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After Dark: Poems about Nocturnal Animals
by David L. HarrisonThis collection of twenty-two poems explores the fascinating lives of North American nocturnal animals.When the sun goes down, many animals come out. Crickets chirp their crickety song hoping to attract a mate. Cougars bury their leftovers for later, leaving few clues for others to follow. Armadillos emerge from their dens to dig for worms, leaving holes in the lawns they disturb. This collection of poetry from acclaimed children's author and poet David L. Harrison explores the lives of animals who are awake after dark. Stephanie Laberis's beautifully atmospheric illustrations will draw in readers, and extensive back matter offers more information about each animal.
After Callimachus: Poems (The Lockert Library of Poetry in Translation #139)
by Stephanie BurtContemporary translations and adaptations of ancient Greek poet Callimachus by noted writer and critic Stephanie BurtCallimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus, esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers.Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt's renderings of Callimachus in literary and historical context.After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation.
After All: Last Poems
by William MatthewsThis is the touchingly entitled collection of poems William Matthews had completed shortly before dying, just after his fifty-fifth birthday in November 1997. Is death ever entirely unexpected? Not, perhaps, by a collector of experience, a gourmet of language, who can refer to "death flickering in you like a pilot light." In AFTER ALL, Matthews seems to be looking his last on all things lovely: music, food and wine, love. In the stunning central poem, "Dire Cure," which forms a kind of spine to the book, he describes the remarkable implications of the "heroic measures" that saved the life and restored the health of his wife from "a children's cancer (doesn't that possessive break your heart?)." He evokes the death of his favorite jazz musician, Charles Mingus. He speaks of cats, dogs, pigs, sheep, of the past, of history, of joys proposed, but especially, with his characteristic relaxed wit, of language and its quiddities: "My love says I think too damn much and maybe she's right." After All is the last word from one of the most pensive and delicious of all our poets.
After
by Jane HirshfieldAn investigation into incarnation, transience, and our intimate connection with all existence, by one of the preeminent poets of her generation
The Afro-modernist Epic And Literary History
by Kathy Lou SchultzAnalyzing the poets Melvin B. Tolson, Langston Hughes, and Amiri Baraka, this study charts the Afro-Modernist epic. Within the context of Classical epic traditions, early 20th-century American modernist long poems, and the griot traditions of West Africa, Schultz reveals diasporic consciousness in the representation of African American identities.
Africville
by Shauntay GrantWinner of the Lillian Shepherd Memorial Award for Excellence in IllustrationFinalist for a Governor General’s Literary Award, Young People’s Literature – Illustrated BooksFinalist for a Ruth and Sylvia Schwartz Children’s Books AwardWhen a young girl visits the site of Africville, in Halifax, Nova Scotia, the stories she’s heard from her family come to mind. She imagines what the community was once like —the brightly painted houses nestled into the hillside, the field where boys played football, the pond where all the kids went rafting, the bountiful fishing, the huge bonfires. Coming out of her reverie, she visits the present-day park and the sundial where her great- grandmother’s name is carved in stone, and celebrates a summer day at the annual Africville Reunion/Festival.Africville was a vibrant Black community for more than 150 years. But even though its residents paid municipal taxes, they lived without running water, sewers, paved roads and police, fire-truck and ambulance services. Over time, the city located a slaughterhouse, a hospital for infectious disease, and even the city garbage dump nearby. In the 1960s, city officials decided to demolish the community, moving people out in city dump trucks and relocating them in public housing.Today, Africville has been replaced by a park, where former residents and their families gather each summer to remember their community.Key Text Featureshistorical contextreferencesCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.K.6With prompting and support, name the author and illustrator of a story and define the role of each in telling the story.CCSS.ELA-LITERACY.RL.1.3Describe characters, settings, and major events in a story, using key details.CCSS.ELA-LITERACY.RL.1.4Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.CCSS.ELA-LITERACY.RL.1.7Use illustrations and details in a story to describe its characters, setting, or events.
The African Prayer Book
by Desmond TutuThis book contains a collection of prayers from a variety of traditions in Africa. They are organized according to category or usage--devotional, hymns, etc.--and their sources range from African folk poems to prayers from Church fathers such as St. Augustine.
An African Elegy: Poems
by Ben OkriThis moving poetry collection from the Booker Prize–winning author finds strength and hope while reflecting on the complex issues that have burdened Africa.First published in 1992, Ben Okri&’s remarkable debut collection features poems that are now considered classics and taught in schools and universities worldwide. Here he plays with the mystique of the African continent, countering simplistic narratives of suffering that have been imposed on it with vibrant, nuanced portraits of the traditions and resilience of African peoples. An invaluable window onto Okri&’s experiences as a Nigerian immigrant to the United Kingdom and as a writer discovering his calling, these poems also speak to universal truths about love, injustice, and the search for meaning.
African Battle Traditions of Insult: Verbal Arts, Song-Poetry, and Performance (African Histories and Modernities)
by Tanure OjaideThis book explores the “battles” of words, songs, poetry, and performance in Africa and the African Diaspora. These are usually highly competitive, artistic contests in which rival parties duel for supremacy in poetry composition and/or its performance. This volume covers the history of this battle tradition, from its origins in Africa, especially the udje and halo of the Urhobo and Ewe respectively, to its transportation to the Americas and the Caribbean region during the Atlantic slave trade period, and its modern and contemporary manifestations as battle rap or other forms of popular music in Africa. Almost everywhere there are contemporary manifestations of the more traditional, older genres. The book is thus made up of studies of contests in which rivals duel for supremacy in verbal arts, song-poetry, and performance as they display their wit, sense of humor, and poetic expertise.
The African American Sonnet: A Literary History (Margaret Walker Alexander Series in African American Studies)
by Timo MüllerSome of the best known African American poems are sonnets: Claude McKay's "If We Must Die," Countee Cullen's "Yet Do I Marvel," Gwendolyn Brooks's "First fight. Then fiddle." Yet few readers realize that these poems are part of a rich tradition that formed after the Civil War and comprises more than a thousand sonnets by African American poets. Paul Laurence Dunbar, Jean Toomer, Langston Hughes, Margaret Walker, and Rita Dove all wrote sonnets.Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Müller uses sonnets to open up fresh perspectives on African American literary history. He examines the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the postwar period, the cultural nationalism of the Black Arts movement, and disruptive strategies of recent experimental poetry.In this book, Müller examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe. In the tightly circumscribed space of sonnets, these poets mounted evocative challenges to the discursive and material boundaries they confronted.
African-American Poetry: An Anthology 1773-1927
by Joan R. ShermanRich selection of 74 poems ranging from the religious and moral verse of Phillis Wheatley Peters (ca. 1753-1784) to 20th-century work of Langston Hughes and Countee Cullen. Other contributors include James Weldon Johnson, Paul Laurence Dunbar, many others. Indispensable for students of the black experience in America and any lover of fine poetry. Includes 4 selections from the Common Core State Standards Initiative: "I, Too, Sing America," "Lift Every Voice and Sing," "Yet Do I Marvel," and "On Being Brought from Africa to America. "
African-American Poetry: An Anthology, 1773-1927 (Dover Thrift Editions)
by Joan R. ShermanIn the 19th century, abolitionist and African-American periodicals printed thousands of poems by black men and women on such topics as bondage and freedom, hatred and discrimination, racial identity and racial solidarity, along with dialect verse that mythologized the Southern past. Early in the 20th century, black poets celebrated race consciousness in propagandistic and protest poetry, while World War I helped engender the outpouring of African-American creativity known as the "Harlem Renaissance."The present volume spans this wealth of material, ranging from the religious and moral verse of Phillis Wheatley Peters (ca. 1753-1784) to the 20th-century sensibilities of Langston Hughes and Countee Cullen. Also here are works by George Moses Horton, Frances Ellen Watkins Harper, Alberry Alston Whitman, Henrietta Cordelia Ray, Daniel Webster Davis, Mary Weston Fordham, James Weldon Johnson, Paul Laurence Dunbar, and many more.Attractive and inexpensive, this carefully chosen collection offers unparalleled insight into the hearts and minds of African-Americans. It will be welcomed by students of the black experience in America and any lover of fine poetry.Includes 4 selections from the Common Core State Standards Initiative: "I, Too, Sing America," "Lift Every Voice and Sing," "Yet Do I Marvel," and "On Being Brought from Africa to America."
Aforismos
by Leonardo Da VinciAforismos Leonardo Da Vinci Aforismos ofrece al lector una amplia y diversa colección de observaciones, pensamientos y máximas que recopilan el conocimiento e inteligencia de un genio como Leonardo da Vincicon su minucioso lenguaje descriptivo. "Pero la pintura tiene maravillosos artificios y sutilìsimas especulaciones que faltan a la escultura, la cual es de muy menguado discurso."
Afloat
by John ReibetanzAfloat, John Reibetanz's eighth collection of poetry, focuses on water in many manifestations. The centerpiece, a sequence on the Three Gorges Dam and its cultural and environmental implications, brings ancient Chinese sources (Meng Chiao and the painter Dong Yuan) together with modern ones (Edward Burtynsky's photographs and violent video games) to create an elegy that is moving and meditative. Although water is everywhere present as a subject, it is song that provides the motivating power, the vehicle of longing that animates the book. "We thirst for song"—the closing words of the Lament for the Gorges sequence—could really serve as the book's epigraph. This is poetry exercising its full range of possible functions (to observe, to enquire, to elegize, to imagine, to think, to commemorate, to yearn and to feel), all in the service of that "thirst for song."
Aesthetics, Poetics and Phenomenology in Samuel Taylor Coleridge
by Tom MarshallThis book re-evaluates the philosophical status of Samuel Taylor Coleridge by providing an extended comparison between his work and the phenomenological theory of Edmund Husserl. Examining Coleridge’s accounts of the imagination, perception, poetic creativity and literary criticism, it draws a systematic and coherent structure out of a range of Coleridge’s philosophical writing. In addition, it also applies the principles of Coleridge’s philosophy to an interpretation of his own poetic output.
The Aesthetics of Nostalgia: Historical Representation in Old English Verse
by Renee R. TrillingHeroic poetry was central to the construction of Anglo-Saxon values, beliefs, and community identity and its subject matter is often analyzed as a window into Anglo-Saxon life. However, these poems are works of art as well as vehicles for ideology. Aesthetics of Nostalgia reads Anglo-Saxon historical verse in terms of how its aesthetic form interacted with the culture and politics of the period. Examining the distinctive poetic techniques found in vernacular historic poetry, Renée R. Trilling argues that the literary construction of heroic poetry promoted specific kinds of historical understanding in early medieval England, distinct from linear and teleological perceptions of the past. The Aesthetics of Nostalgia surveys Anglo-Saxon literary culture from the age of Bede to the decades following the Norman Conquest in order to explore its cultural impact through both its content and its form.
Aesthetic Poetry
by Walter PaterTHE "aesthetic" poetry is neither a mere reproduction of Greek or medieval poetry, nor only an idealisation of modern life and sentiment. <P> <P> The atmosphere on which its effect depends belongs to no simple form of poetry, no actual form of life. Greek poetry, medieval or modern poetry, projects, above the realities of its time, a world in which the forms of things are transfigured. Of that transfigured world this new poetry takes possession, and sublimates beyond it another still fainter and more spectral, which is literally an artificial or "earthly paradise."
Aesthetic Animism: Digital Poetry's Ontological Implications
by David Jhave JohnstonA poetics appropriate to the digital era that connects digital poetry to traditional poetry's concerns with being.This book offers a decoder for some of the new forms of poetry enabled by digital technology. Examining many of the strange technological vectors converging on language, it proposes a poetics appropriate to the digital era while connecting digital poetry to traditional poetry's concerns with being (a.k.a. ontological implications). Digital poetry, in this context, is not simply a descendent of the book. Digital poems are not necessarily “poems” or written by “poets”; they are found in ads, conceptual art, interactive displays, performative projects, games, or apps. Poetic tools include algorithms, browsers, social media, and data. Code blossoms into poetic objects and poetic proto-organisms.Introducing the terms TAVs (Textual-Audio-Visuals) and TAVITS (Textual-Audio-Visual-Interactive), Aesthetic Animism theorizes a relation between scientific method and literary analysis; considers the temporal implications of animation software; and links software studies to creative writing. Above all it introduces many examples of digital poetry within a playful yet considered flexible taxonomy. In the future imagined here, digital poets program, sculpt, and nourish immense immersive interfaces of semi-autonomous word ecosystems. Poetry, enhanced by code and animated by sensors, reengages themes active at the origin of poetry: animism, agency, consciousness. Digital poetry will be perceived as living, because it is living.
Aesthetes and Decadents of the 1890s: An Anthology of British Poetry and Prose
by Karl BecksonThe Aesthetic and Decadent Movement of the late 19th century spawned the idea of "Art for Art's Sake," challenged aesthetic standards and shocked the bourgeosie. From Walter Pater's study, "The Renaissance to Salome, the truly decadent collaboration between Oscar Wilde and Aubrey Beardsley, Karl Beckson has chosen a full spectrum of works that chronicle the British artistic achievement of the 1890s. In this revised edition of a classic anthology, "The Ballad of Reading Gaol" has been included in its entirety; the bibliography has been completely updated; Professor Beckson's notes and commentary have been expanded from the first edition published in 1966. The so-called Decadent or Aesthetic period remains one of the most interesting in the history of the arts. The poetry and prose of such writers as Yeats, Wilde, Symons, Johnson, Dowson, Barlas, Pater and others are included in this collection, along with sixteen of Aubrey Beardsley's drawings.
Aeschylus II: The Suppliant Maidens, The Persians, Seven against Thebes, Promethus Bound (The Complete Greek Tragedies #2) (2nd edition)
by David Grene Richmond Lattimore AeschylusThis volume contains the other four plays of Aeschylus not included in Richmond Lattimore's version of the Oresteia. With these two volumes a complete English Aeschylus is before the reader.
The Aeneid of Virgil: With A Translation (classic Reprint)
by Virgil Allen MandelbaumAeneas flees the ashes of Troy to found the city of Rome and change forever the course of the Western world--as literature as well. Virgil's Aeneid is as eternal as Rome itself, a sweeping epic of arms and heroism--the searching portrait of a man caught between love and duty, human feeling and the force of fate--that has influenced writers for over 2,000 years. Filled with drama, passion, and the universal pathos that only a masterpiece can express. The Aeneid is a book for all the time and all people. (From the Paperback edition.)
The Aeneid for Boys and Girls
by Alred J. ChurchFollow Aeneid as he flees a burning Troy with his family and sets out on a dangerous journey to found what will one day become The Roman Empire. Thrill with him as he gets caught up in conflicts between the gods, all the while striving to complete his own grand destiny. Virgil intended this book to be a sequel to the Iliad and the Odyssey, and as such it takes up with events just after the finish of the Odyssey. Inscribed here are myths and legends and tales of bravery destined to last for all time.
Aeneid Book VI: A New Verse Translation
by Seamus HeaneyA masterpiece from one of the greatest poets of the century. In a momentous publication, Seamus Heaney's translation of Book VI of the Aeneid, Virgil's epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, Heaney acknowledged the significance of the poem to his writing, noting that "there's one Virgilian journey that has indeed been a constant presence, and that is Aeneas's venture into the underworld. The motifs in Book VI have been in my head for years - the golden bough, Charon's barge, the quest to meet the shade of the father." In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and sophisticated poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of James Wood, "created something imperishable and great that is stainless - stainless, because its force as poetry makes it untouchable by the claw of literalism: it lives singly, as an English language poem."
The Aeneid: Translated By Shadi Bartsch (The\focus Classical Library)
by VergilA powerful and poignant translation of Vergil&’s epic poem, newly equipped with introduction and notes This is a substantial revision of Sarah Ruden&’s celebrated 2008 translation of Vergil&’s Aeneid, which was acclaimed by Garry Wills as &“the first translation since Dryden&’s that can be read as a great English poem in itself.&” Ruden&’s line-for-line translation in iambic pentameter is an astonishing feat, unique among modern translations. Her revisions to the translation render the poetry more spare and muscular than her previous version and capture even more closely the essence of Vergil&’s poem, which pits national destiny against the fates of individuals, and which resonates deeply in our own time. This distinguished translation, now equipped with introduction, notes, and glossary by leading Vergil scholar Susanna Braund, allows modern readers to experience for themselves the timeless power of Vergil&’s masterpiece. Praise for the First Edition: &“Fast, clean, and clear, sometimes terribly clever, and often strikingly beautiful. . . . Many human achievements deserve our praise, and this excellent translation is certainly one of them.&”—Richard Garner, The New Criterion &“Toning down the magniloquence, Sarah Ruden gives us an Aeneid more intimate in tone and soberer in measure than we are used to—a gift for which many will be grateful.&”—J. M. Coetzee &“An intimate rendering of great emotional force and purity. . . . The immediacy, beauty, and timelessness of the original Latin masterpiece lift off these pages with gem-like originality.&”—Choice
Aeneid: Aeneid, Book Viii: A Vocabulary And Test Papers; By Tutors Of University Correspondence College (classic Reprint) (Dover Thrift Editions: Poetry)
by VergilConsidered the greatest Roman poet, Vergil spent over a decade working on this monumental epic poem, which has been a source of literary inspiration and poetic grandeur for more than 2,000 years. Its twelve books tell the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found a new city in the west. This city, Lavinium, was the parent city of Rome.Drawn by divine destiny after the fall of Troy, Aeneas sailed westward toward the land of the Tiber. After many adventures, he and his men were shipwrecked on the shores of Carthage, where Aeneas and Queen Dido fell in love. Reminded of his duty, however, Aeneas sailed on. After visiting his father in the underworld, Aeneas saw the future of the Roman people and their exploits in peace and war. Eventually he arrived in Italy, where he and his men struggled valiantly to secure a foothold for the founding of Rome.Vast in scope, crowded with exciting adventure and heroic deeds, the Aeneid was Vergil's imagined account of Roman beginnings and a tribute to the history, character and achievements of the Roman people. On the other hand, its depth, vision and empathy with human suffering make the poem relevant to the general human condition. Now this enduring multileveled masterpiece is available in this republication of a standard unabridged translation, the most inexpensive complete version available.