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Consider the Lilies
by Alfreda Oko Martin Edward MartinJapanese flower arranging has attracted a world wide following, and this book is a simple and clear introduction to the art.The first section illustrates thirty-six suggested flower arrangements with diagrams and full how-to-do-it instructions. The second part of the book explains the theory and technique of Japanese flower arrangement. The result is a book which gives an astonishing range of flower arrangements, clear explanations of how to make them at home, and an inspiring selection of devotional passages.
Considering Deweyan Cultural Naturalism as a Philosophy of Art: Restoring Continuity (Landscapes: the Arts, Aesthetics, and Education #35)
by Lauri VäkeväThis book makes a case for cultural naturalism as a basis for a philosophy of art education. It argues for a holistic approach that avoids hard boundaries between artistic disciplines in the educational context, applying cultural naturalism to challenges that are topical for the whole art(s) education field, including challenges related to ecology, social justice, and technological transformation of culture. The book is written in the form of a conditional argument that considers the consequences of cultural naturalism for today’s philosophical problem-solving in art(s) education. It contains a systematic and historical analysis of cultural naturalism that support the philosophical reflection of educators and other scholars operative in this field. The result is a late modern reading of Deweyan cultural naturalism that highlights the continuance of key philosophical ideas from the modern to present discourses. The key topics discussed are of particular interest to present-day art(s) educators: ecological sustainability, social justice, and technological transformation of culture. In addition, this book provides an example of pragmatist argumentation, suggesting an alternative to analytical and post-philosophical approaches.
Considering Doris Day: A Biography
by Tom SantopietroThe biggest female box office attraction in Hollywood history, Doris Day remains unequalled as the only entertainer who has ever triumphed in movies, radio, recordings, and a multi-year weekly television series. America's favorite girl next door may have projected a wholesome image that led Oscar Levant to quip "I knew Doris Day before she was a virgin," but in Considering Doris Day Tom Santopietro reveals Day's underappreciated and effortless acting and singing range that ran the gamut from musicals to comedy to drama and made Day nothing short of a worldwide icon. Covering the early Warner Brothers years through Day's triumphs working with artists as varied as Alfred Hitchcock and Bob Fosse, Santopietro's smart and funny book deconstructs the myth of Day as America's perennial virgin, and reveals why her work continues to resonate today, both onscreen as pioneering independent career woman role model, and off, as a recipient of the Presidential Medal of Freedom, the United States' highest civilian honor. Praised by James Cagney as "my idea of a great actor" and by James Garner as "the Fred Astaire of comedy," Doris Day became not just America's favorite girl, but the number one film star in the world. Yet after two weekly television series, including a triumphant five year run on CBS, she turned her back on show business forever. Examining why Day's worldwide success in movies overshadowed the brilliant series of concept recordings she made for Columbia Records in the '50s and '60s, Tom Santopietro uncovers the unexpected facets of Day's surprisingly sexy acting and singing style that led no less an observer than John Updike to state "She just glowed for me." Placing Day's work within the social context of America in the second half of the twentieth century, Considering Doris Day is the first book that grants Doris Day her rightful place as a singular American artist.
Considering Ethics in Dance, Theatre and Performance
by Fiona BannonThis book asks important questions about making performance through the means of collaboration and co-created practice. It argues that we can align ethics and aesthetics with collaborative performance to realise the importance of being in association with one another, and being engaged through our shared imaginations. Evident in the examples of practice visited in this study is the attention given by a number of practitioners to the development of shared, co-operative modes of creation. Here, we can appreciate ethical work as being relational, forged in association with the others as we cultivate ideas that matter.In looking at a range of work from practitioners including Meg Stuart, Rosemary Lee, Deufert&Philschke and Fevered Sleep, Considering Ethics in Dance, Theatre and Performance explores ways that we rehearse by attending to ethics, aesthetics and co-creation. In learning to listen, to observe, to co-operate and to negotiate, these practitioners reveal the ways that they bring their work into existence through the transmission of shared meaning.
Consolation: A Novel
by Michael RedhillHistorian David Hollis believes he has found a treasure of incalculable value: a trove of old photographs, the earliest pictures ever taken of a great city in its earliest days. The glass negatives, he is certain, were in a strongbox on a ship that sank in the city's harbor a century and a half earlier. That wreck, by his calculations, is beneath a landfill in the process of being excavated for a new sports arena. If construction can be halted for a search, a unique record of the city's birth might be reclaimed for all. David's quest is unfulfilled at the time of his death, and his widow, Marianne, takes up the challenge. Confronting skepticism and resistance, she learns more about Jem Hallam, the immigrant photographer whose pictures become her grail. In a masterful interweaving of two centuries, Consolation unfolds the story of Jem Hallam's life alongside Marianne's search. What brought him from England to the new and still primitive town of Toronto? Why did he leave his wife and children behind? What drove him to photograph this young metropolis in such vivid detail? Consolation moves back and forth between the stories of David's legacy and of Jem Hallam's life, revealing a mysterious connection. Nothing less than survival itself is at stake for Jem Hallam, while love and pride drive Marianne Hollis's effort to vindicate her late husband. Michael Redhill makes each element of his unforgettable story both profound and suspenseful, brilliantly illuminating how time and grief alter the contours of even the things we think we know for certain. It is the work of a writer at the top of his form.
Consolation in Medieval Narrative: Augustinian Authority and Open Form (The New Middle Ages)
by Chad D. SchrockMedieval writers such as Chaucer, Abelard, and Langland often overlaid personal story and sacred history to produce a distinct narrative form. The first of its kind, this study traces this widely used narrative tradition to Augustine's two great histories: Confessions and City of God.
Consolidated Aircraft Corporation (Images of America)
by San Diego Air and Space Museum Katrina Pescador Mark AldrichFounded by Reuben H. Fleet in 1923, Consolidated Aircraft Corporation (later Convair) became one of the most significant aircraft manufacturers in American history. For roughly 60 years, this prolific company was synonymous with San Diego. In fact, whole sections of the city were designed to provide homes for the Convair workers and their families. These men and women were responsible for building some of the most significant aircraft in aviation history, including the PBY Catalina, B-24 Liberator, F-102 Delta Dagger, as well as the reliable Atlas missile, which was vital in launching America into space. To this day, more than a decade after the company passed from the San Diego scene, tens of thousands of San Diegans still celebrate a seminal connection with Reuben Fleet, his company, and his popular slogan, "Nothing short of right is right."
Consort Suites and Dance Music by Town Musicians in German-Speaking Europe, 1648–1700
by Michael RobertsonThis companion volume to The Courtly Consort Suite in German-Speaking Europe surveys an area of music neglected by modern scholars: the consort suites and dance music by musicians working in the seventeenth-century German towns. Conditions of work in the German towns are examined in detail, as are the problems posed by the many untrained travelling players who were often little more than beggars. The central part of the book explores the organisation, content and assembly of town suites into carefully ordered printed collections, which refutes the concept of the so-called 'classical' suite. The differences between court and town suites are dealt with alongside the often-ignored variation suite from the later decades of the seventeenth century and the separate suite-writing traditions of Leipzig and Hamburg. While the seventeenth-century keyboard suite has received a good deal of attention from modern scholars, its often symbiotic relationship with the consort suite has been ignored. This book aims to redress the balance and to deal with one very important but often ignored aspect of seventeenth-century notation: the use of blackened notes, which are rarely notated in a meaningful way in modern editions, with important implications for performance.
Conspiracy: A Giordano Bruno Thriller (Giordano Bruno Mysteries)
by SJ ParrisA gripping murder mystery set in 16th-century France, as Giordano Bruno fights against multiple factions manipulating the succession of King Henry III.December 1585: King Henry III of France is the last of his line. He has appointed a Protestant as his successor, which has caused a three-way war in his country. As a result, the king is in mortal fear of a coup being orchestrated by the ultra-conservative Catholic League. Radical philosopher, ex-monk and spy Giordano Bruno, forced to return to Paris, is called upon by King Henry to unearth the motivation behind several mysterious but linked deaths. Each victim is connected to a larger plot to manipulate the royal succession; what they knew and who killed them is a mystery to be solved. Meanwhile, Bruno makes an uneasy alliance with Charles Paget, a key figure in the community of English Catholics who tried to assassinate Queen Elizabeth. When Bruno is implicated in the death of Leonie, a member of the Queen Mother's "Flying Squadron," he is forced to call on Paget and his connections for help—and finds that it comes with a price, involving an old enemy.
Conspiracy Culture: Post-Soviet Paranoia and the Russian Imagination
by Keith A. LiversContemporary Russia stands apart as one of the most prolific generators of conspiracy theories and paranoid rhetoric. Conspiracy Culture traces the roots of the phenomenon within the sphere of culture and history, examining the long arc of Russian paranoia from the present moment back to earlier nineteenth-century sources, such as Dostoevsky’s anti-nihilist novel Demons. Conspiracy Culture examines the use of conspiracy tropes by contemporary Russian authors and filmmakers including the postmodernist writer Viktor Pelevin, the conservative author and pundit Aleksandr Prokhanov, and the popular director Timur Bekmambetov. It also explores paranoia as an instrument within contemporary Russian political rhetoric, as well as in pseudo-historical works. What stands out is the manner in which popular paranoia is utilized to express broadly shared fears not only of a long-standing anti-Russian conspiracy undertaken by the West, but also about the destruction of the country’s cultural and spiritual capital within this imagined "Russophobic" plot.
Conspiracy Ideologies in Films and Series: Explanatory Approaches and Opportunities for Intervention
by Denis Newiak Anastasia SchnitzerCorona as a staged instrument of oppression, secretly kept vaccination deaths or politicians drinking children's blood: at the latest since the outbreak of the Covid 19 pandemic, conspiracy ideologies are booming and harm social peace and democratic will formation through their dogmatism. So-called conspiracy theories generate systematic distrust of legitimate political institutions and can contribute to social polarization, dangerous populism and extremist escalation. Conspiracy ideologies have always been a topic in movies and television series, as they have always dealt with the relationship between reality and illusion, truth and fiction, reality and dream, sense and madness through their cinematic means. Series and films not only serve as a discursive space for social self-understanding, but also, through their complex narratives, constellations of characters and aesthetics, offer catchy explanations for the emergence and spread of conspiracy narratives. At the same time, theymake suggestions, some of them astonishingly concrete, for dealing with such collective delusions. What can we learn from the fictional worlds of series and films for dealing with this very real contemporary phenomenon?
The Conspiracy of Feelings and The Little Theatre of the Green Goose
by Yurii Olesha Konstanty Ildefons GałczyńskiTwo outstanding examples of socialist-themed plays are combined in this remarkable volume. The Conspiracy of Feelings by Yurii Olesha (1899-1960) is based on his highly respected short novel Envy about the struggle between the old and new in Soviet society. The play, called The Conspiracy of Feelings, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state. The Little Theatre of The Green Goose was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of The Little Theatre of the Green Goose each week to Przekroj, the Cracow literary magazine. Intended for reading only, The Green Goose went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.
Constable: A Portrait
by James HamiltonONE OF THE TIMES AND SUNDAY TIMES' BEST BOOKS FOR 2022'Eye-opening and full of surprises . . . A treasure' Sunday TimesJohn Constable, the revolutionary nineteenth-century painter of the landscapes and skies of southern England, is Britain's best-loved but perhaps least understood artist.His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of colour. What we learn from his landscapes is that Constable had sharp local knowledge of Suffolk, a clarity of expression of the skyscapes above Hampstead, an understanding of the human tides in London and Brighton, and a rare ability in his late paintings of Salisbury Cathedral to transform silent suppressed passion into paint.Yet Constable was also an active and energetic correspondent. His letters and diaries - there are over one thousand letters from and to him - reveal a man of passion, opinion and discord, while his character and personality is concealed behind the high shimmering colour of his paintings. They reveal too the lives and circumstances of his brothers and his sisters, his cousins and his aunts, who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter.James Hamilton's biography reveals a complex, troubled man, and explodes previous mythologies about this timeless artist, and establishes him in his proper context as a giant of European art.
Constable: A Portrait
by James HamiltonONE OF THE TIMES AND SUNDAY TIMES' BEST BOOKS FOR 2022'Eye-opening and full of surprises . . . A treasure' Sunday Times'A biography as rich with colourful characters as any novel' TelegraphJohn Constable, the revolutionary nineteenth-century painter of the landscapes and skies of southern England, is Britain's best-loved but perhaps least understood artist.His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of colour. What we learn from his landscapes is that Constable had sharp local knowledge of Suffolk, a clarity of expression of the skyscapes above Hampstead, an understanding of the human tides in London and Brighton, and a rare ability in his late paintings of Salisbury Cathedral to transform silent suppressed passion into paint.Yet Constable was also an active and energetic correspondent. His letters and diaries - there are over one thousand letters from and to him - reveal a man of passion, opinion and discord, while his character and personality is concealed behind the high shimmering colour of his paintings. They reveal too the lives and circumstances of his brothers and his sisters, his cousins and his aunts, who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter.James Hamilton's biography reveals a complex, troubled man, and explodes previous mythologies about this timeless artist, and establishes him in his proper context as a giant of European art.
Constantine and Rome
by R. Ross Holloway"Constantine the Great (285-337) played a crucial role in mediating between the pagan, imperial past of the city of Rome, which he conquered in 312, and its future as a Christian capital. In this book, R. Ross Holloway draws on archaeological evidence to examine Constantine's remarkable building program in Rome, describing a cityscape that was at once Christian and pagan, mirroring the personality of its ruler. " "Holloway begins by examining the Christian Church in the period before the Peace of 313, when Constantine and his coemperor Licinius ended persecution of the Christians. He then focuses on the structure, style, and significance of important monuments. He discusses the Arch of Constantine, suggesting that it was begun by Constantine's predecessor Maxentius but finished, with modifications, for the new emperor. He looks at the basilicas of the Constantinian period, including St. John's in the Lateran and St. Peter's, and the imperial mausoleum and basilica at Tor Pignatara on the Via Labicana, which he contends is one of the most innovative complexes in the history of Western architecture. Holloway next surveys the Christian cemeteries of the period and reviews evidence for adaptation of pagan buildings to Christian worship. In a final chapter Holloway advances a new interpretation of the archaeology of the Tomb of St. Peter under the high altar of St. Peter's basilica. The tomb, he concludes, was not the original resting place of the remains venerated as those of the apostle but was created only in 251 by Pope Cornelius. "--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Constellation of Genius: 1922, Modernism Year One
by Kevin JacksonEzra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself.In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts,Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled."Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.
Constellations of a Contemporary Romanticism
by Jacques Khalip Forest PyleConstellations of a Contemporary Romanticism takes its title and point of departure from Walter Benjamin’s concept of the historical constellation, which puts both “contemporary” and “romanticism” in play as period designations and critical paradigms. Featuring fascinating and diverse contributions by an international roster of distinguished scholars working in and out of romanticism—from deconstruction to new historicism, from queer theory to postcolonial studies, from visual culture to biopolitics—this volume makes good on a central tenet of Benjamin’s conception of history: These critics “grasp the constellation” into which our “own era has formed with a definite earlier one.” Each of these essays approaches romanticism as a decisive and unexpired thought experiment that makes demands on and poses questions for our own time: What is the unlived of a contemporary romanticism? What has romanticism’s singular untimeliness bequeathed to futurity? What is romanticism’s contemporary “redemption value” for painting and politics, philosophy and film?
Constitution Island (Images of America)
by Ronnie Clark CoffeyRugged in beauty and rich in history, Constitution Island lies at a picturesque bend of the Hudson River, opposite West Point and north of New York City. As the location of the first fortifications built to defend American independence, it was the anchor site of the great chain, which stretched across the Hudson to impede British passage. During the 19th century, it was the home of two extraordinary sisters, Susan and Anna Warner. Raised in wealth and comfort, they struggled with their father's economic ruin during the panic of 1837. Accomplished and resourceful, they turned to writing for a living. Susan's best-selling novel, The Wide, Wide World, made her a celebrity, while her sister Anna's hymn, "Jesus Loves Me," became known around the globe. In 1916, a devoted group of friends and admirers began a volunteer organization, the Constitution Island Association, to preserve the home, gardens, and memory of the Warner sisters and their historic island.
Constructed Ecologies: Critical Reflections on Ecology with Design
by Margaret GroseToday, designers are shifting the practice of landscape architecture towards the need for a more complex understanding of ecological science. Constructed Ecologies presents ecology as critical theory for design, and provides major ideas for design that are supported with solid and imaginative science. In the questioning narrative of Constructed Ecologies, the author discards many old and tired theories in landscape architecture. With detailed documentation, she casts off the savannah theory, critiques the search for universals, reveals the needed role of designers in large-scale agriculture, abandons the overlay technique of McHarg, and introduces the ecological and urban health urgency of public night lighting. Margaret Grose presents wide-ranging new approaches and shows the importance of learning from science for design, of going beyond assumptions, of working in multiple rather than single issues, of disrupting linear design thinking, and of dealing with data. This book is written with a clear voice by an ecologist and landscape architect who has led design students into loving ecological science for the support it gives design.
The Constructed Other: Japanese Architecture in the Western Mind
by Kevin NuteThe Constructed Other argues that the assumed otherness of Japanese architecture has made it both a testbed for Western architectural theories and a source of inspiration for Western designers. The book traces three recurring themes in Western accounts of Japanese architecture from the reopening of Japan in the mid-nineteenth century to the present day: a wish to see Western architectural theories reflected in Japanese buildings; efforts to integrate elements of Japanese architecture into Western buildings; and a desire to connect contemporary Japanese architecture with Japanese tradition. It is suggested that, together, these narratives have had the effect of creating what amounts to a mythical version of Japanese architecture, often at odds with historical fact, but which has exercised a powerful influence on the development of building design internationally.
Constructed Wetlands and Sustainable Development
by Gary Austin Kongjian YuThis book explains how with careful planning and design, the functions and performance of constructed wetlands can provide a huge range of benefits to humans and the environment. It documents the current designs and specifications for free water surface wetlands, horizontal and vertical subsurface flow wetlands, hybrid wetlands and bio retention basins; and explores how to plan, engineer, design and monitor these natural systems. Sections address resource management (landscape planning), technical issues (environmental engineering and botany), recreation and physical design (landscape architecture), and biological systems (ecology). Site and municipal scale strategies for flood management, storm-water treatment and green infrastructure are illustrated with case studies from the USA, Europe and China, which show how these principles have been put into practice. Written for upper level students and practitioners, this highly illustrated book provides designers with the tools they need to ensure constructed wetlands are sustainably created and well manage
Constructing a Consumer-Focused Industry: Cracks, Cladding and Crisis in the Residential Construction Sector (Social Value in the Built Environment)
by David Oswald Trivess MooreThe old saying ‘safe as houses’ is being challenged around the world like never before. Over recent decades homeowners have experienced the devastating effects of defects like asbestos, leaky buildings, structural failings, and more recently the combustible cladding crisis. The provision of safe and secure housing is a critical starting point to ensure that social value can be delivered in the built environment. However, some of these dangerous defects have resulted in a lack of security, safety, health, well-being, and social value for households and the wider community. The problems homeowners experience go beyond the substantial financial costs for defect rectification. Too often there has been a lack of government and industry support to help the housing consumer through these issues or to prevent them from occurring to begin with. It is time for a rethink and restructure of government policy, support, and industry practices to better protect housing consumers and deliver high-quality and sustainable housing that creates social value. Through evidence-based research and international case studies, this book focuses on the effects that dangerous defects have on the housing consumer. The ongoing construction cladding crisis is used as a primary case study throughout to highlight these implications, with other previous large-scale defect examples, such as leaky buildings and asbestos. Based upon the range of emerging evidence, we propose ideas for policy makers, construction and built environment professionals, owners corporations, and households on how to move forward towards a higher-quality, sustainable, and socially valuable way of residential living. Government policy has long focused on ‘making industry work’ through building regulations and standards. It is now time for greater government and industry focus on the consumer to make ‘consumer protection work’ in the built environment. There is a need to prevent dangerous defects like combustible cladding, better support consumers when defects emerge, and to create buildings for social value rather than minimum standards. Now is the time to build a better future for the end-user.
Constructing a New Agenda: Architectural Theory 1993-2009
by A. Krista Sykes K. Michael HaysThis follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the 'starchitect' and iconic architecture—appear against a background colored by architectural theory, as it existed from the 1960s on, in a period of transition (if not crisis) that centers around the perceived abyss between theory and practice. Theory's transitional state persists today, rendering its immediate history particularly relevant to contemporary thought and practice.While other collections of recent theoretical writings exist none attempt to address the situation as a whole, providing in one place key theoretical texts of the past decade and a half. This book provides a foundation for ongoing discussions surrounding contemporary architectural thought and practice, with iconic essays by Greg Lynn, Deborah Berke, Sanford Kwinter, Samuel Mockbee, Stan Allen, Rem Koolhaas, William Mitchell, Anthony Vidler, Micahel Hays, Reinhold Martin, Reiser + Umemoto, Glenn Murcutt, William McDonough, Micahael Braungart, Michael Speaks, and many more.
Constructing a Personal Orientation to Music Teaching
by Mark Robin Campbell Linda K Thompson Janet R. BarrettConstructing a Personal Orientation to Music Teaching promotes inquiry and reflection to facilitate teacher growth, lifelong learning and a disposition toward educational change. Strongly grounded in current theories and research in teacher education, the text engages readers in analyzing their own experiences in order to conceptualize the complexity of teaching; involves them in clarifying their reasons for seeking a career in teaching; supports their insights, questions, and reflections about their work; and promotes a reflective, critical attitude about schools in general as teachers are urged to think of themselves as change agents in school settings.
Constructing a Place of Critical Architecture in China: Intermediate Criticality in the Journal Time + Architecture
by Guanghui DingFor the past 30 years, The Chinese journal Time + Architecture (Shidai Jianzhu) has focused on publishing innovative and exploratory work by emerging architects based in private design firms who were committed to new material, theoretical and pedagogical practices. In doing so, this book argues that the journal has engaged in the presentation and production of a particular form of critical architecture - described as an ’intermediate criticality’ - as a response to the particular constraints of the Chinese cultural and political context. The journal’s publications displayed a ’dual critique’ - a resistant attitude to the dominant modes of commercial building practice, characterised by rapid and large-scale urban expansion, and an alternative publishing practice focusing on emerging, independent architectural practitioners through the active integration of theoretical debates, architectural projects, and criticisms. This dual critique is illustrated through a careful review and analysis of the history and programme of the journal. By showing how the work of emerging architects, including Yung Ho Chang, Wang Shu, Liu Jiakun and Urbanus, are situated within the context of the journal’s special thematic editions on experimental architecture, exhibition, group design, new urban space and professional system, the book assesses the contribution the journal has made to the emergence of a critical architecture in China, in the context of how it was articulated, debated, presented and perhaps even ’produced’ within the pages of the publication itself. The protagonists of critical architecture have endeavoured to construct an alternative mode of form and space with strong aesthetic and socio-political implications to the predominant production of architecture under the current Chinese socialist market economy. To rebel against certain forms of domination and suppression by capital and power is by no means to completely reject them; rather, it is to use thos