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Andrzej Wajda
by Janina FalkowskaThe work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements. It is the reworking of these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities.
Androids, Humanoids, and Other Folklore Monsters: Science and Soul in Science Fiction Films
by Per ScheldeScience fiction films, from the original Frankenstein and The Fly to Blade Runner and The Terminator, traditionally have been filled with aliens, spaceships, androids, cyborgs, and all sorts of robotic creatures along with their various creators. The popular appeal of these characters is undeniable, but what is the meaning of this generation of creatures? What is the relationship of mad scientist to subject, of human to android, of creature to creator? Androids, Humanoids, and Other Folklore Monsters is a profound investigation of this popular cultural form. Starting his discussion with the possible source of these creatures, anthropologist and writer Per Schelde identifies the origin of these critters in the folklore of past generations. Continuing in the tradition of ancient folklore, contends Schelde, science fiction film is a fictional account of the ongoing battle between nature and culture. With the advance of science, the trolls, dwarves, pixies, nixies, and huldres that represented the unknown natural forces of the world were virtually killed off by ever-increasing knowledge and technology. The natural forces of the past that provided a threat to humans were replaced by the danger of unknown scientific experiments and disasters, as represented by their offspring: science fiction monsters. As the development of genetics, biomedical engineering, and artificial intelligence blur the lines between human and machine in the real world, thus invading the natural landscape with the products of man's techno-culture, the representation of this development poses interesting questions. As Per Schelde shows, it becomes increasingly difficult in science fiction film to define the humans from their creations, and thus increasingly difficult to identify the monster. Unlike science fiction literature, science fiction film has until now been largely neglected as a genre worthy of study and scholarship. Androids, Humanoids, and Other Folklore Monsters explores science fiction (sf) film as the modern incarnation of folklore, emblematic of the struggle between nature and culture—but with a new twist. Schelde explains how, as science conquered the forests and mountains of the wild, the mythic creatures of these realms—trolls, elves, and ogres—were relegated to cartoons and children's stories. Technology and outer space came to represent the modern wild, and this new unknown came alive in the popular imagination with the embodiments of our fears of that unknown: androids, cyborgs, genetics, and artificial intelligence gone awry. Implicit in all of these is a fear, and an indictment, of the power of science to invade our minds and bodies, replacing the individual soul with a mechanical, machine-made one. Focusing his analysis on sixty-five popular films, from Frankenstein and Metropolis to Invasion of the Body Snatchers, The Terminator, and Blade Runner, Per Schelde brings his command of traditional folklore to this serious but eminently readable look at SF movies, decoding their curious and often terrifying images as expressions of modern man's angst in the face of a rapidly advancing culture he cannot control. Anyone with an interest in popular culture, folklore, film studies, or science fiction will enjoy this original and comprehensive study.
Andrew Lau and Alan Mak's Infernal Affairs - The Trilogy
by Gina MarchettiInfernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism have crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema. Moreover she uses this film to highlight the way Hong Kong cinema continues to be inextricably intertwined with global film culture and the transnational movie market.
Andrei Tarkovsky's Sounding Cinema: Music and Meaning from Solaris to The Sacrifice (Music and Sound on the International Screen)
by Tobias PontaraAndrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films. The first comprehensive study in English concentrating on the soundtrack in Tarkovsky’s cinema, this book reveals how Tarkovsky’s use of electronic music, electronically manipulated sound, traditional folk songs and fragments of canonized works of Western art music plays into the philosophical, existential and ethical themes recurring throughout his work. Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the broader traditions of European art cinema. An excellent resource for scholars, researchers and students interested in European art cinema and the role of music in film, as well as for film aficionados interested in Tarkovsky’s work.
Andrei Tarkovsky Collected Screenplays (Faber And Faber Screenplays Ser.)
by Andrei Tarkovsky William Powell Chia-Ning Chang Ian ChristieSince his death in 1986, Andrei Tarkovsky has become increasingly recognized as one of the great masters of world cinema. The book also contains an extended essay by film critic and historian Ian Christie, who places Tarkovsky's work in the context of Soviet film-making practice.
Andrea Bocelli: A Celebration
by Antonia FelixThe author presents text and pictures from Andrea Bocelli's life. Information concerning how different conductors worked with Andrea as he made his entrance in the opera are included.
Andre Bazin on Adaptation: Cinema's Literary Imagination
by André BazinAdaptation was central to André Bazin’s lifelong query: What is cinema? Placing films alongside literature allowed him to identify the aesthetic and sociological distinctiveness of each medium. More importantly, it helped him wage his campaign for a modern conception of cinema, one that owed a great deal to developments in the novel. The critical genius of one of the greatest film and cultural critics of the twentieth century is on full display in this collection, in which readers are introduced to Bazin's foundational concepts of the relationship between film and literary adaptation. Expertly curated and with an introduction by celebrated film scholar Dudley Andrew, the book begins with a selection of essays that show Bazin’s film theory in action, followed by reviews of films adapted from renowned novels of the day (Conrad, Hemingway, Steinbeck, Colette, Sagan, Duras, and others) as well as classic novels of the nineteenth century (Bronte, Melville, Tolstoy, Balzac, Hugo, Zola, Stendhal, and more). As a bonus, two hundred and fifty years of French fiction are put into play as Bazin assesses adaptation after adaptation to determine what is at stake for culture, for literature, and especially for cinema. This volume will be an indispensable resource for anyone interested in literary adaptation, authorship, classical film theory, French film history, and André Bazin’s criticism.
Anders als die Andern (Queer Film Classics #7)
by Ervin MalakajReleased in 1919, Anders als die Andern (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film’s moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today.Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, Anders als die Andern is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film’s portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates Anders als die Andern’s mournful cinema as an essential element of its endurance, treating the film’s melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle.Over a century after the film’s release, Anders als die Andern serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives.
Andere Sichtweisen auf Intersektionalität: Revisualising Intersectionality
by Elahe Haschemi Yekani Magdalena Nowicka Tiara RoxanneDas Buch hinterfragt die vermeintliche visuelle Evidenz von Kategorien menschlicher Ähnlichkeit und Differenz. Es bezieht Erkenntnisse aus den Sozial- und Kognitionswissenschaften sowie der Psychologie und Philosophie ein, um zu erklären, wie wir physische Unterschiede visuell wahrnehmen und zeigt, dass Wahrnehmung sowohl fehlbar als auch prozesshaft ist. Dazu bringen die Autorinnen Studien zur visuellen Kultur und künstlerische Forschung mit Ansätzen wie Gender, Queer und Trans Studies sowie postkolonialer Theorie miteinander ins Gespräch, um vereinfachte Vorstellungen von Identitätspolitik und kultureller Repräsentation zu verkomplizieren. Das Buch schlägt andere Sichtweisen auf Intersektionalität vor, um die Vorherrschaft von Kategorien der vermeintlich sichtbaren Differenz wie race und Geschlecht als analytische Kategorien infrage zu stellen.
And This Is Laura
by Ellen ConfordAnd This Is Laura is the hilarious story of an average girl in a family of overachievers who learns she's not so average. Laura's oldest brother composes his own music and is a debate team champion; her sister is a star actress and bowler; her youngest brother is in the process of counting to a million. Laura? She's just an ordinary twelve-year old--that is, until she discovers that she can see the future. Suddenly, she has popularity, attention from her parents, even media coverage. It's new and great--until one day, a vision frightens her to the core.Ellen Conford is one of the most prolific and successful authors of young adult fiction. In addition to the popular Jenny Archer and Annabel the Actress series, Conford has written over thirty novels. She has received numerous awards, notably an ALA Best Book of the Year citation.
And They All Sang: Adventures of an Eclectic Disc Jockey
by Studs TerkelThe Pulitzer Prize–winning historian talks with some of twentieth century&’s most iconic musicians—&“Riveting . . . Just about every interview has a revelation&” (San Francisco Chronicle). Through the second half of the twentieth century, Studs Terkel hosted the legendary radio show &“The Wax Museum,&” presenting Chicago&’s music fans with his inimitable take on music of all kinds, from classical, opera, and jazz to gospel, blues, folk, and rock. Featuring more than forty of Terkel&’s conversations with some of the greatest musicians of the past century, And They All Sang is &“a tribute to music&’s universality and power&” (Philadelphia Inquirer). Included here are fascinating conversations with Louis Armstrong, Leonard Bernstein, Big Bill Broonzy, Bob Dylan, Dizzy Gillespie, Mahalia Jackson, Janis Joplin, Rosa Raisa, Pete Seeger, and many others. As the esteemed music critic Anthony DeCurtis wrote in the Chicago Tribune, &“the terms &‘interview&’ or &‘oral history&’ don&’t begin to do justice to what Terkel achieves in these conversations, which are at once wildly ambitious and as casual as can be.&” Whether discussing Enrico Caruso&’s nervousness on stage with opera diva Edith Mason or the Beatles&’ 1966 encounter in London with revered Indian sitar player Ravi Shankar, &“Terkel&’s singular gift for bringing his subjects to life in their own words should strike a chord with any music fan old enough to have replaced a worn-out record needle&” (The New York Times). &“Whether diva or dustbowl balladeer, Studs treats them all alike, with deep knowledge and an intimate, conversational approach . . . as this often remarkable book shows, Studs Terkel has remained mesmerized by great music throughout his life.&” —The Guardian &“[Terkel&’s] expertise is evident on every page, whether debating the harmonic structure of the spirituals or discerning the subtleties of Keith Jarrett&’s piano technique . . . As ever, he is the most skillful of interviewers.&” —The Independent &“What makes And They All Sang a rousing success isn&’t just Terkel&’s phenomenal range and broad knowledge, it&’s his passionate love of the music and his deep humanity.&” —San Francisco Chronicle
And Then, You Act: Making Art in an Unpredictable World
by Anne BogartFrom well-known auteur of the American theatre scene, Anne Bogart, And Then, You Act is a fascinating and accessible book about directing theatre, acting and the collaborative creative process. Writing clearly and passionately, Bogart speaks to a wide audience, from undergraduates to practitioners, and makes an invaluable contribution to the field tackling themes such as: intentionality inspiration why theatre matters. Following on from her successful book A Director Prepares, which has become a key text for teaching directing classes, And Then, You Act is an essential practitioner and student resource.
And Then We Rise: A Guide to Loving and Taking Care of Self
by CommonFrom the multi-award-winning performer, author, and activist, a comprehensive program for addressing mental and physical health—and encouraging communities to do the same.Common has achieved success in many facets of his life and career, from music to acting to writing. But for a long time, he didn’t feel that he had found fulfillment in his body and spirit.And Then We Rise is about Common’s journey to wellness as a vital element of his success. A testimony to the benefits of self-care, this book is composed of four different sections, each with its own important lessons: "The Food" focuses on nutrition. "The Body" focuses on fitness. "The Mind" focuses on mental health. And "The Soul" focuses on perhaps the most profound thing of all—spiritual well-being. Common’s personal stories act as the backbone of his book, but he also wants to give his readers the gift of professional expertise. Here, he acts as the liaison to his own nutritionist and chef, his own physical trainer, and his own therapist, as well as to those who act as his spiritual influences.Wise, accessible, and powerful, And Then We Rise offers a comprehensive, holistic approach to wellness that will allow readers to transform their thinking, their actions, and, ultimately, their lives.
And Then We Danced: A Voyage into the Groove
by Henry AlfordEqual parts memoir and cultural history, from acclaimed comic stylist and professional hobbyist Henry Alford comes a hilarious journey through the world of dance that will inform, entertain and leave readers tapping their toes. <P><P>When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, confidence builder, an excuse to travel, a source of ongoing wonder and—when he dances with Alzheimer's patients—even a kind of community service. Tackling a wide range of forms (including ballet, hip-hop, jazz, ballroom, tap, contact improvisation, Zumba, swing), this grand tour takes us through the works and careers of luminaries ranging from Bob Fosse to George Balanchine, Twyla Tharp to Arthur Murray. Rich in insight and humor, Alford mines both personal experience and fascinating cultural history to offer a witty and ultimately moving portrait of how dance can express all things human.
And Then Like My Dreams: A Memoir
by Margaret Rose StringerA celebration of the career of one of the most respected still photographers in the film industry of the 1970s and 1980s, this is the story of Charles “Chic” Stringer, written by his widow Margaret Rose. Written with a blend of humor and acuity, this work shares the career of the acclaimed photographer who worked on such films as Mad Max and Gone to Ground. It is intended for not only film buffs, but for those who, like Margaret Rose, are bereaved and alone. This work is not only a fascinating, behind-the-scenes look at the film and television industry, but it also provides insight into recovery after the loss of a life partner. An intimate and touching work about the power of the human spirit and our will to persevere, this work is, above all, the story of two people who were made for each other and of life after absolute loss.
And Then I Wrote: The Songwriter Speaks
by Sylvia Tyson Tom RussellAn entertaining look at the craft of songwriting, in the words of songwriters themselves: a collection of anecdotes and quotations from well-known songwriters, past and present, on their influences, work habits, and how they came to write particular songs now ingrained in the popular psyche. The book forms an effective oral history, featuring songwriters from Irving Berlin and Noel Coward to Bob Dylan and Joni Mitchell; from Stephen Foster and Hank Williams to R. E. M. , Nirvana, and the Smashing Pumpkins. It's a book to be enjoyed by songwriters and music fans alike.
And the Show Went On: Cultural Life in Nazi-occupied Paris
by Alan RidingIn June 1940, Paris fell to the Nazis who made the world's cultural capital their favourite entertainment ground. Music halls and cabarets thrived during the occupation, providing plenty of work for actors, singers and musicians - except for Jews. The likes of Maurice Chevalier and Edith Piaf, who had entertained the French troops, now unabashedly provided amusement to the Germans. After the invasion of France, those artists still in Paris had to find ways to survive. Although Matisse and others kept out of view, Picasso could not avoid Nazi visitors. A few, like Beckett, joined the Resistance. Some were arrested and died in German hands. Others entertained the enemy. The theatres reopened, the movie cameras rolled, galleries sold paintings looted from Jewish families, pro-German writers and their rivals fought in print. Told through the experiences of renowned creative figures and witnesses of the times, And the Show Went On is an authoritative account of how Paris's artistic world lived through the Occupation, both of those who suffered Nazi oppression and those who prospered through collaboration.
And the Good News Is... Lessons and Advice from the Bright Side
by Dana Perino#1 New York Times Bestseller<P> #1 Wall Street Journal Bestseller<P> From her years as the presidential press secretary to her debates with colleagues on Fox News' The Five, Dana Perino reveals the lessons she's learned that have guided her through life, kept her level-headed, and led to her success, even in the face of adversity. <P> Thoughtful, inspiring, and often surprising, AND THE GOOD NEWS IS . . . traces Dana Perino's unlikely journey through politics and television. It's a remarkable American story-made up of equal parts determination and clear-eyed optimism. <P> From facing professional challenges and confronting personal fears to stepping up to a podium for a President, Dana has come to expect the unexpected and has an uncanny ability to find the good news in any tough situation. AND THE GOOD NEWS IS . . . takes us from her Western childhood in Wyoming and Colorado to a chance meeting on an airplane that changes her life entirely. Then, with refreshing honesty and humor, she recounts her frustration with a string of unsatisfying jobs and living circumstances until a key career tip leads her back to Washington, D.C. to work for the Bush Administration.<P> Dana also shares here her best work and life lessons-tips that will help you to get your point across convincingly while allowing your own grace and personality to shine through. As someone who still believes in working together to solve the problems our nation faces, Dana offers clear, practical advice on how to restore civility to our personal and public conversations. The result is a fascinating read that can help anyone become more successful, productive, and joyously content.
And the Category Is…: Inside New York’s Vogue, House, and Ballroom Community
by Ricky TuckerAn Electric Literature &“Most Anticipated LGBTQ+ Book of 2022&” Selection A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture.What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations. Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a &“category&” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it&’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose life, work, and activism drive home that very category. At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX&’s Pose, Tucker&’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.
And Still Peace Did Not Come: A Memoir of Reconciliation
by Agnes Kamara-UmunnaWhen bullets hit Agnes Kamara-Umunna's home in Monrovia, Liberia, she and her father hastily piled whatever they could carry into their car and drove toward the border, along with thousands of others. An army of children was approaching, under the leadership of Charles Taylor. It seemed like the end of the world. Slowly, they made their way to the safety of Sierra Leone. They were the lucky ones.After years of exile, with the fighting seemingly over, Agnes returned to Liberia--a country now devastated by years of civil war. Families have been torn apart, villages destroyed, and it seems as though no one has been spared. Reeling, and unsure of what to do in this place so different from the home of her memories, Agnes accepted a job at the local UN-run radio station. Their mission is peace and their method is reconciliation through understanding and communication. Soon, she came up with a daring plan: Find the former child soldiers, and record their stories. And so Agnes, then a 43-year-old single mother of four, headed out to the ghettos of Monrovia and befriended them, drinking Club Beer and smoking Dunhill cigarettes with them, earning their trust. One by one, they spoke on her program, Straight from the Heart, and slowly, it seemed like reconciliation and forgiveness might be possible.From Ellen Johnson-Sirleaf, Africa's first female president, to Butt Naked, a warlord whose horrific story is as unforgettable as his nickname--everyone has a story to tell. Victims and perpetrators. Boys and girls, mothers and fathers. Agnes comforts rape survivors, elicits testimonials from warlords, and is targeted with death threats--all live on the air.Set in a place where monkeys, not raccoons, are the scourge of homeowners; the trees have roots like elephant legs; and peacebuilding is happening from the ground-up. Harrowing, bleak, hopeful, humorous, and deeply moving--And Still Peace Did Not Come is not only Agnes's memoir: It is also her testimony to a nation's descent into the horrors of civil war, and its subsequent rise out of the ashes.
And So It Goes
by Linda EllerbeeAn inside look into the world of broadcast journalism. Ellerbee's 80s program NBC News Overnight was a unique vehicle for intelligent reporting and videography.
And On That Bombshell: Inside the Madness and Genius of TOP GEAR
by Richard PorterI was Top Gear's script editor for 13 years and all 22 series. I basically used to check spelling and think of stupid gags about The Stig. I also got to hang around with Jeremy Clarkson, Richard Hammond and James May. It didn't feel like something you should get paid for. From the disastrous pilot show of 2002 to the sudden and unexpected ending in 2015, working on Top Gear was quite a rollercoaster ride. We crossed continents, we made space ships, we bobbed across the world's busiest shipping lane in a pick-up truck. We also got chased by an angry mob, repeatedly sparked fury in newspapers, and almost killed one of our presenters. I realised that I had quite a few stories to tell from behind the scenes on the show. I remembered whose daft idea it was to get a dog. I recalled the willfully stupid way in which we decorated our horrible office. I had a sudden flashback to the time a Bolivian drug lord threatened to kill us. I decided I should write down some of these stories. So I have. I hope you like them. And now, a quote from James May: 'Richard Porter has asked me to "write a quote" for his new book about the ancient history of Top Gear. But this is a ridiculous request. How can one "write a quote"? Surely, by definition, a quote must be extracted from a greater body of writing, for the purpose of illustrating or supporting a point in an unrelated work. I cannot "write a quote" any more than I could "film an out-take".'Porter, like Athens, has lost his marbles.'
And On That Bombshell: Inside the Madness and Genius of TOP GEAR
by Richard PorterI was Top Gear's script editor for 13 years and all 22 series. I basically used to check spelling and think of stupid gags about The Stig. I also got to hang around with Jeremy Clarkson, Richard Hammond and James May. It didn't feel like something you should get paid for. From the disastrous pilot show of 2002 to the sudden and unexpected ending in 2015, working on Top Gear was quite a rollercoaster ride. We crossed continents, we made space ships, we bobbed across the world's busiest shipping lane in a pick-up truck. We also got chased by an angry mob, repeatedly sparked fury in newspapers, and almost killed one of our presenters. I realised that I had quite a few stories to tell from behind the scenes on the show. I remembered whose daft idea it was to get a dog. I recalled the willfully stupid way in which we decorated our horrible office. I had a sudden flashback to the time a Bolivian drug lord threatened to kill us. I decided I should write down some of these stories. So I have. I hope you like them. And now, a quote from James May: 'Richard Porter has asked me to "write a quote" for his new book about the ancient history of Top Gear. But this is a ridiculous request. How can one "write a quote"? Surely, by definition, a quote must be extracted from a greater body of writing, for the purpose of illustrating or supporting a point in an unrelated work. I cannot "write a quote" any more than I could "film an out-take".'Porter, like Athens, has lost his marbles.' - James MayRead by Ben Elliot(p) 2015 Orion Publishing Group
And Now on Radio 4: A Celebration of the World's Best Radio Station
by Simon ElmesAnd Now on Radio 4 offers an enthusiast's guide to the shows that have made Radio 4 what it is, and also explores some of the wonderful corners of the network's history that are long forgotten by all but a few. Who, for instance, now recalls Ronnie Barker's starring role on Radio 4 in a sophisticated cabaret-cum-sketch-show called Lines from My Grandfather's Forehead? What about Spike Milligan's intimate, soul-bearing account of his upbringing in colonial India, Plain Tales from the Raj? And who now remembers that Start the Week was once hosted by Russell Harty, a bit of programming compared by one insider to letting Graham Norton run Newsnight.In order to reflect the way devotees listen to Radio 4, the book is organised not on simple chronological lines but in the form of a typical day. Chapter by chapter, the day evolves, from Farming Today, through the daily feast that is Today, through the morning menu of conversation, Woman's Hour, documentary and comedy. Lunchtime brings The World at One. The early evening, of course, yields The Archers. And finally there's Book at Bedtime and Sailing By.An addictive mix of history, biography, anecdote and occasional useless fact, this is the perfect book for Radio 4 aficionados.
And More By Andy Rooney
by Andrew A. RooneyThe popular critic and regretful lamenter of modern times presents a diverse collection of satirical essays touching upon the more vexing aspects of twentieth-century civilization.