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The Knockoff Economy: How Imitation Sparks Innovation
by Kal Raustiala Christopher SprigmanFrom the shopping mall to the corner bistro, knockoffs are everywhere in today's marketplace. Conventional wisdom holds that copying kills creativity, and that laws that protect against copies are essential to innovation--and economic success. But are copyrights and patents always necessary? In The Knockoff Economy, Kal Raustiala and Christopher Sprigman provocatively argue that creativity can not only survive in the face of copying but can thrive. The Knockoff Economy approaches the question of incentives and innovation in a wholly new way--by exploring creative fields where copying is generally legal, such as fashion, food, and even professional football. <p><p>By uncovering these important but rarely studied industries, Raustiala and Sprigman reveal a nuanced and fascinating relationship between imitation and innovation. In some creative fields, copying is kept in check through informal industry norms enforced by private sanctions. In others, the freedom to copy actually promotes creativity. High fashion gave rise to the very term "knockoff," yet the freedom to imitate great designs only makes the fashion cycle run faster--and forces the fashion industry to be even more creative. Raustiala and Sprigman carry their analysis from food to font design to football plays to finance, examining how and why each of these vibrant industries remains innovative even when imitation is common. There is an important thread that ties all these instances together--successful creative industries can evolve to the point where they become inoculated against--and even profit from--a world of free and easy copying. And there are important lessons here for copyright-focused industries, like music and film, that have struggled as digital technologies have made copying increasingly widespread and difficult to stop. <p><p>Raustiala and Sprigman's arguments have been making headlines in The New Yorker, the New York Times, the Financial Times, the Boston Globe, Le Monde, and at the Freakonomics blog, where they are regular contributors. By looking where few had looked before--at markets that fall outside normal IP law--The Knockoff Economy opens up fascinating creative worlds. And it demonstrates that not only is a great deal of innovation possible without intellectual property, but that intellectual property's absence is sometimes better for innovation.
The KLF: Chaos, Magic and the Band who Burned a Million Pounds
by John Higgs'By far the best book this year, brilliant, discursive and wise' BEN GOLDACRE. The strange tale of the death, life and legacy of the hugely successful band.They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why.This is not just the story of The KLF. It is a book about Carl Jung, Alan Moore, Robert Anton Wilson, Ken Campbell, Dada, Situationism, Discordianism, magic, chaos, punk, rave, the alchemical symbolism of Doctor Who and the special power of the number 23.Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.
The KLF: Chaos, Magic and the Band who Burned a Million Pounds
by John HiggsThe strange tale of the death, life and legacy of the hugely successful band.They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why.This is not just the story of The KLF. It is a book about Carl Jung, Alan Moore, Robert Anton Wilson, Ken Campbell, Dada, Situationism, Discordianism, magic, chaos, punk, rave, the alchemical symbolism of Doctor Who and the special power of the number 23.Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.Read by John Higgs(p) Orion Publishing Group 2018
Klavierakkorde für Dummies (Für Dummies)
by Maxime Pawlak Renaud PawlakOb Klassik, Rock oder Pop, ob in der Band, im Orchester oder als Solist: Die Beherrschung der Akkorde ist beim Klavierspielen das A und O. "Pianoakkorde für Dummies" stellt Ihnen über 600 Akkorde vor und zeigt mithilfe von Fotos und Grafiken, wie Sie sie spielen. Die Autoren geben zu vielen auch hilfreiche Tipps. So können Sie selbst neue Varianten in Songs einbauen und einem schon häufig gehörten Lied neuen Schwung verleihen. In der Einleitung erfahren Sie, wie Akkorde aufgebaut sind und welche Spieltechniken es gibt. So werden Sie schon bald immer mehr Akkorde beherrschen.
Klavier für Wiedereinsteiger für Dummies (Für Dummies)
by Mélanie RenaudHaben Sie vor längerer Zeit Klavierspielen gelernt und möchten nun Ihre Kenntnisse wieder auffrischen? Dieses Buch bietet Ihnen ein gut durchdachtes Programm für zwei Monate. Gewinnen Sie mithilfe von Fingerübungen, Technik-Etüden und ersten kleinen Musikstücken Ihre Fingerfertigkeit zurück. Trainieren Sie gezielt schwierige Passagen und lernen Sie ganz nebenbei ein wenig mehr über Musik. Begleitend zum Buch gibt es Videos der Übungen zum Download, sodass Sie nicht nur hören, wie die Musikstücke klingen sollen, sondern auch sehen, wie die Finger gesetzt werden müssen.
Klang – Ton – Wort: akustische Dimensionen im Schaffen Marcel Beyers
by Sven Lüder Alice StaškováMarcel Beyer hat mit seinem vielfach ausgezeichneten Schaffen auf einzigartige Weise Grenzbereiche zwischen Literatur, Musik und Kulturtheorie erkundet. Sein Œuvre, das außer Romanen, Gedicht- und Essaybänden auch fünf Libretti umfasst, zeichnet sich durch eine spezifische Aufmerksamkeit für das Akustische aus, wobei Fragen der Darstellung, der Systematisierung und der Performanz stets mitbedacht werden. Auf vielfältige, bislang kaum angemessen ergründete Weise verschränken sich in seinem Schaffen Erfahrungen als Mitwirkender (Sprecher), als Autor von musikbezogenen Essays (v. a. Rezensionen) und als Co-Autor zumal im Musiktheater. Der Band, der auf ein 2019 in Jena veranstaltetes Symposium zurückgeht, enthält Beiträge, die in umfassend interdisziplinärer Weise die Dimensionen des Akustischen in Beyers Werken sowie Ausfaltungen des Dialogs zwischen Musik und Literatur, besonders auch in der Praxis des zeitgenössischen Musiktheaters, untersuchen.
Kitsch and Art (G - Reference, Information and Interdisciplinary Subjects)
by Thomas KulkaWhat is kitsch? What is behind its appeal? More important, what is wrong with kitsch? Though central to our modern and postmodern culture, kitsch has not been seriously and comprehensively analyzed; its aesthetic worthlessness has been generally assumed but seldom explained. Kitsch and Art seeks to give this phenomenon its due by exploring the basis of artistic evaluation and aesthetic value judgments. Tomas Kulka examines kitsch in the visual arts, literature, music, and architecture. To distinguish kitsch from art, Kulka proposes that kitsch depicts instantly identifiable, emotionally charged objects or themes, but that it does not substantially enrich our associations relating to the depicted objects or themes. He then addresses the deceptive nature of kitsch by examining the makeup of its artistic and aesthetic worthlessness. Ultimately Kulka argues that the mass appeal of kitsch cannot be regarded as aesthetic appeal, but that its analysis can illuminate the nature of art appreciation.
Kitsch and Art
by Thomas KulkaWhat is kitsch? What is behind its appeal? More important, what is wrong with kitsch? Though central to our modern and postmodern culture, kitsch has not been seriously and comprehensively analyzed; its aesthetic worthlessness has been generally assumed but seldom explained. Kitsch and Art seeks to give this phenomenon its due by exploring the basis of artistic evaluation and aesthetic value judgments. Tomas Kulka examines kitsch in the visual arts, literature, music, and architecture. To distinguish kitsch from art, Kulka proposes that kitsch depicts instantly identifiable, emotionally charged objects or themes, but that it does not substantially enrich our associations relating to the depicted objects or themes. He then addresses the deceptive nature of kitsch by examining the makeup of its artistic and aesthetic worthlessness. Ultimately Kulka argues that the mass appeal of kitsch cannot be regarded as aesthetic appeal, but that its analysis can illuminate the nature of art appreciation.
The KISS Letter: An Encounter with Elvis
by Marcie Cohen FerrisThe last time I kissed him he only had on half a shirt. He has a wonderful chest. I am really crazy about him now+have the funniest feeling in me, all over."After she saw the King in concert and met him backstage, she wrote this letter to her friends at camp. Here's the original spicy note from the teenage girl who kissed--and kissed--Elvis Presley. This article appears in the 2011 Music issue of Southern Cultures.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
The Kiss Interviews
by Warren LapineCollected here for the first time are sixteen interviews and articles with and about the hottest band in the world: KISS. Warren Lapine is an experienced interviewer and a long time KISS fan. This book is just what the doctor ordered for the hard core KISS fan. These interviews are insightful and intelligent, Lapine asks Paul Stanley and Gene Simmons the questions that KISS fans want to have answered.
KISS Army Worldwide: The Ultimate KISS Fanzine Phenomenon
by Gene SimmonsThe KISS army is everywhere! For 50 years and counting, KISS has been one of the world' s top touring bands. Here for the first time is a visual history of KISS through never-before-seen concert photos and unique fanzine tributes and memorabilia, starting from this iconic band' s very beginnings in the 1970s and going well into the 21st century. Featuring new interviews with Gene Simmons and fans from all around the world, it is the ultimate tribute to the world' s ultimate rock ‘ n' roll band. Filled with more than a thousand photos— many previously unpublished— of the band and reprints of some of the coolest fanzine pages, this is a book for every die-hard Kiss fan.
Kiss and Make-Up
by Gene SimmonsYou wanted the truth, you got the truth--the hottest book in the world!Fueled by an explosive mix of makeup, costumes, and attitude, KISS burst onto the music scene thirty years ago and has become a rock institution. The band has sold more than eighty million records, has broken every concert attendance record set by Elvis Presley and the Beatles, stands behind the Beatles alone in number of gold records from any group in history, and has spawned more than 2,500 licenses. There would have been no KISS without Gene Simmons, the outrageous star whose superlong tongue, legendary sexual exploits, and demonic makeup have made him a rock icon. KISS and Make-Up is the wild, shocking, unbelievable story, from the man himself, about how an immigrant boy from Israel studied to be a rabbi, was saved by rock and roll, and became one of the most notorious rock stars the world has ever seen.Before Gene Simmons there was Chaim Witz, a boy from Haifa, Israel, who had no inkling of the life that lay ahead of him. In vivid detail Gene recounts his childhood growing up in Haifa under the watchful eye of his beloved, strong-willed mother, a concentration camp survivor; his adolescent years attending a Jewish theological center for rabbinical studies in Brooklyn; his love of all things American, including comic books, superheroes, and cowboys; and his early fascination with girls and sex, which prompted him to start a rock band in school after he saw the Beatles on The Ed Sullivan Show.KISS and Make-Up is not just the classic story of achieving the American dream through the eyes of an immigrant boy making good, but a juicy, rollicking rock and roll read that takes you along for the ride of your life with KISS, from the 1970s, when they were the biggest band in the world, through the '80s, when they took off their world-famous war paint, and into the '90s, when they came back bigger and badder than ever to become the number one touring band in the world. In his own irreverent, unapologetic voice, Gene talks about the girls (4,600 of them and counting); his tight bond with KISS cofounder Paul Stanley; the struggles he and Paul had with Ace Frehley and Peter Criss and their departures from the group; the new band members and Eric Carr's untimely death; the enormous love and affection he has for the people who put him there in the first place--the KISS Army and the ever-loyal KISS fans around the world; his love life, including stories about his relationships with Cher and Diana Ross and with Shannon Tweed, Playmate of the Year, mother of his son and daughter, and his companion of eighteen years; and much more.Full of dozens of photographs, many never-before-seen pictures from Gene's private collection, KISS and Make-Up is a surprising, intimate look at the man behind the mask. For the first time Gene reveals all the facets of his complex personality--son, rock star, actor, record producer, businessman, ladies' man, devoted father, and now author.From the Hardcover edition.
A Kiss across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad
by Richard T. RodríguezIn A Kiss across the Ocean Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands’ importance for him and other Latinx kids and discusses their frequent identification with these bands’ glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond’s lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations.
Kiss: The Official Authorized Biography
by David Leaf Ken SharpWith unprecedented access to all four members of KISS-including their private archive of 30 years of photographs-here is the complete story of one of the most influential hard rock bands of all time. Dressed like leather-clad rock 'n' roll warriors from another planet and adorned in colorful greasepaint, KISS has sold more than 80 million albums and transfixed audiences around the world. In this shockingly revealing and comprehensive biography, the group unveils all the previously untold details of their struggling birth in New York City, to the breakthrough success of their seminal 1975 album, Alive!, to the triumphant reunion that propelled them right back to the highest ranks of music superstardom.
Kirche, Musik und ästhetische Bildung: Kirchenmusikpädagogik am Beispiel kirchlichen Singens
by Timm SieringIn diesem Buch wird Kirchenmusik in den Horizont musikpädagogischer Forschung gestellt. Ziel des hiesigen Nachdenkens über die Kirchenmusik und ihre Pädagogik ist die Konzeption einer Ausbildung für ehrenamtliche Kirchensänger*innen, wie sie in der Evangelischen Kirche von Kurhessen-Waldeck in die Praxis geführt werden soll. Insofern versteht sich die Publikation einerseits als Teil des akademischen Diskurses und andererseits als konstruktiver Beitrag zu einer Kirchenmusik, deren Praxis sich, wie andere kirchliche Handlungsfelder auch, unterschiedlichen Herausforderungen der Gegenwart stellen muss. Das Handlungsfeld Kirchenmusik wird aus der Perspektive der Musikpädagogik auf eine Weise erschlossen, die in dieser Art im Diskurs bislang kaum eine spielt. Die Wahrnehmung kirchenmusikalischen Handelns als musikpädagogischer Lernort schließt das Nachdenken über kirchentheoretische Fragestellungen ebenso ein wie das der ästhetischen Konsequenzen, die das Agieren in diesem spezifischen Feld für musikpädagogisches Nachdenken hat. Insofern verdankt sich das vorliegende Buch der Interdisziplinarität, die am Ort der Kirchenmusik zwischen Musikpädagogik, Musikwissenschaft und Praktischer Theologie aufgespannt wird.
The Kings of Leon: Sex On Fire (New Edition)
by Michael HeatleyBy any standards, the Kings of Leon are unique. Consisting of three brothers and their first cousin, all surnamed Followill, the quartet from a God-fearing Tennessee background has conquered the music world on their own terms. They have audaciously mixed elements of classic rock with grunge, garage and a very contemporary attitude. The result is music that has found a ready audience between 15 and 50. It has also been used in several significant movie soundtracks, accelerating their rise. Their song- writing skills have earned the admiration of none other than Bob Dylan himself. This first-ever full-length, authoritative biography of the band, by Michael Heatley, traces their rise from local hopefuls to US Hot Modern Rock chart-toppers (singles 'Sex On Fire', 'Use Somebody', and 'Notion' all reached Number 1) with the platinum album Only by the Night. A background and lifestyle that kept them well away from popular music until 1997, when their father sensationally resigned from the church and divorced their mother, has produced some fascinating results. Exposure to the rock'n'roll lifestyle led to crises that have had to be resolved as a band and as individuals, and The Kings of Leon: Sex On Firerecounts them all.
The Kingdom of Zydeco
by Michael TisserandStretching from the bayous of Louisiana to the oil towns of East Texas, the kingdom of zydeco is ruled by accordion-playing, washboard-wielding kings and queens named Beau Jocque, Boozoo Chavis, Queen Ida and-the King of Zydeco himself-Clifton Chenier. In this book, the leading expert on zydeco music provides the ultimate guide to this red-hot music and its origins.
The Kingdom of Zydeco
by Michael Tisserand Buckwheat Zydeco"An important book for anyone with an interest in life, American music, Southern culture, dancing, accordions, the recording industry, folklore, old dance clubs in the weeds, fortune tellers, hoodoos or shotguns." -Annie ProulxThere's a musical kingdom in the American South that's not marked on any map. Stretching from the prairies of Louisiana to the oil towns of East Texas, it is ruled over accordion-squeezing, washboard-wielding musicians such as Buckwheat Zydeco, Nathan Williams, Keith Frank, Terrance Simien, Rosie Ledet, and C. J. Chenier. Theirs is the kingdom of zydeco. With its African-Caribbean rhythms, Creole-French-English lyrics, and lively dance styles, zydeco has spread from its origins in Louisiana across the nation, from Back Bay to the Bay Area. It has influenced the music of Eric Clapton and Paul Simon and been played at Carnegie Hall.In this remarkable and engrossing book, Michael Tisserand reveals why zydeco's identifiable and unforgettable blend of blues and Cajun influences has made the dance music of Louisiana black Creoles so popular and widespread. Zydeco's appeal runs deeper than the feel-good, get-up-and-dance reaction it invariably elicits and is intertwined in the music's roots and rhythms, handed down from generation to generation. Here is the story of zydeco music. Tisserand goes on the zydeco trail to meet the major artists; he reconstructs the legends behind the music's beginnings, offering complete biographies of pioneers such as Amédé Ardoin and Clifton Chenier; and he takes you into the dance halls and onto the front porches where zydeco was born and continues to thrive. More than a book on a musical style, The Kingdom of Zydeco is an exploration and a celebration of a distinctive American culture.
The Kingdom Of Swing
by Irving Kolodin Benny Goodmanthe book deals with the life of Benny Goodman up to the year 1939. Since he lived 37 years after this publishing, it is only partly the story of his life.
King Records of Cincinnati
by Randy McnuttStarting with a few songs and a dream in 1943, King Records--a leading American independent--launched musical careers from a shabby brick factory on Brewster Avenue in Cincinnati's Evanston neighborhood. Founder Sydney Nathan recorded country singers Cowboy Copas, Hawkshaw Hawkins, Wayne Raney, and others and later added black acts such as James Brown and the Famous Flames, Bull Moose Jackson, Hank Ballard and the Midnighters, Lonnie Johnson, and Freddy King. Meanwhile, King also explored polka, jazz, bluegrass, comedy, gospel, pop, and instrumental music--anything that Nathan could sell. Although King's Cincinnati factory closed in 1971, the company's diverse catalog of roots music had already become a phenomenon. Its legacy lives on in hundreds of classic recordings that are prized by collectors and musicians.
King of the Queen City: The Story of King Records (Music in American Life)
by Dave Alvin Jon Hartley FoxKing of the Queen City is the first comprehensive history of King Records, one of the most influential independent record companies in the history of American music. Founded by businessman Sydney Nathan in the mid-1940s, this small outsider record company in Cincinnati, Ohio, attracted a diverse roster of artists, including James Brown, the Stanley Brothers, Grandpa Jones, Redd Foxx, Earl Bostic, Bill Doggett, Ike Turner, Roy Brown, Freddie King, Eddie Vinson, and Johnny "Guitar" Watson. While other record companies concentrated on one style of music, King was active in virtually all genres of vernacular American music, from blues and R & B to rockabilly, bluegrass, western swing, and country. A progressive company in a reactionary time, King was led by an interracial creative and executive staff that redefined the face and voice of American music as well as the way it was recorded and sold. Drawing on personal interviews, research in newspapers and periodicals, and deep access to the King archives, Jon Hartley Fox weaves together the elements of King's success, focusing on the dynamic personalities of the artists, producers, and key executives such as Syd Nathan, Henry Glover, and Ralph Bass. The book also includes a foreword by legendary guitarist, singer, and songwriter Dave Alvin.
The King and I
by Herbert Breslin Anne MidgetteLuciano Pavarotti's longtime manager and friend tells all. All.The King and I is the story of the thirty-six-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, "the greatest career in classical music." During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public. How he and Pavarotti changed the landscape of opera is one of the most significant and entertaining stories in the history of classical music, and Herbert Breslin relates the tale in a brash, candid, witty fashion that is often bitingly frank and profane. He also provides a portrait of his friend and client--"a beautiful, simple, lovely guy who turned into a very determined, aggressive, and somewhat unhappy superstar"--that is by turns affectionate and satirical and full of hilarious details and tales out of school, with Pavarotti emerging as something like the ultimate Italian male. The book is also enlivened by the voices of other players in the soap opera drama that was Pavarotti's career, and they are no less uncensored than Herbert Breslin. The last word, in fact, comes from none other than Luciano Pavarotti himself!The King and I is the ultimate backstage book about the greatest opera star of the past century--and it's a delight to read as well.
The King and Dr. Nick: What Really Happened to Elvis and Me
by George Nichopoulos Rose Clayton PhillipsThe truth about Elvis’s death from the doctor who spent eleven years as “the King’s” personal physician, father-figure, and confidant - "Dr. Nick."Dr. Nichopoulos spent a decade with Elvis on the road and at Graceland, trying to maintain the precarious health of one of the world’s greatest entertainers. But on August 16, 1977, he found himself in the ambulance with Elvis on that fateful last trip to the ER. He signed the death certificate.From that day forward, Dr. Nick became the focus of a media witch hunt that threatened his life and all but destroyed his professional reputation. Now, for the first time, Dr. Nick reveals the true story behind Elvis’s drug use and final days—not the version formed by years of tabloid journalism and gross speculation. Put aside what you’ve learned about Elvis’s final days and get ready to understand for the first time the inner workings of “the king of rock n’ roll.”
Kinetic Cultures: Modernism and Embodiment on the Belle Epoque Stage (California Studies in 20th-Century Music #32)
by Rachana VajjhalaBelle époque Paris adored dance. Whether at the music hall or in more refined theaters, audiences flocked to see the spectacles offered to them by the likes of Isadora Duncan, Diaghilev’s flashy company, and an embarrassment of Salomés. After languishing in the shadow of opera for much of the nineteenth century, ballet found itself part of this lively kinetic constellation. In Kinetic Cultures, Rachana Vajjhala argues that far from being mere delectation, ballet was implicated in the larger republican project of national rehabilitation through a rehabilitation of its citizens. By tracing the various gestural complexes of the period—bodybuilding routines, appropriate physical comportment for women, choreographic vocabularies, and more–-Vajjhala presents a new way of understanding histories of dance and music, one that she locates in gesture and movement.