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Laughing Tomatoes and Other Spring Poems

A bilingual collection of humorous and serious poems about family, nature, and celebrations by a renowned Mexican-American poet.

Poems to Dream Together: Poemas para soñar juntos

A bilingual collection of poetry by acclaimed Chicano poet Francisco X. Alarcón celebrating family, community, nature, and the positive power of dreams to shape our future.A young boy dreams that "all humans / and all living / beings / come together / as one big family / of the Earth." So begins this delightful bilingual collection of poems by Francisco X. Alarcón. As we travel through the boy's colorful universe, we learn about his family and community working together and caring for each other and the world in which they live. Neighbors help repair adobe homes. The boy and his family share old photographs, tend their garden, and pamper Mamá who "works day and night." Tribute is paid to those who toil in the fields, and to César Chávez. Most of all, we see how dreams can take many forms, from the fantastic imaginary ones that occur while we sleep to the realistic ones that guide our lives and give us inspiration for the endless possibilities of the future. Partly based on Alarcón's own dreams and family memories of growing up in Mexico and California, and vibrantly illustrated by Paula Barragán, these joyous, universal poems will inspire all readers to dream their own dreams for a better, compassionate, and loving world. "Close your eyes / and now get ready / to hop on a dream."

Against Heaven: Poems

Winner of the Academy of American Poets First Book Award, selected by Claudia Rankine. Kemi Alabi’s transcendent debut reimagines the poetic and cultural traditions from which it is born, troubling the waters of some of our country’s central and ordained fictions—those mythic politics of respectability, resilience, and redemption. Instead of turning to a salvation that has been forced upon them, Alabi turns to the body and the earth as sites of paradise defined by the pleasure and possibility of Black, queer fugitivity. Through tender love poems, righteous prayers, and vital provocations, we see the colonizers we carry within ourselves being laid to rest.Against Heaven is a praise song made for the flames of a burning empire—a freedom dream that shapeshifts into boundless multiplicities for the wounds made in the name of White supremacy and its gods. Alabi has written an astonishing collection of magnificent range, commanding the full spectrum of the Black, queer spirit’s capacity for magic, love, and ferocity in service of healing—the highest power there is.

Lost Luggage

Journeys and interrupted journeys are a well established theme in literature. Gustave Von Aschenback's fateful journey back to Venice and his death began with lost luggage. So also with Salvatore Ala's new collection of poems -- his third. Lost luggage and the efforts to find the things of this world retrieved and redeemed are central to Ala's poems.

Straight Razor and Other Poems

Straight Razor and Other Poems brings together Salvatore Ala's new poems and selections from his privately published broadsides. It is a beautiful and original collection. Both formal and lyrical, it is the work of a determined and committed craftsman.

The Difference Is Spreading: Fifty Contemporary Poets on Fifty Poems

Since its inception in 2012, the hugely successful online introduction to modern poetry known as ModPo has engaged some 415,000 readers, listeners, teachers, and poets with its focus on a modern and contemporary American tradition that runs from Walt Whitman and Emily Dickinson up to some of today's freshest and most experimental written and spoken verse. In The Difference Is Spreading, ModPo's Al Filreis and Anna Strong Safford have handed the microphone over to the poets themselves, by inviting fifty of them to select and comment upon a poem by another writer.The approaches taken are various, confirming that there are as many ways for a poet to write about someone else's poem as there are poet-poem matches in this volume. Yet a straight-through reading of the fifty poems anthologized here, along with the fifty responses to them, emphatically demonstrates the importance to poetry of community, of socioaesthetic networks and lines of connection, and of expressions of affection and honor due to one's innovative colleagues and predecessors. Through the curation of these selections, Filreis and Safford express their belief that the poems that are most challenging and most dynamic are those that are open—the writings, that is, that ask their readers to participate in making their meaning. Poetry happens when a reader and a poet come in contact with one another, when the reader, whether celebrated poet or novice, is invited to do interpretive work—for without that convergence, poetry is inert.

Akiane: Her Life, Her Art, Her Poetry

Experience the wonder of child prodigy Akaine Kramarik&’s divinely inspired artwork firsthand.Akiane&’s nonreligious parents were bewildered when their four-year-old daughter started sharing her dreams of angels, heaven, and Jesus. Her spiritual insight quickly expressed itself through impressive sketches, drawings with oil crayons, paintings, and eventually poetry, and her artwork began a conversation that brought her whole family to Christianity and to the attention of national media. Akiane: Her Life, Her Art, Her Poetry shares the young artist&’s story in rich detail, includingher mother&’s firsthand account of Akiane&’s emerging faith and artistic talent;a collection of full-color paintings created by Akiane from ages 4 to 10, along with the amazing stories that surround each piece of art; andselected poems of profound beauty and insight, authored by Akiane in her childhood.This book will encourage any who believe in the spiritual nature of art and reinvigorate the faith of those who call Jesus their savior.

Reflections on the Pandemic: COVID and Social Crises in the Year Everything Changed

Reflections on the Pandemic: COVID and Social Crises in the Year Everything Changed is a collection of essays, poems, and artwork that captures the raw energy and emotion of 2020 from the perspective of the Rutgers University community. The project features work from a diverse group of Rutgers scholars, students, staff, and alumni. Reflecting on 2020 from a number of perspectives – mortality, justice, freedom, equality, democracy, family, health, love, hate, economics, history, medicine, science, social justice, the environment, art, food, sanity – the book features contributions by Evie Shockley, Joyce Carol Oates, Naomi Jackson, Ulla Berg, Grace Lynne Haynes, Jordan Casteel, and President Jonathan Holloway, among others. This book, through its rich and imaginative storytelling at the intersection of scholarly expertise and personal narrative, brings readers into the hearts and minds of not just the Rutgers community but the world. Contributors include: Patricia Akhimie, Marc Aronson, Ulla D. Berg, Stephanie Bonne, Stephanie Boyer, Kimberly Camp, Jordan Casteel, Kelly-Jane Cotter, Mark Doty, David Dreyfus, Adrienne E. Eaton, Katherine C. Epstein, Leah Falk, Paul G. Falkowski, Rigoberto González, James Goodman, David Greenberg, Angelique Haugerud, Grace Lynne Haynes, Leslieann Hobayan, Jonathan Holloway, James W. Hughes, Naomi Jackson, Amy Jordan, Vikki Katz, Mackenzie Kean, Robert E. Kopp, Christian Lighty, Stephen Masaryk, Louis P. Masur, Revathi V. Machan, Yalidy Matos, Belinda McKeon, Susan L. Miller, Yehoshua November, Joyce Carol Oates, Mary E. O’Dowd, Katherine Ognyanova, David Orr, Gregory Pardlo, Steve Pikiell, Teresa Politano, en Purkert, Nick Romanenko, Evie Shockley, Caridad Svich, and Didier William​.

Just Another Epic Love Poem

Best friendship blossoms into something more in this gorgeously written queer literary romance."The heartache and longing of witnessing a beloved character pine hopelessly over her best friend has never brought me this much unadulterated joy." –National Book Award Finalist Sonora Reyes, author of The Lesbiana&’s Guide to Catholic SchoolOver the past five years, Mitra Esfahani has known two constants: her best friend Bea Ortega and The Book—a dogeared moleskin she and Bea have been filling with the stanzas of an epic, never-ending poem since they were 13.For introverted Mitra, The Book is one of the few places she can open herself completely and where she gets to see all sides of brilliant and ebullient Bea. There, they can share everything—Mitra&’s complicated feelings about her absent mother, Bea&’s heartache over her most recent breakup—nothing too messy or complicated for The Book.Nothing except the one thing with the power to change their entire friendship: the fact that Mitra is helplessly in love with Bea.Told in lyrical, confessional prose and snippets of poetry Just Another Epic Love Poem takes readers on a journey that is equal parts joyful, heartbreaking, and funny as Mitra and Bea navigate the changing nature of I love you.

I Will Not Bear You Sons

A poem can glisten like a fresh wound. Usha Akella pays tribute to her own life and to that of other women. Writing from her Niyogi Brahmin sensibility with which she grew up, her poems are the medium for the unsilenced voice both of her own story and those of women across various cultures. She calls for a united womanhood in her poems dedicated to women violated through rape, caste, FGM, foot binding, mysticism, politics, terrorism and other patriarchal abuses to the women who have triumphed against subjugation building new ways of being. Rage has not caste, needs no algorithm,light a pyre with itof chopped thumbs and scripted dreams

Calling A Wolf A Wolf

This award-winning debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight. <P><P>From "Stop Me If You've Heard This One Before": Sometimes you just have to leavewhatever's real to you, you have to clompthrough fields and kick the caps offall the toadstools. Sometimesyou have to march all the way to Galileeor the literal foot of God himself before you realizeyou've already passed the place whereyou were supposed to die. I can no longer rememberthe being afraid, only that it came to an end.

The Penguin Book of Spiritual Verse: 110 Poets on the Divine

'A profoundly valuable collection, full of fresh perspective, and opening doors into all kinds of material that has been routinely neglected or patronized' Rowan Williams, TLSThis rich and surprising anthology is a holistic, global survey of a lyric conversation about the divine, one which has been ongoing for millennia. Beginning with the earliest attributable author in all of human literature, the twenty-third century BCE Sumerian High Priestess Enheduanna, and taking in a constellation of voices - from King David to Lao Tzu, from the Epic of Gilgamesh to the Malian Epic of Sundiata - this selection presents a number of canonical figures like Blake, Dickinson and Tagore, alongside lesser-anthologized, diverse poets going up to the present day. Together they show the breathtaking multiplicity of ways humanity has responded to the spiritual, across place and time.

Pilgrim Bell: Poems

Kaveh Akbar’s exquisite, highly anticipated follow-up to Calling a Wolf a WolfWith formal virtuosity and ruthless precision, Kaveh Akbar’s second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?” Here, Akbar responds with prayer as an act of devotion to dissonance—the infinite void of a loved one’s absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation—teasing the sacred out of silence and stillness.Richly crafted and generous, Pilgrim Bell’s linguistic rigor is tuned to the register of this moment and any moment. As the swinging soul crashes into its limits, against the atrocities of the American empire, and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives—resonant, revelatory, and holy.

The Dark Lady

A natural storyteller with a vision of his own, THE DARK LADY, Akala's debut novel for teens will enthuse and entertain teenagers and young adults, showing that reading is a true super-power. A PICKPOCKET WITH AN EXCEPTIONAL GIFTA PRISONER OF EXTRAORDINARY VALUE AN ORPHAN HAUNTED BY DREAMS OF THE MYSTERIOUS DARK LADYHenry is an orphan, an outsider, a thief. He is also a fifteen-year-old invested with magical powers ...This brilliant, at times brutal, first novel from the amazing imagination that is Akala, will glue you to your seat as you are hurled into a time when London stank and boys like Henry were forced to find their own route through the tangled streets and out the other side.

Aquí era el paraíso / Here Was Paradise: Selección de poemas de Humberto Ak’abal / Selected Poems of Humberto Ak’abal

A collection of poetry by one of the greatest Indigenous poets of the Americas about the vanished world of his childhood — that of the Maya K’iche’. Aquí era el paraíso / Here Was Paradise is a selection of poems written by the great Maya poet Humberto Ak’abal. They evoke his childhood in and around the Maya K’iche’ village of Momostenango, Guatemala, and also describe his own role as a poet of the place. Ak’abal writes about children, and grandfathers, and mothers, and animals, and ghosts, and thwarted love, and fields, and rains, and poetry, and poverty, and death. The poetry was written for adults but can also be read and loved by young people, especially in this collection, beautifully illustrated by award-winning Guatemalan-American illustrator Amelia Lau Carling. Ak’abal is famous worldwide as one of the great contemporary poets in the Spanish language, and one of the greatest Indigenous poets of the Americas. Ak’abal created his poems first in K’iche’, then translated them into Spanish. Key Text Features foreword biographical information poems translation Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.2 Determine a theme of a story, drama, or poem from details in the text; summarize the text. CCSS.ELA-LITERACY.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes. CCSS.ELA-LITERACY.RL.5.5 Explain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem. CCSS.ELA-LITERACY.RL.5.7 Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem). CCSS.ELA-LITERACY.RL.6.2 Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. CCSS.ELA-LITERACY.RL.6.5 Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.

Islamic Thought in Africa: The Collected Works of Afa Ajura (1910-2004) and the Impact of Ajuraism on Northern Ghana (World Thought in Translation)

The first book length-work on Afa Ajura and translation of his complete poems This is the first English translation of and commentary on the collected poems of Alhaj YŠ«suf á¹¢Ä?liḥ Ajura (1910–2004), a northern Ghanaian orthodox Islamic scholar, poet, and polemicist known as Afa Ajura, or “scholar from Ejura.” The poems, all handwritten in Arabic script, mainly in the Ghanaian language of Dagbani and also Arabic, explore the author’s socio†‘religious beliefs. In the accompanying introduction, the translator examines the diverse themes of the poems and how they challenge TijÄ?niyyah Sufi clerics and traditional practices such as idol worship.

He leído que no mueren las almas

El presente volumen de la colección «Poesía portátil» es una antología de la obra poética de Anna Ajmátova, una de las principales voces de la poesía rusa de principios del siglo XX. <P><P>Una obra maestra contra la represión y el terror estalinista. La obra de Anna Ajmátova (1889-1966), prohibida durante muchos años en Rusia, es uno de los principales testimonios literarios de la turbulenta historia del país. <P>En 1934 su primer marido, el también poeta Gumilev, fue acusado de actividades contrarrevolucionarias y murió fusilado. Muchos de sus amigos poetas fueron enviados a los gulags estalinianos y Ajmátova vio cómo la mayoría de sus seres queridos morían, eran condenados o enviados al exilio. <P><P>Entre ellos, su único hijo. Tras años en el centro de la diana del terror estalinista, Lev fue encarcelado en 1938 acusado de terrorismo. Durante diecisiete meses, Ajmátova hizo cola todas las mañanas ante la cárcel de Leningrado para saber si seguía con vida. <P>De esta experiencia nacería uno de sus poemarios más hermosos: Réquiem, recogido en este libro y publicado en 1963, el mismo año en que se le concedió el Premio Internacional de Literatura. <P>Esta selección, en la versión del Premio Nacional de Traducción José Luís Reina Palazón, también incluye otros poemas en los que Ajmátova desnuda el espíritu ruso mientras canta al desamor, al paso del tiempo y al dolor de ver la propia patria sometida al terror más feroz. -------«- ¿Y usted puede describir esto? <P>Y yo dije:- Puedo. <P>Entonces algo como una sonrisa resbaló en aquello que una vez había sido su rostro.»-------

He leído que no mueren las almas (Flash Poesía #Volumen)

El presente volumen de la colección «Poesía portátil» es una antología de la obra poética de Anna Ajmátova, una de las principales voces de la poesía rusa de principios del siglo XX. Una obra maestra contra la represión y el terror estalinista. La obra de Anna Ajmátova (1889-1966), prohibida durante muchos años en Rusia, es uno de los principales testimonios literarios de la turbulenta historia del país. En 1934 su primer marido, el también poeta Gumilev, fue acusado de actividades contrarrevolucionarias y murió fusilado. Muchos de sus amigos poetas fueron enviados a los gulags estalinianos y Ajmátova vio cómo la mayoría de sus seres queridos morían, eran condenados o enviados al exilio. Entre ellos, su único hijo. Tras años en el centro de la diana del terror estalinista, Lev fue encarcelado en 1938 acusado de terrorismo. Durante diecisiete meses, Ajmátova hizo cola todas las mañanas ante la cárcel de Leningrado para saber si seguía con vida. De esta experiencia nacería uno de sus poemarios más hermosos: Réquiem, recogido en este libro y publicado en 1963, el mismo año en que se le concedió el Premio Internacional de Literatura. Esta selección, en la versión del Premio Nacional de Traducción José Luís Reina Palazón, también incluye otros poemas en los que Ajmátova desnuda el espíritu ruso mientras canta al desamor, al paso del tiempo y al dolor de ver la propia patria sometida al terror más feroz. -------«- ¿Y usted puede describir esto?Y yo dije:- Puedo.Entonces algo como una sonrisa resbaló en aquello que una vez había sido su rostro.»-------

Selected Writings

Arthur James Marshall Smith prize-winning poet, essayist, influential anthologist, and critic died in 1980. His last book, The Classic Shade: Selected Poems, on which Selected Writings is based, stands as his final intention in the world of literature.To this long out of print book the editor has added original material by Smith in which he defined and advanced modernism in Canadian writing. This edition also includes annotation, an extended introduction, and a bibliography.

Poetry after the Invention of América: Don’t Light the Flower (Modern and Contemporary Poetry and Poetics)

These essays trace the Western poem as it confronts indigenous alterity in Latin America. Andrés Ajens approaches literature as a Western invention and seeks connections between the two traditions. This book discusses a wide range of indigenous American, Hispanic, and European texts, with a focus on language, authorship, genre, and translation.

The River of Heaven: The Haiku of Basho, Buson, Issa, and Shiki

Known to many as the study of quiet stillness and introspection, Zen Buddhism distinguishes itself through brilliant flashes of insight and its terseness of expression. In River of Heaven these concepts and pillars lend themselves to an exploration of Haiku, one of the most delicate and interpretive poetic forms in the world. The haiku verse form, with its rigid structure and organic description is a superb means of studying Zen modes of thought because its seventeen syllables impose a limitation that confines the poet to vital experience. In Haiku as in Buddhism, the silences are as expressive as the words.In this volume, American Senior Zen Roshi Robert Aitken gives new insight into Haiku by poetic masters Basho, Issa, Buson, and Shiki. In presenting themes from Haiku and from Zen literature, Aitken illuminates the relationship between the two. Readers are certain to find this an invaluable and enjoyable experience for the remarkable revelation it offers.

The Cure for Cold Feet

Junior high school girls, meet your new BFF! Izzy Kline faces all the drama of middle school with total honesty and deep heart.Hiding out in the girls' bathroom . . .FaceTiming one friend while group chatting two others . . .Forced to ballroom dance with a boy for a social studies unit . . .There is a LOT going on in middle school. New experiences and shifting dynamics are around every turn. And it's not just her friends--Izzy's family is shifting as well. It's anxiety-inducing but also thrilling as Izzy learns to stake her claim.For fans of Fish in a Tree and verse novels like Brown Girl Dreaming, Beth Ain's books perfectly capture the drama of adolescence with a ton of light humor and deep heart.

Izzy Kline Has Butterflies

So many moments—big and small—make up a year, and Beth Ain chronicles them all in this heartwarming novel in verse, perfect for fans of Fish in a Tree and verse novels like Brown Girl Dreaming and The Crossover. Fourth grade is here, and Izzy Kline is nervous! There are plenty of reasons for the butterflies in her stomach to flap their wings. There’s a new girl in her class who might be a new best friend. The whole grade is performing Free to Be . . . You and Me—and Izzy really wants a starring role. And new changes at home are making Izzy feel like her family is falling apart. First-day jitters, new friends, an audition . . . How many butterfly problems can one fourth grader take?

The House of Dust

After the Ceremonies: New and Selected Poems (African Poetry Book)

Ama Ata Aidoo is one of the best-known African writers today. Spanning three decades of work, the poems in this collection address themes of colonialism, independence, motherhood, and gender in intimate, personal ways alongside commentary on broader social issues. After the Ceremonies is arranged in three parts: new and uncollected poems, some of which Aidoo calls “misplaced or downright lost”; selections from Aidoo’s An Angry Letter in January and Other Poems; and selections from Someone Talking to Sometime. Although Aidoo is best known for her novels Changes: A Love Story and Our Sister Killjoy, which are widely read in women’s literature courses, and her plays The Dilemma of a Ghost and Anowa, which are read and performed all over the world, her prowess as a poet shines in this collection.