- Table View
- List View
African Americans in Memphis (Images of America)
by Earnestine Lovelle JenkinsMemphis has been an important city for African Americans in the South since the Civil War. They migrated from within Tennessee and from surrounding states to the urban crossroads in large numbers after emancipation, seeking freedom from the oppressive race relations of the rural South. Images of America: African Americans in Memphis chronicles this regional experience from the 19th century to the 1950s. Historic black Memphians were railroad men, bricklayers, chauffeurs, dressmakers, headwaiters, and beauticians, as well as businessmen, teachers, principals, barbers, preachers, musicians, nurses, doctors, Republican leaders, and Pullman car porters. During the Jim Crow era, they established social, political, economic, and educational institutions that sustained their communities in one of the most rigidly segregated cities in America. The dynamic growth and change of the post-World War II South set the stage for a new, authentic, black urban culture defined by Memphis gospel, blues, and rhythm and blues music; black radio; black newspapers; and religious pageants.
African Americans in Nacogdoches County (Images of America)
by Jeri MillsTypical of most communities after the Civil War, Nacogdoches's African Americans had to repurpose their lives by building their own communities while they carved a life of survival first and progress second. The images in this book will tell the stories of the first churches and how they became the center of the community. Other images will share information about the early leaders in the community who helped establish educational facilities for "Negroes." Additional images focus on black businesses, and a final set of images will discuss the emerging black middle class and others who played significant roles in Nacogdoches history. Readers of this book will go on a journey, through images, that highlights residents' pains of struggles and gains of triumph.
African Americans in Pittsburgh (Black America Series)
by Carnegie Museum of Art Pittsburgh Courier John M. Brewer Jr.African Americans in Pittsburgh chronicles the distinct trends in this African American community. There was never one centralized neighborhood where a majority of the black population lived, and city schools were integrated until after desegregation laws were passed. Photographs captured by famed Pittsburgh photographer Charles "Teenie" Harris show the candid experiences of residents, including the achievements and celebrations of people struggling to put scraps of food on the table.
African Americans in Radio, Film, and TV Entertainers (Major Black Contributions from Emancipat)
by Linda J. ArmstrongThis book is filled with fascinating stories, from the night a shy young woman's play changed Broadway to the day the most successful talk show host in history got her start. Find out about the stage actor who once earned letters in four college sports--and who won academic honors, too. Follow the triumphs and disappointments of some of the most famous black entertainers in our nation's history. Rediscover great personalities who have been forgotten. And learn about how the roles of black performers both changed with and helped changed American society.
African Americans in Rutherford County (Images of America)
by Devora E. ButlerAfrican Americans have heavily contributed to and shaped the unique and vibrant Rutherford County in middle Tennessee. Located 30 miles southeast of Nashville, Rutherford County is at the state's geographical center. This area is home to the Stones River National Battlefield, a national park that was the site of a major Civil War battle--the Battle of Stones River. Tourists come from all over the world to experience this rich cultural and historic venue that once served, although briefly, as the capital of Tennessee. African American men and women have lived, worked, and toiled here for generations.
African Americans of Alexandria, Virginia: Beacons of Light in the Twentieth Century (American Heritage)
by Christa Watters James E. Henson Sr. Audrey P. Davis Gwendolyn Brown-Henderson Char McCargo BahSitting just south of the nation's capital, Alexandria has a long and storied history." "Still, little is known of Alexandria's twentieth-century African American community. Experience the harrowing narratives of trials and triumph as Alexandria's African Americans helped to shape not only their hometown but also the world around them. Rutherford Adkins became one of the first black fighter pilots as a Tuskegee Airman. Samuel Tucker, a twenty-six-year-old lawyer, organized and fought for Alexandria to share its wealth of knowledge with the African American community by opening its libraries to all colors and creeds. Discover a vibrant past that, through this record, will be remembered forever as Alexandria's beacon of hope and light.
African Americans of Davidson County (Images of America)
by Tonya A. LanierAfrican Americans were present in Davidson County long before it was officially formed from Rowan County in 1822. The exact time or place of settlement remains in question. They served not only in the stereotypical roles of farm laborers and house slaves but also as skilled traders, blacksmiths, furniture makers, and artisans. From Petersville, Southmont, Thomasville, Midway, Lexington, Belltown, Reeds, Churchland, and tiny areas in between, great men and women found a sense of stability. They made a life out of the scraps that were left behind. This collection of historical photographs is a textured look at African Americans in Davidson County. Images of community notables like A. B. Bingham, Charles England, Rev. A. T. Evans, and Etta Michael White and iconic structures like St. Stephen United Methodist Church, Dunbar High School, and the Hut, these photographs weave together stories that outline the African American journey.
African Americans of Durham County (Images of America)
by Andre D. VannDurham County, North Carolina, once called the “Chicago of the South” and the “Capital of the Black Bourgeoisie,” has long occupied an important place in the hearts and minds of those who called Durham County home. African Americans have played a vital role in the growth and development of the region over the years, from antebellum times to Reconstruction to the Civil Rights era and in the present. The African American citizens of this historic Tar Heel county share an impressive story marked by determination, economic achievement, and resilience, and they have made a difference in all walks of life—educational, religious, civic, and commercial. This pictorial history reflects upon the rich and vibrant role that African Americans played in the area following emancipation. In its earliest stages, residents in such neighborhoods as Hayti, Hickstown, Crest Street, Pearsontown, the West End, the East End, and Walltown each created sturdy surviving communities that have shaped Durham.
African Americans of Durham & Orange Counties: An Oral History (American Heritage)
by Anthony Wilson Jean BolducDurham and Orange Counties have vibrant and active African American communities. Throughout the region's unjust past, generations have shown extraordinary strength and resolve. Floyd McKissick became the first African American student at the University of North Carolina School of Law after Thurgood Marshall argued for his admittance in court. The struggle for civil rights in Durham shaped the poetry of Jaki Shelton Green, one of the state's most esteemed wordsmiths. More recently, local leaders such as Michelle Johnson find the work of equality is far from over. Journalist and writer Jean Bolduc reveals the voices of Durham and Orange County African Americans in a series of inspirational oral histories.
African Americans of Galveston (Images of America)
by Tommie D. Boudreaux Alice M. GatsonIn the 19th century, Galveston shores were a gateway for immigrants to Texas and destinations beyond. Slaves, the forced immigrants, were brought to Galveston as property for sale. The largest slave trade operation in Galveston was implemented by Jean Laffite, a pirate. His slave trade business began around 1818. However, for the most part, slaves entering the port of Galveston were destined for other Texas cities and other states. Images of America: African Americans of Galveston presents the community life and accomplishments of Galveston slaves, the descendants of slaves, and descendants of those who migrated to Galveston after the Civil War. The book celebrates Galveston's African American culture from the 1840s to the 1960s.
African Americans of Giles County (Images of America)
by Carroll Van West Tonya M. Hull Carla J. JonesGiles County was founded on November 14, 1809, and is known as the land of milk and honey. The county is home to over 30 National Register properties, Civil War skirmish sites, a varied cultural heritage, and intersecting Trail of Tears routes (Benge's and Bell's). It is also the beginning place for many well-known African Americans, such as noted architect Moses McKissack, founder of McKissack and McKissack. Giles County is a place where many ancestral lineages return home to their roots for research or to discover their rich African American history and heritage.
African Americans of Houston (Images of America)
by Ronald E. GoodwinTexas is a Southern state, and in many ways, Houston is a typical Southern city. While Houston did not experience the types or degrees of racial violence found in other Southern cities during the Jim Crow era, black Houstonians nonetheless found themselves often relegated to the margins of society. For decades there were two distinct Houstons: one white and the other black. However, Houston's black community created businesses that flourished and schools that educated children and developed a culture that celebrated the accomplishments of their parents while eagerly anticipating the accomplishments of future generations. Images of America: African Americans of Houston captures the many facets of black Houston. From churches to nightclubs; city parks to city hall; and political giants Barbara Jordan, Mickey Leland, and Sheila Jackson Lee to the driving beats of Archie Bell and the Drells, the Ghetto Boys, and Beyoncé, black Houston is alive with a determination that past injustices will never dampen the future opportunities for greatness.
African Americans of Jefferson County (Images of America)
by Inc. Sen. Robert Byrd Jefferson County Black History Preservation SocietyJefferson County can proudly claim a large number of firsts when it comes to African Americans in national history. The raid to free slaves that served as a catalyst for the Civil War was led by abolitionist John Brown in Harpers Ferry. The first man wounded in the rebellion was Heyward Shepherd, a free African American and a Jefferson County resident. Pres. Abraham Lincoln appointed Jefferson County native Martin Robison Delany as the first African American field officer of the Civil War. In 1906, the Niagara Movement, forerunner to the National Association for the Advancement of Colored People (NAACP), held its first meeting on American soil on the Storer College campus. The first woman to become the coach of a men's college basketball team was also an African American from Jefferson County. Additionally, the Colored Horse Show held in Charles Town was the first of its kind for African Americans.
African Americans of Lower Richland County (Images of America)
by Deborah Scott Brooks Marie Barber AdamsLower Richland County encompasses approximately 360 square miles in the heart of South Carolina's geographic center. The Wateree River cradles it to the east, and the Congaree River borders the south and southwest. Virginia settlers discovered this rich land over 250 years ago. They became wealthy planters and accumulated large land tracts, creating plantation systems that sustained the economy. From 1783 until 1820, cotton was the principal cash crop, and the slave population increased tremendously and played a vital role in the development of agriculture and the economy in the area.
African Americans of Monterey County (Images of America)
by Jan Batiste AdkinsPeople of African heritage have traveled to Monterey since the 1770s, when African Spaniard Alexo Nino, a ship's caulker, traveled with Fr. Junipero Serra to Monterey via the San Antonio. For centuries since Nino, black men and women migrated to the Monterey Bay area in search of a new life. In the 20th century, some African Americans established businesses, bought homes, and encouraged family members and friends to settle in Monterey County. Others pursued military careers. Out of these communities came churches, schools, service organizations, and social groups. For the next century, the history of Monterey County's African American communities have mirrored the nation's slow progress toward integration with triumphs and setbacks that have been captured in images of employment opportunities, churches, business successes, and political struggles.
African Americans of New Orleans (Images of America)
by Phoenix Savage Turry FluckerEnslaved Africans and free people of color of Louisiana deserve the title of "Founding Fathers" just as much as the French, the Spanish, and the Americans. In spite of their subjugated role as slaves, African Americans of Louisiana, and subsequently New Orleans, were contributors to the success of the state and the city far beyond their role within the labor force. Imported into the Louisiana Territory by John Law's Company of the Indies, enslaved Africans, fed on a pound of corn a day, gave birth to American figures of the 19th and 20th centuries. Mahalia Jackson, Louis Armstrong, Homer Plessy, Marie Laveau, Buddy Bolden, Julies Lion, Alice Dunbar-Nelson, the fighting men of the Louisiana Native Guard, Ernest "Dutch" Morial, and many other African Americans contributed to the growth and development of New Orleans. Every African American citizen of New Orleans is intrinsically connected to the city's cultural and political landscape.
African Americans of Round Top (Images of America)
by David CollinsRound Top's African American pioneers came into Texas in 1825 when Stephen F. Austin brought in 300 Anglo-Americans, and the people they enslaved, for the purpose of colonizing the area. Soon afterward, more slaves were bought in from other slaveholding states. After the Civil War ended, the descendants of these original Round Top pioneers began building their own community. Many earned money by toiling away in the cotton fields for the very men who had once enslaved them. Others earned money working as cowboys, washerwomen, barbers, or blacksmiths. In 1867, the group founded the Concord Missionary Baptist Church as a communal space for them to come together and pool their resources to buy their own land, build their own homes, and hire teachers, which led to the creation of the Concord Missionary Baptist Church Colored School. For generations, this school successfully educated freedmen, their children, and their descendants before finally closing its doors due to desegregation. Despite many challenges, they overcame obstacles that grew into a prosperous community.
African Americans of Tampa (Images of America)
by Ersula Knox OdomTampa has a fascinating past that has been wonderfully documented with one exception: African Americans. This culturally rich community is virtually invisible in the eyes of history. Tampa's population exploded during the early 1900s, and the building boom universally required the skills and talents of African Americans, who provided services, labor, and entrepreneurship in a massive form. They played significant roles in everything from Tampa's wilderness era to its boomtown years and were key players in the first and second Seminole Wars with their Seminole alliance. African American soldiers captured Fort Brooke during the Civil War and fought in the Spanish-American War. Residents have endured Jim Crow, desegregation, and racial unrest yet thrived as entrepreneurs. Black Cubans, as part of the greater African American community, enabled Tampa's world-renowned cigar industry. The photographs found in this volume clearly illustrate Tampa's social and productive African American community.
African Americans of Wichita (Images of America)
by The Kansas African American MuseumThe African American community of Wichita is as old as the city itself, dating back to early pioneers, cowboys, and business figures. Once relatively integrated, Wichita became more segregated as the 20th century unfolded. In response, African Americans developed a lively neighborhood downtown with its own businesses, churches, schools, and organizations. World War II brought new populations to work in the aircraft industry and set the stage for profound changes. In the 1950s, a younger generation of leaders challenged racism and discrimination, unleashing a period of change that was both hopeful and painful. In recent years, the African American community has become more complex, with generations of established families joined by recent transplants, emigrants from Africa, and children of mixed marriages. While challenges remain, African Americans are more visible than ever before in local life, evident in politics, business, sports, and education.
African Appropriations: Cultural Difference, Mimesis, And Media
by Matthias KringsWhy would a Hollywood film become a Nigerian video remake, a Tanzanian comic book, or a Congolese music video? Matthias Krings explores the myriad ways Africans respond to the relentless onslaught of global culture. He seeks out places where they have adapted pervasive cultural forms to their own purposes as photo novels, comic books, songs, posters, and even scam letters. These African appropriations reveal the broad scope of cultural mediation that is characteristic of our hyperlinked age. Krings argues that there is no longer an "original" or "faithful copy," but only endless transformations that thrive in the fertile ground of African popular culture.
African Art and Agency in the Workshop
by Till Förster Sidney Littlefield KasfirThe role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency from the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent.
African Art and the Colonial Encounter: Inventing A Global Commodity (African Expressive Cultures)
by Sidney Littlefield KasfirFocusing on the theme of warriorhood, Sidney Littlefield Kasfir weaves a complex history of how colonial influence forever changed artistic practice, objects, and their meaning. Looking at two widely diverse cultures, the Idoma in Nigeria and the Samburu in Kenya, Kasfir makes a bold statement about the links between colonialism, the Europeans' image of Africans, Africans' changing self representation, and the impact of global trade on cultural artifacts and the making of art. This intriguing history of the interaction between peoples, aesthetics, morals, artistic objects and practices, and the global trade in African art challenges current ideas about artistic production and representation.
African Art as Philosophy: Senghor, Bergson, and the Idea of Negritude
by Souleymane Bachir DiagneThis critically acclaimed study offers a distinct, incisive look at how Senegalese philosopher Senghor sees in African art the most acute expression of Bergson&’s philosophy.Léopold Sédar Senghor (1906–2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy, Souleymane Bachir Diagne uses a unique approach to reading Senghor&’s influential works, taking as the starting point for his analysis Henri Bergson&’s idea that in order to understand philosophers, one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his primordial intuition is that African art is a philosophy.To further this point, Diagne looks at what Senghor called the &“1889 Revolution&” (the year Bergson&’s Time and Free Will was published), as well as the influential writers and publications of that period—specifically, Nietzsche and Rimbaud. The 1889 Revolution, Senghor claims, is what led him to the understanding of the &“Vitalism&” at the core of African religions and beliefs that found expression in the arts.
African Art in Motion
by Robert Farris ThompsonThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
African Art, Interviews, Narratives: Bodies Of Knowledge At Work (African Expressive Cultures)
by Carol Magee Joanna GrabskiJoanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art.