instalment of Julie Andrews' internationally bestselling memoirs, begins with her arrival in Hollywood to make her screen debut in Walt Disney's Mary Poppins. It was closely followed by The Sound of Music, and the beginning of a movie career that would make her an icon to millions all over the world.With her trademark charm and candour, Julie reveals behind-the-scenes details and reflections on her impressive body of work - from the incredible highs to the challenging lows. She shares her professional experiences and collaborations with giants of cinema and television, and also unveils her personal story of adjusting to a new and often daunting world. This included dealing with unimaginable public scrutiny, being a new mother, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, including 10, S.O.B and Victor/Victoria.Home Work takes us on a rare and intimate journey into a remarkable life that is funny, heart-breaking and inspiring.

Home Work: A Memoir of My Hollywood Years

by Julie Andrews

'Home Work is written with a warm heart and a generous spirit ... an honest attempt to make sense of an often chaotic life' SUNDAY EPXRESS'The book is filled with that most distinctive of all her qualities: her voice ... Mary Poppins may appear only briefly here, but her spirit is alive and well' THE TIMESIn this follow-up to her critically acclaimed and bestselling memoir Home, the enchanting Julie Andrews picks up her story with her arrival in Hollywood, sharing the career highlights, personal experiences and reflections behind her astonishing career, including such classics as Mary Poppins, The Sound of Music, Victor/Victoria and many others.In Home, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. In her new memoir, Julie picks up the story with her arrival in Hollywood and her astonishing rise to fame as two of her early films -Mary Poppins and The Sound of Music- brought her instant and enormous success, including an Oscar. It was the beginning of a career that would make Julie Andrews an icon to millions the world over. In Home Work, Julie describes her years in Hollywood - from the incredible highs to the challenging lows. Not only does she detail her work in now-classic films and her collaborations with giants of cinema and television; she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, moving on from her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, culminating in Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Told with her trademark charm and candour, Julie Andrews takes us on a rare and intimate journey into an astonishing life that is funny, heartbreaking and inspiring.

Home Sweet Road: Finding Love, Making Music & Building a Life One City at a Time

by Johnnyswim

The hugely popular singer/songwriter duo Johnnyswim share their story like never before, showing readers how to find home wherever they are in this visually stunning debut.Foreword by Chip and Joanna Gaines Work and life partners Amanda Sudano Ramirez and Abner Ramirez are known for translating the memories and milestones of their journey, as well as the honest realities of marriage, into their spirited and soulful songs. With this beautifully designed, visually stunning book, the duo shares never-before-told stories, beautiful photos, recipes, poetry, and more from their life in a deeply engaging experience as they travel on tour around the country with their three young kids, capturing the family&’s raw, intimate, and behind-the-scenes life on the road and embracing home no matter where they are.

Home is Where You Hang Yourself; or, How To Be a Woman: And Who Needs It?

by Cynthia Hobart Lindsay

First published in 1962, this is a wonderful collection of humorous articles on feminine topics written by actress and stuntwoman-turned-writer Cynthia Hobart Lindsay.“The art of being a woman successfully can be learned neither from life nor from a charm school. It is a quality mysteriously endowed at birth—a magic quality. If it is inherent in you, you are blessed indeed. If it isn’t, you just have to keep trying—harder, and harder—and harder.“Plan your life, organize your time, and if you can’t learn from your own experiences, try to learn from those of others—mine, for instance. There may be a little something useful you can pick up in this “How to” in Womanship; if so, I’m grateful that I’ve contributed to easing your situation while complicating my own.“But as you go on your womanly way, remember, and keep always in mind, the one imperative fact: You Can’t Win.” (Cynthia Hobart Lindsay)

Home in Hollywood: The Imaginary Geography of Cinema

by Elisabeth Bronfen

Who can forget Dorothy's quest for the great and powerful Oz as she tried to return to her beloved Kansas? She thought she needed a wizard's magic, only to discover that home—and the power to get there—had been with her all along. This engaging and provocative book proposes that Hollywood has created an imaginary cinematic geography filled with people and places we recognize and to which we are irresistibly drawn. Each viewing of a film stirs, in a very real and charismatic way, feelings of home, and the comfort of returning to films like familiar haunts is at the core of our nostalgic desire. Leading us on a journey through American film, Elisabeth Bronfen examines the different ways home is constructed in the development of cinematic narrative. Each chapter includes a close reading of such classic films as Fleming's The Wizard of Oz, Sirk's Imitation of Life, Burton's Batman Returns, Hitchcock's Rebecca, Ford's The Searchers, and Sayles's Lone Star.

Home Girls Make Some Noise: Hip Hop Feminism Anthology

by Gwendolyn D. Pough Elaine Richardson Aisha Durham Rachel Raimist

Home Girls Make Some Noise: Hip Hop Feminist Anthology seeks to complicate understandings of Hip Hop as a male space by including and identifying the women who were always involved with the culture. The anthology explores Hip Hop as a worldview, as an epistemology grounded in the experiences of communities of color under advanced capitalism, as a cultural site for rearticulating identity and sexual politics. With critical essays, cultural critiques, interviews, personal narratives, fiction, poetry, and artwork. The contributors are varied, from women working within the Hip Hop sphere, Hip Hop feminists and activists "on the ground," as well as scholars, writers, and journalists.

Home For Christmas (Step into Reading)

by Tom Brannon Tish Rabe

Fans of the hit PBS Kids' holiday special The Cat in the Hat Knows a Lot About Christmas! can relive the fun over and over with this Step 3 adaptation of the complete episode, written for children who are ready to read independently. From the Cat's Christmas Eve Party (with animal guests from all over the world), through his mishaps while attempting to return a young reindeer home in time to pull Santa's sled, readers will be introduced to a herd of elephants with an uncanny ability to smell water, a pod of dolphins who can communicate across far distances, and a single-minded army of Christmas Island crabs--all of whom demonstrate how working together is the best way to solve a problem, and how being home for the holidays is the best place to be!

Home and Away: Lived Experience in Performative Narratives (Routledge Advances in Theatre & Performance Studies)

by Leigh Anne Howard

Home and Away explores how performative writing serve as a process that critically interrogates space/place in relation to personal, social, cultural, and political understanding. By combining aesthetic expression and inquiry with critical reflection, the contributors in this volume use a variety of narrative strategies—autoethnography, mystoriography, creative cartography, the lyric essay, fictocriticism, collage, the screenplay, and poetics—to position place as the starting point for the aesthetic impulse. The anthology showcases the power and potential of performative writing to illustrate the ways we interact with and in place; provides examples of the ways one can express lived experience; and demonstrates the ways discourses overlap while extending our understanding of identity and place, whether one is home or away. Although the chapters are fixed by their literary form in this volume, many of chapters are best realized in a performance or shared publicly via an oral tradition. This collection will be of great interest to students and scholars in performance, communication studies, and literature.

Home and Alone

by Daniel Stern

Simply a must read for anyone who seeks a behind-the-scenes peek of some of Hollywood's classic films. . .Beginning with his film debut in Breaking Away, Daniel Stern has grown up on-screen before our very eyes. His connection with audiences is cemented in movies like Home Alone and City Slickers, and in his debut memoir, Home and Alone with Daniel Stern, he is the Everyman narrator on a ride into the human side of Hollywood. Buckle up and experience what it&’s like driving Robert Redford in his Porsche at 100 mph, or stripping down for a nude scene in front of a group of total strangers. Share the out-of-body moments of flying alone with Mel Gibson on his jet to Las Vegas and smashing a fake mustache onto Gary Busey&’s face while cursing him out on the pitcher&’s mound of Wrigley Field in front of a sellout crowd. Join him in his triumphant stories like conquering his dyslexia as the voice of The Wonder Years, and his terrifying ones like being sued for $25 million by CBS and Columbia pictures. Touching and hysterical, often at the same time, Stern gives readers a peek at the highs and lows of a Hollywood career, and a closer look at the movies they love and the people who make them. Inspiring as it is humorous, Stern weaves a compelling tale of an artistic hippie-child of the 60&’s, who by age thirteen had hitchhiked his way across the Eastern half of the U.S.A. By age seventeen he had dropped out of high school and was living on his own in New York, and by nineteen he was starting a family of his own. His insights into marriage, children, parents and parenting are not only hilarious, but packed with subtle wisdom. But the real surprises are in Stern's off-screen roles as a bronze sculptor, cattle rancher, avocado farmer and public servant. The hard work and commitment he has put into his on-screen successes are applied with the same intensity to every aspect of his life. From creating monumental public art projects and founding a Boys & Girls Club to visiting troops in Iraq and learning to birth a cow, he has lived it all. Home and Alone with Daniel Stern is for anyone who needs reminding that nothing is impossible if you put your mind to it.

Home: A Memoir of My Early Years

by Julie Andrews

Since her first appearance on screen in Mary Poppins, Julie Andrews has played a series of memorable roles that have endeared her to generations. But she has never told the story of her life before fame. Until now. In Home: A Memoir of My Early Years, Julie takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America. Her memoir begins in 1935, when Julie was born to an aspiring vaudevillian mother and a teacher father, and takes readers to 1962, when Walt Disney himself saw her on Broadway and cast her as the world's most famous nanny. Along the way, she weathered the London Blitz of World War II; her parents' painful divorce; her mother's turbulent second marriage to Canadian tenor Ted Andrews, and a childhood spent on radio, in music halls, and giving concert performances all over England. Julie's professional career began at the age of twelve, and in 1948 she became the youngest solo performer ever to participate in a Royal Command Performance before the Queen. When only eighteen, she left home for the United States to make her Broadway debut in The Boy Friend, and thus began her meteoric rise to stardom. Home is filled with numerous anecdotes, including stories of performing in My Fair Lady with Rex Harrison on Broadway and in the West End, and in Camelot with Richard Burton on Broadway; her first marriage to famed set and costume designer Tony Walton, culminating with the birth of their daughter, Emma; and the call from Hollywood and what lay beyond. Julie Andrews' career has flourished over seven decades. From her legendary Broadway performances, to her roles in such iconic films as The Sound of Music, Mary Poppins, Thoroughly Modern Millie, Hawaii, 10, and The Princess Diaries, to her award-winning television appearances, multiple album releases, concert tours, international humanitarian work, best-selling children's books, and championship of literacy, Julie's influence spans generations. Today, she lives with her husband of thirty-eight years, the acclaimed writer/director Blake Edwards; they have five children and seven grandchildren. Featuring over fifty personal photos, many never before seen, this is the personal memoir Julie Andrews' audiences have been waiting for.

Home: A Memoir of My Early Years

by Julie Andrews

The heroine of MARY POPPINS and THE SOUND OF MUSIC tells her life story from the music halls of London to Broadway stardom.Over the years Julie Andrews has been much interviewed in the press and on television, but she has never before revealed the true story of her childhood and upbringing. In HOME she vividly recreates the years before the movies. An idyllic early childhood in Surrey was cut short when her parents divorced and her mother remarried. The family moved to London, and there are vivid scenes of life during the Blitz. Her mother went into musical theatre with her stepfather, who encouraged Julie to have singing lessons which led to the discovery that her voice had phenomenal range and strength for someone her age. Before long she was appearing on stage with her parents. She soon realised how much she enjoyed looking out into the black auditorium with the spotlights on her. By the time she was a teenager, she was supporting her whole family with her singing.A London Palladium pantomime led to a leading role in THE BOYFRIEND on Broadway at 19. Parts in MY FAIR LADY opposite Rex Harrison and CAMELOT with Richard Burton soon followed, and there are wonderful anecdotes about the actors and actresses of her day. But this is far more than a collection of show stories (it's not until the last page of the book that Julie gets the call from Disney for MARY POPPINS), HOME is an honest, touching and revealing memoir of the early life of a true icon.

Home: A Memoir of My Early Years

by Julie Edwards Andrews

From the famous star's birth in 1935 to 1962, when Walt Disney himself saw her on Broadway and cast her as the world's most famous nanny, Mary Poppins.

The Holy Mountain (Cultographies)

by Alessandra Santos

Alejandro Jodorowsky's El Topo helped inaugurate the midnight movie phenomenon. Its success spawned The Holy Mountain, through interventions by John Lennon and Allen Klein. After a scandalous release and a 16-month midnight career, The Holy Mountain was relegated to the underground world of fan bootlegs for over thirty years until its limited restored release in 2007. This short study reveals how The Holy Mountain, a poetic, hilarious, and anarchist cult film by an international auteur, anchored in post-1968 critiques, is – at the same time – an archaeological capsule of the counterculture movement, a timely subversion of mystical tenets, and one of the most mysterious films in the history of world cinema.

Holy Is the Lord (Expanded Edition)

by Jim Cowan

Holy is the Lord: Into Thy Presence (Vol 1), Lord, Draw Me Nearer (Vol 2), I Worship You (Vol 3), With All My Heart (Vol 4), Forever to Reign (Vol 5), In This Upper Room (Vol 6). Millennium III: Walk on Water (Vol 1), Awesome God (Vol 2), The Days of Elijah (Vol 3), I'm Trading My Sorrows (Vol 4), Jesus Lifted High (Vol 5)

The Holy Fool in European Cinema (Routledge Studies in Religion and Film)

by Alina G. Birzache

This monograph explores the way that the profile and the critical functions of the holy fool have developed in European cinema, allowing this traditional figure to capture the imagination of new generations in an age of religious pluralism and secularization. Alina Birzache traces the cultural origins of the figure of the holy fool across a variety of European traditions. In so doing, she examines the critical functions of the holy fool as well as how filmmakers have used the figure to respond to and critique aspects of the modern world. Using a comparative approach, this study for the first time offers a comprehensive explanation of the enduring appeal of this protean and fascinating cinematic character. Birzache examines the trope of holy foolishness in Soviet and post-Soviet cinema, French cinema, and Danish cinema, corresponding broadly to and permitting analysis of the three main orientations in European Christianity: Orthodox, Catholic, and Protestant. This study will be of keen interest to scholars of religion and film, European cinema, and comparative religion.

Holy Cow!: Doggerel, Catnaps, Scapegoats, Foxtrots, and Horse Feathers?Splendid Animal Words and Phrases

by Boze Hadleigh

We love animals but insult humans by calling them everything from weasels or pigs to sheep, mice, chickens, sharks, snakes, and bird-brains. Animal epithets, words, and phrases are so widespread we often take them for granted or remain ignorant of the fascinating stories and facts behind them. Spanning the entire animal kingdom, Holy Cow! explains: Why hot dogs are named after canines. Why people talk turkey or go cold turkey. Why curiosity killed the cat, although dogs are more curious about us. Why letting the cat out of the bag originally referred to a duped shopper. What a horse of another color is, what horsefeathers politely alludes to, why a mule is a lady’s slipper, and what horseradish has to do with horses. Why the combination of humans and cows probably led to capitalism--its name from Latin for head, as in heads of cows. Why holy cow and sacred cow have almost opposite meanings. Whether people actually chewed the fat or ate crow (and why it’s a crowbar). How a hog became a motorcycle and a chick a young woman. What happens to freeze the balls off a brass monkey. What buck has to do with being naked. Why the birds and the bees. Why a piggy bank and why one feeds the kitty. What lame ducks have to do with U. S. presidents. How red herring came about via activists opposed to fox hunting. Where snake oil, popular in the 1800s and rich in Omega-3 fatty acids, came from. That the proverbial fly in the ointment goes back to the Bible’s Ecclesiastes (10:1). How Swiss watchmakers created teensy-weensy coaches for fleas to pull in flea circuses. And much--much!--more. Don't be a lame duck and get this book!

Holt World History, the Human Journey: Modern World

by Holt Rinehart Winston

History and geography share many elements. History describes important events that have taken place from ancient times until the present day. Geography describes how physical environments affect human events. It also examines how people's actions influence the environment around them. One way to look at geography is to identify essential elements of its study.

Holt Elements of Literature: 4th Course (Kentucky Edition)

by Kylene Beers

Learn more about literature in this high-school textbook

The Holocaust in Czechoslovak and Czech Feature Films (Literatur Und Kultur Im Mittleren Und Östlichen Europa Ser. #19)

by Šárka Sladovníková

Šárka Sladovníková analyzes the depiction of the Holocaust in Czechoslovak and Czech feature films and the relevant literary pretexts. While she charts the social and cultural framework in which the films were made and how this framework changed, she also focuses on the cinematic language, the composition of and narration in each film (e.g., the depiction of the war and the Shoah as a narratively closed versus a narratively open event), genre aspects of the films (e.g., the use of comedy and humor), and convention and innovation in presenting motifs and characters (the division of gender roles, the character of the “good German”). Particular attention is paid to the portrayal of stereotypes and countertypes in the films, where already well-known images, situations, and backdrops are repeated and which meet viewers’ expectations or, in contrast, which form countertypes and countersituations that go against the grain. Many of the films analyzed are adaptations of literary works. Therefore, this book is also a contribution to the rapidly developing field of adaptation studies.

Holocaust Cinema in the Twenty-First Century: Images, Memory, and the Ethics of Representation

by Bayer Gerd Kobrynskyy Oleksandr

In the first fifteen years of the twenty-first century, a large number of films were produced in Europe, Israel, the United States, and elsewhere addressing the historical reality and the legacy of the Holocaust. Contemporary Holocaust cinema exists at the intersection of national cultural traditions, aesthetic conventions, and the inner logic of popular forms of entertainment. It also reacts to developments in both fiction and documentary films following the innovations of a postmodern aesthetic. With the number of witnesses to the atrocities of Nazi Germany dwindling, medialized representations of the Holocaust take on greater cultural significance. At the same time, visual responses to the task of keeping memories alive have to readjust their value systems and reconsider their artistic choices.Both established directors and a new generation of filmmakers have tackled the ethically difficult task of finding a visual language to represent the past that is also relatable to viewers. Both geographical and spatial principles of Holocaust memory are frequently addressed in original ways. Another development concentrates on perpetrator figures, adding questions related to guilt and memory. Covering such diverse topics, this volume brings together scholars from cultural studies, literary studies, and film studies. Their analyses of twenty-first-century Holocaust films venture across national and linguistic boundaries and make visible various formal and intertextual relationships within the substantial body of Holocaust cinema.

Holocaust Cinema in the Twenty-First Century

by Oleksandr Kobrynskyy Gerd Bayer

In the first fifteen years of the twenty-first century, a large number of films were produced in Europe, Israel, the United States, and elsewhere addressing the historical reality and the legacy of the Holocaust. Contemporary Holocaust cinema exists at the intersection of national cultural traditions, aesthetic conventions, and the inner logic of popular forms of entertainment. It also reacts to developments in both fiction and documentary films following the innovations of a postmodern aesthetic. With the number of witnesses to the atrocities of Nazi Germany dwindling, medialized representations of the Holocaust take on greater cultural significance. At the same time, visual responses to the task of keeping memories alive have to readjust their value systems and reconsider their artistic choices. Both established directors and a new generation of filmmakers have tackled the ethically difficult task of finding a visual language to represent the past that is also relatable to viewers. Both geographical and spatial principles of Holocaust memory are frequently addressed in original ways. Another development concentrates on perpetrator figures, adding questions related to guilt and memory. Covering such diverse topics, this volume brings together scholars from cultural studies, literary studies, and film studies. Their analyses of twenty-first-century Holocaust films venture across national and linguistic boundaries and make visible various formal and intertextual relationships within the substantial body of Holocaust cinema.

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