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Blake and Lucretius: The Atomistic Materialism of the Selfhood (The New Antiquity)
by Joshua Schouten de JelThis book demonstrates the way in which William Blake aligned his idiosyncratic concept of the Selfhood – the lens through which the despiritualised subject beholds the material world – with the atomistic materialism of the Epicurean school as it was transmitted through the first-century BC Roman poet and philosopher Lucretius’ De Rerum Natura. By addressing this philosophical debt, this study sets out a threefold re-evaluation of Blake’s work: to clarify the classical stream of Blake’s philosophical heritage through Lucretius; to return Blake to his historical moment, a thirty-year period from 1790 to 1820 which has been described as the second Lucretian moment in England; and to employ a new exegetical model for understanding the phenomenological parameters and epistemological frameworks of Blake’s mythopoeia. Accordingly, it is revealed that Blake was not only aware of classical atomistic cosmogony and sense-based epistemology but that he systematically mapped postlapsarian existence onto an Epicurean framework.
Blake and Antiquity (Routledge Classics)
by Kathleen RaineBlake was a visionary like no other. To some, like William Wordsworth, the only explanation for the remarkable spiritual world Blake witnessed and brought to life in his books was 'insane genius'. Although such a view persisted well into the twentieth century, this is the pivotal work which challenged that perspective and changed forever our understanding of William Blake's genius, placing him in the esoteric tradition. For many this book will be a revelation; for lovers of Blake it is indispensable.
Blake 2.0
by Steve Clark Tristanne Connolly Jason WhittakerBlake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2. 0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.
Blake & Tradition V2 (Routledge Library Editions Ser.)
by Kathleen RaineFirst published in 2002. This is a collection of topics of A.W.Mellon Lectures of fine Arts stemming from 1962 on the works of Blake. This volume looks at Blake’s work in three discussions; Reason, Perception and ‘What is Man’. Includes poems such as The Tyger, The Ancient Trees and The Sickness of Albion.
Blake & Tradition V1 (Routledge Library Editions Ser.)
by Kathleen RaineFirst published in 2002. This is a collection of topics of A.W.Mellon Lectures of fine Arts stemming from 1962 on the works of Blake. This volume looks at Blake’s work in three sections; ‘The Northern Sun’, ‘The Myth of The Soul’ and ‘Zoas of Physical Life’. Includes works such as ‘Tireil’, Blake’s Cupid and Psyche’ and ‘Enion’
Black–Arab Encounters in Literature and Film (Routledge African Studies)
by Touria KhannousThis book investigates how representations of Black Africans have been negotiated over time in Arabic literature and film. The book offers direct readings of a representative selection of primary texts, shedding light on the divergent ways these authors understood race across different genres, including pre-Islamic classical poetry, polemical essays, travel narratives, novels, and films. Starting with the first recognized Black-Arab poet Antara Ibn Shaddad (580 C.E.) and extending right up to the present day, the works examined illuminate the changes in consciousness that attended Black Africans as they negotiated their position in Arab society. In a twist to Edward Said’s Orientalism, the book argues that scholars in the Middle East and North Africa generated a hierarchical representational discourse themselves, one equally predicated on the Self-Other binary. However, it also demonstrates that Arab racial discourse is not a linear rhetoric but changes according to history, political circumstances, and ideologies such as tribal politics, the Shu’ubiyya movement, nationalism, and imperialism. Blacks and Arabs have had tangled relationships that are based not only on race but also on kinship and solidarity due to trade and other types of connections. Challenging fundamental assumptions of Black Diaspora studies and postcolonial studies, this book will be of interest to scholars of the African diaspora, Arabic literature, Middle East studies, and critical race studies.
Blackwood's Magazine, 1817-25, Volume 6: Selections from Maga's Infancy
by Mark Parker John Strachan Tom Mole Nicholas Mason Anthony JarrellsContextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
Blackwood's Magazine, 1817-25, Volume 5: Selections from Maga's Infancy
by Mark Parker John Strachan Tom Mole Nicholas Mason Anthony JarrellsContextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
Blackwood's Magazine, 1817-25, Volume 2: Selections from Maga's Infancy
by Mark Parker John Strachan Tom Mole Nicholas Mason Anthony JarrellsContextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
Blackwood's Magazine, 1817-25, Volume 1: Selections from Maga's Infancy
by Mark Parker John Strachan Tom Mole Nicholas Mason Anthony JarrellsContextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
Blackness Is Burning: Civil Rights, Popular Culture, and the Problem of Recognition (Contemporary Approaches to Film and Media Series)
by Treaandrea M. RusswormBlackness Is Burning is one of the first books to examine the ways race and psychological rhetoric collided in the public and popular culture of the civil rights era. In analyzing a range of media forms, including Sidney Poitier’s popular films, black mother and daughter family melodramas, Bill Cosby’s comedy routine and cartoon Fat Albert, pulpy black pimp narratives, and several aspects of post–civil rights black/American culture, TreaAndrea M. Russworm identifies and problematizes the many ways in which psychoanalytic culture has functioned as a governing racial ideology that is built around a flawed understanding of trying to “recognize” the racial other as human. The main argument of Blackness Is Burning is that humanizing, or trying to represent in narrative and popular culture that #BlackLivesMatter, has long been barely attainable and impossible to sustain cultural agenda. But Blackness Is Burning makes two additional interdisciplinary interventions: the book makes a historical and temporal intervention because Russworm is committed to showing the relationship between civil rights discourses on theories of recognition and how we continue to represent and talk about race today. The book also makes a formal intervention since the chapter-length case studies take seemingly banal popular forms seriously. She argues that the popular forms and disreputable works are integral parts of our shared cultural knowledge. Blackness Is Burning’s interdisciplinary reach is what makes it a vital component to nearly any scholar’s library, particularly those with an interest in African American popular culture, film and media studies, or psychoanalytic theory.
Blacklegs, Card Sharps, and Confidence Men: Nineteenth-Century Mississippi River Gambling Stories (Southern Literary Studies)
by Thomas Ruys SmithIn 1836 Benjamin Drake, a midwestern writer of popular sketches for newspapers of the day, introduced his readers to a new and distinctly American rascal who rode the steamboats up and down the Mississippi and other western waterways -- the riverboat gambler. These men, he recorded, "dress with taste and elegance; carry gold chronometers in their pockets; and swear with the most genteel precision.... Every where throughout the valley, these mistletoe gentry are called by the original, if not altogether classic, cognomen of 'Black-legs.'" In Blacklegs, Card Sharps, and Confidence Men, Thomas Ruys Smith collects nineteenth-century stories, sketches, and book excerpts by a gallery of authors to create a comprehensive collection of writings about the riverboat gambler. Long an iconic figure in American myth and popular culture but, strangely, one that has never until now received a book-length treatment, the Mississippi River gambler was a favorite character throughout the nineteenth century -- one often rich with moral ambiguities that remain unresolved to this day.In the absorbing fictional and nonfictional accounts of high stakes and sudden reversals of fortune found in the pages of Smith's book, the voices of canonized writers such as William Dean Howells, Herman Melville, and, of course, Mark Twain hold prominent positions. But they mingle seamlessly with lesser-known pieces such as an excerpt from Edward Willett's sensationalistic dime novel Flush Fred's Full Hand, raucous sketches by anonymous Old Southwestern humorists from the Spirit of the Times, and colorful accounts by now nearly forgotten authors such as Daniel R. Hundley and George W. Featherstonhaugh. Smith puts the twenty-eight selections in perspective with an Introduction that thoroughly explores the history and myth surrounding this endlessly fascinating American cultural icon. While the riverboat gambler may no longer ply his trade along the Mississippi, Blacklegs, Card Sharps, and Confidence Men makes clear the ways in which he still operates quite successfully in the American imagination.
Blackfoot Grammar
by Donald G. FrantzThousands of people in Alberta and Montana speak Blackfoot, an Algonquian language. But the numbers are diminishing and the survival of Blackfoot is in some danger. To help preserve the language while it is still in daily use, Donald G. Frantz and Norma Jean Russell collaborated on the Blackfoot Dictionary, published in 1989 to widespread acclaim and later revised in 1995. Blackfoot Grammar, the companion volume to the dictionary, has now also been updated with a second edition. The changes made to each chapter reflect new approaches refined through years of teaching experience. New chapters on 'Numbers and Enumeration' and 'Translating from English to Blackfoot' have been added, as well as new exercises and two new appendixes describing the phonetics of Blackfoot and the design of the alphabet.This second edition of Blackfoot Grammar will be a welcome update not only for those who wish to learn the language, but for all those with an interest in Native Studies and North American linguistics.
Blackening Canada
by Paul BarrettFocusing on the work of black, diasporic writers in Canada, particularly Dionne Brand, Austin Clarke, and Tessa McWatt, Blackening Canada investigates the manner in which literature can transform conceptions of nation and diaspora. Through a consideration of literary representation, public discourse, and the language of political protest, Paul Barrett argues that Canadian multiculturalism uniquely enables black diasporic writers to transform national literature and identity. These writers seize upon the ambiguities and tensions within Canadian discourses of nation to rewrite the nation from a black, diasporic perspective, converting exclusion from the national discourse into the impetus for their creative endeavours.Within this context, Barrett suggests, debates over who counts as Canadian, the limits of tolerance, and the breaking points of Canadian multiculturalism serve not as signs of multiculturalism's failure but as proof of both its vitality and of the unique challenges that black writing in Canada poses to multicultural politics and the nation itself.
Black/Africana Communication Theory
by Kehbuma LangmiaMost Western-driven theories do not have a place in Black communicative experience, especially in Africa. Many scholars interested in articulating and interrogating Black communication scholarship are therefore at the crossroads of either having to use Western-driven theory to explain a Black communication dynamic, or have to use hypothetical rules to achieve their objectives, since they cannot find compelling Black communication theories to use as reference. Colonization and the African slave trade brought with it assimilationist tendencies that have dealt a serious blow on the cognition of most Blacks on the continent and abroad. As a result, their interpersonal as well as in-group dialogic communication had witnessed dramatic shifts. Black/Africana Communication Theory assembles skilled communicologists who propose uniquely Black-driven theories that stand the test of time. Throughout the volume’s fifteen chapters theories including but not limited to Afrocentricity, Afro-Cultural Mulatto, Venerative Speech Theory, Africana Symbolic Contextualism Theory, HaramBuntu-Government-Diaspora Communications Theory, Consciencist Communication Theory and Racial Democracy Effect Theory are introduced and discussed.
Black, Listed: Black British Culture Explored
by Jeffrey BoakyeAFRO-CARIBBEAN. COLOURED. ETHNIC MINORITY. IMMIGRANT. BAME. URBAN. WOKE. FAM. BLACK.These are just some of the terms being wrestled with in Black, Listed, an exploration of twenty-first century Black identity told through a list of insults, insights and everything in between. Taking a panoramic look at global Black history and contemporary culture, this book investigates the ways in which Black communities (and individuals) have been represented, oppressed, mimicked, celebrated and othered. Part autobiographical musing, part pop culture vivisection, it's a comprehensive attempt to make sense of blackness from the vantage point of the hilarious and insightful psyche of Jeffrey Boakye. PRAISE FOR BLACK, LISTED: 'This book gives a voice to those whose experience is persistently defined, refined and denied by others' David Lammy, Guardian 'A panoramic exploration of black identity' Elle'Urgent, timely reading' AnOther Magazine 'Inventive, refreshing and humorous' Bernardine Evaristo, author of Girl, Woman, Other 'A truly radical book, which manages to be unflinching and constantly entertaining' Caroline Sanderson, The Bookseller
Black, Listed: Black British Culture Explored
by Jeffrey BoakyeGUARDIAN MUST READ BOOKS OF 2019 FINANCIAL TIMES BOOKS TO READ 2019 NEW STATESMAN MUST READS 2019'A truly radical book, which manages to be unflinching and constantly entertaining' CAROLINE SANDERSON, THE BOOKSELLER BOOK OF THE MONTH APRIL 2019'This book gives a voice to those whose experience is persistently defined, refined and denied by others' DAVID LAMMY, GUARDIAN *Who is a roadman really? What's wrong with calling someone a 'lighty'? Why do people think black guys are cool?These are just some of the questions being wrestled with in Black, Listed, an exploration of 21st century black identity told through a list of insults, insights and everything in-between.Taking a panoramic look at global black history, interrogating both contemporary and historical culture, Black, Listed investigates the ways in which black communities (and individuals) have been represented, oppressed, mimicked, celebrated, and othered. Part historical study, part autobiographical musing, part pop culture vivisection, it's a comprehensive attempt to make sense of blackness from the vantage point of the hilarious and insightful psyche of Jeffrey Boakye. Along the way, it explores a far reaching range of social and cultural contexts, including but not limited to, sport, art, entertainment, politics, literature, history, music, theatre, cinema, education and criminal justice, sometimes at the same time.
Black to Nature: Pastoral Return and African American Culture
by Stefanie K. DunningIn Black to Nature: Pastoral Return and African American Culture, author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s Lemonade to Jesmyn Ward’s Salvage the Bones. These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition. Black to Nature thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.
Black or Right: Anti/Racist Campus Rhetorics
by Louis M. MarajBlack or Right: Anti/Racist Campus Rhetorics explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.
Black in Print: Plotting the Coordinates of Blackness in Central America (SUNY series, Afro-Latinx Futures)
by Jennifer Carolina Gómez MenjívarBlack in Print examines the role of narrative, from traditional writing to new media, in conversations about race and belonging in the isthmus. It argues that the production, circulation, and consumption of stories has led to a trans-isthmian imaginary that splits the region along racial and geographic lines into a white-mestizo Pacific coast, an Indigenous core, and a Black Caribbean. Across five chapters, Jennifer Carolina Gómez Menjívar identifies a series of key moments in the history of the development of this imaginary: Independence, Intervention, Cold-War, Post-Revolutionary, and Digital Age. Gómez Menjívar's analysis ranges from literary beacons such as Rubén Darío and Miguel Ángel Asturias to less studied intellectuals such as Wingston González and Carl Rigby. The result is a fresh approach to race, the region, and its literature. Black in Print understands Central American Blackness as a set of shifting coordinates plotted on the axes of language, geography, and time as it moves through print media.
Black and More than Black: African American Fiction in the Post Era (Margaret Walker Alexander Series in African American Studies)
by Cameron Leader-PiconeCHOICE Outstanding Academic Title for 2020Post-Blackness. Post-Soul. Post-Black Art. New Blackness. How has the meaning of blackness changed in the twenty-first century? Cameron Leader-Picone suggests that this proliferation of terms, along with the renewed focus on questioning the relationship between individual black artists and the larger black community, indicates the arrival of novel forms of black identity and black art. Leader-Picone defines these terms as significant facets of a larger post era, linking them with the social and political context of Barack Obama’s presidency. Analyzing claims of progress associated with Obama’s election and post-era thinking, he examines the contours of black aesthetics in the new century. To do so, he sifts through post-era African American fiction, considering both celebrations and rejections of an early twenty-first-century rhetoric of progress. In addition, he maps the subsequent implications of these concepts for rearticulating racial identities. Through the works of Colson Whitehead, Alice Randall, Chimamanda Ngozi Adichie, Paul Beatty, Kiese Laymon, and Jesmyn Ward, Leader-Picone tracks how recent fiction manifests the tension between the embrace of post–civil rights era gains and the recognition of persistent structural racism. Ultimately far less triumphal than the prefix post would imply, these authors address the Black Arts Movement and revise double consciousness and other key themes from the African American literary tradition. They interrogate their relevance in an era encompassing not only the election of the nation’s first black president, but also the government’s failed response to Hurricane Katrina, the expansion of class divisions within the black community, mass incarceration, and ongoing police violence.
Black and Brown Planets: The Politics of Race in Science Fiction
by Isiah Lavender IIIBlack and Brown Planets embarks on a timely exploration of the American obsession with color in its look at the sometimes-contrary intersections of politics and race in science fiction. The contributors, including De Witt D. Kilgore, Edward James, Lisa Yaszek, and Marleen S. Barr, among others, explore science fiction worlds of possibility (literature, television, and film), lifting blacks, Latin Americans, and indigenous peoples out from the background of this historically white genre. This collection considers the role of race and ethnicity in our visions of the future. The first section emphasizes the political elements of black identity portrayed in science fiction from black America to the vast reaches of interstellar space framed by racial history. In the next section, analysis of indigenous science fiction addresses the effects of colonization, helps discard the emotional and psychological baggage carried from its impact, and recovers ancestral traditions in order to adapt in a post-Native-apocalyptic world. Likewise, this section explores the affinity between science fiction and subjectivity in Latin American cultures from the role of science and industrialization to the effects of being in and moving between two cultures. By infusing more color in this otherwise monochrome genre, Black and Brown Planets imagines alternate racial galaxies with viable political futures in which people of color determine human destiny.
Black and Blur
by Fred Moten"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Black and Blur—the first volume in his sublime and compelling trilogy consent not to be a single being—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.
Black and Blanco!
by San Antonio Museum of ArtWhat better way to be introduced to the contrasting interplay between black and white than with eye-catching works of art. This bi-lingual edition also introduces children at a young age to both English and Spanish.Art for this book was selected from the collection of the San Antonio Museum of Art, one of the leading art museums in the United States with a collection spanning a broad range of history and world cultures.
Black Writing, Culture, and the State in Latin America
by Jerome BrancheImagine the tension that existed between the emerging nations and governments throughout the Latin American world and the cultural life of former enslaved Africans and their descendants. A world of cultural production, in the form of literature, poetry, art, music, and eventually film, would often simultaneously contravene or cooperate with the newly established order of Latin American nations negotiating independence and a new political and cultural balance. In Black Writing, Culture, and the State in Latin America, Jerome Branche presents the reader with the complex landscape of art and literature among Afro-Hispanic and Latin artists. Branche and his contributors describe individuals such as Juan Francisco Manzano, who wrote an autobiography on the slave experience in Cuba during the nineteenth century. The reader finds a thriving Afro-Hispanic theatrical presence throughout Latin America and even across the Atlantic. The role of black women in poetry and literature comes to the forefront in the Caribbean, presenting a powerful reminder of the diversity that defines the region. All too often, the disciplines of film studies, literary criticism, and art history ignore the opportunity to collaborate in a dialogue. Branche and his contributors present a unified approach, however, suggesting that cultural production should not be viewed narrowly, especially when studying the achievements of the Afro-Latin world.