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Good Pop, Bad Pop: The Sunday Times bestselling hit from Jarvis Cocker

by Jarvis Cocker

The Sunday Times bestselling hit memoir from Pulp frontman Jarvis Cocker.'It's real gold... its storytelling first class' Sunday TimesWhat if the things we keep hidden say more about us than those we put on display?We all have a random collection of the things that made us - photos, tickets, clothes, souvenirs, stuffed in a box, packed in a suitcase, crammed into a drawer. When Jarvis Cocker starts clearing out his loft, he finds a jumble of objects that catalogue his story and ask him some awkward questions:Who do you think you are?Are clothes important?Why are there so many pairs of broken glasses up here?From a Gold Star polycotton shirt to a pack of Wrigley's Extra, from his teenage attempts to write songs to the Sexy Laughs Fantastic Dirty Joke Book, this is the hard evidence of Jarvis's unique life, Pulp, 20th century pop culture, the good times and the mistakes he'd rather forget.This is not a life story. It's a loft story.'Nostalgic, playful and beautifully designed' Daily Mail'Brilliant...lurid, entertaining' Daily Telegraph'Terrific... Very funny' Guardian* A Book of the Year in the Daily Telegraph, Financial Times, Daily Mail and Uncut *

Good Vibrations: A Children's Picture Book (LyricPop #0)

by Brian Wilson Mike Love

Mike Love and Brian Wilson's world-famous song, gloriously illustrated by Paul Hoppe, will bring smiles to the faces of children and parents alike. I'm pickin' up good vibrations She's giving me the excitations (oom bop bop)

Hugo Wolf (Dover Books On Music: Composers)

by Ernest Newman Walter Legge Prof. Roelof Oostwoud

Hailed as "very interesting and very stimulating" by The New York Times, this critical biography explores the life and music ofa supreme master of German song. Austrian composer Hugo Wolf (1860-1903) wrote hundreds of lieder despite the often-overwhelming effects of depression. This two-part volume contains both a biographical narrative and a sensitive survey of the composer's unique contributions to songwriting.Beginning with Wolf's early struggles with academic failures and poverty, the book traces his brief and controversial career as a Viennese music critic, outlining the alternate periods of productivity and paralysis that led to his final mental collapse and untimely death. Author Ernest Newman writes with exuberance and keen perception of Wolf's flowering as a composer and the birth of his song cycles -- the Keller songs, the Spanish, Mörike, Goethe, and Eichendorff volumes -- in addition to critiquing a variety of other choral and instrumental works. Music lovers of all ages will appreciate this guide to an extraordinary composer's life and works.

J. S. Bach (Dover Books on Music #1)

by Albert Schweitzer Ernest Newman C. M. Widor

A fantastic little book about Bach and the musical climate before and during his life, with a look at his continuing influence in music. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

J. S. Bach: Volume 2

by Albert Schweitzer Ernest Newman C. M. Widor

This is the second volume of Schweitzer's classic book about J. S. Bach. It covers Schweitzer's revolutionary (for its time) idea that Bach used a musical lexicon to relate words in the score with themes in the music for the Cantatas and most of his other music. It also presents much more detail than Vol. 1 does on the proper way to play Bach's music. The level of musical terminology is high, but the insights are profound nevertheless. It also includes the index for both volumes as well as a list of Bach's music as known at that time (1911).

The Jazz Man

by Mary Hays Weik

When the Jazz Man played, Zeke thought about nothing else but the wonderful music that drifted from the bright yellow room across the courtyard. He did not think about how his mother crept up and down five long flights of stairs every day to go to work. He did not think about the jobs he knew his father must work. He thought about just of the dreamy blues adding color to his drab world. How long will Zeke's dreams last when the Jazz Man leaves?<P><P> Newbery Medal Honor Book

Ladies of Soul

by David Freeland

American soul music of the 1960s is one of the most creative and influential musical forms of the twentieth century. With its merging of gospel, R&B, country, and blues, soul music succeeded in crossing over from African American culture into the general pop culture. Soul became the byword for the styles, attitudes, and dreams of an entire era. Female performers were responsible for some of the most enduring and powerful contributions to the genre. All too frequently overlooked by the star-making critics, seven of these women are profiled in this book -Maxine Brown, Ruby Johnson, Denise LaSalle, Bettye LaVette, Barbara Mason, Carla Thomas, and Timi Yuro. Getting started during the heyday of soul, each of these talented women had recording contracts and gave live performances to appreciative audiences. Their careers can be tracked through the popularity of soul during the 1960s and its decline in the 1970s. With humor, candor, pride, and honest recognition that their careers did not surge into the mainstream and gain superstardom, they recount individual stories of how they struggled for success. Their oral histories as told to David Freeland address compelling issues, including racism and sexism within the music industry. They discuss their grueling hardships on the road, their conflicts with male managers, and the cutthroat competition in the recording business. As each singer examines her career with the author, she reveals the dreams, hopes, and desires on which she has built her professional life. All seven face up to the career swings, from the highs of releasing the first hit to the frustrating lows when the momentum stops. Although the obstacles to stardom are heartbreaking, these singers are committed to their art. With determination and style these seven have pressed onward with club appearances and recordings. They survive through their savvy mix of talent, hubris, and honesty about their lives and their music.

Lightning Striking

by Lenny Kaye

'A true testimonial and epic love letter to the soul saving power of rock & roll . . . Read it and be inspired, as I was' Bobby Gillespie'Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective. He draws from a lifetime of inspiration and experience. A youth plugging in his first electric guitar, a fan taking the dance floor, a propelling player, a humble guardian of history, and the writer I have always known him to be' Patti SmithMemphis, 1954. New Orleans 1957. Philadelphia 1959. Liverpool, 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991.Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters and visionaries, how each generation came to be, how it was discovered by the world. Whether Elvis Presley's Memphis, the Beatles' Liverpool, Patti Smith's New York or Kurt Cobain's Seattle, LIGHTNING STRIKING reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who's on stage, along with the movers and shakers, the hustlers and hangers-on, and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye's acclaimed knowledge and experience as a working musician, LIGHTNING STRIKING is an ear-opening insight into our shared musical and cultural history, a carpet ride of rock and roll's most influential movements and moments.

Lightning Striking: Ten Transformative Moments in Rock and Roll

by Lenny Kaye

“We have performed side-by-side on the global stage through half a century…. In Lightning Striking, Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective.” –Patti SmithAn insider’s take on the evolution and enduring legacy of the music that rocked the twentieth centuryMemphis, 1954. New Orleans 1957. Philadelphia 1959. Liverpool, 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991.Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters and visionaries, how each generation came to be, how it was discovered by the world. Whether describing Elvis Presley’s Memphis, the Beatles’ Liverpool, Patti Smith’s New York or Kurt Cobain’s Seattle, Lightning Striking reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who’s on stage, along with the movers and shakers, the hustlers and hangers-on, and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye’s acclaimed knowledge and experience as a working musician, Lightning Striking is an ear-opening insight into our shared musical and cultural history, a carpet ride of rock and roll’s most influential movements and moments.

Man of La Mancha: A Musical Play

by Dale Wasserman

This is a powerful story of a man, disillusioned with everyday life, who decides to become a Knight Errant and go out forth into the world righting all wrongs.

The McCartney Legacy: Volume 1: 1969 – 73

by Allan Kozinn Adrian Sinclair

In this first of a groundbreaking multivolume set, THE MCCARTNEY LEGACY, VOL 1: 1969-73 captures the life of Paul McCartney in the years immediately following the dissolution of the Beatles, a period in which McCartney recreated himself as both a man and a musician. Informed by hundreds of interviews, extensive ground up research, and thousands of never-before-seen documents THE MCCARTNEY LEGACY, VOL 1 is an in depth, revealing exploration of McCartney’s creative and personal lives beyond the Beatles.When Paul McCartney issued a press release in April 1970 announcing that the world’s most beloved band, the Beatles, had broken up no one could have predicted that McCartney himself would go on to have one of the most successful solo careers in music history. Yet in the years after the Fab Four disbanded, Paul McCartney became a legend in his own right. Now journalist and world-renowned Beatles’ historian Allan Kozinn and award-winning documentarian Adrian Sinclair chronicle in technicolor McCartney’s pivotal years from 1969 to 1973, as he recreated himself in the immediate aftermath of the Beatles breakup – a period when, newly married and with a growing family, he conquered depression and self-doubt, formed a new band, Wings, and recorded five epochal albums culminating in the triumphant smash, Band on the Run.Part 1 of a multivolume set, THE MCCARTNEY LEGACY, VOL. 1 documents a pivotal moment in the life of a man whose legacy grows increasingly more relevant as his influence on music and pop culture remains as relevant as ever. It is the first truly comprehensive biography, and the most finely detailed exploration of McCartney’s creative life beyond the Beatles, ever undertaken.

Men of Music: Their Lives, Times and Achievements

by Wallace Brockway Herbert Weinstock

Biographies of Bach, Handel, von Gluck, Haydn, Mozart, Beethoven, von Weber, Rossini, Schubert, Mendelssohn, Schumann, Chopin, Berlioz, Liszt, Wagner, Verdi, Brahms, Tchaikovsky, Debussy, Strauss, Sibelius, and Stravinsky.

The Music of Liszt

by Humphrey Searle

This is the most authoritative study of Liszt's music, being a survey of his 700 compositions and a review of his place in the history of music.

Musical Structure and Design

by Cedric T. Davie

Cedric Thorpe Davie is himself a noted composer, and musical forms are as familiar to him as armatures are to the sculptor. As a result, he is able not only to describe them clearly, but also to evaluate their qualities and to point out their truly characteristic fundamentals. It is his discussions of such core questions as: What is the true basis of sonata form? And What are the qualities of a successful form that make for convincing music? that cause his book to be the unusually interesting and lively study that it is.The text defines and describes the forms commonly used by Western composers in the period between 1550 and 1900. These are the binary and ternary forms, including the de capo aria, minuet-and-trio, and rondo; the sonata form; the forms in the concerto; variation forms -- including ground bass, passacaglia, and chaconne; and the contrapuntal forms, notably the fugue and canon. Each form is illustrated with a detailed analysis of a specific piece or movement, usually from the work of Bach, Haydn, Mozart, or Beethoven, but often from Purcell, Brahms, Dvorak, or other composers. The student is also referred to a list of compositions in the same form for further study.Experienced musicians, both professional and amateur, and students will find the author's thoughtful, well-written discussions of the controversial aspects of formal analysis extremely perceptive and stimulating. Beginning music lovers, even those with little or no training in music, will come away from a thorough reading of the book with a good knowledge of each important musical form, and with a greatly increased insight into the way music is organized.

The Paris Diary & The New York Diary, 1951–1961: 1951-1961

by Ned Rorem

In the earliest published diaries of Ned Rorem, the acclaimed American composer recalls a bygone era and its luminaries, celebrates the creative process, and examines the gay culture of Europe and the US during the 1950sOne of America&’s most significant contemporary composers, Ned Rorem is also widely acclaimed as a diarist of unique insight and refreshing candor. Together, his Paris Diary, first published in 1966, and The New York Diary,which followed a year later, paint a colorful landscape of Rorem&’s world and its famous inhabitants, as well as a fascinating self-portrait of a footloose young artist unabashedly drinking deeply of life. In this amalgam of forthright personal reflections and cogent social commentary, unprecedented for its time, Rorem&’s anecdotal recollections of the decade from 1951 to 1961 represent Gay Liberation in its infancy as the author freely expresses his open sexuality not as a revelation but as a simple fact of life. At once blisteringly honest and exquisitely entertaining, Rorem&’s diaries expound brilliantly on the creative process, following their peripatetic author from Paris to Morocco to Italy and back home to America as he crosses paths with Picasso, Cocteau, Gide, Boulez, and other luminaries of the era. With consummate skill and unexpurgated insight, a younger, wilder Rorem reflects on a bygone time and culture and, in doing so, holds a revealing mirror to himself.

Respect: A Children's Picture Book (LyricPop #0)

by Otis Redding

Otis Redding's classic song "Respect"--as popularized by Aretha Franklin--becomes an empowering picture book exploring the concept of mutual respect through the eyes of a young girl. "[Respect's] art, by Rachel Moss, a Jamaican illustra

Tarantula

by Bob Dylan

Music legend Bob Dylan's only work of fiction—a combination of stream of consciousness prose, lyrics, and poetry that gives fans insight into one of the most influential singer-songwriters of our time.<P><P> Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution. It captures Bob Dylan's preoccupations at a crucial juncture in his artistic development, showcasing the imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.<P> Winner of the Nobel Prize for Literature

The Traditional and National Music of Scotland (Routledge Library Editions: Scotland #10)

by Francis Collinson

Originally published in 1966, this was the first book on this subject to be published for over a hundred years. It covers all facets including little-known types of Gaelic song, the bagpipes and their music, including the esoteric subject of pibroch, the Ceol Mor or ‘Great Music’ of the pipes. It gives a comprehensive review of the fiddle composers and their music, and of the Clarsach and its revival, with an example of all-but-extinct Scottish harp music. A chapter is devoted to the music of Orkney and Shetland and the book contains over 100 examples of music many of which were from the author’s own collection and published here for the first time.

The Art of Accompaniment from a Thorough-Bass: As Practiced in the XVII and XVIII Centuries, Volume I (Dover Books On Music: Analysis)

by F. T. Arnold

A solid grounding in musical techniques of the 17th and 18th centuries is essential to a complete understanding of Baroque music. Arnold's legendary work is a comprehensive survey of the topic, covering every issue of significance to today's performers. The text is fully amplified with numerous musical examples, authoritative citations, scholarly interpretations and syntheses, and the author's own conclusions. This rich collection of source material for the musicologist is an equally indispensable companion for conductors, editors, and performers.

A Drop of Patience

by William Melvin Kelley

At the age of five, a blind African-American boy is handed over to a brutal state home. Here Ludlow Washington will suffer for eleven years, until his prodigious musical talent provides him an unlikely ticket back into the world.The property of a band, playing for down-and-outs in a southern dive, Ludlow's pioneering flair will take him to New York and the very top of the jazz scene - where his personal demons will threaten to drag him back down to the bottom.A Drop of Patience is the story of a gifted and damaged man entirely set apart - by blindness, by race, by talent - who must wrestle with adversity and ambition to generate the acceptance and self-worth that have always eluded him.

Flagstad: A Personal Memoir

by Edwin McArthur

An intimate, no-holds-barred, light-and-dark portrait of the great Norwegian soprano/opera singer Kirsten Flagstad from her first appearance at the Metropolitan Opera House on February 2, 1935, to her death on December 7, 1962. Edwin McArthur was Flagstad's accompanist--and often her orchestral conductor as well--throughout her American career. He knew her in her hours of triumph, during the dramatic struggles through which the Second World War put her, during her trial in Norway (at which he testified and gave depositions), during her painful return to the United States as a falsely accused "quisling" after the war, and in the strange period of her partial--and then complete--retirement. Not a book about music (McArthur does quote some opinions of Flagstad the artist and occasionally expresses his own reactions, but he preponderantly sticks to the subject of Flagstad the woman), this is an intensely personal portrait. Its subject emerges as devoted, blindly selfish, alternately generous and cruel even to her own children, wayward, overwhelming, finally inscrutable, but always fascinating. The book also provides one view of the strange (and at times dirty) inside business dealings in the world of opera and concert.

The Letters of Joe Hill: Centenary Edition

by Joe Hill

The legendary songwriter and labor rights activist reveals his personal struggles and political philosophy in this collection of letters.As a proud member of the Industrial Workers of the World, Joe Hill dedicated his life to the union cause. The original bard of the working class, he spread a message of solidarity and struggle through unforgettable, bitingly satirical songs. But after a suspicious arrest and controversial trial, Hill was convicted of murder in 1914. A year later, he was put to death by the capitalist state.In this collection of letters, many of which were written from prison in Salt Lake City, readers get to know the man behind the legendary songs. Hill corresponds with friends and fellow workers, discussing his case, his life, his music, and cheering on the Wobblies even as he faces death.“Joe Hill's influence is everywhere. Without Joe Hill, there's no Woody Guthrie, no Dylan, no Springsteen, no Clash, no Public Enemy, no Minor Threat, no System of a Down, no Rage Against the Machine.” —Tom Morello, from the foreword

Mozart: The Man and the Artist Revealed in His Own Words

by Friedrich Kerst Henry Krehbiel

Mozart's adult life was an almost unbroken succession of artistic triumphs and personal disappointments. This collection of excerpts from his letters and from other writings offers a unique opportunity for firsthand insights into the great composer's life and personality.In his own words (as compiled by Friedrich Kerst and translated into English by Henry Edward Krehbiel), Mozart communicates his optimisms and anticipations, his recurrent hopes for a post with a fixed income and suitable prestige; his frequent discouragements when these hopes went unfulfilled and pecuniary difficulties ensued; his unhappiness at Salzburg and his maltreatment at the hands of Archbishop Hieronymus; and the circumstances of his love affair with Aloysia Weber and his subsequent marriage to her sister, Constanze. In all, the book contains 255 observations on such subjects as opera, musical pedagogics, love and friendship, religion and morals, composers and performers, the value of hard work, self-respect and honor, travel, and other matters. Extensive annotations provide background for each excerpt.

Schumann on Music: A Selection from the Writings (Dover Books On Music: Composers)

by Robert Schumann Henry Pleasants

Schumann's genius as a composer is well known; perhaps less well known is the fact that he was also a gifted music critic who wrote hundreds of perceptive essays, articles, and reviews for the Neue Zeitschrift fur Müsik, the influential music journal he founded in 1834.The present work, translated and edited by noted critic Henry Pleasants, contains 61 of the most important critical pieces Schumann wrote for Neue Zeitschrift between 1834 and 1844. The articles are arranged in chronological order, with ample annotation, demonstrating not only Schumann's development as a writer and critic but also the evolution of music in Europe during a decisive decade.In addition to such major set pieces as "Florestan's Shrovetide Oration," the essays on Berlioz's Symphonie Fantastique and Schubert's Symphony in C Major, and the imaginative and literate "The Editor's Ball," this volume offers discerning observations on Mendelssohn, Chopin, Beethoven, Liszt, Cherubini, and other giants. Also included are critical considerations of an ensemble of minor masters: Sphor, Hiller, Moscheles, Hummel, and Gade, among others. The result is a rich and representative picture of musical life in the mid-19th century.Schumann's criticism has long been famous for its perceptiveness and literary style. Those qualities are in ample evidence in this treasury of his finest critical writings, now available to every music lover in this inexpensive, high-quality edition.

Schumann on Music: A Selection from the Writings

by Robert Schumann Henry Pleasants

Includes 61 important critical pieces Schumann wrote for the Neue Zeitschrift fur Musik 1834-1844. Perceptive evaluations of Beethoven, Chopin, Schubert, other giants; also Spohr, Moscheles, Field, other minor masters. Annotated.

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