- Table View
- List View
Content Rights for Creative Professionals: Copyrights & Trademarks in a Digital Age
by Arnold P. LutzkerContent Rights for Creative Professionals is for professionals and students working in all areas of media (film/video, photography, multimedia, web, graphics, and broadcast) who need to know what the law requires and how they should properly utilize copyrights and trademarks. This book outlines critical concepts and applies them with explanations in real-life applications, including many cases from the author's own practice as well as those of various media professionals. This 256 page text is a practical guide designed to provide its reader with a firm understanding of the principles underlying the ownership and use of content, so that when questions arise, they will be able to make correct, well-informed decisions-whether concerning their personal works, or works of others that a company wishes to copyright or trademark. In addition, the reader will be more capable of exercising sound judgment in structuring employment and contract relationships and of acquiring and/or licensing works, which are at the core of the business of communicating.
Content-Based Image Retrieval: Ideas, Influences, and Current Trends
by Vipin TyagiThe book describes several techniques used to bridge the semantic gap and reflects on recent advancements in content-based image retrieval (CBIR). It presents insights into and the theoretical foundation of various essential concepts related to image searches, together with examples of natural and texture image types. The book discusses key challenges and research topics in the context of image retrieval, and provides descriptions of various image databases used in research studies. The area of image retrieval, and especially content-based image retrieval (CBIR), is a very exciting one, both for research and for commercial applications. The book explains the low-level features that can be extracted from an image (such as color, texture, shape) and several techniques used to successfully bridge the semantic gap in image retrieval, making it a valuable resource for students and researchers interested in the area of CBIR alike.
Contested Airport Land: Social-Spatial Transformation and Environmental Injustice in Asia and Africa (Routledge Research in Planning and Urban Design)
by Sneha Sharma Irit Ittner Isaac Khambule Hanna GeschewskiContested Airport Land draws attention to the accelerating airport development in the Global South. Empirical studies provide nuanced analysis of socioeconomic, administrative, and political dynamics on the land beyond the airport grounds, such as the project area of greenfield development, the airport city, or land resources reserved for future airport expansion.The authors in this book emphasise why airport construction is a politically sensitive issue in low-income and low-middle-income countries, which serve as the last development frontier of the aviation sector. They argue that observed airport development was rather motivated by the perception of airports as engines for national economic growth, while improving air mobility of national populations was not the main driver. Under dominant national development visions, airport-induced dynamics threatened local livelihoods by triggering economies of anticipation, the reconfiguration of land markets, rapid land use changes, a transition from rural to urban livelihoods, the displacement of communities, the perpetuation of human–wildlife conflicts, or inter-ethnic violence. The authors also highlight colonial path dependencies; legal pluralism in land tenure; the hegemonic relations between builders, investors, and the affected residents; as well as strategies of local protest movements.This book is recommended for readers interested in infrastructure-induced conflicts and environmental injustice.Chapter 1, Chapter 6 and Chapter 8 of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-ShareAlike (CC-BY-SA) 4.0 license.
Contested Heritage in Europe and Africa: Representation, Commemoration, and Memorialization of a Connected Past (Routledge Studies in the Modern History of Africa)
by Marco ZoppiThis book investigates Euro-African cultural relations, considering their connected histories through material and immaterial forms of representation, commemoration, and memorialization. Recent waves of protest around the world have called for restitution of looted African art, and toppled statues and vandalized monuments which are connected to white suprematism, colonialism, and imperialism. These events have highlighted an urgent need to debate the management and preservation of Europe and Africa’s shared heritage. Drawing on a range of varied, trans-continental case studies, this book considers the key question of whether such monuments should be removed as forms of unacceptable celebration of an evil past, or preserved precisely because of what they recount about that past of oppression and domination. The book encourages readers to consider how diverse and pervasive the notions of shared heritage and common past are, encompassing discussions of statues, exhibitions, graffiti, tapestries, and commemorations. Providing a timely analysis of the developing cultural relations between Africa and Europe, this book will be an important resource for researchers across the fields of global history, heritage studies, memory studies, and international relations.
Contested Histories in Public Space: Memory, Race, and Nation
by Daniel J. Walkowitz Lisa Maya KnauerContested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such "sites" as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as "the cradle of samba," the Ellis Island immigration museum, and high-school history textbooks in Ecuador. Several contributors examine how the experiences of indigenous groups and the imperial past are incorporated into public histories in British Commonwealth nations: in Te Papa, New Zealand's national museum; in the First Peoples' Hall at the Canadian Museum of Civilization; and, more broadly, in late-twentieth-century Australian culture. Still others focus on the role of governments in mediating contested racialized histories: for example, the post-apartheid history of South Africa's Voortrekker Monument, originally designed as a tribute to the Voortrekkers who colonized the country's interior. Among several essays describing how national narratives have been challenged are pieces on a dispute over how to represent Nepali history and identity, on representations of Afrocuban religions in contemporary Cuba, and on the installation in the French Pantheon in Paris of a plaque honoring Louis Delgrs, a leader of Guadeloupean resistance to French colonialism. Contributors. Paul Amar, Paul Ashton, O. Hugo Benavides, Laurent Dubois, Richard Flores, Durba Ghosh, Albert Grundlingh, Paula Hamilton, Lisa Maya Knauer, Charlotte Macdonald, Mark Salber Phillips, Ruth B. Phillips, Deborah Poole, Anne M. Rademacher, Daniel J. Walkowitz
Contested Holdings: Museum Collections in Political, Epistemic and Artistic Processes of Return (Museums and Collections #14)
by Eva-Maria Troelenberg Felicity Bodenstein, Damiana OţoiuGoing beyond strictly legal and property-oriented aspects of the restitution debate, restitution is considered as part of a larger set of processes of return that affect museums and collections, as well as notions of heritage and object status. Covering a range of case studies and a global geography, the authors aim to historicize and bring depth to contemporary debates in relation to both the return of material culture and human remains. Defined as contested holdings, differing museum collections ranging from fine arts to physical anthropology provide connections between the treatment and conceptualization of collections that generally occupy separate realms in the museum world.
Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec
by Roxanne Rimstead Domenic A. BeneventiThis collection explores strategies of reading space and conflict in Canadian and Québécois literary and cultural performances. How do literary texts and popular cultural performances produce and contest spatial practices? What is the role of the nation, the city, the community, and the individual subject in reproducing space, even during times of global hegemony and neocolonialism? In what ways do marginalized individuals and communities represent, contest, or appropriate spaces through counter-narratives and expressions of culture from below? And how does space itself shape conflict, counter-memory, and culture from below? Focusing on contestation instead of harmony and consensus, Contested Spaces disturbs the idealized space of Canadian multicultural pluralism to carry literary analysis and cultural studies into spaces often undetected and unforeseen; Contested Spaces exposes geographies of exclusion and difference such as flophouses and "slums," shantytowns and urban alleyways, underground spaces and peep shows, inner city urban parks as experienced by minority ethnics, the poor, women, social activists, Indigenous people, and Francophones in Canada. These essays are the product of sustained and high-level collaboration across French and English academic communities in Canada to facilitate theoretical exchange on the topic of space and contestation, to expose geographies of exclusion, and to generate new spaces of hope in the spirit of pioneering work by Henri Lefebvre, Michel Foucault, Michel de Certeau, Doreen Massey, David Harvey, and other more recent theorists of space.
Contested Spaces: Politicizing the Female Body
by Lori A. BrownIn this book, Lori Brown examines the relationship between space, defined physically, legally and legislatively, and how these factors directly impact the spaces of abortion. It analyzes how various political entities shape the physical landscapes of inclusion and exclusion to reproductive healthcare access, and questions what architecture's responsibilities are in respect to this spatial conflict. Employing writing, drawing and mapping methodologies, this interdisciplinary project explores restrictions and legislatures which directly influence abortion policy in the US, Mexico and Canada. It questions how these legal rulings produce spatial complexities and why architecture isn't more culturally and spatially engaged with these spaces. In Mexico, where abortion is fully legal only in Mexico City during the first trimester, women must travel vast distances and undergo extreme conditions in order to access the procedure. Conservative state governments continue to make abortion a severely punishable crime. In Canada, there are nowhere near the cultural and religious stigmas to abortion as in the US and Mexico. Completely legal and without restrictions, Canada offers an important contrast to the ongoing abortion issues within the US and Mexico. Researching the spatial implications of such a politicized space, this book expands beyond a study of abortion clinic and includes other spaces such as women's shelters and hospitals that require multiple levels of secured spaces in order to discuss the spatial ramifications of access and security within spaces that are highly personal, private, and sometimes secret or even hidden. In questioning what architecture's responsibility is in these spatial conflicts, the book looks at how what architecture 'does' can be used to reconsider the spaces and security around such contested places, and ultimately suggests what design's potential impact might be. In doing so, it shows how architecture's role might be redefined within social and spatial practices.
Contesting Human Remains in Museum Collections: The Crisis of Cultural Authority (Routledge Research in Museum Studies)
by Tiffany JenkinsSince the late 1970s human remains in museum collections have been subject to claims and controversies, such as demands for repatriation by indigenous groups who suffered under colonization. These requests have been strongly contested by scientists who research the material and consider it unique evidence. This book charts the influences at play on the contestation over human remains and examines the construction of this problem from a cultural perspective. It shows that claims on dead bodies are not confined to once colonized groups. A group of British Pagans, Honouring the Ancient Dead, formed to make claims on skeletons from the British Isles, and ancient human remains, bog bodies and Egyptian mummies, which have not been requested by any group, have become the focus of campaigns initiated by members of the profession, at times removed from display in the name of respect. By drawing on empirical research including extensive interviews with the claims-making groups, ethnographic work, document, media, and policy analysis, Contesting Human Remains in Museum Collections demonstrates that strong internal influences do in fact exist. The only book to examine the construction of contestation over human remains from a sociological perspective, it advances an emerging area of academic research, setting the terms of debate, synthesizing disparate ideas, and making sense of a broader cultural focus on dead bodies in the contemporary period.
Contesting Public Spaces: Social Lives of Urban Redevelopment in London
by Ed WallThis book explores concerns for spatial justice as streets, squares, and neighbourhoods are continuously made and remade through planning processes, political ambitions and everyday activities. By investigating three sites in London that have been the focus of masterplanning, Ed Wall exposes conflicts between planning offices and private developers who direct large urban change and community groups, market traders and residents whose public lives are inseparable from their neighbourhoods being reconfigured. The book uniquely brings sociological approaches to what are often considered architectural concerns, revealing challenges as London's public spaces are designed, regulated and lived. Through in-depth research, Ed Wall identifies how uncertainty caused by large-scale urban strategies, the realisation of visual priorities, and uneven relations between private interests, public organisations and daily lives determine the public realm of global cities. This work is intended for readers interested in how the urban spaces of their cities are continually produced in competing ways—from architecture and urban studies scholars to planners and politicians.
Contesting Tears: The Hollywood Melodrama of the Unknown Woman
by Stanley CavellWhat is marriage? Can a relationship dedicated to equality, friendship, and mutual education flower in an atmosphere of romance? What are the paths between loving another and knowing another? Stanley Cavell identified a genre of classic American films that engaged these questions in his study of comedies of remarriage, Pursuits of Happiness. With Contesting Tears, Cavell demonstrates that a contrasting genre, which he calls "the melodrama of the unknown woman," shares a surprising number and weave of concerns with those comedies. Cavell provides close readings of four melodramas he finds definitive of the genre: Letter from an Unknown Woman, Gaslight, Now Voyager, and Stella Dallas. The women in these melodramas, like the women in the comedies, demand equality, shared education, and transfiguration, exemplifying for Cavell a moral perfectionism he identifies as Emersonian. But unlike the comedies, which portray a quest for a shared existence of expressiveness and joy, the melodramas trace instead the woman's recognition that in this quest she is isolated. Part of the melodrama concerns the various ways the men in the films (and the audiences of the films) interpret and desire to force the woman's consequent inaccessibility. "Film is an interest of mine," Stanley Cavell has written, "or say a love, not separate from my interest in, or love of, philosophy. " In Contesting Tears Cavell once again brilliantly unites his two loves, using detailed and perceptive musings on melodrama to reflect on philosophical problems of skepticism, psychoanalysis, and perfectionism. As he shows, the fascination and intelligence of such great stars as Ingrid Bergman, Bette Davis, and Barbara Stanwyck illuminate, as they are illuminated by, the topics and events of these beloved and enduring films.
Context
by Eric ParryDemonstrates how a building′s setting should inform and inspire rather than constrain architectural design Context–Architecture and the Genius of Place is a highly engaging, informative discussion of context in architectural theory and practice. Eric Parry, one of the UK′s most highly regarded architects whose work has been widely lauded for its innovative response to its setting addresses the contemporary definition of context and its importance for sustainable everyday living and urban design. Looking beyond the formal agenda to explore the fundamentals that give new social and cultural perspective to this vital point of departure for designers, this book turns the urban statistician′s telescopic focus on global trends inside out for a better understanding of the cultural and physical conditions that make archetypes like the Parisian Caf&É, the London High Street, the Baltic City Square, and the Mumbai Market part of the architect′s lexicon. From pavement to landscape, readers will examine how context must be taken into account at every stage in the design process. This book draws on the author′s extensive experience within complex urban settings to show how the existing fabric and social conditions can provide an essential starting point for new design, offering a framework for thinking about design responses and their relationship to cultural origins of place. Discover the importance of orientation Develop a sequential understanding of urban space Hear the dialogue between parts within a whole Differentiate the uses of formal and informal Whereas existing urban settings, particularly historic city centers, are generally regarded as limiting to architectural creativity, this book presents context as grounds for inspiration rather than constraint. When used correctly, these techniques create the feeling that a new building has always been there, simply because it "fits". Context explains the methods behind brilliant architecture, helping designers create buildings that not only belong, but can provide a catalyst to urban life.
Context and Content: The Memoir of a Fortunate Architect
by A.J. DiamondA deeply personal memoir from one of Canada’s most celebrated architects.In this personal account of A.J. Diamond’s life and work, he shares how he came to be the founder of the leading architecture firm Diamond Schmitt, one of Canada’s most successful architecture companies. He also explains his principles of design, which at their core are about making a positive impact in the world, considering the needs of the content, client, and context. Diamond gives insight into his design principles in relation to some of his most notable projects, including the Four Seasons Centre for the Performing Arts in Toronto, la Maison symphonique de Montréal, the Mariinsky II Theatre in Saint Petersburg, and the new city hall in Jerusalem. Diamond also chronicles his family ancestry, his childhood in South Africa, from his birth in his grandfather’s study in the small provincial town of Piet Retief on the borders of Eswatini (Swaziland) and Mozambique, to his university days at the University of Cape Town and Oxford — where he played rugby at the international level, scoring two winning tries for the Oxford Blues against Australia — and the University of Pennsylvania. His memoir traces his immigration to the U.S. and, eventually, Canada as well as his growing architectural practice in Toronto, where he focused on the issues facing his chosen city.
Contexts for Music Learning and Participation: Developing and Sustaining Musical Possible Selves
by Susan Hallam Maria Varvarigou Andrea CreechThis book sets out a contemporary perspective on music education, highlighting complex intersections between informal, non-formal and formal practices and contexts. At a time when the boundaries between music learning and participation are increasingly blurred, this volume is distinctive in challenging a ‘siloed’ approach to understanding the diverse international music education landscape. Instead, the book proposes a multi-layered continuum of practices that can be applied across a range of formal, informal or non-formal concepts to support the development of musical possible selves. It challenges existing conceptions of learning in music education in part by drawing on research in adult learning, but also by considering the contexts in which learning takes place, and the extent to which this learning can be classified as formal, informal or non-formal.
Contextualized Practices in Arts Education: An International Dialogue on Singapore (Education Innovation Series)
by Chee-Hoo LumThis edited book not only makes a much-needed contribution to research in arts education but also provides a strong grounding of evidential support for Singapore arts education, in contrast to the current state of affairs in arts education in many parts of the world where severe cuts in funding, lackluster support for the arts and imperialist agendas are pervasive. The case of and for Singapore - presented in this edited book through rich descriptions of the dedicated, contextualized practices of arts educators, artists and researchers - offers readers many valuable lessons and reflections on the continued survival and advancement of arts education.
Continental Films: French Cinema under German Control (Wisconsin Film Studies)
by Christine LeteuxFrom 1940 to 1944, the German-owned Continental Films dominated the French film landscape, producing thirty features throughout the Nazi occupation. Charged with producing entertaining and profitable films rather than propaganda, producer Alfred Greven employed some of the greatest French actors and most prestigious directors of the time, including Maurice Tourneur, Henri Decoin, Henri-Georges Clouzot, and Marcel Carné. Using recently opened archival documents, including reams of testimony from the épuration (purification) hearings conducted shortly after the war, Christine Leteux has produced the most authoritative and complete history of the company and its impact on the French film industry—both during the war and after. She captures the wide range of responses to the firm from those who were eager to work for a company whose ideology matched their own, to others who reluctantly accepted contracts out of necessity, to those who abhorred the company but felt compelled to participate in order to protect family members from Nazi reprisals. She examines not only the formation and management of Continental Films but also the personalities involved, the fraught and often deadly political circumstances of the period, the critical reception of the films, and many of the more notorious and controversial events. As Bertrand Tavernier explains in his foreword, Leteux overturns many of the preconceptions and clichés that have come to be associated with Continental Films. Published to rave reviews in French and translated by the author into English, this work shatters expectations and will reinvigorate study of a lesser-known but significant period of French film history.
Continental Strangers: German Exile Cinema, 1933-1951
by Gerd GemündenHundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.
Continental Strangers: German Exile Cinema, 1933-1951 (Film and Culture Series)
by Gerd GemündenHundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.
Continuing Challenges and Potential for Collaborative Approaches to Education Reform
by Nate Orr Susan J. Bodilly Rita KaramThe Ford Foundation's Collaborating for Education Reform Initiative (CERI) provided grantees with funds, guidance, and technical assistance to develop collaboratives and carry out activities to improve teaching and learning. A second effort, CERI 2, laid down a new set of goals for grantees. RAND Corporation researchers evaluated the initiative.
Continuity Supervisor
by Avril RowlandsThe Continuity Supervisor is a practical guide to the basics of continuity, designed to be of use both to the newcomer and those more experienced. Formerly titled 'The Continuity Handbook: a guide for single-camera shooting, this new edition covers the latest technological changes which affect the Continuity Supervisor. Avril Rowlands worked at the BBC for any years as a PA. She has been involved in specialised training for the television industry and major film and television colleges. Her highly acclaimed residential courses attract students from major television companies worldwide. She is also a writer and independent television producer.
Continuity With Change: Planning for the Conservation of Man-Made Heritage
by Mark Fram John Weiler"[Continuity with Change] seeks to document and demonstrate that middle positions between Change and Continuity are possible and desirable." — Canadian Architect "[Continuity with Change] is well produced with a large number of good photographs, maps, and drawings … obviously designed for a wide audience of planners and others active in heritage conservation." — The Journal of the Society for Industrial Archeology "[Continuity with Change] deserves a spot in the library of any professional who works regularly with older ubildings and their surroundings." — Plan Canada
Continuous Crochet: Create Seamless Sweaters, Shrugs, Shawls and More--with Minimal Finishing!
by Kristin OmdahlMake beautiful, seamless garments and accessories using basic crochet stitches and join-as-you-go techniques.Attention, style-conscious crocheters! Are you looking to expand your handmade wardrobe with attractive, wearable projects, using eye-catching but easy-to-make construction? Look no further! In Continuous Crochet, bestselling author Kristin Omdahl has created a stunning collection of garments and accessories--seamlessly.With Kristin's guidance, readers will learn to manipulate crochet motifs into unique garments (sweaters, cardigans, shrugs) and accessories (crochet hats, cowls, and shawls) that are as style-conscious as they are figure-flattering. And all of the pieces require minimal finishing; you can join crochet in unique and clever ways, without breaking the yarn!These innovative crochet patterns are suitable for those who are looking for beginner crochet projects as well as larger pieces. The pieces strike the perfect balance between stunning good looks and ease of technique.With Continuous Crochet, you'll never want to put down your yarn and hook!
Continuous Productive Urban Landscapes: Designing Urban Agriculture For Sustainable Cities
by Joe Howe Katrin Bohn Andre ViljoenThis book on urban design extends and develops the widely accepted 'compact city' solution. It provides a design proposal for a new kind of sustainable urban landscape: Urban Agriculture. By growing food within an urban rather than exclusively rural environment, urban agriculture would reduce the need for industrialized production, packaging and transportation of foodstuffs to the city dwelling consumers. The revolutionary and innovative concepts put forth in this book have potential to shape the future of our cities quality of life within them. Urban design is shown in practice through international case studies and the arguments presented are supported by quantified economic, environmental and social justifications.
Continuous and Integral Bridges
by Brian PritchardThis book contains the invited contributions to the 1993 Henderson Colloquium organised by the British Group of IABSE (International Association for Bridge and Structural Engineering). It provides an international review of new techniques of designing and constructing joint-free bridges - an approach which is rapidly being developed and used in man
Contra la hipermetropía: Textos reunidos
by Fernando LeónAntología de los mejores textos de Fernando León Fernando León de Aranoa ha protagonizado una de las trayectorias más exitosas del reciente cine español. Su mirada personal y el trazo humano que caracteriza sus películas han conectado con un amplio público que se identifica con el cine que huye de los grandes escenarios y se declara resueltamente en contra de la hipermetropía. En este libro se recogen textos vinculados directamente con las películas de Fernando León, escritos de muy diversa índole, de su visión del oficio de cineasta, de sus películas favoritas, de temas que le han interesado, y una escueta selección de relatos breves. Pero todos reflejan su peculiar mirada y la impronta de su singular pincelada, y ayudan a desentrañar las claves de uno de los directores más interesantes del cine español.