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The Allure of the Archives
by Arlette FargeArlette Farge’s Le Goût de l’archive is widely regarded as a historiographical classic. While combing through two-hundred-year-old judicial records from the Archives of the Bastille, historian Farge was struck by the extraordinarily intimate portrayal they provided of the lives of the poor in pre-Revolutionary France, especially women. She was seduced by the sensuality of old manuscripts and by the revelatory power of voices otherwise lost. In The Allure of the Archives, she conveys the exhilaration of uncovering hidden secrets and the thrill of venturing into new dimensions of the past. Originally published in 1989, Farge’s classic work communicates the tactile, interpretive, and emotional experience of archival research while sharing astonishing details about life under the Old Regime in France. At once a practical guide to research methodology and an elegant literary reflection on the challenges of writing history, this uniquely rich volume demonstrates how surrendering to the archive’s allure can forever change how we understand the past.
The Allure of Sports in Western Culture
by John Zilcosky Marlo A. BurksWhether it is our love of chance and vicarious thrill, our need to release anxiety and aggression, or our appreciation of the arc traced by a ball at a crucial moment – sports draw us in. The Allure of Sports in Western Culture contributes to contemporary debates about the attraction of sports in the West by providing a historical grounding, as well as theoretical perspectives and contextualization. Bringing together the work of literary theorists, historians, and athletes, the volume’s dual emphasis allows us to better understand the historical and ideological reasons for the changing nature of sports’ allure from Ancient Greece and Rome to the modern Olympics. The findings show that allure is shaped by larger forces such as poverty, wealth, and status; changing moral standards; and political and cultural indoctrination. On the other hand, personal and psychological factors play an equally important, if less tangible role: our love for scandal, the seduction of deception and violence, and the physiological intoxication of watching and participating in sports keep us hooked. At the heart of the volume lies the tension between our love for sport and our knowledge of its only barely hidden cruelty, exploitation, and manipulation.
The Allure of Grammar: The Glamour of Angie Estes's Poetry (Under Discussion)
by Douglas R RutledgeOf Angie Estes, the poet and critic Stephanie Burt has written that she “has created some of the most beautiful verbal objects in the world.” In The Allure of Grammar, Doug Rutledge gathers insightful responses to the full range of Estes’s work—from a review of her first chapbook to a reading of a poem appearing in her 2018 book, Parole—that approach these beautiful verbal objects with both intellectual rigor and genuine awe. In addition to presenting an overview of critical reactions to Estes’s oeuvre, reviews by Langdon Hammer, Julianne Buchsbaum, and Christopher Spaide also provide a helpful context for approaching a poet who claims to distrust narrative. Original essays consider the craft of Estes’s poetry and offer literary analysis. Ahren Warner uses line breaks to explore a postmodern analysis of Estes’s work. Mark Irwin looks at her poetic structure. Lee Upton employs a feminist perspective to explore Estes’s use of italics, and B. K. Fischer looks at the way she uses dance as a poetic image. Doug Rutledge considers her relationship to Dante and to the literary tradition through her use of ekphrasis. An interview with Estes herself, in which she speaks of a poem as an “arranged place . . . where experience happens,” adds her perspective to the mix, at turns resonating with and challenging her critics. The Allure of Grammar will be useful for teachers and students of creative writing interested in the craft of non-narrative poetry. Readers of contemporary poetry who already admire Estes will find this collection insightful, while those not yet familiar with her work will come away from these essays eager to seek out her books.
All's Well That Ends Well (The Pelican Shakespeare)
by William Shakespeare Claire McEachern Stephen Orgel A. R. BraunmullerThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
All's Well, That Ends Well: New Critical Essays (Shakespeare Criticism)
by Gary WallerDescribed as one of Shakespeare’s most intriguing plays, All’s Well That Ends Well has only recently begun to receive the critical attention it deserves. Noted as a crucial point of development in Shakespeare’s career, this collection of new essays reflects the growing interest in the play and presents a broad range of approaches to it, including historical, feminist, performative and psychoanalytical criticisms. In addition to fourteen essays written by leading scholars, the editor’s introduction provides a substantial overview of the play’s critical history, with a strong focus on performance analysis and the impact that this has had on its reception and reputation. Demonstrating a variety of approaches to the play and furthering recent debates, this book makes a valuable contribution to Shakespeare criticism.
Allomorphy in Inflexion (Routledge Revivals)
by Andrew Carstairs-McCarthyFirst published in 1987, this book broke new ground in research on inflectional morphology. Drawing on evidence from a wide variety of languages, it shows that this is not just a phenomenon left over from obsolete phonological processes but a subject deserving of respect in its own right. The book proposes constraints in three areas: (1) the organization of inflection class systems; (2) inflectional homonymy, or syncretism; (3) the direction of allomorphic conditioning. Carstairs-McCarthy’s notion of ‘paradigm economy’ revolutionized the study of inflection class systems but in its purest form, presented in this book, the hypothesis was too strong. In more recent works, the author has therefore argued that a version of it is an unexpected by-product of the brain’s aptitude for handling multiple vocabularies. The study of inflectional homonymy was pioneered by Roman Jakobson as evidence for the structuring of morphosyntactic categories or feature sets (case, number, tense, mood and so on) but his approach differed from that of this book, whose radical suggestions fertilized much subsequent work on ‘inflectional identity’. The direction of conditioning, first explored in this text, is debated actively within the Distributed Morphology framework popular within Chomskyan generative linguistics, despite disagreement with the Carstairs-McCarthy view that morphology is a domain of grammar entirely distinct from syntax. In The Evolution of Morphology (2010) the author takes these topics further, and also explains why stem alternation and affixation are importantly distinct as modes of inflectional expression. Inflectional allomorphy is an apparently pointless complication exhibited by many languages. However, this book suggests reasons why it is, nevertheless, easy for the brain to handle. The work thus has important implications beyond language, extending into human cognition.
Alliterative Revivals
by Christine ChismAlliterative Revivals is the first full-length study of the sophisticated historical consciousness of late medieval alliterative romance. Drawing from historicism, feminism, performance studies, and postcolonial theory, Christine Chism argues that these poems animate British history by reviving and acknowledging potentially threatening figures from the medieval past--pagan judges, primeval giants, Greek knights, Jewish forefathers, Egyptian sorcerers, and dead ancestors. In addressing the ways alliterative poems centralize history--the dangerous but profitable commerce of the present with the past--Chism's book shifts the emphasis from the philological questions that have preoccupied studies of alliterative romance and offers a new argument about the uses of alliterative poetry, how it appealed to its original producers and audiences, and why it deserves attention now.Alliterative Revivals examines eight poems: St. Erkenwald, Sir Gawain and the Green Knight, The Wars of Alexander, The Siege of Jerusalem, the alliterative Morte Arthure, De Tribus Regibus Mortuis, The Awntyrs off Arthure, and Somer Sunday. Chism both historicizes these texts and argues that they are themselves obsessed with history, dramatizing encounters between the ancient past and the medieval present as a way for fourteenth-century contemporaries to examine and rethink a range of ideologies.These poems project contemporary conflicts into vivid, vast, and spectacular historical theaters in order to reimagine the complex relations between monarchy and nobility, ecclesiastical authority and lay piety, courtly and provincial culture, western Christendom and its easterly others, and the living and their dead progenitors. In this, alliterative romance joins hands with other late fourteenth-century literary texts that make trouble at the borders of aristocratic culture.
Alliterative Poetry of the Later Middle Ages: An Anthology (Routledge Library Editions: The Medieval World #52)
by Thorlac Turville-PetreOriginally published in 1989, Alliterative Poetry of the Later Middle Ages is an anthology of texts looking at the tradition of alliterative poetry in medieval English literature. The book presents lesser known alliterative Middle English poems, which are unmodernised and include explanatory footnotes designed to give clarity to the text and enable critical response to the texts. The book illustrates the great range and variety of alliterative verse, both rhymed and unrhymed. The poems range from descriptions of armies, bloody battles, dramatic storms and dreams of goddesses. Whatever the subject, social and political satire, theological controversy and moral admonition is always given a lively and interesting setting. The book contains a succinct and incisive introductory material and a carefully selected bibliography which will encourage further reading.
Alliteration in Culture
by Jonathan RoperAlliteration occurs in a wide variety of contexts in stress-initial languages, including Icelandic, Finnish and Mongolian. It can be found in English from Beowulf to The Sun . Nevertheless, alliteration remains an unexamined phenomenon. This pioneering volume takes alliteration as its central focus across a variety of languages and domains.
Alligators All Around
by Maurice SendakThe alligator family races through the alphabet. "U usually upside down [illustration: Papa and Boy are standing on their hands and heads]" A fun book for kids and adults to read together. This file should make an excellent embossed braille copy.
Allies (Boston Review Forum)
by Ed Pavlic Evie Shockley Ladan Osman Yvonne Adhiambo OwuorOriginal poetry, fiction, and cultural criticism explore issues of trust, bridge-building, difference, and betrayal, both political and private.How do we know who is on our side? Is it possible for someone who is not like us to share our hopes? Can links forged by empathy or mutual interest match those created by shared experience? What can we gain from alliances that we cannot achieve on our own?These are difficult question to answer even in intimate settings, and more so in arenas of cultural and political struggle. Through original poetry, fiction, and cultural criticism from both established writers and newcomers, Allies offers unique insights into issues of trust, bridge-building, difference, and betrayal. Drawing on the prophetic power of the imagination to conjure both the possible dangers and life-giving possibilities of alliances—be they political, private (such as marriage), therapeutic, or even aesthetic (between readers and writers, for example)—Allies will be essential reading for our times.Allies is the first publication of Boston Review's newly inaugurated Arts in Society department. A radical revisioning of the magazine's poetry and fiction, the department unites them—along with cultural criticism and belles lettres—into a project that explores how the arts can speak directly to the most pressing political and civic concerns of our age, from growing inequality to racial and gender regimes, a disempowered electorate, and a collapsing natural world.
Allied Encounters: The Gendered Redemption of World War II Italy (World War II: The Global, Human, and Ethical Dimension)
by Marisa EscolarAllied Encounters uniquely explores Anglo-American and Italian literary, cinematic, and military representations of World War II Italy in order to trace, critique, and move beyond the gendered paradigm of redemption that has conditioned understandings of the Allied–Italian encounter. The arrival of the Allies’ global forces in an Italy torn by civil war brought together populations that had long mythologized one another, yet “liberation” did not prove to be the happy ending touted by official rhetoric. Instead of a “honeymoon,” the Allied–Italian encounter in cities such as Naples and Rome appeared to be a lurid affair, where the black market reigned supreme and prostitution was the norm. Informed by the historical context as well as by their respective traditions, these texts become more than mirrors of the encounter or generic allegories. Instead, they are sites in which to explore repressed traumas that inform how the occupation unfolded and is remembered, including the Holocaust, the American Civil War, and European colonialism, as well as individual traumatic events like the massacre of the Fosse Ardeatine and the mass civilian rape near Rome by colonial soldiers
Allgemeine Psychologie
by Jochen Müsseler Martina RiegerDas Lehrbuch bietet einen umfassenden Einblick in zentrale Aspekte menschlichen Erlebens und Verhaltens. Hierbei stehen Prozesse und Mechanismen der psychischen Vorg#65533;nge im Vordergrund, welche aus kognitions- und neurowissenschaftlicher Perspektive betrachtet werden. Inhaltlich werden in diesem Standardwerk folgende wesentliche Themenbereiche dargestellt: Wahrnehmung und Aufmerksamkeit Emotion und Motivation Lernen und Ged#65533;chtnis Sprachproduktion und -verstehen Denken und Probleml#65533;sen Handlungsplanung und -ausf#65533;hrung Die Kapitel sind von Spezialisten des jeweiligen Gebietes geschrieben. Diese dritte Auflage wurde grundlegend aktualisiert und durch zus#65533;tzliche Kapitel zur multisensorischen Verarbeitung, zum logischen Denken, zu Urteilen und Entscheiden, zum motorischen Lernen und zu Embodied Cognition und Agency erg#65533;nzt. Die Inhalte werden nun durch konkrete Anwendungsbeispiele - aus der Forschung f#65533;r die Praxis - und informative, farbige Illustrationen und ein didaktisch ausgereiftes Layout noch st#65533;rker veranschaulicht. Wie auch die ersten beiden Auflagen bietet diese Auflage eine kompetente Einf#65533;hrung f#65533;r Studierende, die ideal ist zur Pr#65533;fungsvorbereitung im Bachelor- und Masterstudium. Gleichzeitig ist dieses Werk ein optimales Nachschlagewerk f#65533;r wissenschaftlich und praktisch arbeitende Psychologen und Personen benachbarter Disziplinen. #65533;ber www. lehrbuch-psychologie. de werden f#65533;r Studierende und Dozenten hilfreiche Online-Zusatzmaterialien zur Verf#65533;gung gestellt.
Allgemeinbildung Kultur für Dummies (Für Dummies)
by Christa PöppelmannDie Geschichte der Kultur ist schillernd, vielseitig und spannend. Begegnen Sie mit diesem Buch den schönen Künsten und beschäftigen Sie sich mit Literatur und Musik, mit Schauspiel und Tanz. Lernen Sie die vielfältige Welt des Glaubens und Denkens kennen und lassen Sie sich zeigen, wie moderne Medien und die heutige Alltagskultur Althergebrachtes verändern. Christa Pöppelmann zeigt aber auch, wie die verschiedenen Kulturen aufeinander aufbauten, einander inspirierten, aber auch miteinander in Konflikt gerieten. Erleben Sie Bekanntes in neuem Licht und lassen Sie sich durch viel Neues faszinieren, bilden und bereichern.
Allgemeinbildung: Die 100 besten Bücher der deutschsprachigen Literatur für Dummies (Für Dummies)
by Ulrich Kirstein Tina RauschIn zehn Kapiteln stellen die Autoren jeweils zehn Meisterwerke der deutschen Literatur vor - nicht chronologisch sortiert, sondern thematisch gebündelt. In den ausgewählten Büchern geht es um Humor und Melancholie, Liebe und Schmerz, Gesellschaft und Familien, Abenteuer und Spannung, Krieg und Frieden, Hin und Weg, Freund und Feind, Künstler und Helden, Stadt und Land, Fantasie und Wahn. Stöbern Sie durch die Kapitel, finden Sie Ihre Meisterwerke von Grimmelshausen bis Juli Zeh, von Adelbert von Chamisso bis Feridun Zaimoglu und genießen Sie die schier unendliche Vielfalt der deutschsprachigen Literatur.
Allgemeinbildung deutsche Literatur für Dummies (Für Dummies)
by Ulrich Kirstein Tina RauschGanz oben in der Liste der Themen, die zur Allgemeinbildung zählen, steht die deutsche Literatur, die Literatur aus dem Land der Dichter und Denker. Dieses Buch gibt Ihnen einen Überblick über die Gattungen Prosa, Lyrik und Drama und leitet Sie durch die Epochen. Minnesang, Aufklärung, Klassik, Romantik, Realismus und Naturalismus, klassische Moderne und zeitgenössische Literatur bleiben dabei nicht abstrakte Begriffe. Die Autoren geben Einblick in die Werke und erzählen vom Leben der Schriftsteller, deren Freundschaften und Feindschaften, deren Kampf um Anerkennung und deren Reaktion auf unbarmherzige Kritik. Und alle, die den ganz schnellen Überblick bekommen wollen, finden hier Listen mit zehn Schriftstellern, die man kennen sollte, zehn Schriftstellerinnen, die man kennen sollte, und mit zehn Schreibenden, die zu Unrecht vergessen wurden.
Allen and Greenough's New Latin Grammar
by James B Greenough G. L. Kittredge Benj. L. D'Ooge A. A. Howard J. H. AllenA venerable resource for more than a century, Allen and Greenough's New Latin Grammar is still regarded by students and teachers as the finest Latin reference grammar available. Concise, comprehensive, and well organized, it is unrivaled in depth and clarity, placing a wealth of advice on usage, vocabulary, diction, composition, and syntax within easy reach of Latin scholars at all levels. This sourcebook's three-part treatment starts with words and forms, covering parts of speech, declensions, and conjugations. The second part, syntax, explores cases, moods, and tenses. The concluding section offers information on archaic usages, Latin verse, and prose composition, among other subjects. Extensive appendixes feature a glossary of terms and indexes. Students of history, religion, and literature will find lasting value in this modestly priced edition of a classic guide to Latin.
Allegory Studies: Contemporary Perspectives (Warwick Series in the Humanities)
by Vladimir BrljakAllegory Studies: Contemporary Perspectives collects some of the most compelling current work in allegory studies, by an international team of researchers in a range of disciplines and specializations in the humanities and cognitive sciences. The volume tracks the subject across established disciplinary, cultural, and period-based divides, from its shadowy origins to its uncertain future, and from the rich variety of its cultural and artistic manifestations to its deep cognitive roots. Allegory is everything we already know it to be: a mode of literary and artistic composition, and a religious as well as secular interpretive practice. As the volume attests, however, it is much more than that—much more than a sum of its parts. Collectively, the phenomena we now subsume under this term comprise a dynamic cultural force which has left a deep imprint on our history, whose full impact we are only beginning to comprehend, and which therefore demands precisely such dedicated cross-disciplinary examination as this book seeks to provide.
The Allegory of Love in the Early Renaissance: Francesco Colonna’s Hypnerotomachia Poliphili and its European Context (Anglo-Italian Renaissance Studies)
by James Calum O’NeillDescribed as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.
The Allegory of Love
by C. S. LewisThe Allegory of Love is a study in medieval tradition--the rise of both the sentiment called "Courtly Love" and of the allegorical method--from eleventh-century Languedoc through sixteenth-century England. C. S. Lewis devotes considerable attention to The Romance of the Rose and The Faerie Queene, and to such poets as Geoffrey Chaucer, John Gower, and Thomas Usk.
Allegory in Enlightenment Britain: Literary Abominations
by Jason J. GulyaThis Palgrave Pivot argues for the significance of allegory in Enlightenment writing. While eighteenth-century allegory has often been dismissed as an inadequate form, both in its time and in later scholarship, this short book reveals how Enlightenment writers adapted allegory to the cultural changes of the time. It examines how these writers analyzed earlier allegories with scientific precision and broke up allegory into parts to combine it with other genres. These experimentations in allegory reflected the effects of empiricism, secularization and a modern aesthetic that were transforming Enlightenment culture. Using a broad range of examples – including classics of the genre, eighteenth-century texts and periodicals – this book argues that the eighteenth century helped make allegory the flexible, protean literary form it is today.
Allegory and Ideology
by Fredric JamesonFredric Jameson takes on the allegorical formWorks do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.
Allegory: The Theory of a Symbolic Mode
by Angus FletcherAnyone who has ever said one thing and meant another has spoken in the mode of allegory. The allegorical expression of ideas pervades literature, art, music, religion, politics, business, and advertising. But how does allegory really work and how should we understand it? For more than forty years, Angus Fletcher's classic book has provided an answer that is still unsurpassed for its comprehensiveness, brilliance, and eloquence. With a preface by Harold Bloom and a substantial new afterword by the author, this edition reintroduces this essential text to a new generation of students and scholars of literature and art.Allegory puts forward a basic theory of allegory as a symbolic mode, shows how it expresses fundamental emotional and cognitive drives, and relates it to a wide variety of aesthetic devices. Revealing the immense richness of the allegorical tradition, the book demonstrates how allegory works in literature and art, as well as everyday speech, sales pitches, and religious and political appeals.In his new afterword, Fletcher documents the rise of a disturbing new type of allegory--allegory without ideas.
Allegory (The Critical Idiom Reissued #13)
by John MacQueenFirst published in 1970, this book examines the use of allegory in religious, philosophical and literary texts. It traces the development of the device over time from the Classical period through to the early modern and modern periods, demonstrating its evolution from the transmission of myths and religious beliefs to a literary device.
Allegory: Allegory And Literature Of The City (The New Critical Idiom)
by Jeremy TamblingIndispensable to an understanding of Medieval and Renaissance texts and a topic of controversy for the Romantic poets, allegory remains a site for debate and controversy in the twenty-first-century. In this useful guide, Jeremy Tambling: presents a concise history of allegory, providing numerous examples from Medieval forms to the present day considers the relationship between allegory and symbolism analyses the use of allegory in modernist debate and deconstruction, looking at critics such as Walter Benjamin and Paul de Man provides a full glossary of technical terms and suggestions for further reading. Allegory offers an accessible, clear introduction to the history and use of this complex literary device. It is the ideal tool for all those seeking a greater understanding of texts that make use of allegory and of the significance of allegorical thinking to literature.