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Elvis Is Everywhere
by Rowland SchermanElvis, it seems, is everywhere. And for about three years, Rowland Scherman went looking for him. Elvis Is Everywhere captures this pursuit, in 70 photos documenting the author's travels to Boston, Los Angeles, Nashville, Venice Beach, Orlando, Nag’s Head, Cape Cod, New York, Pasadena, and, of course, Memphis. In all these places was evidence that Elvis lives, at least in spirit, long after his well-mourned death. This book is not so much about Elvis as it is about us. The abiding loyalty and reverence of the King’s devoted fans have enabled him to transcend even the most outrageous promotional hype. His image and his name have been absorbed into the language, the landscape, our very culture. Elvis continues to cast his spell on our collective consciousness.
Eyes Beyond The Horizon
by Eleanor G. Bowman Susan F. TitusStory of the Far East Broadcasting Company's shortwave radio ministry
Femininity and Domination: Studies in the Phenomenology of Oppression
by Sandra Lee BartkyBartky draws on the experience of daily life to unmask the many disguises by which intimations of inferiority are visited upon women. She critiques both the male bias of current theory and the debilitating dominion held by notions of "proper femininity" over women and their bodies in patriarchal culture.
Fighting for Air: In the Trenches with Television News
by Liz TrottaLiz Trotta traces her career from the early days of broadcast news to the slick superficiality of today. The first female television correspondent in Vietnam, Trotta tells the searing truth about being a woman in a male-dominated industry and recounts many of her most fascinating stories, from the scandal of Chappaquiddick to the campaign trail of George Bush.
The Films of Carlos Saura: The Practice of Seeing
by Marvin D'LugoSpanish filmmaker Carlos Saura, who began his career under the censorship of Franco's regime, has forged an international reputation for his unique cinematic treatment of emotional and spiritual responses to repressive political conditions. In films such as Carmen and El Dorado, where reality and fantasy are deliberately fused together, Saura reveals the illusions of Franco's mythologized Spain--a chaste, Catholic, and heroic Spain of the Golden Age--that tend to isolate Spaniards from the rest of Europe, from each other, and from their own individuality. In this first English-language book on Saura, Marvin D'Lugo looks at the social and artistic forces behind this film auteur's highly personal cinema. Tracing Saura's career over three decades, D'Lugo discusses each work from Hooligans (1959), a realist film about a Madrid street-gang member trying to become a bullfighter, to The Dark Night (1989), a film dealing with the persecution of the religious reformer St. John of the Cross in the late sixteenth century. Throughout he argues that Saura's cinematic style results from a highly original response to the political and historical constraints of Spanish culture. D'Lugo shows how in order to explore the complex cultural politics of "Spanishness" as it was institutionalized under Franco, Saura frames his narrations through the eyes of characters who question the forces that shape personal and collective identity. Moving beyond the limits of traditional auteur studies, this book addresses the relationship between the filmmaker and the cultural ideology that historically has thwarted and manipulated the expressions of individuality in Spanish society.
The Fondas: A Hollywood Dynasty
by Peter CollierBiographies of Henry, Peter and Jane Fonda. Includes bibliographical references and an index.
Frameworks: An Introduction to Film Studies
by Thomas E. Valasek F. Brent Johnson Christopher H. CreekFrameworks sets out to teach both the concepts and the skills beginning students need to become more literate film viewers. Lessons are designed to answer four essential questions: How do films tell a story? How do films reveal characters? How do films depict physical reality? How do films inform, persuade, and indoctrinate? Each of these questions offers a different "framework" for film study, a different way to look at and analyze film.
Glasnost--Soviet Cinema Responds
by Nicholas Galichenko edited by Robert AllingtonWith the coming of glasnost to the Soviet Union, filmmakers began to explore previously forbidden themes, and distributors released films that were suppressed by pre-glasnost-era censors. Soviet cinema underwent a revolution, one that mirrors and helps interpret the social revolution that took place throughout the USSR. Glasnost-Soviet Cinema Responds is the first overall survey of the effects of this revolution on the work of Soviet filmmakers and their films. The book is structured as a series of three essays and a filmography of the directors of glasnost cinema. The first essay, "The Age of Perestroika," describes the changes that occurred in Soviet cinema as it freed itself from the legacy of Stalinism and socialist realism. It also considers the influence of film educator and director Mikhail Romm. "Youth in Turmoil" takes a sociological look at films about youth, the most dynamic and socially revealing of glasnost-era productions. "Odysseys in Inner Space" charts a new direction in Soviet cinema as it focuses on the inner world of individuals. The filmography includes thirty-three of the most significant glasnost-era directors, including Tengiz Abuladze, Karen Shakhnazarov, and Sergei Soloviev, with a comprehensive list of their films. Discussions of many individual films, such as Repentance, The Messenger Boy, and The Wild Pigeon, and interviews with the directors reveal the effects that glasnost and perestroika have had on the directors' lives and art.
The Gold Bug Variations
by Richard PowersA national bestseller, voted by Time as the #1 novel of 1991, selected as one of the "Best Books of 1991" by Publishers Weekly, and nominated for a National Book Critics Circle Award--a magnificent story that probes the meaning of love, science, music, and art, by the brilliant author of Three Farmers on Their Way to a Dance.
Hero's Song, The First Song of Eirren
by Edith PattouFrom the book jacket: In temperament, Collun is more of a gardner than a warrior, and with his blacksmith fatherand his secretive mother, he leads an uncomplicated rustic life until his sister, Nessa, disappears. Reluctantly, he leaves behind the only things he knows-his mother and father, their humble home, and his beloved garden-and sets off to look for Nessa in Temair, the largest city in the kingdom of Eirren. But his sister's disappearance is only one of many sinister happenings- Collun encounters several malevolent characters who are trying to bring his journey to an end. Against his gentle nature, he finds himself battling an evil greater than he'd ever imagined, an evil that threatens all of Eirren. All hope rests on Collun and his companions: an enigmatic wizard, an aspiring bard, a magical prince, and a feisty archer with a mission of her own. Their quest leads them from one insurmountable danger to another, and finally to the lair of a giant white Wurme-a creature that Collun must somehow kill if he is to rescue his sister and save his world. The First Song of Eirren An IRA Young Adults' Choice
Hickory Wind: The Life and Times of Gram Parsons
by Ben Fong-TorresFrom Publishers Weekly This entertaining biography examines the eventful life of singer/guitarist Gram Parsons, who collaborated with the Byrds on the album Sweetheart of the Rodeo , founded the Flying Burrito Brothers with Chris Hillman and worked with country singer Emmylou Harris. Although Parsons achieved only minimal stardom prior to his 1973 drug-related death at age 26, his fusion of country and rock influenced such bands as the Eagles and the Grateful Dead. Fong-Torres ( The Motown Album ) describes the free-spirited, flamboyant musician's privileged but troubled Southern background and interviews individuals including the Byrds' Roger McGuinn, the Rolling Stones' Keith Richards and loyal road manager Phil Kaufman, who, according to Parsons's wishes, attempted--unsuccessfully--to cremate Parsons's body in Joshua Tree National Monument, a park in California. Fong-Torres drops music-biz names and reports on the colorful 1960s and '70s fast lane with finesse; Parsons's profound, continuing impact is felt in admiring testimonies from friends and fans.
Hollywood Shot by Shot: Alcoholism in American Cinema (Communication And Social Order Ser.)
by Norman K. DenzinTo what extent have Hollywood feature films shaped the meanings that Americans attach to alcoholics, their families, and the alcoholic condition? To what extent has the mass culture of the movie industry itself been conceptually shaped by a broad, external societal discourse? Norman Denzin brings to his life-long study of alcoholism a searching interest in how cultural texts signify and lend themselves to interpretation within a social nexus. Both historical and diachronic in his approach, Denzin identifies five periods in the alcoholism films made between 1932 and the end of the 1980s, and offers a detailed critical reading of thirty-seven films produced during these six decades.
I Put A Spell On You: The Autobiography Of Nina Simone
by Nina Simone Stephen ClearyA gorgeous, inimitable singer and songwriter, Nina Simone (1933-2003) changed the face of both music and race relations in America. She struck a chord with bluesy jazz ballads like "Put a Little Sugar in My Bowl" and powerful protest songs such as "Mississippi Goddam" and "To Be Young, Gifted, and Black," the anthem of the American Civil Rights movement. Coinciding with the re-release of her famous Philips Recordings, here are the reflections of the "High Priestess of Soul" on her own life.
Impersonal Enunciation, or the Place of Film (Film and Culture Series)
by Christian MetzChristian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in—and forces him to reassess—his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today.
In a Lonely Street: Film Noir, Genre, Masculinity
by Frank KrutnikTaking issue with many orthodox views of Film Noir, Frank Krutnik argues for a reorientation of this compulsively engaging area of Hollywood cultural production. Krutnik recasts the films within a generic framework and draws on recent historical and theoretical research to examine both the diversity of film noir and its significance within American popular culture of the 1940s. He considers classical Hollywood cinema, debates on genre, and the history of the emergence of character in film noir, focusing on the hard-boiled' crime fiction of Dashiell Hammett, Raymond Chandler and James M. Cain as well as the popularisationof Freudian psychoanalysis; and the social and cultural upheavals of the 1940s. The core of this book however concerns the complex representationof masculinity in the noir tough' thriller, and where and how gender interlocks with questions of genre. Analysing in detail major thrillers like The Maltese Falcon, Double Indemnity, Out of the Past and The Killers , alongside lesser known but nonetheless crucial films as Stranger on the Third Floor, Pitfall and Dead Reckoning Krutnik has produced a provocative and highly readable study of one of Hollywood most perennially fascinating groups of films.
Inside the Film Factory: New Approaches to Russian and Soviet Cinema (Soviet Cinema Ser.)
by Richard Taylor Ian ChristieThis is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography.Whereas most books on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.
Jack Benny: The Radio and Television Work
by The Editors at the Museum of Television and RadioDetailed descriptions of over 150 radio and TV programs, a section on his historic 'radio feud' with Fred Allen, reprints of scripts, and critical analyses of his work by the curators of the museum.
Louise Brooks
by Barry ParisLouise Brooks left Wichita, Kansas, for New York City at age fifteen and lived the kind of life of which legends are made. From her beginnings as a dancer to her years in Hollywood, Berlin, and beyond, she was hailed and reviled as a new type of woman: independent, intellectually daring, and sexually free. In this widely acclaimed, first and only comprehensive biography, Barry Paris traces Brooks's trajectory from her childhood through her fall into obscurity and subsequent "resurrection" as a brilliant writer and enduring film icon.
Mama, Let's Dance: A Novel
by Patricia HermesAbandoned by their mother after the death of their father, three youngsters are determined to keep their situation a secret so that the authorities will not split them up and send them to foster homes.
Martin Scorsese: A Journey
by Mary Pat KellyIn time for Scorsese&’s 80th birthday and the release of Killers of the Flower Moon, a new edition of the seminal oral history tracing Scorsese&’s journey from young filmmaker to legend, featuring a foreword by Steven Spielberg Few filmmakers, if any, make the kind of impact that Martin Scorsese has made on American cinema. The winner of every prestigious film award, including the Oscar, Scorsese is a living legend. Bestselling author and award-winning filmmaker Mary Pat Kelly&’s groundbreaking biography reveals how this working-class boy from Manhattan&’s Little Italy became one of our most acclaimed, celebrated, and influential filmmakers.Martin Scorsese: A Journey maps Scorsese&’s personal and artistic evolution though his films, from early works like student films and Mean Streets through cinematic masterpieces like Taxi Driver, Raging Bull,The King of Comedy,Goodfellas. Across interviews with Scorsese himself; stars like Robert De Niro, Paul Newman, Liza Minelli, and Nick Nolte; colleagues including screenwriters and cinematographers; as well as family and friends, it reveals the story of a man in a way that only his community and fellow artists can, giving us unprecedented, intimate access to the making of these iconic films and the extraordinary mind behind them. Brimming with insight into Scorsese&’s life, values, process, humor, and inspirations, it is a remarkable account of America&’s premiere director, the shepherd of countless imaginations.
Me
by Katharine HepburnAdmired and beloved by movie audiences for over sixty years, four-time Academy Award-winner Katharine Hepburn is an American classic. Now Miss Hepburn breaks her long-kept silence about her private life in this absorbing and provocative memoir.A NEW YORK TIMES Notable Book of the YearA Book-of-the-Month-Club Main SelectionNOTE: This edition does not include photographs.
Me
by Katharine HepburnAdmired and beloved by movie audiences for over sixty years, four-time Academy Award-winner Katharine Hepburn is an American classic. Now Miss Hepburn breaks her long-kept silence about her private life in this absorbing and provocative memoir.A NEW YORK TIMES Notable Book of the YearA Book-of-the-Month-Club Main SelectionNOTE: This edition does not include photographs.
Memories: The Autobiography of Ralph Emery
by Ralph Emery Tom CarterMemories is the autobiography of country music star Ralph Emery.
Michael Jackson: The Story Behind Every Track
by François Allard Richard LecocqPlease note: this edition is text only and does not contain images.This is the full story of every single song that Michael Jackson recorded and released during his long and remarkable solo career.With fascinating stories and detailed information on every track - as well as key early songs with The Jackson Five and his legendary dance moves and videos - All the Songs is the complete history of one of the greatest musical legacies of all time.Arranged chronologically by album, expert authors Lecocq and Allard explore the details behind early hits such as ABC and I Want You Back, to solo masterpieces such as Don't Stop 'Til You Get Enough, Billie Jean, Beat It, Smooth Criminal, Black or White, This Is It and more - including outtakes, duets and rare tracks.Explore the magic behind the King of Pop's music with this in-depth, captivating book.