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Start Your Story at the End: How to Adapt Your Novel into a Screenplay

by Frank Catalano

START YOUR STORY AT THE END was first presented as part of the 25th Annual Writer's Conference sponsored by San Diego State University on February 6 through the 8th, 2009 at the Double Tree Hilton Hotel in Mission Hills, California by Frank Catalano as part of the programs offered at the conference. Writers of fiction and non-fiction and industry professionals from the publishing business primarily attended the 25th Annual Writer's Conference. Mr. Catalano's seminars focused upon those writers seeking to adapt their novels into screenplays. The complete list of seminar presentations by Frank Catalano for this conference is: BOOK 1: WRITE GREAT CHARACTACTERS IN THE FIRST TEN PAGES BOOK 2: WRITING ON YOUR FEET - IMPROVISATIONAL TECHNIQUES FOR WRITERS BOOK 3: START YOUR STORY AT THE END BOOK 4: THE FIRST TEN PAGES BOOK 5: BOOK TO SCREEN (SEMINAR COMPILATION OF ALL BOOKS) BOOK 6: ACTING IT OUT - IMPROVISATIONAL TECHNIQUES FOR WRITERS II BOOK 7: WRITE GREAT DIALOGUE

Start Without Me: (I'll Be There in a Minute)

by Gary Janetti

From New York Times bestselling author, and Family Guy writer Gary Janetti comes Start Without Me, a collection of hilarious, laugh out loud, true life stories about the small moments that add up to a big life.Gary Janetti is bothered. By a lot of things. And thank God he’s here to tell us.In Start Without Me, Gary returns with his acid tongue firmly in cheek to the moments and times that defined him. He takes us by the hand as we follow him through the summers he spends in his twenties, pursuing both the perfect tan and the perfect man to no avail and much regret. At his Catholic high school, he strikes up an unlikely friendship with a nun who shares Gary's love of soap operas, which becomes a salvation to them both. And don't get him started on how a bad hotel room can ruin even the best vacation. This laugh-out-loud collection of true-life stories from the man “behind his generation’s greatest comedy” (The New York Times) is for anyone who has felt the joy in holding a decade-long grudge.Whether you are a new convert to Janetti or one of the million who follow him on social media for a daily laugh, Start Without Me will have you howling at Gary's frustrations and nodding along in agreement at the outrages of life's small slights. It's the literary equivalent of a night out with your funniest friend that you wish would never end.

Start to Finish: Woody Allen and the Art of Moviemaking

by Eric Lax

A cinephile's dream: the chance to follow legendary director Woody Allen throughout the creation of a film--from inception to premiere--and to enjoy his reflections on some of the finest artists in the history of cinema. Eric Lax has been with Woody Allen almost every step of the way. He chronicled Allen's transformation from stand-up comedian to filmmaker in On Being Funny (1975). His international best seller, Woody Allen: A Biography (1991), was a portrait of a director hitting his stride. Conversations with Woody Allen comprised interviews that illustrated Allen's evolution from 1971 to 2008. Now, Lax invites us onto the set--and even further behind the scenes--of Allen's Irrational Man, which was released in 2015, and starred Joaquin Phoenix and Emma Stone. Revealing the intimate details of Allen's filmmaking process, Lax shows us the screenplay being shaped, the scenes being prepared, the actors, cinematographers, other crew members, the editors, all engaged in their work. We hear Allen's colleagues speak candidly about working with him, and Allen speaking with equal openness about his lifetime's work. An unprecedented revelation of one of the foremost filmmakers of our time, Start to Finish is sure to delight not only movie buffs and Allen fans, but everyone who has marveled at the seeming magic of the artistic process.

Starstruck: A Fame Game Novel

by Lauren Conrad

In Starstruck, Madison isn’t getting much screen time on The Fame Game, the reality TV show following three girls trying to become stars in L.A. She’s too busy doing community service after stealing a necklace. Kate, on the other hand, is getting huge amounts of publicity now that one of her songs has become an overnight sensation—and it’s going to her head. And aspiring actress Carmen, the daughter of Hollywood royalty, is finally making a name for herself. The juicy story from bestselling author Lauren Conrad explores friendship, family, romance, ambition, and fame.

Starstruck

by Rachel Shukert

"Wit, pluck, darkness, pitch perfect period details, juicy twists, and big heart. This book is one to savor."--Anna Godbersen, New York Times bestselling author of the Luxe and Bright Young Things seriesA golden age of glam . . . Every week they arrive in Los Angeles--beautiful and talented young hopefuls who dream of becoming stars. It's all Margaret Frobisher has ever wanted--and when she's discovered by a powerful agent, she can barely believe her luck. She's more than ready to escape her snobby private school and conservative Pasadena family for a chance to light up the silver screen.The competition is fierce at Olympus Studios and Margaret--now Margo--is chasing her Hollywood dreams alongside girls like Gabby Preston, who at 16 is already a grizzled show-biz veteran caught between the studio and the ravenous ambition of her ruthless mother, and sultry Amanda Farraday, who seems to have it all--ambition, glamour . . . and dirty secrets. Missing from the pack is Diana Chesterfield, the beautiful actress who mysteriously disappeared, and there are whispers that Diana's boyfriend--Margo's new co-star--may have had something to do with it. Margo quickly learns that fame comes with a price, and that nothing is what it seems. Set in Old Hollywood, Starstruck follows the lives of three teen girls as they live, love, and claw their way to the top in a world where being a star is all that matters.

Starship Spotter: Star Trek All Series (Star Trek)

by Robert Bonchune Adam 'Mojo' Lebowitz

The Starship Spotter was created more than two centuries ago in the early years of deep space travel to serve as a reference guide to assorted space-going vessels. Captains of the spaceships of the United Earth Space Probe Agency used this invaluable tool to help their crews to distinguish friend from foe in the unexplored reaches of the cosmos. When the services were merged to form Starfleet, the Spotter as a paper book disappeared from use. Only recently rediscovered, the newest editions of this historic volume have until now been the sole purview of the students of Starfleet Academy. Each year a new class of Starfleet cadets carefully reviews and revises the contents. The ships displayed in the Starship Spotter are chosen as a tribute to the crews who have served on them and the valour shown, regardless of the ship's affiliation. Although only thirty ships could be selected, the cadets feel that these ships reflect the noble history of space exploration and travel. We proudly present to you the Class of 2383 edition of Starship Spotter.

Stars of the American Musical Theater in Historic Photographs

by Stanley Appelbaum James Camner

361 portraits, from 1860s to 1950 of over 400 stars. Informative captions. An illustrious collection, long overdue.

The Stars in Our Eyes: The Famous, the Infamous, and Why We Care Way Too Much About Them

by Julie Klam

From bestselling author Julie Klam comes a lively and engaging exploration of celebrity: why celebrities fascinate us, what it means to be famous today, and why celebrities are so important. “When I was young I was convinced celebrities could save me,” Julie Klam admits in The Stars in Our Eyes, her funny and personal exploration of fame and celebrity. As she did for subjects as wide-ranging as dogs, mothers, and friendship, Klam brings her infectious curiosity and crackling wit to the topic of celebrity. As she admits, “I’ve always been enamored with celebrities,” be they movie stars, baseball players, TV actors, and now Internet sensations. “They are the us we want to be.” Celebrities today have a global presence and can be, Klam writes, “some girl on Instagram who does nude yoga and has 3.5 million followers, a thirteen-year-old ‘viner,’ and a Korean rapper who posts his videos that are viewed millions of times.” In The Stars in Our Eyes, Klam examines this phenomenon. She delves deep into what makes someone a celebrity, explains why we care about celebrities more than ever, and uncovers the bargains they make with the public and the burdens they bear to sustain this status. The result is an engaging, astute, and eye-opening look into celebrity that reveals the truths about fame as it elucidates why it’s such an important part of life today.

Stars, Fans, And Consumption In The 1950s

by Sumiko Higashi

As the leading fan magazine in the postwar era, Photoplay constructed female stars as social types who embodied a romantic and leisured California lifestyle. Addressing working and lower-middle class readers who were prospering in the first mass consumption society, the magazine published not only publicity stories but also beauty secrets, fashion layouts, interior design tips, recipes, advice columns, and vacation guides. Postwar femininity was constructed in terms of access to commodities in suburban houses as the site of family togetherness. As the decade progressed, however, changing social mores regarding female identity and behavior eroded the relationship between idolized stars and worshipful fans. When the magazine adopted tabloid conventions to report sex scandals like the Debbie-Eddie-Liz affair, stars were demystified, and fans became scandalmongers. But the construction of female identity based on goods and performance that resulted in unstable, fragmented selves remains a legacy evident in postmodern culture today.

Stars and Stardom in Brazilian Cinema

by Lisa Shaw Tim Bergfelder João Luiz Vieira

Despite the recent explosion of scholarly interest in "star studies," Brazilian film has received comparatively little attention. As this volume demonstrates, however, the richness of Brazilian stardom extends well beyond the ubiquitous Carmen Miranda. Among the studies assembled here are fascinating explorations of figures such as Eliane Lage (the star attraction of São Paulo's Vera Cruz studios), cult horror movie auteur Coffin Joe, and Lázaro Ramos, the most visible Afro-Brazilian actor today. At the same time, contributors interrogate the inner workings of the star system in Brazil, from the pioneering efforts of silent-era actresses to the recent advent of the non-professional movie star.

Stars and Spies: The story of Intelligence Operations…

by Christopher Andrew Julius Green

A vastly entertaining and unique history of the interaction between spying and showbiz, from the Elizabethan age to the Cold War and beyond.'A treasure trove of human ingenuity' The TimesWritten by two experts in their fields, Stars and Spies is the first history of the extraordinary connections between the intelligence services and show business.We travel back to the golden age of theatre and intelligence in the reign of Elizabeth I. We meet the writers, actors and entertainers drawn into espionage in the Restoration, the Ancien Régime and Civil War America. And we witness the entry of spying into mainstream popular culture throughout the twentieth century and beyond - from the adventures of James Bond to the thrillers of John le Carré and long-running TV series such as The Americans.'Thoroughly entertaining' Spectator'Perfect...read as you settle into James Bond on Christmas afternoon.' Daily Telegraph

Stars and Silhouettes: The History of the Cameo Role in Hollywood (Contemporary Approaches to Film and Media Series)

by Joceline Andersen

Stars and Silhouettes: The History of the Cameo Role in Hollywood traces the history of the cameo as it emerged in twentieth-century cinema. Although the cameo has existed in film culture for over a century, Joceline Andersen explains that this role cannot be strictly defined because it exists as a constellation of interactions between duration and recognition, dependent on who is watching and when. Even audiences of the twenty-first century who are inundated by the lives of movie stars and habituated to images of their personal friends on screens continue to find cameos surprising and engaging. Cameos reveal the links between our obsession with celebrity and our desire to participate in the powerful cultural industries within contemporary society. Chapter 1 begins with the cameo’s precedents in visual culture and the portrait in particular—from the Vitagraph executives in the 1910s to the emergence of actors as movie stars shortly after. Chapter 2 explores the fan-centric desire for behind-the-scenes visions of Hollywood that accounted for the success of cameo-laden, Hollywood-set films that autocratic studios used to make their glamorous line-up of stars as visible as possible. Chapter 3 traces the development of the cameo in comedy, where cameos began to show not only glimpses of celebrities at their best but also of celebrities at their worst. Chapter 4 examines how the television guest spot became an important way for stars and studios to market both their films and stars from other media in trades that reflected an increasingly integrated mediascape. In Chapter 5, Andersen examines auteur cameos and the cameo as a sign of authorship. Director cameos reaffirm the fan’s interest in the film not just as a stage for actors but as a forum for the visibility of the director. Cameos create a participatory space for viewers, where recognizing those singled out among extras and small roles allows fans to demonstrate their knowledge. Stars and Silhouettes belongs on the shelf of every scholar, student, and reader interested in film history and star studies.

Starring Tom Cruise (Contemporary Approaches to Film and Media Series)

by Patrick O'Neill Sean Redmond Defne Tüzün Brenda R. Weber Sasha T. Goldberg Loraine Haywood Carlos Menéndez-Otero Sorcha Ní Fhlainn Linda Wight Alex Wade Tara Lomax Adam Daniel Ruth O'Donnell Glen Donnar Justin Owen Rawlins Associate Professor Michael DeAngelis

Starring Tom Cruise examines how Tom Cruise’s star image moves across genres and forms as a type of commercial product that offers viewers certain pleasures and expectations. Cruise reads as an action hero and romantic lead yet finds himself in homoerotic and homosocial relationships that unsettle and undermine these heterosexual scripts. In this volume, editor Sean Redmond shows how important star studies is not just to understanding the ideological, commercial, and cultural significance of one star but to seeing how masculinity, ethnicity, sexuality, and commodity relations function in contemporary society. The volume is divided into three parts. Part 1 explores the ways that Cruise’s star image and performances are built on a desiring gaze, nearly always complicated by perverse narrative arcs and liminal character relationships. This section also explores the complex and contradictory ways he embodies masculinity and heterosexuality. Part 2 places Cruise within the codes and conventions of genre filmmaking and the way they intersect with the star vehicle. Cruise becomes monomythical, heroic, authentic, and romantic, and at the same time, he struggles to hold these formulas and ideologies together. Part 3 views Cruise as both an ageless totemic figure of masculinity who does his own stunts, as well as an aging star—his body both the conduit for eternally youthful masculinity and a signifier of that which must ultimately fail. These readings are connected to wider discursive issues concerning his private and public life, including the familial/patriarchal roles he takes on. Scholars writing for this collection approach the Cruise star image through various vectors and frames, which are revelatory in nature. As such, they not only demonstrate the very best traditions of close "star" textual analysis but also move the approach to the star forward. Students, scholars, and readers of film, media, and celebrity studies will enjoy this deep dive into a complex Hollywood figure.

Starring Red Wing!: The Incredible Career of Lilian M. St. Cyr, the First Native American Film Star

by Linda M. Waggoner

The epic biography Starring Red Wing! brings the exciting career, dedicated activism, and noteworthy legacy of Ho-Chunk actress Lilian Margaret St. Cyr vividly to life. Known to film audiences as &“Princess Red Wing,&” St. Cyr emerged as the most popular Native American actress in the pre-Hollywood and early studio-system era in the United States. Today St. Cyr is known for her portrayal of Naturich in Cecile B. DeMille&’s The Squaw Man (1914); although DeMille claimed to have &“discovered the little Indian girl,&” the viewing public had already long adored her as a petite, daredevil Indian heroine. She befriended and worked with icons such as Mary Pickford, Jewell Carmen, Tom Mix, Max Sennett, and William Selig. Born on the Winnebago Reservation in 1884 and orphaned in 1888, she spent ten years in Indian boarding schools before graduating from the Carlisle Indian Industrial School in 1902. She married James Young Johnson, and in 1907 the couple reinvented themselves as the stage personas &“Princess Red Wing&” and &“Young Deer,&” performing in Wild West shows around New York and beginning their film careers. As their popularity grew, St. Cyr and Johnson decamped from the East Coast and helped establish the second motion picture company in Southern California, where Red Wing became a Native American leading lady in westerns until her career waned in 1917. After returning to the reservation to work as a housekeeper, she took her show on a two-year tour to educate the public about Native culture and lived out her life in New York, performing, educating, and crafting regalia.Starring Red Wing! is a sweeping narrative of St. Cyr&’s evolution as America&’s first Native American film star, from her childhood and performance career to her days as a respected elder of the multi-tribal New York City Indian Community.

Starring Peter and Leigh

by Susan Beth Pfeffer

Leigh trades in her acting career to play a starring role in her own life Most people don't get to retire at age sixteen, but that's what Leigh is planning to do when she moves to Long Island to live with her mom and her new stepfather. Leigh has been acting all her life, most recently on a successful TV show, and she can't wait to be the kind of normal high school student she's only ever played on screen. For advice on playing the role of a normal teenager, Leigh turns to her new stepbrother, Peter. Peter has hemophilia, a medical condition that has kept him out of school for a while--but missing out on high school life has given him a good eye for what normal looks like. Together, they figure two outsiders can create one socially successful high school student. They might even be right. Peter is smart, wryly funny, and a good friend when he's not being a bad invalid. And Leigh knows she can do it--after all, acting is what she's good at. But the thing about acting is that at the end of the day you get to go back to being yourself, a luxury Leigh starts to think she might not have appreciated enough when she had it.

Starring Katy Duck (Katy Duck)

by Alyssa Satin Capucilli Henry Cole

Everyone's favorite dancing duck is back in this Katy Duck adventure about conquering your fears. Everyone knows Katy Duck loves to dance. When Mr. Tutu tells Katy and her dance class about an upcoming recital, Katy can hardly wait! At last it's time to perform, but onstage Katy suffers from a case of stage fright! <p><p> "Tra-la-la. Gulp Gulp!" <p><p> Will Katy conquer her shyness and learn to dance in the spotlight?

Starring Jules #4: Starring Jules (third grade debut) (Starring Jules #4)

by Beth Ain

Lights! Camera! Action! Jules is back to take center stage! Jules is a third grader at last! But so far, the reviews aren't good. Her new teacher makes her feel totally tongue-tied. Charlotte shows up on the first day wearing the one thing Jules really wants but will never get. And she already has homework-researching a famous person to become for the class wax museum project. But how will she decide who to be? Even worse, her after-school sitcom rehearsals are harder than ever-especially since the TV show is about to air for all the world to see. Jules needs to find her inner superstar if third grade is ever going to be a smash hit.

Starring Jules #4: Starring Jules (third grade debut)

by Beth Ain

Lights! Camera! Action! Jules is back to take center stage!<P> Jules is a third grader at last! But so far, the reviews aren't good. Her new teacher makes her feel totally tongue-tied. Charlotte shows up on the first day wearing the one thing Jules really wants but will never get. And she already has homework-researching a famous person to become for the class wax museum project. But how will she decide who to be? <P> Even worse, her after-school sitcom rehearsals are harder than ever-especially since the TV show is about to air for all the world to see. Jules needs to find her inner superstar if third grade is ever going to be a smash hit.

Starring Jules #3: Starring Jules (super-secret spy girl) (Starring Jules #3)

by Beth Ain

Lights! Camera! Action! Jules is back to take center stage!<P> School is out, and Jules is hitting the road! She's off to Montreal where she'll film her first ever movie, The Spy in the Attic. But that means no friends around on her birthday and no birthday party. And with only a hockey player and diva starlet as cast mates in a town where no one speaks her language, Jules is feeling awfully lonely. Good thing her best friend Elinor is sending super-secret spy missions to keep Jules busy. With a little stealth and a whole lot of gumption, she just might be able to turn her bummer summer into a blockbuster.

Starring Jules #2: Starring Jules (in drama-rama) (Starring Jules #2)

by Beth Ain

Jules is back starring in another hilarious chapter book! Things I Didn't Know About Being on TV by Jules Bloom 1. Shooting a pilot does not mean what you think it means. 2. On TV, people live in mansions and have drivers! 3. You get to completely change who you are, which everyone but me thinks I can do. 4. You might have to miss the moving up play at school, which no one but me cares about. When Jules lands a role on a new TV show, she gets stuck choosing between taking part in her class moving up ceremony at school and shooting a sitcom. And that's only half the drama! With a quiet best friend who won't ever hoot and holler and an ex-best friend who may be moving to the burbs, Jules's insides are all mixed-up. She'll need a little bit of nerve and a whole lot of pizzazz if she wants to make it through the last month of second grade without turning into a drama queen!

Starring Jules #2: Starring Jules (in drama-rama)

by Beth Ain

Jules is back starring in another hilarious chapter book!<P> Things I Didn't Know About Being on TV<P> by Jules Bloom<P> 1. Shooting a pilot does not mean what you think it means.<P> 2. On TV, people live in mansions and have drivers!<P> 3. You get to completely change who you are, which everyone but me thinks I can do.<P> 4. You might have to miss the moving up play at school, which no one but me cares about. <P> When Jules lands a role on a new TV show, she gets stuck choosing between taking part in her class moving up ceremony at school and shooting a sitcom. And that's only half the drama! <P> With a quiet best friend who won't ever hoot and holler and an ex-best friend who may be moving to the burbs, Jules's insides are all mixed-up. She'll need a little bit of nerve and a whole lot of pizzazz if she wants to make it through the last month of second grade without turning into a drama queen!

Starring Jules #1: Starring Jules (As Herself) (Starring Jules #1)

by Beth Ain

Lights! Camera! Action! A hilarious chapter book debut from a fabulous new talent!<P> Things to Know About Me<P> by Jules Bloom<P> 1. I am a scrambled-eggs-and-chocolate-milk type person.<P> 2. I have an audition for a TV commercial (which would be great if I were a tall-icy-drink type person.)<P> 3. I am in between best friends right now.<P> 4. I am worried that the audition will be a disaster. (See #1 and #3!)<P> Jules doesn't want to ruin THE OPPORTUNITY OF A LIFETIME, and she's willing to turn to anyone for help--even her know-it-all ex-best friend! If only that lovely new girl in class would turn out to be the new best friend of her dreams, maybe, just maybe, Jules will be ready for her close-up....

Starring Brian Linehan

by George Anthony

A behind-the-curtain look at the life and times of Canadian celebrity interviewer Brian Linehan by one of his oldest friends and intimates.Brian Linehan was one of seven children growing up in the shadow of the Dofasco steel plant where his father and brothers worked. At seven years old he fell in love with the movies and was more convinced than ever that he was not destined to carry a lunch pail. The kid from Hamilton with the broken nose would live and dream bigger than the movies of his youth.By the time he is thirty, Linehan transforms himself into a television host wooed by every major studio in Hollywood. In more than two thousand interviews for his signature show, City Lights, Brian Linehan becomes as famous as the stars he talks to. Some, like Burt Reynolds, will come to him again and again for on-camera therapy; others, like Shirley MacLaine, happily return to City Lights so he can "tell us about our lives." Viewers come back to hear what he will ask his unsuspecting guests. What secrets, what long-forgotten memories has he unearthed this time?Brian lives the high life on film studio tabs, flying everywhere first class while hanging out with the rich and famous -- house-guesting with Bea Arthur and Joan Rivers in Hollywood and New York and flying to Vegas on Paul Anka's private jet with Ann-Margret. He is entertained by hostesses in Paris, London, and Palm Beach. He becomes the quintessential dinner guest, coveted because he is witty, urbane, and well-informed -- and of course he can dish. But when fortified by vodka martinis his rapier wit becomes a force to be reckoned with.Starring Brian Linehan has it all: the wit, the struggles, the insecurity, the famous friends, the secret life behind the camera, and the ground-breaking interviews. Before ET, Access Hollywood, and STAR, there was City Lights and there was Linehan.From the Hardcover edition.

Starmaker: Life As a Hollywood Publicist with Farrah, The Rat Pack and 600 More Stars Who Fired Me

by Jay Bernstein

This memoir by the legendary publicist offers &“an intimate glimpse into the best and the worst of the golden age of Hollywood&” (Stacy Keach, Golden Globe Award–nominated actor). Jay Bernstein, an entertainment industry fixture who helped launch the careers of celebrities including Farrah Fawcett and Suzanne Somers, was famed for his sense of showmanship, his outrageous style, and the publicity stunts he engineered to get attention for his clients. Starmaker tells his story, from his childhood in Oklahoma City and his first job in a Hollywood mailroom to the ownership of his own public relations firm and his work as a television producer. In addition to a behind-the-scenes look at several generations of show business and hard-hitting insights about how the industry changed over the decades, Bernstein also describes the relationships he had with stars and his notorious techniques, such as paying women to throw hotel keys at Tom Jones, having Entertainment Tonight host Mary Hart&’s legs insured for one million dollars, and getting married underwater for an episode of Lifestyles of the Rich and Famous. With the wisdom of experience and a sense of humor, this autobiography shares the intimate details of a fascinating Hollywood life.

Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System

by Milan Hain

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige. Using a wide range of archival materials, the book significantly complements and reshapes our understanding of Selznick’s celebrated career by focusing on heretofore neglected aspects of his creative and business activities. It also sheds light on the US film industry during the Golden Age of Hollywood studios and in the postwar period when the established order began to break down. By structuring the book around Selznick and his role as a starmaker, Hain demonstrates that star production and development in the Hollywood studio system was a highly organized and systematic activity, though the respective strategies and procedures were often hidden from the public eye.

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